Music Trade Review

Issue: 1920 Vol. 71 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
62
THE MUSIC TRADE REVIEW
OCTOBER 16, 1920
CONDUCTED BY V. D. WALSH
NEW STYLE OF SHEET MUSIC
THE MODERN SONG WRITER
Buffalo Man Patents What He Calls the "Duplex
Double Number"
Evening World Humorist Has Some Amusing
Comments to Make Regarding the Popular
Songs of the Day and Those Who Like Them
John S. Dobson, Buffalo, N. Y., a writer of
popular songs, is the inventor and patentee of a
new style in sheet music layout known as the
"Duplex Double Number." Mr. Dobson has
assigned the rights to the patents to the Niantic
Sheet Music Co., 266 Broadway, Buffalo, N. Y.
Application for both Canadian, English and
Australian patents are being applied for by the
same company. It is claimed for this new inven-
tion that it will annually save thousands of
dollars in paper stock as well as in time and
labor. The "Duplex Double Number" consists
of two distinct title pages arranged in such a
manner that the music for the verse and chorus
follow in order. Copies of the music will be
placed on sale in a short time and the music
publishers of the country will, no doubt, look
forward to their release with interest. In this
new method of publishing, it will create sales
for two songs in place of one as heretofore.
MILLS BUYS "NORMANDY"
Jack Mills, Inc., New York publisher, has ac-
quired the 9ong entitled "Normandy" from
Frank Kienzle, Charles Smith and Nelson Ing-
ham., three Philadelphians, who have had some
success as popular writers. The Jack Mills
catalog now has three numbers that are hav-
ing good sales. The other two are "Cuban
Moon" and "Sweet Mamma" (Papa's Getting
Mad).
MUSIC
Neal R. O'Hara, the New York Evening
World humorist, has little respect for the qual-
ity of the modern popular song to judge from
some of his recent comments under the title of
"Modern Music." The song" is a Broadway
business to-day, he declares, and a composer
doesn't have to know much music or English
so long as he can add up his royalties. The
modern song writers, he says, are like the
Democratic administration—always strong for
the South.
In commenting upon this tendency Mr.
O'Hara says:
"The average song writer has never been
south of the Jersey ferry slips, but that trifle
never affects his style. Any almanac will tell
you that the moon shines south of the Potomac,
and that's all you need to know. Dante wrote
the 'Inferno' without making a trip to assemble
his copy, so why should a song writer care?
Some of 'em have gone even further south into
Cuba.
"Twenty years ago most of our music came
from Vienna, but now it comes from Berlin.
And Irving certainly gives us an earful. He's
made more trap drummers hunch-backed than
Dr. Munyon has cured with his pills. And his
brand of music gets the money! That's why
Al Jolson can get more for a night than Chopin
could get for a nocturne.
"The day is past when wine, women and
song can travel together. Nowadays our women
and song are too fast for our wine. You don't
have to put raisins or yeast in music now to
make your feet have that dizzy feeling. For
the song boys don't write 'The Song of a
Shirt' any more unless the shirt is hard boiled.
"The beauty of our modern American songs
is that they don't have to be translated. They
make as much sense in any other language as
they do in ours. The music that Broadway
gives the nation has fixed it so you don't have
to have an ear for music so long as you've got
two shoulders. When there is music in the
air to-day there are sure to be shoulder blades
in the same place. The reason our music can
charm the savage beast is that so little of it is
tame. But don't think we'll ever forget the old
masters. We won't—so long as our 1920
Beethovens continue *to jazz up their stuff."
B. W. LEVY ON WESTERN TRIP
General Manager for B. D. Nice & Co. Extend-
ing His Acquaintance Among Dealers
Benj. W. Levy, general manager of B. D.
Nice & Co., Inc., the well-known New York
publisher, has just left New York on an ex-
tended trip visiting the trade in the Middle
West.
Mr. Levy stated before his departure that the
trip was chiefly for the purpose of shaking
hands and getting acquainted with the dealers.
He reports a big sale on the ballad fox-trot
"Wond'ring" and also announces the completion
of a new ballad entitled "Sweet Lavender,"
written and composed by Lee David.
OF IMPORTANCE
From BROADWAY'S Big Musical Comedy Successes
ALSO THE STANDARD SELLERS OF THE DAY
Representing ONLY THE BEST HITS THIS YEAR
JOHN CORT'S
BIG MUSICAL
PRODUCTION
EARL CARROLL'S BIG HIT FROM
"JIM JAM JEMS"
"THE LADY OF THE LAMP"
MUSICAL COMEDY
When the Right Little Girl Comes Along
Sweet Little Stranger
I've Always Been Fond of Babies
The Magic Kiss
Raggedy Ann
Everybody But Me
BEAUTIFUL PRODUCTION
All of the World Is My Dreaming Place
FANNY BRICE SONG HITS
"ZIEGFELD FOLLIES"
FRANK CRUMIT'S BIG HIT FROM
"GREENWICH VILLAGE FOLLIES"
Rose of Washington Square
1 Was a Floradora Baby
Roc ka way Baby
1920
I'm a Lonesome Little Rain Drop
BERT
WILLIAMS'
BIG HITS FROM
GARDEN
J. J. SHUBERT'S BIG SUCCESS
NEW YORK
WINTER
"BROADWAY BREVITIES"
The Moon Shines on the Moon Shine
1 W a n t to Know Where Tosti Went When He Said G o o d - B y e . . .
"MIDNIGHT ROUNDERS"
CENTURY ROOF REVIEW
You're Like a Red Red Rose
Who Cares
T E D L E W I S Big Song Hits
NORA B A Y E S ' BIG H I T FROM
"LADIES FIRST"
Rose of Chile
•.
Come Back to Georgia
Some How
MUSICAL COMEDY
Ten Little Bottles
LEE & J. J. SHUBERT PRESENT
"THE
GIRL
.Good-Bye, Take Care of Yourself
IN
THE
PRIVATE
MUSICAL COMEDY
I Love My Art
ROOM"
Look for the Rainbow
ORDER THROUGH YOUR JOBBER
Published by SHAPIRO-BERNSTEIN & CO.,
47°™
& R , ° N ? W YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
OCTOBER
THE MUSIC TRADE
16, 1920
REVIEW
63
He turned to me and with a broad, wholesome
smile replied: "O! just to get there."
"Yes; but where, where?" I insisted with Autograph of Babe Ruth Himself on the Title
Geo. Hamilton Green Secures Some Excellent
Publicity Through Article Appearing in Many curiosity tuned to a high pitch.
Page of "Grieving for You"
For a moment he blew rings of smoke* from
Newspapers Telling of His Achievements
his cigar, then slowly whispered: "To success."
It is somewhat the usual thing nowadays for
Needless to say 1 was more puzzled than ever. "jazz combinations" to appear in the role of
Herewith is reproduced a fine piece of pub-
licity for Geo. Hamilton Green, the well-known What had the success of "Alabama Moon" to writers of popular songs, and Joe Gibson, Joe
composer and pianist, his song, "Alabama do with him? And I quizzed and pumped, Riband and Joe Gold, known as the "3 Joes,"
Moon," and the publisher of that work, the Sam nagged and begged, until I finally drew from
Fox Publishing Co., Cleveland, O., sent out by him the following story:
the National Bureau for the Advancement of
"You see, it's mine," he said. "Yep! and I
Music under the caption, "Has the New Com- wrote it one night when I was musing about
poser a Chance?" and which has reached thou- the good old times—the times when I left
Signature of Babe Ruth
sands of readers. It is an interview Mr. Green Omaha as a kid and struck out for myself look-
had some time ago with Laszlo Schwartz:
ing for success. My first success was to get a a successful trio, are no exception. They are
No one will be more surprised than George job in Chicago at a dollar a day. Well, I plunked the authors of a new song published by Leo
Hamilton Green when he reads these lines, for away at my xylophone at a dollar per until I Feist, Inc., entitled "Grieving for You."
The trio played a Summer season's engage-
the chances are he has almost forgotten the fel- tired of the glory of it. You can imagine with
low who joined him at the table in a fashionable a dollar a day there was hardly anything but ment at the Bal Tabarin, in Hartford, Conn.,
New York hotel on the night when he first had glory and scant meals in holding down that job. and while there the New York Yankees played
his "Alabama Moon" tried.out by the orchestra.
"Then I struck out for New York. I made an exhibition game in Hartford. During the
He surmised just as little that I was a scribe as up my mind that I'd be one of the best in my evening the ball players visited the Bal Tabrin,
I did that he was the composer of the plaintive profession. But I didn't stop at that—I also where the "3 Joes" were featuring their own
melody which had set the audience a humming. made up my mind I'd let the world know about compositions. Babe Ruth, of the Yankees, was
so impressed with the song "Grieving for You"
As I was humming the contaminating refrain it.
"Well, when I got to the top of my profes- that he insisted upon having several copies of
my glance fell upon the fellow opposite me.
The beautiful strain of melody unwound itself. sion I says to myself: 'Green, you can't stop it, which he autographed for his friends. A fac-
The stranger's face went through a whole gamut here; you're done with this job; now tackle simile of Babe's signature is shown herewith.
Leo Feist, Inc., by the way, could, without a
of emotional expressions. The wild applause of something else.'
stretch of imagination, sub-title the above num-
the dancers seemed rudely to awaken him from
"And so I did. I began to write songs.
his musings. The next moment he exclaimed:
"I tell you it takes a sincere and deep study ber as "Babe Ruth's Favorite Song."
of mob psychology and the fullest appreciation
"Gee, but it's great to get there!"
and understanding of the spirit of our times
"Get where?" said I in surprise.
ART HICKMAN SIGNS UP
and its complex tendencies for a fellow to write
a successful popular tune. Some fellows hit the Head of Famous Band to Write Exclusively for
bull's eye once—then never again. Make up
W., B. & S.
your mind if a fellow can repeat success in this
game it's no accident. It's the grand total of
Art Hickman, head of Art Hickman's Jazz
many years of experimenting, many years of
Band, now playing on the Ziegfeld Roof, and
sorrows and keen disappointments."
Ben Black, co-authors of "Hold Me," have
Meanwhile the orchestra had repeated the signed a contract to write exclusively for Water-
lulling waltz twice in succession and yet the son, Berlin & Snyder. Following this announce-
crowd was clamoring for more and more. ment it is understood that the Art Hickman's
Green's face lit up again with a beaming, boyish Orchestra is to confine its future activities to
smile. Caressingly he blew a fantastic figure Eastern territory.
into midair and added: "But, by jove, it is
worth all the hard knocks—wheji you finally get
there."
HAS THE NEW COMPOSER A CHANCE?
FROM THE PEN OF THE MIGHTY
McKINLEY MUSIC CO.'S
A BIG SELLER
12th STREET RAG
New Hit Ballad
A REAL DANCE SENSATION
SONG AND INSTRUMENTAL
Order from UM or Your Jobber
&&&
18 Cents
EDITION BEAUTIFUL
P'our vveek§ ago we shipped one
complete
Edition
of
EDITION
BEAUTIFUL, to Mr. Louis Merki, a
well known music dealer in San
Francisco. Mr. Merki had scarcely
placed the Edition on his counter
preparatory to placing' it in his
shelves when the first customer who
came in became so enthusiastic
about the Edition that she bought
the entire Edition, and Mr. Merki
was compelled to re-order a lot
more of EDITION BEAUTIFUL,.
As customers begin to find out
that they can get such an Edition as
the EDITION BEAUTIFUL., fifty
dollar sales to single customers will
become more frequent in the music
business.
WRITE FOB PARTIC-
ULARS NOW.
Obtainable for All Mechanical
Instruments
OTHER BIG SELLERS
C. C. CHURCH AND COMPANY
HARTFORD. CONNECTICUT
Hartford—New York—London—Paris—Sydney
A
LOVE BLOSSOM
KISS ME, DEAR
CINDA LOU
BARCELONA
UNDERNEATH THE DREAMY,
ORIENTAL MOON
J. W. JENKINS' SONS MUSIC CO., KANSAS CITY, MO.
S E 1 V S / V T I Q rM A
WHISPERING
Shermaniiiay & Co.
SAN FRANCISCO

Download Page 66: PDF File | Image

Download Page 67 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.