Music Trade Review

Issue: 1921 Vol. 73 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
48
THE
COLUMBIA ADVERTISING CONTEST
Columbia Graphophone Co. Announces Unique
Contest for Columbia Dealers—Prizes Will Be
Awarded for Most Effective Advertisements
The Columbia Graphophone Co. has just an-
nounced a dealers' advertising contest that is one
of the most unique and interesting contests in-
troduced in the talking machine trade for some
time past. The contest, which will start on
November .1 and will run until December 1, is
open to every Columbia dealer in the United
States. The provisions of the plan state that
all advertisements entered in the contest must be
exclusively Columbia and must carry the Colum-
bia trademark. In order to enter this advertis-
ing contest a dealer must place in his local paper
at least four advertisements during the month of
November 1 to December 1.
Every advertisement of any size which any
Columbia dealer places in any paper in the
United States as part of such a four-or-more
advertising campaigns between November 1 and
December 1 is eligible for one of the prizes. In
order to enter his advertising in this contest a
dealer must tear out the complete pages con-
taining each advertisement in the month's cam-
paign and mail them all to the advertising con-
test committee of the Columbia Graphophone
Co. at the Gotham National Bank Building, New
York.
These advertisements must be received on or
before Wednesday, December 7, and the adver-
tisements should not be torn or clipped from the
newspaper page, as only complete pages showing
the advertisements will be accepted as entries.
The advertisements entered in the contest will
be judged by one point only and that is "selling
punch." The judges of the contest will be Frank
E. Fehlman, president of the Advertising Club
of New York; James O'Shaughnessy, executive
secretary of the American Association of Adver-
tising Agencies, and V. Burnett, associate editor
of Advertising and Selling.
The prizes to be awarded in this contest are
as follows: First prize, free advertising space in
the winning Columbia dealers' local newspapers
totaling six times the space of the winning ad-
vertisement. This space must be used between
December 14 and December 25, 1921. Second
prize: free advertising space totaling five times
the space of the winning advertisement; third
prize: free advertising space totaling four times
the space of the winning advertisement; fourth
prize: free advertising space totaling three
times the space of the winning advertisement;
fifth prize: free advertising space totaling twice
the space of the winning advertisement; sixth
prize: free advertising space totaling the same
size as the winning advertisement.
The names of the winning dealers and the
newspapers in which the winning advertisements
appeared will be announced on Friday, Decem-
ber 9. Notification will immediately be sent to
all prize-winners so as .to give them ample op-
portunity to use the free advertising space they
have won between December 14 and December
25.
The Columbia Graphophone reserves the right
to use the prize-winning advertisement, with
proper credit to the winners, in its monthly port-
folio of advertising for Columbia dealers and its
house organ, Columbia Record.
NEW VOCALION RECORD ARTIST
Grace Kerns, Soprano, Notable Addition to
Growing List of Singers
A recent addition to the list of Vocalion rec-
ord artists is Grace Kerns, one of the leading
American concert oratorio sopranos, who is solo-
ist at St. Bartholomew's Episcopal Church, New
York, and is said to receive the largest salary
of any church soprano in the country. Miss
Kerns' first Vocalion recordings appeared in the
October list, one being a duet arrangement of
"Whispering Hope," with Nevada Van der Veer
singing contralto, and the other a soprano solo,
"The Nightingale's Song."
MUSIC TRADE REVIEW
NOVEMBER 5,
1921
NEW PERIOD MODEL PRICE LIST
New Price List for Columbia Period Models
Dealers Featuring Line Extensively
The general sales department of the Columbia
Graphophone Co. announced on October 15 a
reduction in price of period Grafonolas. These
reductions are substantial, and Columbia dealers
throughout the country are planning to institute
an aggressive sales drive featuring these period
models.
The new price list of these period models is as
follows: P-l Electric, $500; P-l Spring, $475;
P-2, $550; P-3, $600; P-4, $700; P-6, $550; P-7
Electric, $525; P-7 Spring, $500; P-8 Electric,
$450; P-8 Spring, $425; P-9 Electric, $600; P-9
Spring, $575; P-20 Electric, $275; P-20 Spring,
$260; P-21, $600; P-26 Electric, $450; P-27 Elec-
tric, $350; P-27 Spring, $325; P-28 Electric, $325;
P-28 Spring, $300; P-29, $325; P-30, $350; P-31,
$325; P-32, $375; P-33, $375; P-34, $300; P-35
Electric, $300; P-35 Spring, $275; P-36, $475;
P-37, $800.
io double
Vour Income
NEW ASSOCIATION IN NEW YORK
Victor Luncheon Club Organized Into a Perma-
nent Association—L. J. Rooney President
At a largely attended meeting of the Victor
Luncheon Club, held at the Cafe Boulevard,
New York City, on Friday, October 28, the Met-
ropolitan Victor Dealers' Association was organ-
ized to take in those retailers located in what
is termed the metropolitan district of New
York. The officers elected at the new meeting
were: L. J. Rooney, president; Ernest Leins,
vice-president; E. G. Brown, secretary, and A.
Galuchie, treasurer.
The Victor Luncheon Club was organized
some months ago for the purpose of bringing
together the Victor dealers of New York and
vicinity for the discussion of timely business
topics. The luncheons have been well attended
and have proven so interesting that it was de-
cided to form a permanent association. Just
what effect the new organization will have on
the two existent associations made up of talk-
ing machine retailers in New York and vicinity
remains to be seen.
and the proposition could be proved
sound from every angle, you wouldn't
hesitate, would you? Of course not,
but do you realize that a talking machine
department can be made to provide
sufficient revenue to take care of the
overhead on your entire establishment ?
Thousands of other retail music mer-
chants have proved the above made
statement true and thousands of retail
music merchants have looked to T h e
Talking Machine World for guidance
in the matter of selecting the make of
talking machines they would handle, the
way they would map out their talking
machine department, etc.
OPENS SCHOOL RESEARCH SECTION
Thos. A. Edison, Inc., Establishes School Re-
search Department at 473 Fifth Avenue
Growing out of its investigations of the use
and need to humanity of music Thomas A. Edi-
son, Inc., has established its school research de-
partment under the same roof with the head-
quarters of the Phonograph Corp. of Manhat-
tan, at 473 Fifth avenue, New York City. Prof.
Charles H. Farnsworth, of the department of
music, Teachers' College, Columbia University,
is the head of the new department, and Dr.
Esther L. Gatewood, of the Ohio State Uni-
versity, is his associate.
The main purposes of the school research de-
partment are to study school music problems
and the various uses of school music, together
with the service ol general research. That is,
music teachers, supervisors and others who use
the -Edison phonograph in their work are cor-
dially invited to ask questions or seek advice per-
taining to their work. Suggestions for courses
of music s"tudy, based on Re-creations, and any
special programs desired, will be furnished to
applicants. Edison dealers who desire to give
school programs, and who wish to interest teach-
ers or clubs in New Edison material, will be
urged to seek the help of the new department.
In connection with these questions Prof. Farns-
worth and Dr. Gatewood will devote thought
and energy to general and theoretic problems of
music and their purpose and application to
society and industry.
If you don't think co-operation is necessary
watch what happens to a wagon when one wheel
comes off,
The Talking Machine World is the
oldest and largest trade journal in the
world devoted exclusively to the talking
machine industry.
Some book, eh? Yes, and some encyclo-
pedia of the kind of information that
will positively double your income.
Don't miss your chance.
coupon now.
Send in the
TALKING MACHINE WORLD,
37S Fourth Ave'., New York City.
Please enter my subscription for one year. I want to
learn how to double my income via a talking machine
department. Bill me $2 at your convenience to cover cost
of same.
Name
Firm
Street
City and State
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NOVEMBER 5,
49
THE MUSIC TRADE REVIEW
1921
CONDUCTED BY V. D. WALSH
TOO MUCH ORCHESTRAL EXPLOITATION HURTING SONGS
Publishers Are Beginning to Realize That Orchestra Arrangements Do Not Tend to Promote the
Popularity of Various Numbers in Song and Sheet Music Form—The Question Discussed
There have appeared in these columns during
the past twelve months at least two articles
dealing with the inability of the music-loving
public to carry away melodies of the average
song rendered by present-day orchestras. We
suggested that the orchestras be induced to
play new numbers as they are originally ar-
ranged. It would seem, however, that the fail-
ure of the public to carry away tunes is not
confined to the United States, as the following
article extracted from the London Daily Mail
shows:
"Hardly anybody whistles nowadays," re-
marks the London Daily Mail, "principally be-
cause there are no tunes to whistle." The news-
paper further calls attention to the early death
of what few yearly hits there are. New songs do
not last as long as the old ones did. They get
worn out more quickly, principally because a
popular song has so much more publicity than
it had twenty years ago.
"Only one artist sang it then," continues The
Mail. "Now look how it is drummed at people
at all times and all sides. Theatre, restaurant
and club orchestras soon make it known."
However, the London situation is somewhat
different from that which is prevalent here. Our
weakness appears to be flooding the orchestras
with too many numbers. The rush of every
publishing house to have orchestras feature
their works gives the orchestras too much mate-
rial and with the rearrangements of the works
an injustice to individual numbers is often the
result.
The London article calls attention to the man-
ner of exploiting songs in the old days and, of
course, is all very true, but no one would care
to see the return of such methods. In fact, with
the introduction of mechanical reproduction this
became impossible.
The present method of getting the most out
JENKINS HITS
"Dangerous Blues"
of a number in a short space of time can be the
only successful one, particularly if the publisher
desires to> give the talking machine and player
roll organizations co-operation.
That is the very reason, despite the agitation
to do away with some of the branch offices, that
the larger publishing houses cannot see the feas-
ibility of such a movement. It is contended,
however, that more attention should be given the
exploitation of hits in vocal form. Certainly
the latter move will aid substantially in selling
more music.
Even granting that the orchestras can make a
hit of a melody by concentrating on it they can-
not create the maximum sales for the sheet
music. Particularly is this true with many of
their arrangements. The maximum sale of the
average number must be obtained by the exploi-
tation of the work in both instrumental and vocal
form. There are, of course, numbers proving
the exception. And there will always be those
songs or instrumental numbers that have so
much individuality that they fail to adhere to a
set or general rule, but as a general thing a two-
fold exploitation plan, covering both song and
instrumental forms, is necessary and very de-
sirable.
WHAT KEITH HAS DONE FOR MUSIC
Vaudeville Management Has Presented Many
Notable Artists to American Public
In announcing its "Third of a Century"
jubilee celebration, the B. F. Keith Vaudeville
Circuit laid no stress upon its achievements in
the field of music and yet from the day of the
announcement of the anniversary celebration
men and women great in the highest fields of
the musical arts in America showered E. F.
Albee with telegrams and letters of congratula-
tion upon the musical activities of the Keith
organization.
Congratulatory sentiments were expressed by
Gatti-Casazza, director-general of the Metropoli-
tan Opera House; Amelita Galli-Curci; John Mc-
Cormack, John Philip Sousa, Dr. Walter Dam-
rosch and others of equal note.
The Biggest "Blues" Hit Ever Published
Everyone Is Playing It
JOIN "GREENWICH VILLAGE FOLLIES"
"12th Street Rag"
Joe Brown and Gordon Dooley were added to
the cast of the "Greenwich Village Follies, 1921"
on Monday of this week with a novelty scene
entitled "Miss Daoley and Mr. Brown." The
lyrics of the skit are by Edward Dowling and
Raymond W. Klages, with music by Fred J.
Coots.
Song—Piano Solo
Now at Its Height
Kiss Me, Dear"
cc
A Beautiful Waltz—Has the Earmarks
of a Real "Hit"
TWO OTHER GOOD ONES
"Sweet Love"
and
"Colleen o'Mine"
EVERY ONE A SELLER
Published by
1
J. W. Jenkins Sons Music Co.
Kansas City, Mo.
TRIPLE "GIRLIE" SONG FOR FEIST
Leo Feist, Inc., will shortly release a new
song, entitled "Sally, Irene and Mary," written
by Eddie Dowling, Lew Cantor, Larry Ceballos
and Harold Johnson. Eddie Dowling will fea-
ture the number in his act called "Sally, Irene
and Mary," now playing in Shubert vaudeville
time.
JACK MAHONEY TO PUBLISH
Jack Mahoney, the songwriter, has entered the
music publishing business, under the firm name
of the United Song Writers, and has opened up
offices in the Broadway Central Building, 1658
Broadway. The firm's first release will be
"Derby Day."
SONGS THAT SELL
Irving Berlin's
Song Hit of the Hour
All By Myself
Cry Baby Blues
Birds of a Feather
My Mammy
Home Again Blues

I Wonder Where
My Sweet, Sweet Daddy's Gone

Drowsy Head (Waltz)
Oh, My Sweet flortense
Once in a Blue Moon
You're Just the Type lor a

Bungalow
When the Sun Goes Down
I've Got the Joys
The New Sensational Hit
Tuck Me to Sleep in My Old
'Tucky Home
IRVING BERLIN, Inc.
1607 Broadway,
New York
SOME NEW BOOSEY PUBLICATIONS
Interesting Assortment of High-class Songs
Offered in the Latest List
Among the recent new issues, added to the
catalog of Boosey & Co. are: "Crossing the
Bar," music by Berta Josephine Hecker, to the
famous poem by Tennyson; "Your Voice," sung
by Warwick F. Williams, with music by Conal
Quirke; "My Lady," by H. Rippon-Seymour and
Douglas Grant; "I Dream That I Hear You
Singing," lyric by Katerina Bogosoff and music
by Charles Marshall; "Say Not Farewell," song
by P. J. O'Reilly and T. C. Sterndale Bennett;
"The Ferryman of Souls," by Percy Edgar and
Frederick Mullen; "My Prayer," song by P. J.
O'Reilly and W. H. Squire; "The Scarecrow,"
by Michael Franklin and E. T. Davies; "Little
Lost Love," by Louise Piatt Hauck and William
Stickles. Fred E. Weatherly, as usual, has some
of his contributions included. These are: "A
Wedding in June" and "Rosemary," the former
set to music by the well-known Wilfred Sander-
son and the latter with music by Kennedy Rus-
sell.
The Triangle Music Pub. Co., of New York
City, recently appointed Will Collins manager
of the Detroit office of the company. He is now
occupying his new post.

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