Music Trade Review

Issue: 1920 Vol. 70 N. 18

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
12
Easton
Raisa
Peterson
Crimi
REVIEW
MAY
Rimini
THE NEW
VOCALION RECORD
Lateral Cut, Playable on All Standard Machines
HE development of the phonograph has
been one of the most interesting and far-
reaching events in musical history.
The phonograph and the phonograph record
are practically one—that is, neither is of value
without the other. An improvement in either
directly affects both. While this is true, how-
ever, the most obvious improvements in recent
years have been connected with the instrument.
A notable illustration of this is furnished by
the Aeolian-Vocalion, which is recognized both
here and abroad as representing a definite and
decided advance in phonograph construction.
It is significant that from the source that
produced this new phonograph should emanate
a Phonograph Record of improved type.
The importance of the New Vocalion lateral-
cut Record may hardly be overestimated. To
T
Nellie
Kouns
1, 1920
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MAY
THE MUSIC TRADE
1, 1920
Dambois
'Alvarez
REVIEW
Sundelius
Scotney
the public it means that the most perfect record
ever put upon the market is now available for
use with all standard phonographs. To the
music-trade it means one more vital sales
feature added to the many included in the
representation of the Aeolian-Vocalion. The
new Vocalion Record is a super-record. In
true musical quality, in durability, in content
and timeliness of issue it is not equalled in the
whole phonograph field.
Up-to-date merchants who are not in the
phonograph business, and those who are, but
are not handling the Aeolian-Vocalion, will see
in this new record one more cogent reason
for securing Vocalion representation before
territory is all assigned.
THE AEOLIAN COMPANY
NEW YORK • LONDON • PARIS • MELBOURNE • SYDNEY • MADRID
DISTRIBUTORS
Nordheimer Piano & Music Co., Ltd.
Toronto, Canada
The Aeolian Co. . . . Chicago, 111.
The Aeolian Co. . . Cincinnati, Ohio
The Aeolian Co. . . . St. Louis, Mo.
The Aeolian Co.
San Francisco, Cal.
Consolidated Music Co.
Salt Lake City, Utah
B. Dreher's Sons Co, . Cleveland, Ohio
Sara
Emerald Co. . Birmingham, Alabama
Guest Piano Co. . . Burlington, Iowa
D. H. Holmes Co., Ltd., New Orleans, La.
O. J. DeMoll & Co., Washington, D. C.
Stone Piano Co.
Fargo, N. D., and Minneapolis, Minn.
R. W. Tyler Co. . Wheeling, W. Va.
Vocalion Co. . . . Boston, Mass.
D. L. W r hittle Music Co., Dallas, Texas
Kouns
13
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