Music Trade Review

Issue: 1921 Vol. 73 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
AUGUST 27,
47
THE MUSIC TRADE REVIEW
1921
CANADIAN COPYRIGHT ACT DORMANT
Although Measure Was Passed by Parliament
No Order in. Council Has Been Issued to
Make It Operative—Publishers Take Action
Music publishers in the United States are
waiting more or less patiently for the Order in
Council which will make the recently passed
Canadian Copyright Act effective. Although the
measure was passed by the Canadian Parliament,
that fact has not meant the ending of the op-
position on the part of certain Canadian in-
terests who do not relish seeing two or three
hundred thousands of dollars in royalties paid
annually to publishers on this side of the bor-
der, for it is conceded that 90 per cent of the
mechanical royalties would come into the
United States.
Inasmuch as the mechanical section of the
Canadian Copyright Act is not retroactive, every
day of delay in putting it into force means a
substantial loss to music publishers. The Ameri-
can Society of Composers, Authors and Pub-
lishers held a meeting recently to decide upon
some definite action looking towards putting
the Canadian Act into operation.
TO HANDLE NEW "DADDY" NUMBER
Edward B. Marks Music Co. Arranges With
Triangle Co. for Sole Selling Rights for
"Daddy, Your Mamma Is Lonesome for You"
Edward B. Marks, while at Atlantic City re-
cently, heard Sophie Tucker sing "Daddy, Your
Mamma Is Lonesome for You" in her char-
acteristic way and win round after round of ap-
plause therefor. Mr. Marks immediately called
up Joe Davis, of the Triangle Music Co., on the
telephone, with the result that the Edward B.
Marks Music Co. now has the sole selling agency
for the new "Daddy" song. The Edward B.
Marks Co. also handles exclusively other works
bearing the Triangle trade-mark, including
"President Harding March" and "The Rambling
Blues."
The E. T. Paull Music Co. is arranging for
the publication at an early date of a new popu-
lar song, entitled "Tootsie," by Arthur Coogan
and Dick Barton, two well-known musicians in
talking machine circles. The number will be
ready for release in about two or three weeks.
Wonderful "Mother" Song
Selling Splendidly
15 cents per copy
McKinley Music Co.
eres
OnoPal
NewYork
CominP
up, °
S
San Fran cisc
EUROPEAN SUCCESS FOR WITMARKS
American Rights to "The Violet Song" Secured
by Prominent Publishers—Will Issue It Here
Under the Tide of "The Violet's Dream"
The American rights to "The Violet Song,"
the latest success by Maurice Yvain, composer
of the present success, "Mon Homme," have
been secured by M. Witmark & Sons, the nego-
tiations being carried on by cable. The number
is a fox-trot and was introduced in the pre-
vailing Paris revue " 'Cach' Ton Piano," by the
well-known artiste, Mme. Rose Amy, and is also
being used in "The Whirligig," the revue at the
Palace Theatre, London. The English version
of the number is published by West & Co., Lon-
don, under the title of "Golden Butterfly," but
Witmark & Sons will issue the American version
under the title, "The Violet's Dream." It is ex-
pected that the melody will soon be familiar to
Broadway.
The Greatest Oriental Song
Ever Published
Starting to sweep the country
Featured by headllners all
over
ISSUE NEW HIGH-CLASS EDITION
Irving Berlin, Inc., Announce the New "Blue
and White Series" of Standard Numbers
Irving Berlin, Inc., announce the issuing of
a new series of high-class standard publications,
to be known as the "Blue and White Series."
The first numbers to be issued in the series in-
clude the popular numbers, "Passion Flower,"
"There's a Corner 'Up in Heaven," "Purple
Lily" and "Dewy Dawning." All these selections
have been strongly featured over the various
Chautauqua circuits, and have found particular
favor with vocal teachers. The new edition is
to become a permanent feature in the Irving
Berlin catalog, and the list of numbers included
therewith will be augmented constantly.
TANDLER'S LATEST NUMBER
H. J. Tandler, who is well known on the Pa-
cific Coast as the writer of the popular song,
"To-morrow Land," has just completed a new
song, entitled "My Dearest Prayer," which is
published by W. A. Quincke & Co. of California.
(Fox-Trot)
By Al LeBow and Ray Hlbbeler
DEALERS—Be Prepared
Don't overlook these numbers
"List'ning"
(Fox-Trot)
"You Arc The
Rose 01 My Heart"
(Fox-Trot)
"Sunshine"
(Ballad)
12c Per Copy
Al Rose Music Pub. Co.
(Not Inc.)
3131 Douglas Blvd.,
Chicago
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
48
AUGUST 27, 1921
THAT
FOX TROT
FASCINATING
LYRIC BY
FLETA JAN BROWN
music e>y
HERBERT SPENCER
MEW Y O R K
EDWARDS' SONG A HIT
"Morning, Noon and Night" Scoring Great Suc-
cess on Pacific Coast
Gus Edwards has pulled his musical trigger
again and scored another instantaneous popular
song hit. The Pacific Coast has risen en masse
to give an uproarious greeting to his "Morning,
Noon and Night" and they are playing and sing-
SONG HITS IN NEW^ O'HARA SHOW
SONS
STRONG PUBLICITY IN THE WEST
Well-known Actor-Singer Featuring Five Ex- Irving Berlin Numbers Being Featured by Three
Strong Acts on Orpheum Circuit
cellent Irish Songs by Ernest R. Ball in His
Latest Production, "The Happy Cavalier"
Several of the leading numbers of the catalog
Fiske O'Hara, the popular actor-singer, pre- o>f ^Irving Berlin, Inc., are to be featured
sented his latest production, "The Happy Cava- strongly in the West during the next few weeks.
lier," in Chicago on Sunday evening, August 14, Clark and Bergman, together with Morris and
and registered an immediate success. Of course, Campbell, have started over the Orpheum cir-
cuit from Chicago on the same bill, and both
acts are using "All by Myself," "Tuck Me to
Sleep in My Old Tucky Home," "Cry Baby
Blues" and "I've Got the Joys." At the same
time Mellinger and Meyers have started over
the Orpheum circuit from San Francisco, using
"Tuck Me to Sleep" and "Cry Baby Blues,"
Geo. Meyers, of the team, being the composer.
NEW SONG FOR PAT ROONEY
Popular Comedian Will Use "Molly O'Malley
and Me" in "Love Birds"
Gus Edwards and His Company at
ing it and dancing to it morning, noon and
night, with little or no let-up. The craze started
when Gus Edwards himself appeared in his
"Song Revue" at the Orpheum in San Francisco
and gave tremendous prominence to this new
number of his, which is published by M. Wit-
mark & Sons. In fact, "Morning, Noon and Night"
is the big numlber of the act and its choruses
are done over and over again in all sorts of dif-
ferent ways. After the first performance at the
Orpheum practically every orchestra and dance
leader in town lost not a minute in featuring
this melodious number, both as a dance and in
various cabaret reviews. One of the most re-
markable demonstrations of all occurred at the
huge Winter Garden on the occasion of the
American Legion Dance. Special arrangements
were made whereby Gus Edwards and his en-
tire company appeared here and sang "Morn-
ing, Noon and Night" to a crowd of 5,000 dancers.
It was the talk of the town. The accompanying
picture gives some idea of the crowd at the
Winter Garden that applauded the new Gus Ed-
wards hit. The composer-singer and his boys
and girls may be seen in the immediate fore-
ground. Several very striking window displays
in San Francisco and Los Angeles featured this
new "find." Among them was Johnston's Ye
Harmony Shoppe, in Los Angeles, whose win-
dow was entirely devoted to the song.
SECURE RIGHTS TO OLD TITLE
Jerome H. Remick & Co. have arranged for
the right to the song title, "Daddy, Won't
You Buy Me a Bow Wow?" which was a fa-
miliar tune two decades ago. It is understood
that Sidney Mitchell and Lew Pollack will write
a new song with that title for the new Century
Roof production.
When "Love Birds" reopens for its new sea-
son at the Majestic Theatre, Brooklyn, on Au-
gust 29, the popular comedian and singer, Pat
the Winter Garden, San Francisco
Rooney, will introduce a new song which he has
no Fiske O'Hara show would be complete with- written in conjunction with the well-known hit-
out some songs, and in this newest production writers, Kendis and Brockman. "Molly O'Mal-
he has five most attractiye numbers which he ley and Me" is the name of this new venture and
sings in his own characteristic and thoroughly it is described as an unusually attractive little
enjoyable style. The music of all five songs waltz song. Pat Rooney will sing it himself,
was furnished by Ernest R. Ball, who has of course, and hopes to make it one of the
achieved a world-wide reputation as a composer biggest successes in this altogether delightful
of Irish songs.' They are: "I'm Always in Love musical play.
With Someone, but That Someone Could Al-
ways Be You," a number with a haunting waltz
NEW EDITION OF "PEGGY O'NEIL"
melod'y; "Let Me Remember," "In the Good Old
Days of Long Ago," "Little Man" and "Laddie Elaborate Title Page to Bear Portrait in Colors
Buck of Mine." George Graff, Jr., supplied the
of Popular Actress
lyrics for the first four numbers, and J. Keirn
Brennan the lyrics for the last song.
Leo Feist, Inc., is bringing out another edi-
All the songs in the O'Hara show are pub- tion of "Peggy O'Neil" with a brand-new title
lished by M. Witmark & Sons, who, on the page adorned with the portrait in colors of
morning following the opening, received the fol- Peggy O'Neil herself. Miss O'Neil has been
lowing telegram from their Chicago representa- the belle of the London stage this season, ap-
tive :
pearing in "Paddy, the Next Best Thing," at
"Fiske O'Hara opened to-night to big house; the Savoy Theater, and has arranged to have a
show went over great. Songs all received with song bearing her name played between the acts.
enthusiasm. 'Laddie Buck,' 'Little Man,' 'Let She reports that over twenty-five of her ad-»
Me Remember' all good, but 'I'm Always in mirers have taken occasion to send her copies
Love' best of all. They are fine and proving of the song "Peggy O'Neil."
tremendous sellers. Details Century to-morrow.
Best wishes.
(Signed) Tom Quigley."
CARUSO SONG FEATURED AT PALACE
The new song published by Jack Mills, Inc.,
entitled "They Needed a Song Bird in Heaven,
Percy Wenrich and Gus Kahn have placed So God Took Caruso Away," designed as a
two new songs with Jerome H. Remick & Co. memorial to the late tenor, was presented for the
The titles are "Barefoot Boy" and "Shores of first time to the public at the Palace Theatre,
Minnetonka," and it is understood that they will New York, by Jack Boyle, of Kramer and Boyle,
and was received with enthusiasm by the audi-
be featured in a big way.
ence, some of whom were greatly affected, it is
John Abbott, manager of the music publishing said. The song was written by George A. Lit-
house of Francis, Day & Hunter, London, is ex- tle and Jack Scanlan, the idea being suggested
pected to reach New York on a business visit by George Walter Brown. The number is now
ready for delivery.
shortly.
.
_.. i.
PLACE TWO SONGS WITH REMICK

Download Page 51: PDF File | Image

Download Page 52 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.