Music Trade Review

Issue: 1920 Vol. 70 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUJIC TFADE
VOL.
LXX. No. 23
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York.
June 5, 1920
Single Copies 10 Cents
$2.00 Per Year
Why Present Prices Must Prevail
T
HE general shaving of retail prices to the extent of twenty or twenty-five per cent by large and small
concerns throughout the country, particularly department stores, has naturally had an effect upon the
minds, if not upon the business policies, of members of the music trade. The average piano dealer is
quite anxious to know whether or not this wave of price shaving is to be accepted as an indication of a
general toppling of high prices and as heralding the process of deflation concerning which so much has been said
and written.
The manner in which the daily papers have handled the stories of the price reductions made by the big
department stores has naturally been calculated to disturb the more timid members of the trade, some of whom
profess to see sudden disaster facing them. A careful study of the situation, however, proves that these price
reductions have in a large measure been confined to what may be termed seasonable products, goods that must
be carried over for several months if not sold at the present time, with just enough of the more standard articles
included to make the event a little more impressive.
Of one thing the piano merchant can rest assured—piano prices, so far as the manufacturer is concerned,
are not going to come tumbling down with any degree of suddenness. They simply can't do it so long as mate-
rials and labor remain at the present level. Cost of production is a fixed quantity and although some manufac-
turer, with an inclination to shave his profits to the bone, or in ignorance of his business costs, might cut prices
a trifle, the cut would not be sufficiently noticeable to permit of any semi-sensational retail offerings.
As a member of one of the leading piano manufacturing concerns of the country remarked this week,
there would have to be a fifty per cent drop in the present price of lumber alone, to say nothing of reductions
in other materials and in labor, to warrant any appreciable reduction in wholesale piano prices, and the lumber
dealers are not making any moves toward price reduction. This statement may not prove very reassuring to
some worried retailers, but it is based upon fact, nevertheless, and it is upon facts that the retailer must gauge
his business moves.
The only danger which can possibly threaten the industry at present lies in the possibility of some panicky
members, both in the manufacturing and retailing fields, going back to the profitless, long-term sort of selling
for the purpose of keeping stock moving.
It is quite true that a successful business depends not alone upon the profit made upon a single transac-
tion, but largely upon the number'of times capital can be turned over in the course of a year. The business
man cannot forget, however, that if the individual transaction results in a loss rapid turnover simply augments
that loss, and long terms in the face of existing conditions simply swallow up any vestige of profit that might
remain even with prices shaved somewhat.
In certain lines, clothing among them, the attitude of many manufacturers and dealers has been to get all
that traffic would bear, with the result that prices have been jacked up to a point where the public has rebelled
and lack of demand has forced prices to drop. In such lines, however, the retailer has been working on such a
large margin that substantial price reductions could be made and still leave him a very comfortable profit.
By far the majority of piano manufacturers and retailers have made price advances only when absolutely
necessary to afford proper business protection. The manufacturers and distributors may have been the victims
of profiteers, but it is certain that as a whole they themselves have not profiteered. The result is that there is
no speculator's margin to shave off in piano prices to meet any general wave of price reduction, whether it is
temporary or permanent.
In some-localities, and under certain conditions, piano merchants will have to stand the test, and upon
their courage and coolness depends whether they maintain their reputations and their businesses.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
J. B. Spillane, 373 Fourth Avc, New York; Second Vice-President, Raymond Bill, 373
Fourth Ave., New York; Assistant Treasurer, Win. A. Low.
J. B. SPILLANE, Editor
RAYMOND BILL, B. B. WILSON, Associate Editors
WILSON D. BUSH, Managing Editor
CARLETON CHACE, Business Manager
Executive and Reportorlal Stall
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NEWS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN T H E LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 373 Fourth Avenue, New York
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under the Act of March 3, 1879.
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Lyman Bill, Inc.
9 fill
Departments conducted by an expert wherein all ques-
allU
tions of a technical nature relating to the tuning,
Iti>n regulating and repairing of pianos and player-pianos
V C | l a l 11IICUO a r e dealt with, will be found in another section of
this paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
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Vol. LXX
TELEPHONES—NUMBERS 5982—5983 MADISON SQ.
Connecting all Department!*
Cable address: "ElbiU, New York"
NEW YORK, JUNE 5, 1920
to sell a few rolls with it at a dollar or so apiece. In cases where
the instruments are sold on instalments the necessary music rolls
can be sold as a special item and the amount added to the instalment
account.
While Mr. Friestedt's opinion is interesting, it is doubtful if the
giving or withholding of free music rolls has served to influence any
great number of sales. It is certain that in several cases where the
giving of free rolls has been cut out entirely the department and
store managers declare that not a sale has been lost. The average
purchaser realizes that he is not going to get something for nothing,
and that although the rolls may be offered as a free gift he is paying
for them in the price charged for the player itself. It is this appeal
to common business sense that has the greatest weight in discouraging
the "throw-in" practice.
T
l I E grand piano continues to make steady strides in popular favor,
judging from the reports of leading piano merchants throughout
the country. The demand has, of course, far exceeded the supply,
and manufacturers of the leading instruments are now working to
their fullest resources to supply the needs of agents everywhere.
The increasing appreciation of music in America has unques-
tionably been a great factor in stimulating the demand for grand
pianos. Nowadays the great pianists are heard in the smaller towns
as well as in the big cities, thanks to the great work of local women's
clubs and other musical organizations which are doing so much to
advance musical knowledge in their localities.
Another factor, of course, and a prime one, is the fact that the
people at large have had a greater amount of money to spend for
musical instruments and the American idea of buying the best is ex-
emplified in their selection of the grand piano. Tastes and desires in
this direction can be satisfied more completely to-day than ever
before, because not only are expensive grands of the highest quality
manufactured, but pianos in grand form, at more popular prices,
are procurable-—instruments of merit that satisfy the wants of those
musically inclined who desire a grand piano in their home.
No. 23
THE BASIS OF LEGITIMATE CREDIT
POINT of the credit discussion during the Supply Men's Con-
vention last week that should not be lost sight of by any factors
of the trade is that credit from the time of its institution has been
based upon actual value and that without value there cannot be any
healthy credit. Summed up it means that credit cannot be granted
alone upon long-time promises to pay, but must be confined to the
limits as suggested by the actual underlying values. There must
be something tangible to work upon—something that represents cash,
or can be converted into cash, to prove that the credit risk is a good
one.
This consideration of the underlying value in the granting of
credits applies as strongly to the retailer as to the supply man and
manufacturer, and in his anxiety to maintain or increase sales aver-
ages he should not send out his valuable instruments to every Tom,
Dick or Harry who is willing to sign an instalment form and prom-
ise compliance with the provisions thereof. The fact that pianos
may be repossessed if payments lapse acts as a guarantee that the
account cannot prove a total loss, but every repossession cuts just
that much into good business, and requires time and energy that
might better be devoted to other purposes.
A
NEW LIGHT ON THE "THROW-IN" PROBLEM
I
JUNE 5, 1920
THE DAY OF THE GRAND PIANO
V. D. WALSH, W M . BRAID WHITE (Technical Editor), E. B. MUNCH, L. M. ROBINSON,
C. A. LEONARD, EDWARD LYMAN BILL, SCOTT KINGWILL, TIIOS. W. BRESNAHAN, A. J.
NICKLIN, L. E. BOWERS
LONG DISTANCE
REVIEW
N declaring his belief that the giving of free music rolls with
player-piano sales reflected upon the value of the player-piano
itself rather than upon the value of the roll, Arthur A. Friestedt
has presented a new angle of the "throw-in" question that should
set music dealers thinking, particularly those music dealers who
still advocate the giving of rolls as a business necessity.
The inference is of course that if the player-piano is presented
in the proper way and sold on its own merits the buyer can be made
to look upon it as an article complete in itself and buy on that basis,
securing his music rolls as he needs them. It is of course highly
desirable that the player-piano purchaser have some rolls on hand in
order to maintain his interest in the instrument, but if the player
itself can be sold for several hundred dollars it should not be difficult
VIGILANCE THE PRICE OF SAFETY
LTHOUGH the danger of the music industry being seriously
discriminated against in the granting of credit by bankers or
priority listings by Federal railroad managers may not be as serious
as some members of the trade seem to believe, it is undoubtedly
the course of wisdom to nip in the bud any movement calculated to
class music, or musical instruments, among the lesser essentials, to
say nothing of non-essentials. The present status of music has been
arrived at by overcoming strong opposition, and all the efforts of
the last three or four years would be for naught were the industry
to sit tight and let things take their course. With a committee
already organized to oppose any attempt to classify musical instru-
ments as non-essentials by either Federal or private interests, there
is no danger of the industry being caught napping. Whether or not
the matter comes to a head, the fact that the industry is prepared
to protect its interests should go far to discourage any attempt to
discriminate against its members.
A
THE VALUE OF LOCAL EXHIBITIONS
LTHOUGH music shows as such are few and far between, that
fact does not interfere with live retailers in various sections of
the country displaying their products where the most favorable
attention may be attracted to them.
Hardly a week passes but there come reports of music dealers
who have had exhibits of their pianos, players, talking machines and
musical merchandise at food shows, auto shows, builders' shows
and exhibitions of other sorts. The shows of course are not devoted
particularly to the music line, but they are calculated to attract
crowds who are bent upon doing everything possible for their money,
and a player-piano or talking machine in operation produces just as
good results in a building full of automobiles as though the demon-
stration were in the middle of a group of similar displays. In fact,
the very element of exclusiveness has a distinct value.
At this time, when the campaign for the advancement of music
is being carried on so strongly, the music merchant is rendering a
real service to the industry by keeping musical instruments before
the public on every occasion.
A

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