Music Trade Review

Issue: 1921 Vol. 72 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
8
THE POINT OF VIEW
(Continued from page 7)
t
steady all around. It is interesting also to
know that two years ago more than a million
dollars' worth of music rolls were produced.
All these figures, of course, refer to numbers
made. But that does not alter the significance
of the facts. The music industries are in a
pretty fair condition and the temporary slump
of this year cannot hurt them very much or
permanently.
Play Softly
MUSIC
TRADE
REVIEW
NEW SEEBURG REPRESENTATIVE
M. Lemonoff to Cover New England for J. P.
Seeburg Piano Co.
CHICAGO, III., June 20.—M. Lemonoff, a traveler
of long experience both in pianos and automatic
instruments, has been appointed Eastern repre-
sentative for the J. P. Seeburg Piano Co. He
will cover New York State, New England, Dela-
ware and part of Pennsylvania. He is very en-
thusiastic regarding his new connection and
has already commenced a vigorous campaign in
his territory.
J. P. Seeburg, president of the J. P. Seeburg
Piano Co., returned this week from a trip to
Detroit and Pittsburgh. In the former city he
called on Grinnell Bros., who have the Michigan
State agency for the Seeburg product; and in
Pittsburgh, on the Selzer Music Co., exclusive
Seeburg distributors. Mr. Seeburg is decidedly
enthusiastic regarding the excellent business be-
ing done on his product by these and other
leading representatives of the company.
Lee S. Jones, sales manager of the J. P. See-
burg Piano Co., returned this week from an
Eastern trip, during which he established half
a dozen strong, new agencies in important
cities. The Seeburg sales campaign, which has
been waged with much success for several
months past, is now being prosecuted with con-
tinued vigor. The sales force consists of six
experienced travelers who not only visit the
dealers but, if required, give them an actual
demonstration of the best way to present the
product and even dig up a prospect or two and
show the dealer how to handle them. The
Seeburg Co., by the way, is taking the positive
stand that dealers who handle the Seeburg
agencies must actually carry stock.
Here is a thought: the secret of all good
demonstration of a foot-pumped player-piano
may be concentrated into the one simple idea
of learning to play softly. It is said that more
flies can be caught with honey than with vine-
gar and the person who made that profound
remark may be credited with a completely prac-
tical knowledge, so far as it goes, of the habits
of musica domestica. A parallel and equally
profound remark is that for every man or
woman who is attracted by noisy music there
are ten who sit up and take notice when some-
thing soft and soothing is brought to their aural
attention. The analogy of the dance hall will
not work in opposition to this aphorism, for
those who go to dance go for the sake of the
rhythm and not for the sake of melody. They
need rhythmic noise, and the jazz band gives it
to them. But that is not music. A man or
woman approaches a player-piano usually with
the idea that it is a noisy affair and nothing else.
Show that man or woman from the start that it
can play music softly and sweetly, if you would
gain the confidence and the interest which are
preliminary to desire. For every ten salesmen
we know who sit on a player beTich and work
away till the sweat rolls down their cheeks and PAYS TRIBUTE TO THE FOTOPLAYER
gets into their eyes we know one who has mas-
tered the art of taking things easy and pro- Circular letters do not always bring the type
ducing sweet, soft music without apparent ef- of returns expected, although in the particular
case of a circular letter which the American
fort. Yet it is very easy, after all!
Photo Player Co. sent to logical prospective
purchasers of the Fotoplayer they received an
unusually satisfactory reply. The circular let-
ROLL COMBINATIONS IMPORTANT
ter was sent with the purpose of interesting
Proper Arranging of Numbers in Automatic motion picture owners in the Fotoplayer. A
Rolls Must Be Observed
postal card was received from the Victory The-
atre, Salisbury, N. C, one of the establish-
CHICAGO, III., June 21.—The importance of ap- ments circularized, which read as follows:
propriate arrangements of hits in automatic
"Gentlemen: We bought a Fotoplayer two
music rolls is a factor too little emphasized. years ago. This instrument has given absolute
Every month there are a certain number of satisfaction. No customer can afford to be
sure-fire hits, along with a number of "also without an American Fotoplayer. It will pay
lands," or songs which achieve a certain amount for itself by increasing business."
of popularity, but never become big sellers.
R. P. Matthews, vice-president and New York
The Automatic Music Roll Co., of Chicago, manager of American Photo Player Co., stated
in arranging its monthly roll lists, endeavors that there was a question in his mind a*s to
to group the selections in a manner which which he preferred—a letter from a prospec-
pleases the ear, while keeping together all num- tive customer or a letter from an old customer
bers of the same nature, claiming that an all- who was well satisfied.
hit review will always makes the best seller,
but that auxiliary arrangements each month can
THE REPRODUCO PIPE=ORGAN
be made much more attractive by the exercise
of taste and selection. Indeed, the problem of
CHICAGO, III., June 20.—The Operators Piano
the automatic roll arranger is a difficult one, Co. has just issued an attractive new circular
and upon the correct selection of monthly on the Reproduco portable pipe-organ, on which
numbers depends, in a large measure, success- it has had a remarkable demand the past two
ful sales.
years. The Reproduco is a self-contained piano
and pipe-organ that anyone can set up and fits
in nicely as a stock proposition for dealers
AN ARTISTIC BULLETIN
and can easily be substituted in smaller places
The July bulletin of the Pianostyle Music for an instrument that would call for specifica-
Co., of Brooklyn, N. Y., giving the July releases tions. The company stresses the fact that this
of the Pianostyle music roll, both word and is a pipe-organ and not a reed organ. It is
instrumental, has been prepared in an attractive provided with 8-foot stopped diapason, flute
and timely manner. Appropriately, the bulletin and violin pipes. The blower, operated by an
is printed in the national colors. The list of electric motor, is installed in a separate, sound-
releases is printed over a reproduction of the proof cabinet. The violin, flute and stopped
well-known painting, "The Spirit of '76." On diapason pipes are combined with such acces-
the reverse side appears a list of Pianostyle sories as swell, tremolo, mandolin, piano and
hits with the picture of a huge modern cannon cutler devices.
and bull's-eye, representing the sure-fire hits
An automatic player mechanism may be in-
of the Pianostyle list.
stalled if desired. Equipped with this mecha-
nism the Reproduco organ will automatically
The Patrick Music Co., Long Beach, Cal., reproduce from the solo rolls the playing of
has moved to new quarters at 334 Pine avenue. master organists.
JUNE 25, 1921
THE WINDOW
SALES FORCE
Clever and Strikingly Arranged Q R S Display
by Arthur Jordan Piano Co., Washington,
D. C, Helps to Win Interest and Sales
The Q R S department of the Arthur Jordan
Piano Co., of Washington, D. C, maintained a
high quota of sales during the past month and
this was in no small part due to the splendid
window display which the -company prepared.
Q R S Display at Jordan Co. Headquarters
Always with an idea to attracting the public's
attention, Mrs. A. G. Hart, manager of the
department, plans and executes clever and ef-
fective window displays with an idea of mak-
ing them attractive to the eye primarily and yet
at the same time putting across a sales idea.
The part of the window display shown here
gives an idea how Mrs. Hart makes up these
attractive displays. It was gotten up to depict
"Ain't We Got Fun?", the name being the title
of a new music roll just released by the Q R S
Music Co.
The effect was obtained by bringing in a
good portion of the Arthur Jordan establish-
ment and then painting a landscape background,
a collection of beach vamps, such as the beach
cops are after, put in position playing about in
sand, a few shovels; in fact, a real picture of
fun. In the corner was a card marking the
name of the new production.
Splendid sales results were obtained from the
effort and the management is to be congratu-
lated on their enterprise thus demonstrated.
BELIEVES IN COOPERATION
Automatic Music Roll Co. Tells of Increased
Demand for Music Rolls for Coin-operated
Pianos, Organs and Orchestrions
CHICAGO, III., June 20.—-The Automatic Music
Roll Co. reports a largely increased business on
music rolls for coin-operated pianos, organs and
orchestrions. The character of the demand
shows not only the largely increased number of
instruments in operation, but an energetic cam-
paign on the part of dealers in pushing the sales
of rolls to places having instruments of this kind
installed.
The Automatic Co. makes a specialty of sup-
plying the trade with the very latest hits and its
bulletins each month not only reflect its enter-
prise, but also show a new and efficient classi-
fication of the selections on the different rolls.
The July bulletin in particular is a model of
selection and arrangement in every respect. The
company keeps very close to its dealers and its
customers and seeks their advice and sugges-
tions as to the composition of the rolls. The
monthly bulletins which the company is issuing
are calculated to meet the demands of every
section and locality.
The company's service department is espe-
cially well organized and it is prepared to help
its customers in every way to push their busi-
ness vigorously and to aid them in the selection
of rolls best adapted to meet the demands of the
trade.
RESIGNS AS MANAGER
O. E. Kellogg recently resigned as manager
of the store of the Mathushek Piano Co., New
Haven,. Conn., to engage in another line of busi-
ness.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
JUNE 25, 1921
MUSIC
TRADE
9
REVIEW
iMm^UkMUILMUIMIIIUIUSJmj
w^^
Pneumatic Engineers Are Now Turning Their Attention to the Problem of
Making the Player-piano More Responsive to the Touch of the Foot on the
Pedals and to Making the Expression Devices More Convenient of Operation
At the present time one can say a great many
things which once could not have been said.
The player-piano business, both "in its wholesale
and in its retail branches, is waking up to recog-
nize a number of facts which have for a long
time been neglected. There is to-day more talk
about selling by demonstration than there had
been before during ten years
This talk «is
originating mainly in retail circles, but it strikes
back at the manufacturer, and especially at the
The LEABARJAN
at the
Chicago Convention
Style "5"
Price: $90.00 Complete
"Make Your Own Player-
Piano Rolls"
The biggest success and only original
display at the Chicago Convention—
hundreds of dealers and representatives
agreed that the Leabarjan bridges a gap
that once existed in the player-piano trade.
The Leabarjan will double your sales
because it is a new and powerful talking
point (or your salesmen.
Write or wire for territory.
The Leabarjan Mfg. Co.
Hamilton, Ohio
EASTERN SALES OFFICE
130 West 42d St.,
New York, N. Y.
pneumatic engineer, who has the task of de-
signing and putting into execution the ideas
Which govern the industry from time to time.
As things are now going on, it is plain that
there is going to be a demand during the next
year or so, which one may hope will be perma-
nent, for player actions considerably more re-
sponsive to the touch of the foot on the pedals
and considerably more convenient in the lay-out
of the expression devices than has been the case
hitherto. The pneumatic engineer who under-
takes to solve in practical shape a demand which •
arises for anything like this must bear in mind
certain important points, which shall be here and
now set forth.
Pedal-touch
In the first place, there is the great ques-
tion of what has come to be called "pedal-touch."
This is no new discovery, as the reader can find
out for himself, since the present writer eleven
years ago wrote a book called "The Player-
pianist," in which the whole matter of obtaining
"touch effects" through the use of the pumping-
pedals was set forth with considerable wealth
of detail. But it happens that the matter has
become suddenly very important from the view-
point of the trade, and the engineer must take
it into consideration.
Musically or operatively speaking, foot-touch
depends upon the ability to control the loudness
of any tone through the direct pressure of the
foot upon the pedal. The more rapidly and
effectively this can be done the more perfect
is the control which the player-pianist exerts
p.nd the more closely does he approach to a
perfected foot-touch which shall be as direct as
the finger touch on the key in its results.
Pneumatically speaking, foot-touch depends
upon the ability to produce a partial vacuum
higher than the vacuum-level existing before the
beginning of the foot-stroke, up to the maximum
playing pressure available, by a single stroke of
the foot. That is to say, to put it more roughly,
that one must be able to put all the pressure of
which the action is capable behind one tone or a
group of tones with a single foot-stroke. It is
true that, in the extremer sense this requirement
does not often come forward, but it must be
regarded as a necessity nevertheless. If this
much can be done anything less severe will
take care of itself.
The Motor Drag
The problem would be much easier if the non-
speaking elements of the player action, such as
the pneumatic motor for rotating the roll, could
be operated by some separate source of power
instead of being tied down to the main bellows
operated by the feet of the player-pianist. The
fact that the bellows has this double duty to
perform is unfortunate, for perfect responsive-
ness can only be had when the work of the
bellows is confined to the one task of providing
the required playing pressure at any moment
without the need of keeping the motor running.
It is not as if the motor could be run upon the
residuum of power, as it were, which, in the
nature of the case, is always to be depended on,
seeing that in practice the pedal work never
ceases long enough to restore atmospheric pres-
sure inside the action. Unfortunately, the motor
and accessories consume about one-half the total
power required to run the player-piano on
moderately scored music under average con-
ditions. The responsiveness of the foot-touch
must therefore be modified always to this
extent.
It must always be modified, that is to say,
when the device of a separate source of power
is not employed 1 . Yet such a device can be em-
ployed in a simple and practical manner, with
remarkable results in respect of simplifying the
bellows, improving the foot-touch, and so on.
Lost Motion and Waste
But taking the ordinary methods of construc-
tion alone into consideration at this moment, let
us ask ourselves what can be done. The prob-
lem really resolves itself into that of eliminating
lost motion and waste. If we go over our pneu-
matic stack we shall find in plenty of places,
without a doubt, badly designed elements which
conduce to waste. Now, waste from the pneu-
matic standpoint simply means excess or un-
necessary air-space and excessive weight of
moving parts. If we can eliminate or partiallv
eliminate these sources of trouble we shall go
far towards a solution of our problem.
To give a practical hint, let the engineer study
to eliminate all square corners in channels, all
needless length of channeling and every cutbic inch
of unnecessary air-space. Let him do all he can
to cut down the size and weight of his valve
units and whatever goes with them and let him
especially calculate what playing pressures he
desires to use as maxima, figuring thence the
dimensions of all his moving parts and remem-
bering that high pressure with small parts is
better than low pressure with large parts.
Bellows Reform
And what applies to the pneumatic stack ap-
plies also to the bellows. There is always ample
opportunity for reform in the bellows system.
Nearly always it will be found that in the effort
to steady the motor the equalizers have been
made too large and the motor governor bulky
in proportion. Now,-nearly in every case the
precautions have been carried to absurd lengths.
The writer knows, from personal experience,
that if the motor be eliminated from considera-
tion very good results can be had without any
equalizers at all. It is as certain as anything
can well be that the equalizer load can be cut
down very considerably in every player action
now on the market. The present excessive load-
ing is the result of a belief, encouraged by stupid
(Continued on page 10)
THE WONDERFU
LEERNOTE
Iyer Piano
ker Bar Cleaner
mruRcr EVERY NOTE PLAYING
HELPS TO DPING OUT THE FULL
TONE BEAUTY OF PLAYER
EQUIPPED WITH SPECIAL
VALVE 57CREEN FEATURE?
I THAT COLLECT THE DIRT
^PREVENT DEYICE FROM
GETTING OUT OF ORDER
rOB HkBTKIHA»r,l>*K£ atWtlTE
AHERKAM DEVICE MFG.Ca
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