Music Trade Review

Issue: 1920 Vol. 70 N. 24

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
VOL. LXX. No. 24
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York.
June 12, 1920
Single Copies 10 Cent*
$2.00 Per Year
Associations
I
T has been remarked several times in the past year that there are at present, or promise to.-be, too many
separate associations in the trade'—associations representing this or that division or faction of the industry
with many objectives overlapping and presenting the danger of certain association activities working at
cross-purposes. Were the present number of associations in existence some years ago, the statement that
there were too many might have carried some weight, but through the medium of the Music Industries Chamber
of Commerce the various and sundry trade bodies are now working more or less along common lines and are
individual in their operations only so far as certain other activities affect some particular section of the trade
and are not of interest to the other sections.
It sometimes happens, even to-day, that certain concerns are called upon through the ramifications of
their business to be represented in several trade bodies—that is, if they are really inclined to support the association
program in full—but in all such cases these same concerns stand to derive distinct benefits from each of the
associations with which their representatives are affiliated. There is, so far as can be seen, no association that
could really be consolidated with others, or eliminated entirely, without leaving a distinct gap in the organization
chain. On occasions there has been some talk among piano manufacturers of the burden of supporting morally
and financially the work of both national and local associations, and in some cases State associations, but while
the national association is distinctly necessary for the welding together of the interests of the industry throughout
the country, the local association is equally important in its own particular field for the handling of problems that
are distinctly local in their scope and effect. A particular instance of this lies in the handling of the strike in
New York last Fall by local associations. This was a matter in which the trade throughout the country was
naturally interested, but it was likewise a matter that could only be handled successfully through a local
association, the interests of which were most directly affected.
The Chamber of Commerce plan, heralded as visionary at the outset by many trade members, has proven
distinctly practical, and under the present method of operation distinctly progressive. The plan depends for its
success upon the organization of national and local associations among the various divisions of the industry—
associations that not only bring and hold together the division members for their own best interests, but weld
them into live units in supporting the Chamber of Commerce in carrying on the work of that organization.
During the past year or so several local associations, particularly among retailers, have almost been allowed to
die through lack of interest on the part of the members, and this lack of interest can be duly credited to the fact
that the average association is not sufficient within itself really to prove a powerful factor, either for the
elimination of evils or for the betterment of the trade.
It is by co-operating with other associations and directly, or through them, with the national organization,
or with the Chamber of Commerce, that these local bodies can remain helpful and grow. The interests of the
trade in all sections of the country, and the interests of the several divisions of the trade, are so closely allied that
a certain amount of co-operation is essential, whether or not the local executives are inclined to promote it. A
thorough realization of this fact, and likewise of the fact that no one section of the trade can stand aloof from all
the other sections, will serve to answer the association question and to make for permanent, stronger organization.
In •emphasizing this close relationship between the various factors and divisions of the industry the Chamber of
Commerce is performing a service that is distinctly worthy of commendation. There cannot be too many
associations if they are all w r orking to a common end and for the common good and under intelligent direction.
The danger comes when they insist upon operating as individual units, with the result that there is a duplication
of effort and at times a conflict of interests. If the industry is to be regarded as an industry, and not simply as a
conglomeration of individual ideas, the trend of association work must be toward unification.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
ROTO
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
J. B. Spillane, 373 Fourth Aye., New York; Second Vice-President, Raymond Bill, 373
Fourth Ave., New York; Assistant Treasurer, Wm. A. Low.
D
V. D. WALSH, WM. BRAID WHITE (Technical Editor), E. B. MUNCH, L. M. ROBINSON,
C. A. LEONARD, EDWARD LYMAN BILL, SCOTT KINGWILL, THOS. W. BRESNAHAN, A. J.
NICKLIN, L. E. BOWERS
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tions of a technical nature relating to the tuning,
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NEW YORK, JUNE 12, 1920
No. 24
THE REVIEW'S SMALL GOODS SECTION
H E Review has been in receipt of many compliments from
members of all branches of the trade for the attractive Musical
Merchandise Section incorporated in its edition of last week and
which will be made a regular monthly feature of this publication.
The constructive character of the articles featured in the section
came in for special commendation. It is planned to have matter of
similar value in subsequent issues of the special section, rather than
simply to carry a number of valueless items to fill up space. The
manner in which the members of the musical merchandise trade
regard the progressive move of The Review is strongly indicated
by the support they have given it.
The time is ripe for the all-around music store—a music store
in fact as well as name, which can supply every kind of musical
instrument or accessory, and which can be properly regarded as a
real musical, center. Keen business men in every line strive to make
their invested capital work as efficiently as possible, in order to keep
overhead costs down to a minimum. This object can best be achieved
in the music trade by being able to meet the customer's every wish,
whether for a piano or for a harmonica, without having to refer
him to a competitor's store.
T
W H E N SHOULD THE CONVENTIONS BE HELD?
HE members of the National Association of Music Dealers are
at present engaged in setting forth their individual views regard-
ing the proper season of the year for holding the annual convention
of that organization, together with the desirability of having a music
show in connection therewith. A questionnaire has been sent out by
association officials and it is expected that all answers from members
of the association will be in well before the end of the month so
that the majority opinion may be presented at the meeting of the
Board of Control at Atlantic City on June 25 and 26.
It appears that quite a number of the merchants are strongly
in favor of a Spring meeting to be held some time between
the middle of April and the middle of May, when the weather is
;
likely to be more settled than it is in mid-Winter. It is admitted
T
that the weather conditions at the New York conventions were un-
usual, but a great many association members do not feel like risking
a similar experience again. It is likewise fe'.t in some quarters that
the Music Show, had it been held when weather conditions were
pleasanter, might have proven a greater success and that this venture
was worth repeating under more favorable conditions.
It must be admitted, however, that there is a considerable dif-
ference of opinion on both the convention and the show in associa-
tion circles, and the final results of the questionnaire will be awaited
with interest.
THE REPRODUCING PIANO
J. B. SPILLANE, Editor
RAYMOND BILL, B. B. WILSON, Associate Editors
WILSON D. BUSH, Managing Editor
CARLETON CHACE, Business Manager
Executive and Reportorlal Staff
Vol. LXX
JUNE 12, 1920
URING the successful musical season which has just come to a
close the reproducing piano has played a prominent part in im-
portant events on the concert platform. Heretofore the grand piano
has been heard largely through the medium of celebrated artists in
the flesh, but this season the player-piano has reproduced the inter-
pretations of the great pianists from rolls specially played by them-
selves, while on several occasions the artists who made these rolls
have been heard in the same numbers in person. This development
has been one of the great features of the musical season, and it has
marked a distinct advance in the public understanding and prestige
of the player or reproducing piano.
Judging from the comments of audiences, it is quite evident a
large army of people have not kept in touch with the amazing-
progress of the reproducing piano, and its frequent appearance this
season not only demonstrated its development artistically, but it was
a veritable awakener to an army of people musically inclined.
The musical advancement of America has been greatly aided
by the wider recognition accorded the reproducing piano, because it
has stimulated musical energy and appreciation—bringing music
correctly and admirably expressed to the attention and into the
homes of millions of people.
It is not difficult to predict that the increasing popularity of
the reproducing piano will mark a new era in musical progress in
America. It is stimulating a greater love for piano music and
music generally, and few take stock in the fears of some critics
that it will prevent students from studying and learning to play
the piano manually.
The leading teachers of the country to-day are a unit in their
opinion that the more musical the people become the larger their
classes, for no matter what convenient means of hearing music are
provided—either through the reproducing piano or the talking ma-
chine—every person who desires to be at all accomplished, to be
properly educated, must know how to play the piano.
The point of great value in this connection is that the player-
piano and the talking machine are potent means of inculcating a
greater love for music—they stimulate a desire to hear and interpret
the very best in musical creation.
THE PASSING OF A KINDLY SOUL
I
N the passing of O. K. Houck the music trade of the country has
suffered a loss just as keen as that suffered by his home city of
Memphis, where Mr. Houck was in every sense a distinctly promi-
nent citizen. At trade gatherings, both of piano and talking machine
men, where Mr. Houck was for years an active figure, he displayed
a keen business judgment, carefully seasoned by a fund of good
humor that never failed him. The answer to more than one trade
problem being discussed at length by convention bodies was found
in some humorous remark offered by Mr. Houck. He had the gift of
mixing humanness with business in just the right quantity, and in
every sense was a true friend of mankind. His passing leaves a gap
that will be difficult to fill.
MENDING THE CREDIT FENCES
T
HE wise manufacturer or merchant just now will take precau-
tions to cut down his outstanding obligations so far as possible
in order to forestall any difficulty in getting extended credit, or being
compelled to pay heavy interest for money accommodation. Those
who have sailed close to the wind in the matter of borrowings, and
have taken the precaution of building up a reserve for a possible
lean period, have little to worry about. Those who have not taken
such precaution had better start right now to prepare for any pos-
sible financial stringency that may occur.

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