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THE
MUSIC
TRADE
REVIEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
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Departments conducted by an expert wherein all ques-
allU
tions of a technical nature relating to the tuning,
Iti>n
regulating and repairing of pianos and player-pianos
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Vol. LXX
TELEPHONES—NUMBERS 5982—5983 MADISON SQ.
Connecting all Department!*
Cable address: "ElbiU, New York"
NEW YORK, JUNE 5, 1920
to sell a few rolls with it at a dollar or so apiece. In cases where
the instruments are sold on instalments the necessary music rolls
can be sold as a special item and the amount added to the instalment
account.
While Mr. Friestedt's opinion is interesting, it is doubtful if the
giving or withholding of free music rolls has served to influence any
great number of sales. It is certain that in several cases where the
giving of free rolls has been cut out entirely the department and
store managers declare that not a sale has been lost. The average
purchaser realizes that he is not going to get something for nothing,
and that although the rolls may be offered as a free gift he is paying
for them in the price charged for the player itself. It is this appeal
to common business sense that has the greatest weight in discouraging
the "throw-in" practice.
T
l I E grand piano continues to make steady strides in popular favor,
judging from the reports of leading piano merchants throughout
the country. The demand has, of course, far exceeded the supply,
and manufacturers of the leading instruments are now working to
their fullest resources to supply the needs of agents everywhere.
The increasing appreciation of music in America has unques-
tionably been a great factor in stimulating the demand for grand
pianos. Nowadays the great pianists are heard in the smaller towns
as well as in the big cities, thanks to the great work of local women's
clubs and other musical organizations which are doing so much to
advance musical knowledge in their localities.
Another factor, of course, and a prime one, is the fact that the
people at large have had a greater amount of money to spend for
musical instruments and the American idea of buying the best is ex-
emplified in their selection of the grand piano. Tastes and desires in
this direction can be satisfied more completely to-day than ever
before, because not only are expensive grands of the highest quality
manufactured, but pianos in grand form, at more popular prices,
are procurable-—instruments of merit that satisfy the wants of those
musically inclined who desire a grand piano in their home.
No. 23
THE BASIS OF LEGITIMATE CREDIT
POINT of the credit discussion during the Supply Men's Con-
vention last week that should not be lost sight of by any factors
of the trade is that credit from the time of its institution has been
based upon actual value and that without value there cannot be any
healthy credit. Summed up it means that credit cannot be granted
alone upon long-time promises to pay, but must be confined to the
limits as suggested by the actual underlying values. There must
be something tangible to work upon—something that represents cash,
or can be converted into cash, to prove that the credit risk is a good
one.
This consideration of the underlying value in the granting of
credits applies as strongly to the retailer as to the supply man and
manufacturer, and in his anxiety to maintain or increase sales aver-
ages he should not send out his valuable instruments to every Tom,
Dick or Harry who is willing to sign an instalment form and prom-
ise compliance with the provisions thereof. The fact that pianos
may be repossessed if payments lapse acts as a guarantee that the
account cannot prove a total loss, but every repossession cuts just
that much into good business, and requires time and energy that
might better be devoted to other purposes.
A
NEW LIGHT ON THE "THROW-IN" PROBLEM
I
JUNE 5, 1920
THE DAY OF THE GRAND PIANO
V. D. WALSH, W M . BRAID WHITE (Technical Editor), E. B. MUNCH, L. M. ROBINSON,
C. A. LEONARD, EDWARD LYMAN BILL, SCOTT KINGWILL, TIIOS. W. BRESNAHAN, A. J.
NICKLIN, L. E. BOWERS
LONG DISTANCE
REVIEW
N declaring his belief that the giving of free music rolls with
player-piano sales reflected upon the value of the player-piano
itself rather than upon the value of the roll, Arthur A. Friestedt
has presented a new angle of the "throw-in" question that should
set music dealers thinking, particularly those music dealers who
still advocate the giving of rolls as a business necessity.
The inference is of course that if the player-piano is presented
in the proper way and sold on its own merits the buyer can be made
to look upon it as an article complete in itself and buy on that basis,
securing his music rolls as he needs them. It is of course highly
desirable that the player-piano purchaser have some rolls on hand in
order to maintain his interest in the instrument, but if the player
itself can be sold for several hundred dollars it should not be difficult
VIGILANCE THE PRICE OF SAFETY
LTHOUGH the danger of the music industry being seriously
discriminated against in the granting of credit by bankers or
priority listings by Federal railroad managers may not be as serious
as some members of the trade seem to believe, it is undoubtedly
the course of wisdom to nip in the bud any movement calculated to
class music, or musical instruments, among the lesser essentials, to
say nothing of non-essentials. The present status of music has been
arrived at by overcoming strong opposition, and all the efforts of
the last three or four years would be for naught were the industry
to sit tight and let things take their course. With a committee
already organized to oppose any attempt to classify musical instru-
ments as non-essentials by either Federal or private interests, there
is no danger of the industry being caught napping. Whether or not
the matter comes to a head, the fact that the industry is prepared
to protect its interests should go far to discourage any attempt to
discriminate against its members.
A
THE VALUE OF LOCAL EXHIBITIONS
LTHOUGH music shows as such are few and far between, that
fact does not interfere with live retailers in various sections of
the country displaying their products where the most favorable
attention may be attracted to them.
Hardly a week passes but there come reports of music dealers
who have had exhibits of their pianos, players, talking machines and
musical merchandise at food shows, auto shows, builders' shows
and exhibitions of other sorts. The shows of course are not devoted
particularly to the music line, but they are calculated to attract
crowds who are bent upon doing everything possible for their money,
and a player-piano or talking machine in operation produces just as
good results in a building full of automobiles as though the demon-
stration were in the middle of a group of similar displays. In fact,
the very element of exclusiveness has a distinct value.
At this time, when the campaign for the advancement of music
is being carried on so strongly, the music merchant is rendering a
real service to the industry by keeping musical instruments before
the public on every occasion.
A