Music Trade Review

Issue: 1920 Vol. 70 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
ROTO
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
J. B. Spillane, 373 Fourth Aye., New York; Second Vice-President, Raymond Bill, 373
Fourth Ave., New York; Assistant Treasurer, Wm. A. Low.
D
V. D. WALSH, WM. BRAID WHITE (Technical Editor), E. B. MUNCH, L. M. ROBINSON,
C. A. LEONARD, EDWARD LYMAN BILL, SCOTT KINGWILL, THOS. W. BRESNAHAN, A. J.
NICKLIN, L. E. BOWERS
WESTERN DIVISION:
BOSTON OFFICE:
Republic Bldf., 209 So. State St., Chicago.
JOHN H. WILSON, 324 Washington St.
Telephone, Wtbaih 5774.
Telephone, Main 6950.
,
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., D. C.
NEWS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 373 Fourth Avenue, New York
Entered as second-class matter September 10, 1892, at the post office at New York, N. Y.,
under the Act of March 3, 1879.
SUBSCRIPTION (including postage), United States and Mexico, $2.00 per year;
Canada, $3.50; all other countries, $5.00.
ADVERTISEMENTS, $4.50 per inch single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising pages, $130.
REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman Bill, Inc.
Departments conducted by an expert wherein all ques-
Player-Piano and
tions of a technical nature relating to the tuning,
regulating and repairing of pianos and player-pianos
Technical Departments are dealt with, will be found in another section of
this paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900 Silver Medal.. .Charleston Exposition, 1902
Diploma... .Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal—Lewis-Clark Exposition, 1905
LONG DISTANCE TELEPHONES—NUMBERS 5982—5983 MADISON SQ.
Connecting all Departments
Cable address: "Elbill, New York"
NEW YORK, JUNE 12, 1920
No. 24
THE REVIEW'S SMALL GOODS SECTION
H E Review has been in receipt of many compliments from
members of all branches of the trade for the attractive Musical
Merchandise Section incorporated in its edition of last week and
which will be made a regular monthly feature of this publication.
The constructive character of the articles featured in the section
came in for special commendation. It is planned to have matter of
similar value in subsequent issues of the special section, rather than
simply to carry a number of valueless items to fill up space. The
manner in which the members of the musical merchandise trade
regard the progressive move of The Review is strongly indicated
by the support they have given it.
The time is ripe for the all-around music store—a music store
in fact as well as name, which can supply every kind of musical
instrument or accessory, and which can be properly regarded as a
real musical, center. Keen business men in every line strive to make
their invested capital work as efficiently as possible, in order to keep
overhead costs down to a minimum. This object can best be achieved
in the music trade by being able to meet the customer's every wish,
whether for a piano or for a harmonica, without having to refer
him to a competitor's store.
T
W H E N SHOULD THE CONVENTIONS BE HELD?
HE members of the National Association of Music Dealers are
at present engaged in setting forth their individual views regard-
ing the proper season of the year for holding the annual convention
of that organization, together with the desirability of having a music
show in connection therewith. A questionnaire has been sent out by
association officials and it is expected that all answers from members
of the association will be in well before the end of the month so
that the majority opinion may be presented at the meeting of the
Board of Control at Atlantic City on June 25 and 26.
It appears that quite a number of the merchants are strongly
in favor of a Spring meeting to be held some time between
the middle of April and the middle of May, when the weather is
;
likely to be more settled than it is in mid-Winter. It is admitted
T
that the weather conditions at the New York conventions were un-
usual, but a great many association members do not feel like risking
a similar experience again. It is likewise fe'.t in some quarters that
the Music Show, had it been held when weather conditions were
pleasanter, might have proven a greater success and that this venture
was worth repeating under more favorable conditions.
It must be admitted, however, that there is a considerable dif-
ference of opinion on both the convention and the show in associa-
tion circles, and the final results of the questionnaire will be awaited
with interest.
THE REPRODUCING PIANO
J. B. SPILLANE, Editor
RAYMOND BILL, B. B. WILSON, Associate Editors
WILSON D. BUSH, Managing Editor
CARLETON CHACE, Business Manager
Executive and Reportorlal Staff
Vol. LXX
JUNE 12, 1920
URING the successful musical season which has just come to a
close the reproducing piano has played a prominent part in im-
portant events on the concert platform. Heretofore the grand piano
has been heard largely through the medium of celebrated artists in
the flesh, but this season the player-piano has reproduced the inter-
pretations of the great pianists from rolls specially played by them-
selves, while on several occasions the artists who made these rolls
have been heard in the same numbers in person. This development
has been one of the great features of the musical season, and it has
marked a distinct advance in the public understanding and prestige
of the player or reproducing piano.
Judging from the comments of audiences, it is quite evident a
large army of people have not kept in touch with the amazing-
progress of the reproducing piano, and its frequent appearance this
season not only demonstrated its development artistically, but it was
a veritable awakener to an army of people musically inclined.
The musical advancement of America has been greatly aided
by the wider recognition accorded the reproducing piano, because it
has stimulated musical energy and appreciation—bringing music
correctly and admirably expressed to the attention and into the
homes of millions of people.
It is not difficult to predict that the increasing popularity of
the reproducing piano will mark a new era in musical progress in
America. It is stimulating a greater love for piano music and
music generally, and few take stock in the fears of some critics
that it will prevent students from studying and learning to play
the piano manually.
The leading teachers of the country to-day are a unit in their
opinion that the more musical the people become the larger their
classes, for no matter what convenient means of hearing music are
provided—either through the reproducing piano or the talking ma-
chine—every person who desires to be at all accomplished, to be
properly educated, must know how to play the piano.
The point of great value in this connection is that the player-
piano and the talking machine are potent means of inculcating a
greater love for music—they stimulate a desire to hear and interpret
the very best in musical creation.
THE PASSING OF A KINDLY SOUL
I
N the passing of O. K. Houck the music trade of the country has
suffered a loss just as keen as that suffered by his home city of
Memphis, where Mr. Houck was in every sense a distinctly promi-
nent citizen. At trade gatherings, both of piano and talking machine
men, where Mr. Houck was for years an active figure, he displayed
a keen business judgment, carefully seasoned by a fund of good
humor that never failed him. The answer to more than one trade
problem being discussed at length by convention bodies was found
in some humorous remark offered by Mr. Houck. He had the gift of
mixing humanness with business in just the right quantity, and in
every sense was a true friend of mankind. His passing leaves a gap
that will be difficult to fill.
MENDING THE CREDIT FENCES
T
HE wise manufacturer or merchant just now will take precau-
tions to cut down his outstanding obligations so far as possible
in order to forestall any difficulty in getting extended credit, or being
compelled to pay heavy interest for money accommodation. Those
who have sailed close to the wind in the matter of borrowings, and
have taken the precaution of building up a reserve for a possible
lean period, have little to worry about. Those who have not taken
such precaution had better start right now to prepare for any pos-
sible financial stringency that may occur.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JUNE 12, 1920
THE MUSIC TRADE REVIEW
Piano Costs and the Supply Shortage
The Inability of Supply Manufacturers to Secure Adequate Stocks of Raw Materials and the Necessity of Buying What*
ever Is Offered at Top Prices Has Had a Direct Influence in Sending the Wholesale and Retail Prices of
Pianos and Player-Pianos Upward, According to a Prominent Jobber in Piano Hardware
Aside from the increase in the cost of ma-
terials which enter into the construction of
pianos and player-pianos, there is another phase
of the supply situation which deserves no little
Consideration and that is the inability to secure
supplies after they have once been ordered.
The various strikes which have taken place in
the last six or eight months have had a telling
effect upon deliveries, and combined with the
shortage of skilled labor have in some cases put
certain materials almost beyond the reach of
those who desire them.
While investigating the increase in costs and
the higher prices which prevail, The Review
representative talked with, an executive of one
of the largest jobbers in piano hardware who
cited several cases of how they have been com-
pelled to use hitherto unheard of methods in
order to get their orders filled and even then
could not do so to the complete satisfaction of
their customers.
"For instance," he said, "take the brass sit-
uation. In one of the mills where we procure
this commodity the men have been on strike
and orders have to be accepted with the provis-
ion that the price will be fixed at the settle-
ment of the strike. Any price which they make
us is tentative only, and is subject to change
which may be necessitated on account of any
increase in cost of production, which takes place
between the time the order is placed and the
time the shipment reaches us. Now understand
that we cannot place an order that will be ac-
cepted with any guarantee of delivery either.
This is one of the worst conditions which we
have to contend with.
"We have used every means available to try
and keep our customers satisfied. For instance,
you see that post office station over there?
Every night we almost fill that station up with
hardware which we are sending out by parcel
post. This naturally adds to the expense. Re-
cently a manufacturer desired a certain kind of
stock and needed it very badly. He was one
of our good customers and we wished to please
him. On this account we had to go out in the
open market and dig up a job lot of fifty tons
of steel stock and ship a large percentage of
it by express. In other cases we have had to
use motor trucks over long distances, and the
cartage expense has naturally been tremen-
dously heavy. You can imagine what the ex-
press bill amounted to. To begin with, we
had to buy the fifty tons of steel stock at a
fancy price. It was a case of where the manu-
facturer had to have this stock or shut down
his plant and with the orders which he had on
hand, even at the advanced price of the raw
material, it was much better business for him
to buy at a fancy price and pay the express
charges, rather than wait indefinitely and de'ay
production. You must realize that this all has a
bearing upon the price of the finished product,
and is just one of the reasons why pianos and
player-pianos are higher than they ever have
been, and yet they are not as high in propor-
tion as many other commodities.
"Now take for instance wood screws. It is
almost impossible to get number six or smaller
wood screws owing to the fact that the screw
companies have not been able.to get wire from
which to make them, and besides they do not
make as much on small screws as they do on
the larger sizes on which there is not only
more profit but less waste. In order to procure
screws of this kind we are again compelled
to go into the open market and pick them up
where we can and of course when the supply
is exhausted, it is a matter of waiting for the
manufacturers to produce more. We, as job-
bers, are between two fires, the piano manufac-
turer on one side and the manufacturer of raw
materials on the other side. Naturally the busi-
ness we have done has grown in the number of
dollars involved, but this does not mean that
our percentage of profit has grown. In fact
when we consider the investment which has
to be made to purchase materials at prevailing
prices and also the greatly increased overhead
we must contend with to-day, the percentage
of profit we make is really smaller than that
of pre-war years.
"Speaking of shipping again and looking over
our records, I find that in the month of April
we sent out over $20,000 worth of parcel post
packages. These few instances which 1 have
cited show conclusively some of the disadvan-
tages under which we are doing business at the
present time. Ma/iufacturers have blamed us
for not delivering their goods when in all cases
we are endeavoring to do the best we can, but
are compelled to put up with conditions which
can hardly be overcome by the manufacturers
of the hardware themselves, and naturally as
the go-between we are compelled to take the
brunt of- the whole thing.
"I read with interest your story on prices
of hardware which appeared in a recent issue
of The Review, and can conclusively say that
in some instances you were conservative, as
prices of some of the hardware are even higher
than you mention in your comparative table of
costs.
"Piano dealers should be advised of the condi-
tions which prevail in the raw material market,
and I am sure that they will then realize that
the life of the supply man and the piano manu-
facturer has been anything but pleasant in try-
ing to produce instruments of the same superior
quality as in previous years, and at the same
time keeping the prices down to a reasonable
figure."
Why the Cost of Piano Plates Is
Still Showing an Upward Trend
John C. Wickham Furnishes Some Data Regarding the Various Factors Which
Are Making Piano Plates Advance in Price
EDITOR'S NOTE: This article is based on an interview
with John C. Wickham, executive head of the Wickham
United Industries, who is regarded as a most reliable author-
ity in any matters pertaining to the piano plate situation.
"Is there any likelihood that the price of piano
plates will decline in, the near future?"
When asked this question Mr. Wickham an-
swered decisively with a no, and then went on
to explain several reasons why piano plate prices
will not decline, but on the contrary will make
a further advance. He said:
"Within the last sixty days there has been an
advance in the price of coke from $7.00 to $12.00
per ton at the ovens. The shortage right now
of coke is tremendous, so that the market on
this product looks more like an increase than
a decrease. Assuming, however, it remains at
the present price of $12.00, it is certain that
the price of pig iron will be jumped very quick-
ly, because so far it has not been advanced pro-
portionately to the increase mentioned above in
coke. Yet the price of pig iron is directly de-
pendent upon the price of coke, as the process
of making pig iron requires a great deal of
coke. It is, moreover, unbelievable that the
furnaces will absorb for any length of time the
increased cost of producing pig iron, due to the
last increase that, has already been made in coke,
but which so far has not shown in the price of
pig iron.
"To reduce the above to actual figures it is
only necessary to remember that it takes two
tons of ore and one tone of coke to make one
ton of pig iron. On this direct ratio basis, then,
the near future will see an increase of $5.00 a
ton in the cost of pig iron. It is now $46.00 at
the furnace. Hence, at the foundry with the
$5.00 increase mentioned above and the freight
rate added in, the cost of pig iron at the foun-
dry will be in the neighborhood of $55.00 a ton,
or higher."
"Is there any chance of securing scrap iron
more economically than new pig iron?"
When asked this question Mr. Wickham point-
ed- out that the scrap iron market was cleaned,
up very thoroughly during the war and since
the war. Whatever supply is available through
this source now is too expensive to consider in
the production of piano plates.
"Has there been any improvement in the labor
end?"
Mr. Wickham replied: "There has not, and at
the present time there is a great deal of com-
petitive bidding for men between various con-
cerns engaged in the foundry and steel busi-
ness, and, of course, this bidding process tends
to drive wages higher and higher."
"Is there any other important factor affect-
ing the future of piano plates?"
To this Mr. Wickham rejoined: "The freight
situation is very likely to mean a material ad-
vance in the price of piano plates. All over
the country forces are being brought to bear to
increase the freight rates on all commodities due
to the fact that the railroads are unable to effi-
ciently handle the shipments offered them with
the present equipment and present man power.
Already huge sums have been appropriated for
the relief of the freight congestion and it seems
likely that these and the additional investments,
etc., will be at least partially covered by a
general increase in freight rates which, accord-
ing to eminent authorities, will average about 20
per cent.
"If this raise goes through, one might off-
hand feel that the only additions it would make
in the cost of piano plates would be the added
freight between the foundry and the piano fac-
tory, whereas the truth of the matter is the
freight charge which goes into the cost of the
plate will actually increase about ten times this
amount. In other words, the freight increase
will have to be paid not only for the trip the
plate makes from the foundry to the piano plant,
but must also be paid on such other shipments
as the coal to the coke oven, from the coke
oven to the pig furnace, the ore from the mine
to the furnace, the pig iron to the foundry,
etc., and all of this increased freight cost must
show in the ultimate price of the piano plate
when delivered to the piano maker.
''It is possible that unless there is a marked
improvement in the freight situation the delays
in shipment all along the line will also repre-
sent a more or less direct additional cost, be-
cause of the disarrangement in the production
program and the. failure to turn over goods
according to usual schedule. In other words,
time is money and if time is going to be lost
on account of the freight delays it will have
to be paid for somewhere along the line."
All of which furnishes the dealers some food
for earnest thought.

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