Music Trade Review

Issue: 1921 Vol. 73 N. 27

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
DECEMBER 31, 1921
REVIEW
A Further Discussion of the Use of Pressure Gauges in the Pla> er Industry,
With Special Reference to the So-called"Ounce Scale"—Laws of Physics Upon
Which Depend the Stability and Accuracy of Pressure-Indicating Devices
A recent correspondent, referring to the article
in the November issue of the Player Section on
the uses of pressure gauges, which appeared in
the Pneumatics Department, writes to the fol-
lowing effect:
"The writer is very much interested in the
item under the heading 'Ounce Scale.' We have
often wanted to compute our pressure and
vacuum in just the terms you have outlined. . . .
In your article you state that if the water column
be of one square inch cross-sectional area the
difference in the level of water will be the inches
pressure or vacuum. Would it make any differ-
ence whether the cross-sectional area is a square
inch or could it not be either greater or
smaller? Would not the result be the same in
either case? In other words, would not a given
strength of vacuum raise the column of water a
certain height, no matter what the area of the
cross section might be?"
Upon consideration it has seemed that others
of our readers might desire to have more light
on these qtiestions. The answers are therefore
given here in detail, for the benefit of all.
Physical Facts
In the first place, the weight of a column of
water in a tube which has a cross-sectional area
of one inch and a height of 408 inches is equal
to the weight of a column of air of the same cross-
sectional area and of a height equal to the height
of the atmosphere. Consequently, if the tube
which is used for the movement of the water
column be less, equal to, or greater, than one
square inch in cross-sectional area the measure-
ments will be equally true. For if the tube be
of smaller area the resistance of the water will
be the resistance of a smaller weight measured
with an equal volume of air. If the tube is larger
then it is simply measuring its larger volume of
water with a larger volume of air, the magni-
tude being measured in all cases by the cross-
sectional area, whatever that may be. There-
fore, the size of the tube can make no difference,
for we are always reckoning our units as taken
from the one-square-inch standard.
The Ounces Measurement
The same, of course, is true as of the measure-
ment by ounces. If the water in a tube of one
square inch of sectional area moves any num-
ber of inches, under a given pressure, then a
tube of either larger or smaller area filled with
water and subjected to the same influence will
move in precisely the same way, neither more
nor less. The pressure is upon the cross-sec-
tional area of the head of the column and, there-
fore, is proportionately the same whatever the
area may be. A smaller area of water column-,
head is pressed upon by a proportionately
smaller body of air, and so on.
Therefore, of course, since a movement of the
water column indicates a difference between the
weight of the air at one end of the column and
the weight at the end, which is expressible
in units of weight, a movement of water meas-
ures the effective working pressure, which is
always equal to that difference. Reduce, by
vacuum'machinery, the normal atmospheric pres-
sure previously existing at one end of a U-shaped
water column and you have an effective pres-
sure at the open end from the normal atmos-
phere. This effective pressure for doing the work
of the machine, which is under test by the pres-
sure gauge is a difference between 14.75 pounds
per square inch and some smaller weight-figure
which represents the reduced pressure in the
machine. This difference is expressible in units
of weight, preferably in ounces. The size of the
water column does not matter.
Relation of the Scales
If 408 inches of water balance 236 ounces of
weight of air, then one inch of water equals
236/408 ounces of effective pressure. Upon the
formula it is easy to make a scale up one leg of
the U-tube by pasting a strip of paper along the
The highest class player
actions in the world
tube and marking the point to which the water
column rises. Then from this point make a
series of gradations, treating each half-inch as
one whole inch for convenience (as otherwise it
is necessary to have a scale against each leg of
the U-tube and make the reading by noting both
the rise on one leg and the fall in the other).
The scale is made to read, we say, one inch for
each half-inch of actual measurement. Then
each such division, marked as one inch, corre-
sponds' to 236/408 ounces, or about .58 inch. Or,
in other words, each ounce in weight is equiva.-
lont to about 1.72-inch,rise of water column. By
taking a scale marked to equal 102 inches (51
inches actual length of the water column's rise
along one leg) and placing opposite it a scale of
exactly equal length divided into 59 equal parts,
we shall get the nearest practical approximation,
which is 102 inches equal 59 ounces. By so
marking the scale the pressure per square inch
in ounces can easily be read off.
Superiority of the Ounces Scale
For various reasons it seems not to be fash-
ionable to use the ounce scale. Yet we believe
it to be a good deal more scientific than the
ether. For reasons of their own physicists find
it useful, in measuring very high vacua, to em-
ploy the mercury scale, in which the weight of
the atmosphere is balanced by a column of mer-
cury about ^^> inches, not 34 feet, in height. The
measurements are read off on the jnercury tube
in millimeters, and so the custom of using linear
units for measurement of pressure has spread to
the far different cases of the musical pneumatic
mechanisms, with their low pressure and large
quanta of displaced air. Yet, there is no good
reason save the reason of custom for the prac-
tice.
For one special reason the practice of meas-
uring pressure in ounces is to be commended.
In dealing with the piano action one has to deal
entirely with factors expressible in units of
weight. The;value of the touch of a finger upon
a key is expressed in ounces and, in fact, all
work upon the piano action must be expressed
(Continued on page 10)
;
iiiiiiiiiiiiuiiiiiiiiTnitiniiiiiiiiiiiiiiiiiuiEiiTnuiiiiiuiiiiiiiiiiiiiiiiiiiiiuiiiiii iiiiiiiiiTiiiiM tn iniiiiiiirttiiiiiititiniTiiiiiinniiiiiiiiiinuii iiniiiii MiiiiTiiTiuiiiiiTiiiiiiiiiinttittuiuuiiLiuKiiiiiniMiiiiiLD
"The valve unit that made the player famous"
sense of beautiu hes been
developed t o cn< exdrcordincrti
decTree.
i ^iu- exauisi&e
The new "Amphion Accessible Action" is the last word in scientific player
achievement. It has the complete valve action assembled in a "Demountable
Unit'' giving instant accessibility.
AMPHIONWKCriONS
SYRACUSE
—Your Guarantee
NEW YORK
\t^ %J
plcuer -piono
appeals 6o ell lovers of *be
becutfiful, so afocG far-GU
Ocpcn demands end buqs
these superb instruments.
Ljou ujill be proud of i^oor
fcscirpebinc Sumphonolo, cna
ft will me Re qour house
c home.
PRICE A TEEPLE PIANO CO.
CHICAGO, U. S. A.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE REVIEW
men who are working in that profession see
fit to reduce their practice to scientific stand-
ards. This does not mean the adoption of rigid
mathematical methods which would be useful
only for theoretical investigations to be trans-
lated later into practical methods. The time
has not yet come for our industry to encourage
research—worse luck—and rigid mathematical
exposition is therefore at present only for those
who like to labor without reward. Nevertheless,
our engineers, in their desire to be practical,
usually lean over backwards. They might make
a good beginning toward uprightness by gen-
erally adopting the pressure gauge and by rating
all their results in terms of the figures yielded
in that manner.
PNEUMATICS
(Continued from page 9)
in these terms. Therefore, when we are dealing
with the pneumatic playing mechanism we are
much better advised when we use the scales of
measurement common to the instrumental ap-
paratus upon which our mechanism is intended
to operate.
It would be well if these words and others
like them by other men who have experimented
in the science of musical pneumatics might be
effective to induce manufacturers of player
mechanisms to encourage, if not to insist upon,
the use of the pressure gauge in all designing
and testing. The time is long gone past when
the use of inexact methods can be excused. Such
methods, of course, do persist to an alarming
WITH STORY^ CLARK
degree, but they are discredited already and the
Charles M. Stanley, formerly superintendent
better minds in the industry well know that they
are something not to boast of. We should like of the P. A. Starck Piano Co., is now associated
to see the profession of musico-pneumatic engi- with the Story & Clark Piano Co. at the fac-
neering more thoroughly recognized; but this tory in Grand Haven, Mich,, where it is under-
consummation must remain unrealized until the stood he will do special work.
DECEMBER 31, 1921
CLAUDE BUCKPITT IN NEW OUARTERS
Progressive Elmira, N. Y., Music Dealer Moves
Into Fine New Store—Features Chickering
With the Ampico and Brunswick Line
ELMIRA, N. Y., December 27.—Claude Buckpitt,
well-known local music dealer, is now located in
his new, modern establishment at 156 Lake street.
The store occupies two floors. The first floor is
given over to a large demonstration room for
the Ampico in the Chickering, another large
room for the demonstration of the complete line
of Chickering pianos, which the firm handles,
and several demonstration booths for Brunswick
phonographs and records. The second floor is
taken up by a Brunswick display room and the
offices of the company.
The Claude Buckpitt business was established
here fourteen years ago, and continued increase
in patronage has made necessary several moves
into more spacious quarters.
FEATURED IN SUCCESSFUL CONCERT
Chase Bros. Reproducing Piano Arouses Enthu-
siasm at Muskegon Country Club
Another Year of Success
Despite untoward conditions, the year 1921 has
registered another story of continued TECHNICAL
PROGRESS and COMMERCIAL SUCCESS for the
remarkable
MUSKEGON,
MICH.,
December
24.—The
Chase
Bros, reproducing piano was featured most suc-
cessfully this week at a program musicale held
at the Muskegon Country Club under the aus-
pices of the Chase-Hackley Co. Mme. Theo-
dora Sturkow-Ryder was the guest-pianist, and
in addition to playing a number of solo selections
also appeared most successfully in several num-
bers for two pianos, playing one part on the
Chase Bros, grand, while the Chase Bros, repro-
ducing grand played the other part. A distin-
guished audience attended the musicale and ex-
pressed enthusiasm over the performance of the
reproducing piano.
TO DISPLAY JTIE UDELL LINE
M. Schulz Co. Player-Piano
For 1922 we are able to promise still more decided
advances in
Mechanical Excellence
Simplicity
Easy Pumping
Durability
The price will continue to be moderate, the value
given for the money will be more wonderful than ever.
We have some interesting facts, data and
plans to communicate to keen dealers
who are anxious to be in touch with the
livest player proposition on the market.
Just ask us!
M. SCHULZ COMPANY
Founded 1869
General Offices
Schulz Building
711 Milwaukee Ave.
CHICAGO
Southern Wholesale Branch
1530 Candler Bldg.
ATLANTA, GA.
Full Line of Udell Record and Roll Cabinets to
Be Shown at Grand Rapids Market
The Udell Works, Indianapolis, Ind., manu-
facturers of talking machine record and player
roll cabinets, announces that the complete line
of Udell dependable cabinets will be on display
in Grand Rapids on the second floor of the
Klingman Building at the January market. In
preparation for the exhibit the company has pre-
pared a snappy little card with black background
and yellow lettering reading: "Udell 'em, Udell!
You've got the line."
NEW WURLITZER_CO. OUARTERS
Temporary and Permanent Locations Selected
in Columbus
COLUMBUS, O., December 27.—The Rudolph
Wurlitzer Co., with headquarters in Cincinnati,
O., has just closed leases on two prominent
downtown locations.
For several years the Wurlitzer Co. has been
located in the Z. L. White Building, where it
occupied the entire fifth floor, its lease expiring
January 1, 1922.
The business has grown so rapidly that offi-
cers of the company felt the necessity of having
a ground floor storeroom and have leased for
ten years the room at 52 East Gay street, now
occupied by the American Railway Express Co.
As the Wurlitzer Co. cannot get possession of
the room until April, a three months' lease was
made on the storeroom at 231 North High street
formerly occupied by the A. B. Smith Piano Go.
The storeroom at 52 East Gay street will be
completely redecorated and a new store front
installed.
C. M. Miller, of Kansas City, Mo., and Sim D,
Warner have become connected with the piano
department of the D. L. Whittle Music Co.,
Dallas, Tex., as sales manager and assistant
salesman respectively.

Download Page 9: PDF File | Image

Download Page 10 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.