Music Trade Review

Issue: 1922 Vol. 74 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE MUSIC TRADE REVIEW
Tv4ee, wavdownirp-on that South Sea
Isle,
Seems 1 hear you. a l l - i n g
JANUARY 7,
1922
me,
]ss Gilda Grays Sensation* Success
ASK TO
HEAR IT
CHAIN STORES CANNOT HURT THE PROGRESSIVE DEALER
S. Ernest Philpitt Points Out the Advantages That Music Dealers Possess Over the Chain Store
Sheet Music Department—Why Former Propositions of This Kind Have Failed
During the past six months there have appeared in this
department several news items and one extended article on
the question of the various chain stores which contemplate
opening, during the year 1922, hundreds of retail estab-
lishments which will distribute sheet music, talking machine
records and player rolls. The article below, hy S. Ernest
I'hilpitt, president of the National Association of Sheet
Music Dealers, considering the fact that he at present
operates three stores and for a number of years was the
active head of a chain of sheet music departments, is par-
ticularly apropos.—Editor's Note.
Doubtless, some of the stores at present pro-
posed have as their main and true purpose the
issuing and disposing of stock and since Bar-
num's quotation of "one every minute" is true
some may get away with it, but how many will
actually become active is a question.
In the meanwhile the legitimate music estab-
Well-organized music departments need have lishment where music is featured and handled by
no fear of the many contemplated chain stores experienced and capable help will hardly have
which are announced to open during the year cause for alarm, particularly so as these newer
1922. Many of these are, undoubtedly, "on paper organizations will hardly attempt to carry an
only," and the his- extensive stock, contenting themselves with the
tory of chain-store sale of numbers that may be turned over rapidly.
activities would tend So the legitimate sheet music dealer's custom-
to show that t h e ers who come to him for issues that cannot be
others will make lit- obtained elsewhere can, certainly, with courteous
tle or no inroads on treatment, be held by the dealer as they have
the business of the been heretofore.
legitimate sheet mu-
A Trying Period -
sic dealer.
The present, however, is a trying period, to
After all, it requires say the least, for all interested in our industry,
experience to suc- particularly those who have real investments at
cessfully conduct a stake. The adjustment of prices by publishers
music establishment have been many, and quite a few far from satis-
and a review of the factory, the new schedules giving some little
many attempts in the relief only. Profits on the reprints have been
past to control any cut and this is especially true of books. Also
S. E. Philpitt
great n u m b e r of net books and sheet music as at present ad-
music establishments has proved rather costly vanced represent a far larger investment to be
to the promoters and for the most part disas- carried by the dealer. It constitutes a burden
trous in the end. Unless chain organizations in itself. The period of discounts has been
have been able to use such departments as ad- shortened, transportation has increased, rents are
vertising adjuncts for outside or publishing in- higher and salaries are very much so, yet our
terests they have almost invariably been short- salesmen must live and prosper if we are to be
lived.
successful as dealers.
If the music publishers having experience in
Now comes this big question, "How can we
this line would give to the trade their experiences cut our operating expenses to more nearly equal-
the results would doubtless be a revelation and ize our former standards?" With all this the
tell an amazing story of hardships and financial average dealer certainly has a problem upon
losses, involving substantial figures.
his hands. Usually the first and easiest item to
Of particular importance in successfully con- cut is singled out as salaries, but this will prove,
ducting a retail sheet music establishment are and always has proved, disastrous. A dealer
the clerks who are successfully developed at must not cut salaries until last, if at all—not un-
great cost. They do not "just happen" and it til every other leak has been stopped and every
is next to impossible at this or any other time thought given to saving in other directions.
to coax an experienced music man to leave one
If the retailer feels that by greater co-opera-
city for another. Hence, new enterprises try to tion from his clerks he can save much lost mo-
develop a force out of raw material and as a tion and carry on his business more efficiently it
result they usually select a professional musi- would be well for him to call his employes to-
cian, who knows all about music, but rarely has gether and have a heart-to-heart talk, taking
any conception of the commercial side of his them somewhat into his confidence, giving them
work. These men go in for lavish advertising an idea of what his overhead is, and ask for
and take on expenditures that fairly swamp their greater co-operation and, possibly, by speeding
efforts, until the auditors are finally called in to up on retail work, have greater efficiency. The
save something from the wreckage. Immediately dealer may be able with the same force to create
a change in management is ordered, and so it additional sales without additional cost.
goes, from bad to worse, until they are closed up
Also the windows of the store should be
or go into bankruptcy.
given greater attention. These are, after all, "the
At least, so far, never has a large chain been eyes of your business." Do they properly re-
developed successfully. The reason is the in- flect the same as they should?
ability to secure men who are well seasoned to
Specialize by creating greater sales on goods
head the enterprise or the various units. With- without using hits. This can prove a big item
out such a directing head failure is sure.
and if the dealer is in a position to create sales
^
? wrong
with ani/'Jeist song "
of any proportion he can do so upon publica-
tions upon which publishers will be only too
willing to give him special prices. Attention
should also be given to the musical shows and
numbers used by vaudeville acts, in addition to
those programmed by well-known artists. This,
where the dealer takes advantage of such activi-
ties, helps measurably in creating sales for
operatic and classic numbers. Tie your music
department up with every such activity and do
not overlook the great creative power of the
Victor and other well-known records or rolls,
which are issued monthly. Let this latter be a
special period for arousing enthusiasm and in
that way let your customers know that you have
a real, honest-to-goodness, up-to-the-minute de-
partment. If all this is adhered to possibly it
will not be necessary to cut the salaries of your
sales people.
It is also most necessary that a quite frequent
check of goods purchased be made and ascertain if
too much is being filed as stocked and not enough
sold. No publisher has any just claim at this
period of our industry to force the dealer to pur-
chase new prints unless some real effort and
expenditure is to be made by the publisher to
create a demand for same. A retailer cannot
purchase music at IS to 30 cents per copy (worth
only the price of the paper it's printed upon) and
exploit it entirely without the support of the
publisher and it is unreasonable for publishers
to expect it of the retailer. If the dealer must ex-
ploit the goods then he should enjoy a very low
price on such issues.
Musical Merchandise
Musical merchandise is a most valuable ad-
junct for the music dealer, but he must be mind-
ful that this is a period of a falling market and,
while most values are holding up and many may
continue, yet other lines, especially those of im-
ported merchandise, are being exploited in many
forms, both new and old, so that the retailer
cannot safely stock up, with the exception of
goods that can be disposed of in a reasonably
short period. Violins, bows, cases, strings, ac-
cordions, harmonicas, brass goods, reeds, etc.,
are very uncertain and as there is no indica-
tion of shortage it is well to buy, and buy fre-
quently, thus avoiding being caught with heavy
stocks that must be continuously marked down
at the dealer's expense.
There are plenty of goods to be had at fairly
reasonable prices from reliable houses and on
reasonable terms. Patronize them and bear in
mind that we must all help to keep the dollar in
circulation. Buy, buy and then buy more, but
buy cautiously and buy dependable merchandise.
The National Bureau for the Advancement of
Music, as promoted by the Music Industries
Chamber of Commerce, has much propaganda
She's ~A Sensation?
OLDIASHIONED
GIRL
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
JANUARY 7, 1922
45
AN ARTISTIC EDITION
"Edition Beautiful" Has Gained an Enviable
Position in the Trade
It's a Fact
That you will sell more copies
of POET AND PEASANT at 15o
than you will at 50c.
Th 1M applies t» the general run
of reprint numbers.
Your customers will buy only
what they must have at high
prices while at 15c they
feel they can afford to
buy more copies and
add to their library.
Hence, your profits
on "CENTURY" will
amount to more in the
end than on selling:
high-priced editions.
Besides, the custom-
ers will feel more
kindly towards you for saving
them real money.
Century Music Pub. Co.
235 West 40th St.
New York
\bu cant go
wrong with
any'Feist
"Edition Beautiful," which was introduced to
the trade less than two years ago, has become
a permanent part of the stock of hundreds of
music dealers throughout the country. Particu-
larly is this true of the retailer who makes a
specialty of catering to pupil and teacher wants.
The success of this comparatively new edition
during a period of general business inactivity
is all the more remarkable.
The sales department of C. C. Church & Co.,
the publishers, reports that this edition has been
added to the stock of hundreds of dealers, and
during the late Fall the new accounts increased
considerably, as even December reports show.
In speaking of the success of "Edition Beau-
tiful" one of the traveling representatives of the
company said: "Some in the past have held the
theory that teachers preferred one-color title
pages to give their students, but the interest
shown in this edition disproves the theory. In
fact, we find many teachers agree that the inter-
est on the part of their students is quickened
by an artistic presentation of the music which
they can now obtain in our numbers."
"WHEN FRANCIS DANCES WITH ME"
"TEN LITTLE FINGERS AND TEN LIT-
TLE TOES"
"GEORGIA ROSE"
"VVABASH BLUES"
"NO ONES FOOL"
"IN THE OLD TOWN HALL"
"MELON TIME IN DIXIELAND"
"ONE KISS"
"PEGGY O'NEIL"
"CHERIE"
"I'M NOBODY'S BABY"
"MY MAN" (MON HOMME)
"WANG WANG BLUES"
"SWEETHEART"
"PULLMAN PORTER BLUES"
"WINNING WAYS"
"HAWAIIAN CHIMES"
Write for Dealers'
LEO.
Prices
F E I S T , Inc., FEIST Bldg., New York
BILLIE BROWN IS DEAD
material, which can be obtained gratis, which
is of great interest to the dealer and will aid him
in interesting his community in music and aid in
the development of such in his section. This,
of course, will be of service to your competitor
as well as yourself, but reflects credit upon the
business. The great trouble with many of us
is that we are continually fishing in the same
pond and we do not give sufficient thought to
the creation of new ideas. Each day let us take
stock by asking "What have I done to-day that
may react and create for the future?" Create a
desire for music and more music in the city,
community, State, factory, in the business, on
the farm, at your institutions, for once the desire
is created it is easy to supply the demand.
In conclusion, I should like to call to the
trade's attention that of the many failures
throughout the country during the past depres-
sion very, very few were music dealers. Our
trade, seemingly, has been able to weather the
storm and we shall continue to prosper and be
prepared to overcome what might seem big bar-
riers, if each dealer simply sits steady in the
boat. Do not overlook your job or shirk your
own responsibility and endeavor to have a
thought for your co-worker (your sales people)
and try honestly to give 100 per cent efficiency
and service to your patrons. In return the pub-
lic will contribute largely to the success of your
business and the industry as a whole and make
1922 the biggest season in the history of the
music business.
Consult the universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.

^EDITION BEAUTIFUL*
335 of the best-selling compositions
of the Old Masters.
ONLY the best sellers.
No dead wood.
•,
Carefully edited.
'• ^ •".
Beautifully produced.
*
2,000 dealers selling it.
1'ermanent and large results.
SMALL INVESTMENT.
That's what
EDITION BEAUTIFUL
means to YOU.
Write for particulars today.
NOW IS THE TIME
C. C. CHURCH AND COMPANY
HAIITI'ORI), CONNECTICUT
Hartford—New York—London—Paris—Sydney
KANSAS CITY, MO., January 2.—Billie Brown,
composer of "Dangerous Blues," and a member
of the staff of the J. 'W. Jenkins Sons' Music
Co., died last week in a local hospital here, a
victim of the smallpox epidemic.
"
THE
T h a t
Somewhat
Different Fox-trot
INSTRUMENTAL or VOCAL
"
Price 15 Cents a Copy
Published by THE METRO MUSIC CO.
1547 Broadway
THKEE REAL BEAUTIFUL SONGS!
THE VERY LATEST
New York City
"WHEN YOU GAVE
YOUR HEART TO ME"
"DREAM MAN"
A charming semi-classic
Four keys. F, G. A flat and B flat
Fox Trot Ballad Supreme
The Coming Sensation of 1922
Published by ARTHUR R. GRANT
1547 Broadway
"LOVE ROSE"
New York City
Another Pretty Fox-trot Song
"TEARS OF OUR
LAST GOOD-BYE"
Jgf Jfnotfier 'Sunshine Of Your Smile" ? §
I Love Sends I
Co. | A Little Gift |
The Talked-about Waltz Ballad of the Day.
Berardi - Coccia Music Pub.
92 Grape Street
ROCHESTER, N. Y.
BIG SELLERS
H Qi Roses W
HARMS iNC.62WEST45 T - H ST.,NEWY0RK f %
•elected from the
Popular Standard
Pictorial Catalog
M. Witmark & Sons
THAT'S HOW I BELIEVE IN YOU
WHICH HAZEL
WHY DON'T YOU SMILE
THERE'S A DOWN IN DIXIE FEELIN'
HANGIN 1 'ROUND ME
CROONING
LITTLE CRUMBS OF HAPPINESS
I'VE GOT THE RED, WHITE AND BLUES
MORNING, NOON AND NIGHT
TIME AFTER TIME
HERE COMES DINAH
MARY TRACY
STAND UP AND SING FOR YOUR FATHER
AN OLD-TIME TUNE
JABBERWOCKY
KENTUCKY BLUES (I'VE GOT THE BLUES
FOR OLD KENTUCKY)
FANCIES
HOW IS IT BY YOU? BY ME IT'S FINE
TELL ME YOUR DAY DREAMS
WHERE THERE'S A WILL THERE'S A WAY
EVERYBODY'S WELCOME IN DIXIE
Special—WYOMING
SONGS THAT SELL
Dealers who stock and display these
songs obtain gratifying results.
"THE LILAC TREE"
"HOME SWEET HOME
LULLABY"
"SOMEWHERE SOMEDAY"
"WHEN YOUR SHIP
COMES I N "
"IN THE AFTERGLOW"
Write for Special Introductory Offer
Hinds, Hayden & Eldredge, Inc.
11 Union Square
New York City

Download Page 52: PDF File | Image

Download Page 53 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.