Music Trade Review

Issue: 1921 Vol. 73 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
SEPTEMBER 10, 1921
MUSIC
TRADE
43
REVIEW
MORE SONGS NEEDED IN VAUDEVILLE
Investigation Proves That New Numbers Are
Receiving Inadequate Attention From Vaude-
ville Performers—More Singing Would Lead
to More Sheet Music Sales
Apropos the present movement in some pub-
lishing circles to induce the player roll and talk-
ing machine record manufacturers and orches-
tra leaders to render melodies as they are origi-
nally written in orchestra form, it might also
be well to give some thought to a plan for a
more intensive drive in vaudeville circles with
an idea of having songs more actively featured
in vocal form.
At the present time the publishers are center-
ing the biggest part of their energies in exploit-
ing their numbers through orchestras, and vaude-
ville in some instances has been overlooked.
This is not intended to belittle the work of
orchestras, as the value of their work cannot
be disputed, but a greater sale can be obtained
on a given song number, where attention is
given to both means of publicity—vocal and in-
strumental.
Melodies as played by the present-day orches-
tias, more often than not, cannot be carried
away in the mind and, after all, where the num-
ber is put over in that form the best the pub-
lisher gets out of it is to have it whistled. The
public certainly cannot sing songs if they do
not known the lyric, no matter how appealing the
melody.
The writer has attended a number of vaude-
ville shows recently with the idea of finding out
just how actively numbers are exploited in that
direction and, without taking a pessimistic view,
can say that in his quest he met with much dis-
appointment. In a recent bill at the Riverside
Theatre, New York, only two active numbers
were sung and in neither case were they well
featured. Some years ago on the average bill
it was possible to hear at least six or eight of
the latest tunes. If there was any complaint in
those days it was because more than one act on
the same bill had programmed the same num-
bers. The public probably would like to hear
more numbers in vocal form and we think if
they are given a chance to do so that sheet
music sales will increase materially.
Cominff
Shermaniflav& Go?
San Fran cisc
THE FEIST PRODUCTION CATALOG
That House Publishing the Music of a Number
of Musical Comedy Successes This Season
The production catalog of Leo Feist, Inc., this
season is one of the strongest and most inter-
esting ever handled by this house, and a notable
feature of the catalog is the number of selec-
tions from the various musical comedies that
have proven individual hits. The productions
for which Leo Feist are now publishing the
music include: "Tangerine," one of the latest
Broadway successes, with the song "Sweet
Lady" as the big hit; "Greenwich Village
Follies," "Broadway Whirl," "Blossom Time,"
and the two new Morosco shows now in re-
hearsal, one to be known as "Love Dreams,"
and the other, with Charlotte Greenwood, prob-
ably entitled "Good-Bye, Letty." In addition
to these newer productions the new season will
see four "Irene" companies on tour, which
means a continued demand for the song hits of
that show, "Irene" and "Alice Blue Gown."
There will also be companies of "Afgar" on
tour.
The Greatest Oriental Song
Ever Published
Starting to s w e e p the country
Featured by headllners all
over
GOOD SELLERS IN SAN FRANCISCO
Publications of Local Houses Are Finding Much
Favor in That City
Frank Davis has joined the selling organiza-
SAN FRANCISCO, CAL., September 2.—According to
tion of the Maurice Richmond Music Co., and
the sheet music sales noted by Charles S. Walter,
is now on a selling trip through the West.
55 Stockton street, "Love Beam," published by
the Florentine Co., of San Francisco, is still a
big seller. "Arabian Maid," by Walter Smith, is
also in great demand, and Art Hickman, director
Victor and Brunswick Sept. Record
of the St. Francis Hotel orchestra, says that it is
the favorite of the great hostelry.
VERY BIG
Edward Little, manager of the sheet music de-
SELLER
partment of Sherman, Clay & Co., reports that
sales of "Have You Forgotten Me?" are coming
up to expectations, although the height of the
sale is scarcely realized.
"Dreams of Dixie," by McMaken and Al Hynd-
man (published by the authors, San Francisco),
is having a good sale.
Harold Dana, who left the sheet music depart-
ment of Sherman, Clay & Co. to join the United
States navy during the war, will soon resume his
duties in his old place. Mr. Dana proved to be
so valuable in the radio service that the Govern-
ment was reluctant to give him up.
Wonderful "Mother" Song
(Fox-Trot)
By Al LeBovv and Ray Hlbbeler
DEALERS—Be Prepared
Don't overlook these numbers
Listening
McKinley Music Co.
DR. RHYS-HERBERT ILL
Dr. W. Rhys-Herbert, the well-known com-
poser, who during the middle of August spent
some time in New York, was taken dangerously
ill in Chicago while returning to his home in
Minneapolis, Minn., and is now confined in a
Chicago hospital.
OPENS OFFICE IN BOSTON
6
San"
The. Snyder Music Pub. Co., 1658 Broadway,
New York City, recently opened a Boston of-
fice, under the management of Steve Paul, who
will be assisted by Ned Nickerson.
(Fox-Trot)
You Are The
Rose Of My Heart"
tt
(Fox-Trot)
"Sunshine"
(Ballad)
12c Per Copy
Al Rose Music Pub. Co.
(Not Inc.)
3131 Douglas Blvd.,
Chicago
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE
PAY HONOR TO VINCENT LOPEZ
New York Publishers Attend Live Mus'cal En-
tertainment at Asbury Park
The "Dance and Be Merry Club," a society or-
ganization of Asbury Park, X. J., recently gave
an entertainment on the Ross-Fenton Farm, of
MUSIC TRADE
REVIEW
hand to assist in the honors. Among these were
Joe Keit and Billy Cripps, of Jerome H. Reniick
& Co. Cripps rendered "Ain't We Got Fun?"
and "Bimini Bay," Ben Levy, of B. D. Nice &
Co., Inc.. introduced the firm's "Paper Doll," and
Jimmy Flynn, of Leo Feist, Inc., presented
"Cherie" and "Nobody's Baby." Johnny Black
was on hand with his latest song, "Who'll Be
SEPTEMBER 10, 1921
"CHERIE" USED IN PRODUCTIONS
Feist Number Featured in Two Editions of
Greenwich Village Follies and Also by the
Six Brown Brothers in "Tip Top"
"Cherie," the big Feist number, is at present
proving a strong feature in a number of success-
ful musical productions, as well as being fea-
tured in vaudeville and by the orchestras. The
number has just been placed with Ford Han-
ford in the "Greenwich Village Follies of 1920,"
which will open in Wilmington, Del., in a few
weeks and then start a tour of the country. It
is also in the "Greenwich Village Follies of
1921," which opened recently at the Greenwich
Village Theatre, New York, it being featured in
that show by Ted Lewis.
The Six Brown Brothers, with the "Tip Top"
show, now playing in Chicago, are using
"Cherie" and find it one of their best numbers.
Paul Whiteman's Orchestra, which made a
special trip to Colorado Springs recently to play
for the National Association 'of Talking Ma-
chine Jobbers, accompanying the Eastern job-
bers the entire distance on a special train, played
"Cherie" very frequently en route and featured
it ,at concerts in Colorado Springs and Denver.
NEW SONG WINNING POPULARITY
Vincent Lopez and His
that city, where Vincent Lopez and his Kings of
Harmony are the feature attraction. The func-
tion was in honor of the entertainers and Lopez
was given the key to the city by the merry-
makers.
Many of- the New York publishers were on
"COLfrEN *T\<>
WESLYN
According to the sales department of M.
Witmark & Sons, the novelty song, "Stand Up
and Sing for Your Father an Old-Time Tune,"
i-i rapidly developing into a big hit. This is a
very recent release, and, to show its growing
popularity, the following incident, which oc-
curred at the Cleveland ball park recently, can
be taken as a criterion:
Robertson',s band featured the number at all
Five Kings of Harmony
.the games and, assisted by the players, had the
the Next One (To Cry Over You)," and Leo crowd standing on its feet every time the players
Friedman, of the Robert Norton Co., pounded and others yelled the words, "Stand Up!" To
out twenty choruses of "Fooling Me," followed make the action effectively humoresque, the final
words on these occasions were- changed to "Sit
by the firm's latest number, "Gypsy Rose."
The surprise act of the festivities was the ap- Down!" all of which made "Stand Up and Sing
for Your Father" quite a byword in Cleveland.
pearance of Pat Rooney and Marion Bent.

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