Music Trade Review

Issue: 1921 Vol. 72 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
fflJJIC TFADE
VOL. LXXII. No. 23
I
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Aye., New York.
June 4, 1921
Single Copies 10 Cents
92.00 Per Year
T appears to be the consensus of opinion among both manufacturers and retailers in the music industry
that no real revival of business activity can be expected until the coming of the Fall months, or at the
earliest in September. Not that there will not be improvement right along—for that has already evidenced
itself in sections where the general industrial situation has changed for the better—but any material
advance must await the coming of the recognized Fall business season.
The idea is probably all right and sound in principle provided the members of the trade do not take it so
seriously that they cease making any real effort to get business until the Fall under the impression that any effort
made during the Summer will be wasted. The fact of the matter is that upon the energy placed in the Summer
campaign, both for immediate and future business, will depend in no small measure the success that may be
expected during the later months of the year when the hoped-for normal activities are resumed.
Somehow or other the Summer season has always been a bugbear for the average retail piano man who
has accepted the annual dull period as a matter of course, and in most cases has ceased efforts to develop business
during the hot weather. It is to be admitted, of course, that the monthly average of sales during June, July and
August cannot be expected to compare with the. results during the Winter months, but that is not to say that there
is not business to be had if it is gone after diligently. The proportion of people who close up their homes and go
away for the Summer represents only a small percentage of the total population, for to the great majority of
families the Summer vacation season is limited to the standard two weeks, and the rest of the year must be spent
at home. The buying period of the average family, therefore, is fifty weeks in each year.
-;.: •
Under existing conditions, it is particularly advisable for music merchants to keep up sales efforts right
through the year, forgetting that there is such a thing as a Summer season. There have been spent, and are being-
spent, thousands of dollars each year for music advancement, and strong forces throughout the country have
been co-ordinated in an effort to stimulate a more general appreciation of the art. Much of this music advance-
ment work is carried on in the. Summer, with musical conventions, Chautauquas and open air concerts included
among the organized activities. It is thus seen that the interest of the individual in music is just as likely to be
stimulated to the buying point in Summer as in Winter.
Music is not a seasonable commodity; it is rather an article that can be sold all year around. Human
nature is just as responsive to the lure of music during sweltering weather as it is when the thermometer is below
zero, and while the opportunities for listening to music indoors are greater in Winter than in Summer, still the
cause of music can be furthered most efficiently in Summer if the dealer will but take advantage of the obvious
opportunities open to him.
According to the effort put into the Summer campaign by the retailer will depend whether or not he enters
the Fall season cold as it were and with the business building problem before him, or whether he is prepared at
that time to realize upon the trade-building efforts put forth during the less active business months. Summer
work that does not bring immediate results is more than likely to develop a substantial list of prospects ready for
closing when the time comes to spend the evenings indoors. The logical course is to utilize the time during less
active business periods in building up prospect lists and developing leads in preparation for the period when there
is greater activity, and when the limited amount of time can best be devoted to the actual selling.
The manufacturer and merchant who is simply waiting for Fall is actually wasting time and neglecting
opportunities. He has gotten in the habit of dealing in futures and has forgotten that today's business turnover,
even though small, is much more important than next month's prospects. It is all very well to think and plan
ahead, but it's quite another thing to sit down and idle while waiting for something to happen. Summer business
may not break sales records, but it can be made to pay expenses and to open the way for taking full advantage of
any business opportunities that the Fall may offer.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
RMEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
T. B. Spillane, 373 Fourth Ave., New York; Second Vice-President, Raymond Bill, 373
Fourth Ave., New York; Secretary, Edward Lyman Bill, 373 Fourth Ave., New York;
Assistant Treasurer, Wm. A. Low.
J. B. SPILLANE, Editor
RAY BILL, B. B. WILSON, BRAID WHITE, Associate Editors
WILSON D. BUSH, Managing Editor
CARLETON CHACE, Business Manager
L. E. BOWERS, Circulation Manager
Executive and Reportorial Staff
Published Every Saturday at 373 Fourth Avenue, New York
Entered as second-class matter September 10, 1892, at the post office at New York. N. Y.,
under the Act of March 3, 1879.
SUBSCRIPTION (including postage), United States and Mexico, $2.00 per year;
Canada, $3.50; all other countries, $5.00.
ADVERTISEMENTS, $6.00 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising pages, $150.
REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman Bill, Inc.
Departments conducted by an expert wherein all ques-
onH
allU
tions of a technical nature relating to the tuning,
Tp4»hnil»al IW>nai*fm I C l l l U l L d l lW|ldrtliaeill!!> are dealt with, will be found in another section of
this paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900 Silver Medal.. .Charleston Exposition, 1902
Diploma.... Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal—Lewis-Clark Exposition. 1905
LONG DISTANCE TELEPHONES—NUMBERS 6882—6883 MADISON SQ.
Connecting all Departments
Cable address: "ElbllL New York"
Vol. LXXII
NEW YORK, JUNE 1, 1921
No. 23
1921
SUPPORTING MUSIC AS AN ART
T
HE action of the Chicago Piano Club in guaranteeing $1,000
annually for five years toward the support of the Chicago Grand
Opera Company is in line with the new attitude that has been devel-
oped in the trade toward the cause of music—the attitude that
reflects the realization that the music trade and the art of music are
closely allied and part of one great movement. During the conven-
tions the Chicago Piano Club succeeded admirably in emphasizing
the close relationship between the trade and profession in the carry-
ing out of its entertainment program, in which Harold L. Mc-
Cormick, patron, and Mary Garden, directress of the Chicago Opera
Co., as well as numerous opera stars, took part. This pledge of
financial assistance, therefore, is a logical move and should serve as
an inspiration to members of the music industry in other sections for
doing all they should towards supporting music as an art.
EXPORTS OF PLAYER-PIANOS
EDWARD VAN HARLINGEN, V. D. WALSH, E. B. MUNCH, C. A. LEONARD, LEE ROBINSON,
EDWARD LYMAN BILL, SCOTT KINGWILL, THOS. W. BRBSNAHAN, A. J. NICKLIN.
WESTERN DIVISION:
BOSTON OFFICE:
Republic Bldgr., 209 So. State St., Chicago.
JOHN H. WILSON, 324 Washington St.
Telephone, Wabash 5242-5243
Telephone, Main 6950.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., D. C.
NEWS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA.
JUNE 4,
T
HE detailed Government report of the exports of player-pianos
from the United States to foreign countries during 1920, repro-
duced elsewhere in The Review, should prove of exceptional inter-
est to those members of the trade who have faith in the possibilities
of export trade as well as those who have been inclined to regard
export business as hardly worth while.
The report shows that during 1920 8,364 player-pianos valued at
$3,472,632 were exported to seventy-two different countries in all
sections of the globe. The exports for 1920 practically doubled those
for 1919, which in itself is significant, because last year some of our
foreign competitors started to get back on their feet. During the
year, too, there were exported music rolls valued at $409,913 as
against rolls valued at $294,000 in 1919.
The figures, especially as they concern exports to Australia,
Spain, Argentina and several other countries, are particularly inter-
esting. Australia, of course, was our best customer, taking 2,785
players and music rolls valued at $109,000 as compared with 982
players and 11,000 music rolls exported to Spain, the next country
on the list. Those who have the welfare of the industry at heart
and who believe that the development of a substantial export trade
will help business at home will find much meat in the facts presented.
PROOF OF BETTER SELLING TERMS
T
HE analysis of piano and talking machine sales during 1914 and
1920, prepared by the Music Industries Chamber of Commerce as
an argument to be presented before Congress in an effort to have
the excise tax on musical instruments eliminated, offers information
that should prove as interesting and helpful to members of the trade
as it should to Congress. In fact, there are found in the figures
proof of the better merchandising methods adopted by the industry
during the war, which it is urged should be kept in force during and
after the period of readjustment.
Both in the matter of price and terms there is shown a remark-
able advance during the six years. In 1914, for instance, in 38 per
cent of the sales less than 5 per cent of the purchase price was
received as first payment. In 1920 in only 15 per cent of the sales
were such low terms reported. In 1914 in only 10 per cent of the
retail sales were final payments made within a year, and in only 22
per cent were the sales cleared up in less than two years. In 1920,
on the other hand, 42 per cent of the sales were made on a basis
that closed up the accounts in less than two years.
Quite in contrast with the terms on pianos are those cited in
connection with the sale of talking machines. In 1914 in only 10
per cent of the sales were the down payments less than 5 per cent
of the sale price. In 1920 this percentage had dropped to 4. In 1914
60 per cent of the sales were wound up within the year, and a total
of 93 per cent in two years, while in 1920 fully 97 per cent of the sales
were consummated within the two-year period.
It is significant in considering the analysis that in the sale of both
talking machines and pianos an average of one-quarter of the buyers
paid down at the outset 25 per cent or more of the purchase price.
This figure will probably prove a surprise to those who fondly
believe that about 90 per cent of piano purchasers did business on a
long-time basis.
The figures go to prove that substantial terms on piano sales
particularly can be obtained and have been obtained. In the present
race for business this fact should not be overlooked.
PADEREWSKI—MUSICIAN AND CITIZEN
T
H E recent arrival of Paderewski in the United States to enjoy
a well-deserved rest at his home on the Pacific Coast has
brought forth many tributes to the great work of this patriot-
statesman and musician. The following editorial, which we clip from
the Hartford Times, is a tribute in which his many friends in the
music trade industry can cordially join :
"When the time comes to write the full story of Paderewski's
accomplishments historians are likely to say that his greatest work
was not his leadership of Poland from disunion and misery back
to her old, proud position of unity and independence, but his in-
spiration, even ennoblement, of humanity through his music. Pader-
ewski made the piano more than a mechanism of wood and metal,
he made it something that expressed, under manipulation by his
skillful fingers, the very soul of humanity. The aspirations, joys,
sorrow, pain, hatred and love that are combined in us have been told
in unmistakable terms of music and none that ever heard the won-
derful virtuoso ever can forget either him or his message. Great
patriot though he is, he will live in the minds of Americans as the
greatest master of the pianoforte of his time, and it may be many
years before his equal comes before the public, with due respect for
the many great artists that now delight us. May he find rest here
in America, and from his brilliant mind may there come many more
compositions to enthrall,, even though played by other hands."
CO-OPERATING WITH THE GOVERNMENT
R
ECENTLY, William Braid White, associate and technical editor
of The Review, made a journey to Madison, Wis., where, over a
period of several days, he consulted and worked with the head of
the American School of Forestry, which is located in that city.
The Review proposes to co-operate with this Governmental institu-
tion in every way possible, with the end in view of advancing the effi-
ciency with which various kinds of woods are utilized in the pro-
duction of pianos and talking machines.

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