Music Trade Review

Issue: 1920 Vol. 71 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
62
THE
MUSIC TRADE
REVIEW
NOVEMBER 20,
1920
CONDUCTED BY V. D. WALSH
MUSIC ON THE FRONT PAGE
San Francisco Branch of Jerome H. Remick
& Co. Gets Unusual Publicity at Election Time
by Furnishing Singers for Press Parties
SAN FRANCISCO, CM.., November 13.—Hitherto
sacred first pages of the daily newspapers of
t lie Western metropolis have been devoted
largely to Remick song numbers during the
three days preceding election, through arrange-
ments between Ford Rush, professional repre-
sentative of Jerome H. Remick & Co., and
two of the largest daily papers. Rush furnished
a small army of singers who entertained at elec-
tion parties given by these papers. The singers
sang Remick numbers, and their pictures, to-
gether with copies of "Avalon," "Japanese Sand-
man," "Beautiful Annabelle Lee," and "Nobody
to Love," showed plainly on the first page of
one of the papers which reaches hundreds of
thousands of persons. In addition to this the
different numbers were prominently mentioned
for several days in connection with the election
party. As a result of this arrangement, thou-
sands of copies were sold in San Francisco.
"PRETTY MISS VIRGINIA" HAS DEBUT
Jos. W. Stern & Co. Publish New Song Hit
Which Is Featured by Conway's Band
Jos. W. Stern & Co. are the publishers of a
new song entitled "Pretty Miss Virginia." It
has achieved no little popularity during the past
six weeks, and it gives every indication of being
recognized as one of the season's big hits. Pat
Conway's Band, now traveling in Middle West
territory, features this number at every concert.
Ray Miller's Black and White Melody Boys,
now pjaying in Ed Wynn's Carnival, are using
"Pretty Miss Virginia" as one of their principal
numbers. The sales, according to the" reports
from the jobbers, are constantly increasing.
JUST SEVEN DAYS FROM HEAVEN
"Just a Week From To-day," one of the lat-
est additions to the catalog of M. Witmark &
Sons, is being featured with great success by
Hyams and Mclntyre, now playing an engage-
ment on the Keith circuit. It's a song of joy-
ful anticipation by a prospective bride and
groom who have reached the point where "Just
a Week From To-day" is synonymous with
seven days from heaven. As a double number
i*. seemingly has more than the usual charm.
It is written by Bert. Rule. Al Dubin and Paul
Cunningham.
DEALERS:
Please remember that
"The Barefoot Trail"
Song Success
is now on the broad highway of
SINGERS, TEACHERS AND PUBLIC PROCLAIM IT!
Supplying the demand is up to you —
Co-operation spells ORDERS—we're at your service
BOOSEY & CO.
The House of Song
Fame
NEW YORK (9 East 17th Street) and TORONTO (384 Yonge Street)
VAUDEVILLE A POOR MEDIUM FOR POPULARIZING SONGS
Results in Recent Months Have Shown the Superiority of the Band and Orchestra Department
Over the Professional Department in Creating Popularity and Sales for New Numbers
Among the new situations the popular pub-
lishers now have to contend with are many that
have nothing to do with the retail price of
music. It has often been the case recently that
when writers desired to discuss the publishers'
problems they resorted to the prevalent retail
price of thirty cents for popular music as the
crux of the situation. This, upon close analysis,
has had very little to do with the case or cases
in question, and while it is true that prices have
had some effect on conditions, it has been hard
to discern just what were the chief causes for
the unusual situation. One thing, however, that
has impressed many of the leaders in the in-
dustry is the poor results obtained through
popularizing songs by the medium of the vaude-
ville performer.
It is the consensus of opinion that the vaude-
ville performer has done very little during the
past year to put over successes, at least
this being true of the bigger hits. With the
exception of "Oh What a Pal Was Mary," "Oh,
By Jingo" and a few other songs, all of the
biggest successes have won their initial laurels
through the aid of the orchestras.
The professional department of the publish-
ers, which always includes all or some of the
branches throughout the country, is one of the
most important adjuncts to a publisher's busi-
ness, or at least one of the most expensive. If
this department fails to deliver results in pop-
ularizing songs, it does not justify the expense,
at least not on the scale on which it is run at
the present day. It is now rumored that at
least two or three publishers have decided to
greatly reduce their professional department,
and at least one has threatened to abolish it al-
together. If the professional departments do
not do more than lias been shown in recent
months the publishers will no doubt find some
method of popularizing songs which will serve
for the loss of activity in that direction. The
bands and orchestras have done splendid work,
and in several other directions the publishers
have succeeded in putting to good use chan-
nels that were heretofore unavailable. With
the poor success in popularizing songs in vaude-
ville circles, additional means must be found to
take the place of the loss from this source. They
will be found, because the publishers after all
are wide awake, and are ever on the alert to
meet conditions.
All of which leads us to remark that there are
some publishers (not the majority, however) of
the mind that it would be well to discontinue
the work of the American Society of Authors,
Composers and Publishers. This is a mistake,
tor the simple reason that the added publicit3\
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
NOVEMBER 20,
1920
THE
if any, that could be procured from the indis-
criminate releases of songs or instrumental num-
bers in this manner would not be marked. Most
of the results would be through the medium of
the orchestra, and the present-day situation
shows that it is not the orchestra that has failed.
On the other hand the orchestra has taken a
position during the last two or three years that
makes it valuable to the publishers, but that
does not mean that the publishers should change
the laws or regulations under which orchestras
operate in popularizing music. It is not to the
orchestras therefore that the publishers must look
for a new means for popularizing songs. The
problems will have to be met by other means,
and to place the blame on the policies of the
American Society of Authors, Composers and
Publishers will not advance the interests or the
dividends of the trade.
YOU MAY NOW DANCE TILL 3 A. M.
Fox-trotting Strains of Baron Van Schillagh's
Orchestra Linger at Century Promenade
The Messrs. Shubert, whp operate the Cen-
tury Promenade, "New York's Gay Parisian
Rendezvous," have announced that owing to the
success of Baron Van Schillagh's famous Monte
Carlo Orchestra they have decided to lengthen
the dancing time following the perform-
ance of the "Midnight Rounders," and in the
future this prominent orchestra will play until
3 a. m. Baron Van Schillagh is noted for the
unique way he has of directing an orchestra.
A BIG SELLER
12th
STREET RAG
REAL DANCE SENSATION
A
SONG AND INSTRUMENTAL
Order from U* or Your Jobber
Obtainable for All Mechanical
Instruments
QTHER BIG SELLERS
LOVE BLOSSOM
KISS ME, DEAR
CINDA LOU
BARCELONA
UNDERNEATH THE DREAMY,
ORIENTAL MOON
J. W. JENKINS' SONS MUSIC CO., KANSAS CITY, MO.
MUSIC TRADE
MORE COMMENTS ON JAZZ VANDALS
Milwaukee Paper Adds to Argument of Nor-
wegian Music Lovers Who Object to Ragging
of "Peer Gynt"—"Big Stick" Is Advised
MILWAUKEE, WIS., November 13.—Under the
heading, "The Jazz Vandal," the Milwaukee
Sentinel of November 7 published the following
editorial which is of general intere'st:
"Music lovers all along have been predicting
that this jazz business would get us into trou-
ble of some sort.
"Their predictions appear to be verified in a
measure, for the dispatches relate that a tre-
mendous musical roar has set up in Norway
over the fact that some misguided musical genius
in Tin Pan Alley has adapted Grieg's famous
'Peer Gynt' suite to ragtime, and that insult
has been added to injury by perpetuating the
atrocity on gramophone records which are being
distributed broadcast.
"The sensitive Norwegians have taken this as
a national affront—at least the musical element
has done so—and it is reported that a protest
has been sent to Washington urging that the
offenders be required to stop this vandalism.
"No lover of good music is going to quarrel
with the Norwegian objectors. But it is a little
difficult to see how they are going to do any-
thing about it or what the Government can do.
The inalienable liberties of a free people seem
to include the right to jazz up any musical com-
position that may appeal to the syncopator, as
well as the right to perpetuate the results on a
gramophone record and distribute them where
they will do the most harm.
"Norway is not alone in this musical affront
The works of the most celebrated composers of
CHARACTERISTIC
SONG W A L T Z
WITH THE NOVEL'TWIST"
PROCLAIMED A H I T
WHEKVU PLATCD AS A tWNCL
Soccully Artanqed for Orcheitrj by
M SCHULZ
63
REVIEW
rf\ \XJUrc\liB\t H SOUi
oilier lands have not escaped the attacks of the
mechanicians of Tin Pan Alley. The linest com-
positions of every a.nc have fallen before the
devastating hand of the syncopation expert.
"Perhaps, if the music lovers of America
could be brought together to accomplish their
hearts' desire of rambling through Jazz Lane
with a heavy elm club they might accomplish
something that would soothe the Norwegians
and not hurt the feelings of their follow citizens
appreciably."
CLOSE DEAL FOR FILM MUSIC
Music Publishers' Protective Association Makes
Deal With Synchronized Scenario Music Co.
The negotiations which have been carried on
between the Music Publishers' Protective As-
sociation and the Synchronized Scenario Music-
Co, have been brought to a close. A form of
contract for the use of publishers and this new
organization has been arranged and it is said
this involves the payment of $5,000 advance
loyalties by the Synchronized Scenario Music
Co.
The plans of this new concern call for spe-
cially arranged scores, to be used in connection
with feature pictures, making use of musical
themes from catalogs of the members of the
Music Publishers' Protective Association.
Waltz Ballad Success
Special Price 15 cents
STARTING VERY BIG!
McKinley Music Co. 11 "™

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