Music Trade Review

Issue: 1919 Vol. 69 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
JULY 26, 1919
MUSIC TRADE
55
REVIEW
CONDUCTED BY V.' D. WALSH
REMICK BUYS 'TELL ME"
Secures Right to Sensational Hit From Maurice
Richmond Music Co.
"Tell Me," the ballad fox-trot, words by Will
J. Callahan and music by Max Kortlander, has
been purchased by Jerome H. Remick & Co.
from the Maurice Richmond Music Co. This
number, hardly over a month old, has been a
national success and it is stated that over
twenty thousand orchestras are featuring it in
their programs.
Jerome H. Remick & Co. without doubt paid
one of the largest amounts for the number that
has ever been recorded for a song, inasmuch
as it is understood the publishers had previously
refused forty thousand dollars for the rights.
The Remick house will immediately embark on
an advertising campaign, giving "Tell Me" much
publicity in many quarters, including trade, pro-
fessional and the other sources for popularizing
songs and instrumental numbers.
WITMARK HAS ANOTHER SHOW
NEW BERLIN NUMBERS
Publishing Numbers of "Greenwich Village
Follies," Which Recently Opened in New
York and Which Has Proved a Big Success
Four Songs From Ziegfeld Follies Being Fea-
tured by New Firm
According to the newspaper critics "Green-
wich Village Follies," which opened at the
Greenwich Village Theatre on Tuesday of last
week, scored one of the biggest and most genu-
ine successes ever registered by a musical show
in New York. The production is the work of
Philip Bartholomae and John Murray Ander-
son, who wrote the book and lyrics, while the
music was furnished by A. Baldwin Sloane. In-
cidentally Mr. Sloane, who has hardly been
heard from since his great successes, "The Gin-
gerbread Man" and "The Mocking Bird," did
what is known as a "come back," as the lilting
tunes of his offering were instantly received as
numbers of exceptional merit.
Among the numbers in the above production,
which appear to be ones that will be heard
for many months, are "My Little Javanese,"
"I've a Sweetheart in Each Star," "Red, Red as
VISITING TRADE IN MIDDLE WEST
a Rose," "I Want a Daddy Who Will Rock Me
Maxwell Silver, general manager of Gilbert & to Sleep" and "The Message of the Cameo,"
Friedland, Inc., left on Tuesday of this week the latter sung by Bessie McCoy, whose return
on a trip visiting the trade in the Middle West. to the stage was a triumph.
He is expected to remain away about ten days
In the "Greenwich Village Follies" M. Wit-
and will spend some of his time at the com- mark & Sons «;core another decided success,
pany's branch office in Chicago.
for they are the publishers of the music, a dis-
tinction decidedly worth possessing in view of
Mr. Sloane's extraordinary string of song suc-
STERN & CO. TO MOVE
cesses.
Jos. W. Stern & Co. will shortly move into
their new professional rooms at 226 West
MCCARTHY & FISHER BUSY
Forty-sixth street, New York. This is in the
George Friedman, general manager of Mc-
new "Publishers' Row" and is adjacent to the
Carthy & Fisher, Inc., will return on Monday of
National Vaudeville Artists' Clubrooms.
next week after a two weeks' visit to the vari-
RETURNS FROM THE WAR FRONT ous branch offices of the company. The sum-
mer season of the above firm has been a busy
Willie SufTes, manager of the shipping de- one and the organization does not intend to let
partment of the Meyer Cohen Music Co. prior up in its efforts to create sales for its num-
to his entry into the United States Army, has bers.
returned to his duties with that firm after many
months spent in France.
Wonderful Waltz Song Hit
Yaa Hear It ETerrwhcre
Used by All Acts and Orchestras
The new firm of Irving Berlin, Inc., who have
opened offices in the roo'ms formerly occu-
pied by the National Vaudeville Artists, 1587
Broadway, have now announced to the trade
the release of four songs, all of which are suc-
cesses in this season's Ziegfeld Follies. The
numbers are "Mandy," "A Pretty Girl Is Like a
Melody," "You Cannot Make Your Shimmy
Shake on Tea" and "Harem Life." A special
introductory offer on these numbers is being
made to the trade.
HARRIS SONG A HIT
Sophie Tucker and Emma Carus Feature "Oh,
How She Can Dance"
Last Sunday night at the Winter Garden Con-
cert Sophie Tucker sang "Oh, How She Can
Dance," while Emma Carus, the author of the
song, sitting- in the second row, felt highly
pleased at the mighty reception the song re-
ceived after its rendition. Miss Tucker, noticing
Miss Carus in the audience, immediately called
the attention of the vast audience to that fact,
and called upon Miss Carus to join in the re-
frain, to which Miss Carus gracefully consented.
The audience, still demanding more, was in-
vited by both Miss Tucker and Miss Carus to
join in the refrain, to which they also gladly
consented. It goes without saying that "Oh,
How She Can Dance," almost precipitated a
riot. Its publisher, Chas. K. Harris, is being
congratulated upon the acquisition of this won-
derful song hit to his already numerous song
successes.
STASNY SUMMER CAMPAIGN
Tom Huston, Philadelphia representative of
the A. J. Stasny Music Co., was a recent visitor
at the New York offices of the concern. While
EASTMAN RETURNS FROM EUROPE here he arranged plans for a summer campaign
Walter Eastman, manager of Chappell & in Atlantic City, which will be taken part in by
Co., returned to the United States on Sunday the entire Philadelphia staff. Mr. Huston is giv-
of last week aboard the "Aquitania." Mr. East- ing much attention to the linn's high-class cata-
man made a visit to the home office of his com- log and in a recent statement he said that the
pany after an absence of several years, due to demand for the higher-price publications ap-
peared to be increasing, judging from the large
the war-time conditions.
orders now being received.
"WOND'RING"
BALLAD
"ROMANCE"
SONG—WALTZ
"Tents of Arabs"
One Step Intermezzo—Song
All by LEE DAVID
Writer of "WILD HONEY"
Very Popular
7 Cents
NewYork
McKinley Music Co.
B. D. NICE & CO.
1544 Broadway,
New York
Artmusic Gems
Forever Is A Long,
Long Time"
When the Evening
Bells Are Ringing "
Oh! You Don't Know
What-You're Missin'"
"Waters of Venice"
(Instrumental)
Floating Down the
Sleepy Lagoon"
(Song ve r sion "Waters of Venice")
ARTMUSIC, Inc.
145 West 45th St.
NEW YORK
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
56
MUSIC TRADE
REVIEW
JULY 26, 1919
The New Hit by the Writers of "Mammy o'Mine"
"JUST LEAVE IT TO ME"
By BILLY TRACEY and MACIO PINKARD
Published by Shapiro, Bernstein & Co., Music Publishers, Cor. B'way & 47th St., N.Y.
her childhood. So far as we can find out she
was not exactly a tomboy, as the appellation
How a Gifted Woman Has Made Good as a "Bob" might indicate, but a mighty good fel-
Composer and Publisher of the Better Class low, just as she is yet, while always maintaining
her femininity.
of Music—New Numbers From Her Pen
She began writing songs when a child, the
first song being written when thirteen years
CHICAGO, I I I . , July 23, 1919.
"You may live in a land full of sunshine and. old. After her husband's death she started to
publish songs as a means of livelihood, but
roses,
"A fair land of wonder, each longing achieve; being without an established name in the world
"May dwell in air-castles and commune with of music she could not "get in" without making
concessions, without violating her ideal of what
princes—-
a song should be, and she didn't. She com
"If you live in a land of Make-believe."
—Bob Chamberlin. menced publishing her own songs. Her phi-
This is going to be a somewhat unusual story.
In the true sense of the word, accomplishment
means production and has nothing to do with
commercialism, but trade papers and most
magazines devoted to articles on "the principles
of success" for young aspirants usually relate
only the victories of people whose "arrival" has
been marked with a large influx of the coin of
the realm.
This tirqe we are going to tell the story of
one who has accomplished much, but who has
not "arrived," except in an artistic sense—a
simple, direct, true little story, frank to the
core. It has got to be that, or it would mis-
represent the subject, for she, herself, is true,
direct and frank.
While her songs have not yet become cur-
rent in a large popular sense there are still
quite a number of people who have heard and
have sung "Bob Chamberlin's" songs, but few
of them know that she is a woman, and that is
the delightful thing of it, she is all woman, and
her femininity expresses itself in her songs.
While the music is good and simple and the
lyrics touch the experience of the average man
Bob Chamberlin (Mrs. Annabelle Held)
and woman there is no concession to what we losophy of life is expressed in her lyrics and an
often refer to when we speak of the "popular idea of what it is can be obtained from the
taste." The big "popular" publishers have ex- chorus of "The Land of Make-believe," which
pressed a willingness to take up "Bob's" songs is quoted at the beginning of this article. Every-
if she would change them, if she would get a thing about her work shows conscientiousness
little of the so-called "snap," if she would inject and the artistic instinct. She has the best ar-
an element of the salacious; but she couldn't, and rangers in Chicago working on her music just
if she could, she wouldn't, and she didn't. She
could not sacrifice her sense of refinement, her
TAKE TO DEEP WATER, MR. BASS
womanliness. She could make no concessions.
As we learn something about her we do not C. Arthur Fifer Planning to Depopulate Fish
wonder at this.
Tribes in Northern Lakes
"Bob Chamberlin" is Mrs. Annabelle Cham-
Have a care, ye fish of the Northern lakes.
berlin Held, and her father was Charles H.
Some one who usually gets what he wants
Chamberlin, the author of the now world-re-
nowned State song, "Illinois," which was first is after thee. C. Arthur Fifer, president of the
sung at the meeting of the Army of the Potomac C. Arthur Fifer Music Co., Quincy, 111., Chi-
at the Chicago World's Fair, and was char- cago and New York, is on his way with his rod
acterized by McKinley as one of the most stir- and reel. If "Pot" cannot "get" you with his
ring songs ever written. So if there is such a "Bassoreno" he'll try some of his new melo-
thing as influence of heredity and environment dies on you.
it is no wonder that "Bob" has ideals and will
Mr. Fifer's friends advise him to save money
not make concessions.
on fishing tackle and to simply take a boat and
When she started to write for publication she his banjo, row on the lake and strike up "When
simply took as a non de plume the nickname of
BOB CHAMBERLIN'S CAREER
Song Hits from Ziegfeld Follies 1919
PRICE 18c. FOR JULY ONLY
"Mandy"
"A Pretty Girl Is Like a Melody"
"You Cannot Make Your Shimmy
Shake on Tea"
"Harem Life"
(Outside of That Every Little Thing's All Right)
IRVING BERLIN, Inc., 1587 Broadway, N.Y.
LENDING A HEART
to make sure that it is all right technically and
the title pages are artistic in the extreme. She
writes in many styles and good critics, with
whom The Review has talked, say that she
should write a light opera or a musical comedy.
She does not think she is "up to" that yet,
but lots of people with her talent would prob-
ably think differently and get away with it
the first time. She does not say so, but she is
probably waiting until she thinks she has the
experience to produce something big enough
to prove popular while involving no "conces-
sions."
Among her songs already published are:
"When Johnny Comes Marching Home," "China
Lily," "Pussy Willow Time" and "A Love
Song Just at Evening." Just listen to the first
verse of the last-named number:
"You ask me, dear, to prove that 1 love you
"Plow could 1 fail to love so dear a prize
"The roses from your cheeks have sought their
hue,
"The stars have gleaned their brightness from
your eyes,
"The sun has gained its lustre from your hair,
"From you the birds have learned their love
songs true.
"Since first we met the world is wondrous
fair—
"The universe to me means only you."
The title and that of "When Johnny Comes
Marching Home" illustrate a trick of hers. She
is not an imitator, or a plagiarist, but she takes
up old themes sometimes and works them
through many variations, and it is fine work
she does.
Yes, there is a new woman composer-pub-
lisher in the field, and she stands for the best,
and we are probably going to hear a great
deal more of her.
That little office of hers at 312 South Dear-
born street is a pretty busy place nowadays, and,
if plans now making carry through, the concert
stage and the Lyceum stage will soon echo to
the lilting melodies and heart-reaching words of
"Bob Chamberlin's" songs.
You're Lonely, So Lonely," "Just Drifting," or
"I've Got a Little Home in the Country," and
watch the bass and'pike swarm around him.
Mr. Fifer believes in giving his hard-working
staff a real treat. They will "Packard" to the
northern Wisconsin lakes for three weeks'
sport. Accompanying him will be J. C. Barlow,
Charlie Gay—and, of course, the ladies.
C. C. Church & Co., Hartford, Conn., promi-
nent music publishers, announce that M. M.
Leidt, Julius Weiss and Philip Ponce will repre-
sent that company during the coming season.
Will E. Skidmore has opened up offices in the
Gaiety Theatre Building, New York. The firm
will publish numbers of the popular sort.
THE HIT BALLAD
OF THE DAY I S
"WHEN I COME HOME
TO YOU"
Words by WILL J. CALLAHAN
Music by FRANK H. GREY
3 Keys
HUNTZINGER & DILWORTH
159 We.t 57th Street
NEW YORK

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