Music Trade Review

Issue: 1922 Vol. 74 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NEW YORK, JUNE 10, 1922
OLD SONGS REVIVED
INTENSIVE FEIST CAMPAIGN
LISTING RADIO STATIONS
"My Gal Sal" in Good Demand, Due to Use by
Famous Orchestras
Strong Drive Being Made on Several Songs in
the Catalog of That Company
American Society of Composers Receives List of
Broadcasting Stations
The old favorites revived from time to time
create for themselves a most unlooked-for and
substantial sale. Recently there was featured by
such orchestras as Paul Whiteman's, Vincent
Lopez, Paul Specht and Mai Hallett the Paul
Dresser composition, "My Gal Sal." Each or-
chestra, of course, arranged the number according
to its own most modern conception and inter-
pretation as a dance. Some do it with the full
swing and rhythm of the entire orchestra, while
Mai Hallett introduces a cornet solo, which is
very effective.
The Edward B. Marks Music Co. is publish-
ing the number with a fox-trot arrangement and
it is having an active sale.
;;
The plans of Leo Feist, Inc., are the most
intensive ever arranged by that organization.
"Stumbling" and "Three O'Clock in the Morn-
ing" will continue to be exploited and activities
will be carried out on "Georgia," "Swanee River
Moon," and "People Like Us."
One of the new songs recently added to the
Feist catalog is a ballad entitled "Why Should
1 Cry Over You?" which will receive immediate
attention and the song, "Wake Up, Little Cxirl,
You're Just Dreaming," will also be featured.
Washington authorities arc furnishing the
American Society of Composers, Authors and
Publishers with a list of radio broadcasting sta-
tions to assist the society in notifying them that
the broadcasting of popular songs constitutes a
public performance for profit, subject to prose-
cution by the copyright owners unless licensed
and granted such privilege. It is estimated there
are over 150 broadcasting stations in this
country, a licensing arrangement with each of
which should net the authors, composers and
publishers considerable revenue.
;
SOME GOOD NUMBERS
Marks Music Co. Issuing Numbers of Genuine
Musical Merit
The Edward B. Marks Music Co. recently
adopted the slogan "Real Music" and, to substan-
tiate its claim as publisher of such, has featured
such numbers as "The Parade of the Wooden
Soldiers," the song success in the Russian play,
"Chauve Souris"; "No Use Crying," which is
featured by numerous leading orchestras; "Jolly
Peter" (known in Europe as "Brummel Petrus");
"Sal-O-May," a fox-trot, which had its original
success also in Europe, and "The Little Red
School House."
GRAINGER ESTATE IS $1,000,000
Mother
of Famous Pianist Leaves
dollar Estate to Son
Songwriters were astounded this week to read
a headline in a professional paper which said
"$850,000 for Lyric." However, a perusal of the
story showed it was a purchase of the Lyric
Theatre, Cincinnati, by the Fox Film Corp.,
which makes some difference.
Aggregation of Russian Singers to Be Heard in
New York This Fall
Percy Grainger, pianist composer, is the sole
heir of his mother's estate and by the terms of
her will comes into approximately $1,000,000.
His mother, Mrs. Rosa Annie Grainger, fell out
of a twentieth-story window of the Aeolian Build-
ing last April. The will was filed in White Plains
last week.
In the will Mrs. Grainger set forth that "in the
event of my son's death or in case we both died
under such circumstances that it cannot be de-
termined which one of us died first," she gave her
musical property rights, manuscripts, composi-
tions and copyrights and royalties that she might
inherit from her son to Cyril Scott, the English
composer.
RETURNS FROM MIDDLE WEST
LYRICS ^ND LYRICS
UKRAINIAN CHORUS COMING
Million-
Max Rabinoff will bring to America for open-
ing in October the Ukrainian National Chorus, a
South Russia singing group of about fifty voices,
said to be the most perfect ensemble organization
yet heard. The chorus is under the direction of
Alexander Koschetz, a composer, and includes
several noted song birds of the Petrograd Im-
perial Opera.
The Ukrainian Chorus is due to open at the
Hippodrome for a Sunday concert this Fall.
NEW SONG RELEASED
The Ell & EH Publishing Co., Superba Thea-
tre Building, Los Angeles, Cal., has released a
new song, entitled "Are You Playing Fair?" This
is the work of Harry R. Cohen, writer of "Can-
adian Capers" and "Why, Dear?"
Louis Cohn, sales manager of S. C. Caine, Inc.,
recently returned to the New York offices of the
Harry and Mabel Pearl, formerly of the Pitts-
company after an extensive trade trip through
Middle West territory. He reports conditions burgh office of Irving Berlin, Inc., have joined
in the music business as showing an appreciable the staff of the professional department of the
same firm at the New York office.
improvement.
MR. DEALER! These Numbers Are Advertised
LONESOME MAMA BLUES
From Coast to Coast
SUPPOSE THE ROSE WERE YOU
By the Composer who wrote "Dangerous Blues."
The feature song of the biggest Blues and Jazz
singers, and the orchestra favorite Fox Trot.
By Lucien Denni. He wrote "Starlight Love.
Kitty Gordon's knock-out Hit.
Hundreds of other acts using it.
Make Your Profit—Have Them in Stock!
OTHER BIG SELLERS
12TH STREET RAG—Song
DANGEROUS BLUES
12TH STREET RAG—Instrumental
MANILA MEMORIES
KISS ME DEAR
J. W. JENKINS' SONS MUSIC CO.
Kansas City, Mo.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JUNE 10, 1922
THE
MUSIC TRADE
REVIEW
TWO LIVE SONG MEN
PREDICTS NEW STYLE OF MUSIC
Clyde Freeman and Harvey Orr Snapped in
Happy Mood
Musical Comedy Composer Says Jazz Will Be
Supplanted by a Distinctly New and Charac-
teristically American Type of Dance Music
PORTLAND, ORE., June 3.—Herewith are shown
Clyde Freeman, manager of Remick's Song Shop,
Portland, and Harvey Orr and his famous smile.
Orr is traveling representative for Sherman,
Evolution of a distinctive style of American
dance music, which will be as characteristically
American and typical of American composers who
write music adaptable to the social dance as was
the waltz music characteristic of the Viennese
school, is the dream of Leo F. Reisman, whose
trio is Dearie," Charles Dillingham's musical comedy
at the Globe Theatre.
The complete downfall of jazz is predicted by
Reisman, who says:
"It is probable that Americans, because of
their racial characteristics, will always favor a
dance written in the more vigorous four-beat
time to the more deliberate three-beat or waltz
music. The modern jazz is built on an empha-
sis of rhythm. The American ideal should be
music in which the rhythm is subtle, not marked,
and in which the melody is the important thing.
Americans dance socially largely from a desire
Clyde Freeman and Harvey Orr
Clay & Co. The picture was taken on his re- for relaxation, and therein lies another danger
cent trip in Oregon territory and the snapshot to a continued vogue of the more radical types
of the pair shows the perfect harmony that exists of music. Jazz music is loud, inharmonious and
between the firm of Jerome H. Remick & Co. and lacking in contrast—in short, tiresome. More
rest will be found in music abounding in melody,
Sherman, Clay & Co.
Harvey Orr spent a week in Portland, having played softly so that contrasts are possible in
just completed a five months' tour of the United the climaxes without invoking the aid of a fog-
States, going as far East as Detroit, Mich., and horn or a string of cowbells.
South to New Orleans. Before he returns to
"In the modern jazz orchestras the strings, al-
headquarters in San Francisco he will visit Ta- ways the essential of ensemble playing if one
coma, Seattle and Spokane, Wash., and Van- would develop the real possibilities of any score,
couver, B. C.
have been neglected to introduce instruments
Among the numbers Me Orr has with him producing a volume of sound.
and which he is featuring are: "Won't You Be
"I was asked the other day to give an ideal
Sorry?", "I Wish I Knew," just published, and combination of ten pieces for playing the best
Herb Brown's "The Sneak."
dance music, and I included four violins and a
string bass. My other instruments would be a
piano—really a stringed instrument—two saxo-
CORRECTING COPYRIGHT CHAOS
phones, a trumpet and drums. It will be noted
President Issues Proclamation Extending Copy- that this combination does not include a clarinet
or a trombone, and I would not allow my drum-
right Benefits to Austria
mer to use any of the whistles, bells, horns, cocoa-
nut shells or crash cymbals now in favor.
WASHINGTON, D. C, June 5.—President Harding
"It is worthy of note that 'Good Morning,
has issued a proclamation through the Depart-
ment of State extending the benefits of the Copy- Dearie,' has succeeded without jazz and without
right Act of December 18, 1919, to all citizens of startling effects, and that Mr. Kern has built the
Austria, thereby taking the first step to adjust catchy popular music' entirely, upon the impor-
the copyright muddle affecting plays and books tance of melody, rather than rhythm, and all of
which has resulted from the war. No action has it is ideally written for the most delightful danc-
been officially taken as yet, however, in regard ing."
to copyright with Germany, Hungary, Russia
McGOWAN WRITES MUSICAL FARCE
and the new European countries, Poland and
Czecho-Slovakia.
Jack McGowan, who is appearing in "The Rose
By the provisions of the President's proclama- of Stamboul" at the Century Theatre, New York
tion all plays, books and music written and pub- City, has written a musical farce in collabora-
lished and produced by Austrian citizens during tion with Anatole Gousha, entitled "Be Yourself."
wartime are subject to copyright now, whereas The music has been composed by Charles Ros-
before the proclamation was issued this was not so ff, a young Russian-American. The piece,
the case. A large number of Austrian plays and which is in three acts, will be produced next
music compositions which had been bought or season.
pirated during the war for production hrre are
affected by this ruling. However, the proclama-
POLLY DAMROSCH TO GO ON STAGE
tion does not work retroactively in regard to the
liability of managers who produced these plays
Polly Damrosch, daughter of Walter Dam-
for royalties. It will be impossible for an Aus- rosch, the conductor of the New York Sym-
.trian author or composer to claim legally royal- phony Society, is going to become a professional
ties on any work of his that was produced here actress. Miss Damrosch as a member of the
up to May 29, the date of the President's procla- Junior League has taken part in amateur theatri-
mation.
cals here for several seasons, and has shown
The copyright situation as it affects Germany marked talent.
is very much complicated by the fact that a large
number of patented articles are alleged to have
PROCTOR WITH HAROLD FLAMMER
been pirated by both Germans and Americans
. during wartime when there was no protection for
David Proctor, composer and pianist, who
patented and copyrighted works. It is expected wrote "Drowsily Come the Sheep," a slumber
that there will be a great many suits brought over song, and "The Little Clock," a novelty for
these infringements and officials of the State De- the piano, has joined the staff of Harold Flam-
partment are trying vainly to see some way out mer, Inc.
o ( . the muddle that has resulted.
"Doves," an elaborate musical sketch with a
Herbert Keit, brother of Joe Keit, secretary of well-known cast, will shortly be seen on the
Jerome H. Remick & Co., recently underwent an B. P. Keith vaudeville circuit. The book and
operation for appendicitis. At last reports he lyrics are by Will Hough and the music is by
was doing well.
J. Fred Coots.
141
SONGS THAT SELL
Irving Berlin's Latest,
Greatest Song Hit
Some Sunny Day
Granny
You're My Mammy's Mammy
Tuck Me to Slee£ In My Old
'Tucky Home
Poor Little Me
You Can Have Every Light On Broadway
(Give Me One Little Llaht at Home)
Klcky-Koo-
-Klcky-Koo
You lor Me—Me for You
Lonesome Hours
I Wonder Where He Went
And When He's Coming Back Blues
I
Universal Dance Folio No. 2
Say It With Music
From
the Musk
Box Revue
Everybody Step
From t h * Muilo Box lUvut
They Call It Dancing
From the Muile Box Revut
The Melody Song Hit oJ the Year
Just a Little Love Song
IRVING BERLIN, Inc.
1607 B r o a d w a y ,
New York
IRVING BERLIN IN BERLIN, GERMANY
Noted Songwriter States That Europe Is Jazz-
ing to American Syncopation
"Every country in Europe is jazzing to Ameri-
can syncopation," said Irving Berlin after he had
visited the night cafes of the German capital, ac-
cording to a dispatch from Berlin, Germany, ap-
pearing in the New York Herald. The American
jazz writer arrived with Hassard Short, also from
Broadway, New York. They are here to buy the
stage effects for the Kreisler play, which has at-
tracted much attention because of its lighting ef-
fects and the fact that the presentation takes place
on four stages at once.
Berlin also wants to buy a police dog, but
jazz remains his chief concern. "I don't say that
Europe is stealing United States' stuff," said
Berlin, "but the effect is apparent everywhere.
The adoption of American dances has proved this.
1 haven't been to this town named after me since
1911, but it looks as good as ever.
"Say, have they got 'Say It With Music' here?"
he asked suddenly.
"No? Then I'll do some business."
JEROME H. REMICK IN NEW YORK
Jerome H. Remick, president of Jerome H.
Remick & Co., was a recent visitor at the New
York offices of his company, where he held a
series of conferences mapping out the Sum-
mer campaign on the Remick catalog.
The McKinley Music Publishing Co., of New
York and Chicago, has released a new waltz bal-
lad by E. Clinton Keithley and Jeannette Dur-
yea entitled, "When You Long for a Pal Who
Would Care."

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