Music Trade Review

Issue: 1922 Vol. 74 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JANUARY 7,
THE
1922
MUSIC
TRADE
43
REVIEW
CONDUCTED BY V. D. WALSH
THE TEN-CENT CATALOG
NEW TRIANGLE HEADQUARTERS
Several Smaller Publishers Planning to Revive
Ten-Cent Editions—Success of Project Very
Doubtful, Due to Production Costs
Offices Secured in Broadway Central Building
for Triangle Music Pub. Co. .
In this department last week there appeared
an article regarding the agitation for the return
of 10-cent music. In it were outlined the con-
ditions which would make it almost impossible
for the larger publishers to accede to any such
proposal, inasmuch as the larger publishers can-
not profitably issue such goods.
Inquiry in the trade following last week's ar-
ticle shows the propaganda for the return of
10-cent music to be even more active than we
anticipated. In fact, there are several of the
smaller publishers who have already agreed to
comply with the arrangements proposed by one
of the larger 10-cent syndicates. Of course, the
closing of any such plan will not be made unless
the syndicate in question can get the support
of at least four or five of the larger houses. This
latter is a question and need hardly be looked
forward to, but there is no doubt that it is being
given consideration.
Some of the smaller publishers with minimum
overhead expenses, few or no branch offices, can,
if they receive substantial orders and co-opera-
tion, profitably publish 10-cent music, and some
of them seemingly are willing to do so under
the impression that by this means they can be-
come national figures in the industry. They are
also laboring under the impression that such a
move would do much to revive sales. There
would be some sales resulting from such an ar-
rangement, but hardly sufficient to justify the
move. Developments can be looked forward to.
NEW FEISTJtELEASES
Among the new releases appearing in the
catalog of Leo Feist, Inc., are "Thanks to You,"
a waltz ballad by Howard Johnson, Sam Lan-
ders and Violinsky, and "All That I Need Is
You," a fox-trot ballad by Lester Santley and
Abel Baer.
JENKINS HITS
"Dangerous Blues"
The Biggest "Blues" Hit Ever Published
Everyone Is Playing It
"12th Street Rag"
Song—Piano Solo
Now at Its Height
"Kiss Me, Dear"
A Beautiful Waltz—Has the Earmarks
of a Real "Hit"
TWO OTHER GOOD ONES
"Sweet Love"
and
"Colleen o'Mine"
EVERY ONE A SELLER
Published by
J. W. Jenkins' Sons Music Co.
Kansas City, Mo.
The Triangle Music Publishing Co., of which
Joe Davis is president, and which for a number
of years has occupied offices on the seventh floor
of 145 West Forty-fifth street, recently leased
quarters in the Broadway Central Building, for-
merly occupied by the now defunct Harrison
Music Co.
The Triangle Music Co. is exploiting the fol-
lowing numbers: "Thrills," "Carolina Blues,"
"Waltz Me, Sweetie, Waltz Me" and "There's
Only One Man That Can Satisfy Me."
SONGS THAT SELL
The Song Hit ol the Hour
Tuck Me to Sleep in My Old
'Tucky Home
G r a n n y (New Hit)
You're My Mammy's Mammy
D d i a (New Hit)
A LIVE SALES ORGANIZATION
Just a Little Love Song
Toronto Branch of Leo Feist, Inc., Getting
Results From Energetic Campaign
B o w W o w Blues(NewHit)
If there are any members of the sheet music
trade who have succumbed to the gloomy fore-
bodings of future business conditions in this
country let them arrange a visit to the Toronto
headquarters of Leo Feist, Ltd. Here one ob-
serves abounding energy on all sides, indicating
that there is no depression with this firm. The
genial manager, Gordon V. Thompson, is most
concerned with making the public buy more sheet
music and with giving dealers quick service. And
so it is that the Leo Feist Toronto staff are given
to smiling as they ply their work in the inter-
ests of their dealers.
TWO NEW CADMAN NUMBERS
Famous Composer Writes Music for Two New
High-class Songs
(New Hit)
All By Myself
Birds of a Feather
Oh, My Sweet Hortense
Everybody Step
From the Music Box Revue
They Call It Dancing
From the Music Box Revue
In a Cozy Kitchenette Apartment
From the Music Box Revue
My Little Book ot Poetry
From the Music Box Revue
The Greatest Song Success
Ever Written
Los ANGELES, CAL., December 31.—Charles
Wakefield Cadman has written two new songs
since his return to California, a new Indian
song entitled "Tell Her My Lodge is Warm,"
the words of which are by Charles O. Roos, of
this city, and a new song for high school stu-
dents called "The Boy and the Brook," words
by Longfellow. The latter has been accepted
for publication by Silver-Burdette Co., of Bos-
ton, and issued in a new school book for young
voices, edited by George W. Chadwick.
IRVING BERLIN, Inc.
ISSUE A NEW FOX-TROT BALLAD
"Granny" Being Featured by Ethel Levy and
Others Successfully
Say It With Music
From the Music Box Revue
1607 Broadway,
New York
USING NEW BERLIN SONG
Fisher Thompson Co. Publishes "Brown Eyes,"
Written by Fisher Thompson
Ethel Levy, the well-kuown singing comedi-
enne, who recently returned to the United States,
appeared at the Palace Theatre, New York, last
The Fisher Thompson Music Publishing Co., week. Among the songs she sang with success
of New York, has issued another song written was the new Irving Berlin, Inc., number,
by Fisher Thompson, the composer of "Rio "Granny, You're My Mammy's Mammy." At
Nights," entitled "Brown Eyes." It is a fox- every performance it was necessary for Miss
trot ballad, which has been tried out most suc- Levy to render encore after encore.
cessfully.
Although this number was only recently re-
"Mammy's Loving Lullaby," Fisher Thomp- leased to the profession, the list of headliners
son's new waltz ballad, has now reached the programming it is quite large. Among these
third edition, and this company is planning an are Sophie Tucker and Nora Bayes.
extensive publicity and sales campaign after the
first of the year. Commencing with the January
NEW FIRM FORMED
issues and from then on its publications will
be extensively advertised in the national maga-
The new publishing lirm recently organized by
zines.
Albert Von Tilzer has been named the A. V. T.
Music Publishing Co. Neville Fleeson and Sey-
FISHER THOMPSON SONGS mour
Brown are associated with the concern.
ARE KNOWN THE WORLD OVER
These songs are all
proven sellers anil aii-
wrtisements r e a c h i n g
over 12.000,000 people
are now running In the
national
magazines.
They are being featured
by the leading singers
and orchestras of the
country.
MAMMY'S LOVING LULLABY
BROWN
EYES
YOU, JUST YOU
RIO NIGHTS
KITTY
ORDER THRU YOUR JOBBER
She's ~A Sensation!
OLD IASHIQNED
GIRL
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE MUSIC TRADE REVIEW
Tv4ee, wavdownirp-on that South Sea
Isle,
Seems 1 hear you. a l l - i n g
JANUARY 7,
1922
me,
]ss Gilda Grays Sensation* Success
ASK TO
HEAR IT
CHAIN STORES CANNOT HURT THE PROGRESSIVE DEALER
S. Ernest Philpitt Points Out the Advantages That Music Dealers Possess Over the Chain Store
Sheet Music Department—Why Former Propositions of This Kind Have Failed
During the past six months there have appeared in this
department several news items and one extended article on
the question of the various chain stores which contemplate
opening, during the year 1922, hundreds of retail estab-
lishments which will distribute sheet music, talking machine
records and player rolls. The article below, hy S. Ernest
I'hilpitt, president of the National Association of Sheet
Music Dealers, considering the fact that he at present
operates three stores and for a number of years was the
active head of a chain of sheet music departments, is par-
ticularly apropos.—Editor's Note.
Doubtless, some of the stores at present pro-
posed have as their main and true purpose the
issuing and disposing of stock and since Bar-
num's quotation of "one every minute" is true
some may get away with it, but how many will
actually become active is a question.
In the meanwhile the legitimate music estab-
Well-organized music departments need have lishment where music is featured and handled by
no fear of the many contemplated chain stores experienced and capable help will hardly have
which are announced to open during the year cause for alarm, particularly so as these newer
1922. Many of these are, undoubtedly, "on paper organizations will hardly attempt to carry an
only," and the his- extensive stock, contenting themselves with the
tory of chain-store sale of numbers that may be turned over rapidly.
activities would tend So the legitimate sheet music dealer's custom-
to show that t h e ers who come to him for issues that cannot be
others will make lit- obtained elsewhere can, certainly, with courteous
tle or no inroads on treatment, be held by the dealer as they have
the business of the been heretofore.
legitimate sheet mu-
A Trying Period -
sic dealer.
The present, however, is a trying period, to
After all, it requires say the least, for all interested in our industry,
experience to suc- particularly those who have real investments at
cessfully conduct a stake. The adjustment of prices by publishers
music establishment have been many, and quite a few far from satis-
and a review of the factory, the new schedules giving some little
many attempts in the relief only. Profits on the reprints have been
past to control any cut and this is especially true of books. Also
S. E. Philpitt
great n u m b e r of net books and sheet music as at present ad-
music establishments has proved rather costly vanced represent a far larger investment to be
to the promoters and for the most part disas- carried by the dealer. It constitutes a burden
trous in the end. Unless chain organizations in itself. The period of discounts has been
have been able to use such departments as ad- shortened, transportation has increased, rents are
vertising adjuncts for outside or publishing in- higher and salaries are very much so, yet our
terests they have almost invariably been short- salesmen must live and prosper if we are to be
lived.
successful as dealers.
If the music publishers having experience in
Now comes this big question, "How can we
this line would give to the trade their experiences cut our operating expenses to more nearly equal-
the results would doubtless be a revelation and ize our former standards?" With all this the
tell an amazing story of hardships and financial average dealer certainly has a problem upon
losses, involving substantial figures.
his hands. Usually the first and easiest item to
Of particular importance in successfully con- cut is singled out as salaries, but this will prove,
ducting a retail sheet music establishment are and always has proved, disastrous. A dealer
the clerks who are successfully developed at must not cut salaries until last, if at all—not un-
great cost. They do not "just happen" and it til every other leak has been stopped and every
is next to impossible at this or any other time thought given to saving in other directions.
to coax an experienced music man to leave one
If the retailer feels that by greater co-opera-
city for another. Hence, new enterprises try to tion from his clerks he can save much lost mo-
develop a force out of raw material and as a tion and carry on his business more efficiently it
result they usually select a professional musi- would be well for him to call his employes to-
cian, who knows all about music, but rarely has gether and have a heart-to-heart talk, taking
any conception of the commercial side of his them somewhat into his confidence, giving them
work. These men go in for lavish advertising an idea of what his overhead is, and ask for
and take on expenditures that fairly swamp their greater co-operation and, possibly, by speeding
efforts, until the auditors are finally called in to up on retail work, have greater efficiency. The
save something from the wreckage. Immediately dealer may be able with the same force to create
a change in management is ordered, and so it additional sales without additional cost.
goes, from bad to worse, until they are closed up
Also the windows of the store should be
or go into bankruptcy.
given greater attention. These are, after all, "the
At least, so far, never has a large chain been eyes of your business." Do they properly re-
developed successfully. The reason is the in- flect the same as they should?
ability to secure men who are well seasoned to
Specialize by creating greater sales on goods
head the enterprise or the various units. With- without using hits. This can prove a big item
out such a directing head failure is sure.
and if the dealer is in a position to create sales
^
? wrong
with ani/'Jeist song "
of any proportion he can do so upon publica-
tions upon which publishers will be only too
willing to give him special prices. Attention
should also be given to the musical shows and
numbers used by vaudeville acts, in addition to
those programmed by well-known artists. This,
where the dealer takes advantage of such activi-
ties, helps measurably in creating sales for
operatic and classic numbers. Tie your music
department up with every such activity and do
not overlook the great creative power of the
Victor and other well-known records or rolls,
which are issued monthly. Let this latter be a
special period for arousing enthusiasm and in
that way let your customers know that you have
a real, honest-to-goodness, up-to-the-minute de-
partment. If all this is adhered to possibly it
will not be necessary to cut the salaries of your
sales people.
It is also most necessary that a quite frequent
check of goods purchased be made and ascertain if
too much is being filed as stocked and not enough
sold. No publisher has any just claim at this
period of our industry to force the dealer to pur-
chase new prints unless some real effort and
expenditure is to be made by the publisher to
create a demand for same. A retailer cannot
purchase music at IS to 30 cents per copy (worth
only the price of the paper it's printed upon) and
exploit it entirely without the support of the
publisher and it is unreasonable for publishers
to expect it of the retailer. If the dealer must ex-
ploit the goods then he should enjoy a very low
price on such issues.
Musical Merchandise
Musical merchandise is a most valuable ad-
junct for the music dealer, but he must be mind-
ful that this is a period of a falling market and,
while most values are holding up and many may
continue, yet other lines, especially those of im-
ported merchandise, are being exploited in many
forms, both new and old, so that the retailer
cannot safely stock up, with the exception of
goods that can be disposed of in a reasonably
short period. Violins, bows, cases, strings, ac-
cordions, harmonicas, brass goods, reeds, etc.,
are very uncertain and as there is no indica-
tion of shortage it is well to buy, and buy fre-
quently, thus avoiding being caught with heavy
stocks that must be continuously marked down
at the dealer's expense.
There are plenty of goods to be had at fairly
reasonable prices from reliable houses and on
reasonable terms. Patronize them and bear in
mind that we must all help to keep the dollar in
circulation. Buy, buy and then buy more, but
buy cautiously and buy dependable merchandise.
The National Bureau for the Advancement of
Music, as promoted by the Music Industries
Chamber of Commerce, has much propaganda
She's ~A Sensation?
OLDIASHIONED
GIRL

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