Music Trade Review

Issue: 1919 Vol. 69 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
REVIEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
T. B. Spillane, 373 Fourth Ave., New York; Second Vice-President, Raymond Bill, 373
Fourth Ave., New York; Assistant Treasurer, Win. A. Low.
J. B. SPILLANE, Editor
RAYMOND BILL, B. B. WILSON, Associate Editors
WILSON D. BUSH, Managing Editor
CARLETON CHACE, Business Manager
Executive and Reportorlal Staff
V. D. WALSH, W M . BRAID W H I T E (Technical Editor), E. B. MUNCH, L. M. ROBINSON,
C. A. LEONARD, EDWARD LYMAN BILL, A. J. NICKLIN, L. E, BOWERS
BOSTON O F F I C E :
JOHN H. WILSON, 324 Washington St.
CHICAGO
OFFICE:
Published Every Saturday at 373 Fourth Avenue, New York
Entered as second-class matter September 10, 1892, at the post office at New York, N. Y.,
under the Act of March 3, 1879.
SUBSCRIPTION
(including postage), United States and Mexico, $2.00 per year;
Canada, $3.50; all other countries, $5.00.
ADVERTISEMENTS, $4.50 per inch single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising pages, $130.
REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman Bill, Inc.
Departments conducted by an expert wherein all ques-
anil
aUU
tions of a technical nature relating to the tuning,
regulating and repairing of pianos and player-pianos
p
are dealt with, will be found in another section of
this paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Prxx
Paris Exposition, 1900 Silver Medal.. .Charleston Exposition, 1902
Diploma
Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal—Lewis-Clark Exposition, 1905
Vol. LXIX
matter of window displays, no special effort will be required to
compete for The Review prize. The object is to give credit to
a display not arranged with any idea of special reward, in other
words, to recognize the best results obtained in what might be
considered the ordinary course of business.
The judges are all men well qualified to pass upon the standing
of the various displays, from the standpoint of advertising value,
general attractiveness, and tendency to promote music advancement.
The featuring of an enlarged photograph of the winning display at
the Music Show should alone stimulate an interest in the contest,
and a desire to participate.
The time is short, but there is plenty of opportunity for every
concern in the trade to enter the contest if it so desires, particularly
as no time need be wasted in special preparation. The photographing
of the window is in itself a simple process, and no other conditions
save the entering of a photograph are necessary to give any and
every one full entry into the -contest.
THE FUNCTION OF THE TRAVELER
E. P. VAN HARLINGEN, Republic Building,
Telephone, Main 69S0.
209 So. State St. Telephone, Wabash 5774.
LONDON, ENGLAND:
1 Gresham Buildings, Basinghall St., D. C.
NEWS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED I N T H E LEADING CITIES THROUGHOUT
AMERICA.
LONG DISTANCE
TELEPHONES—NUMBERS 5982—6983 MADISON SQ.
Connecting all Departments
Cable address: "Elbill, New York"
NEW YORK, DECEMBER 20, 1919
No. 25
I
N his holiday message to piano travelers, as conveyed through
the medium of The Review last week, Alexis A. Mahan, President
of the National Piano Travelers' Association, sets forth in no uncer-
tain manner the real importance of the traveler, even though he finds
no occasion for pursuing his normal vocation of soliciting orders.
The piano traveler has long been recognized by the intelligent
retailer as something far more than a mere order taker, or even
salesman, for the traveler who has made a study of his business and
his customers acts as an important connecting link, not alone between
the factory and its representatives, but between the dealers in the
various sections he covers. The traveler observes and studies at first
hand new business methods; he notes their success or failure, and
his experience enables him to offer advice of untold value to the
retailer who is following the wrong plan; who is about to embark
in a new venture, or who is in a position to profit by suggestions.
The traveler can probably be termed the missionary of the trade.
The garnering of orders represents in most instances the least part
of his activities.
OUR HOLIDAY ISSUE
T
H E REVIEW has received many compliments from members
of the trade regarding the interesting and elaborate character
of the Holiday Issue brought forth last week, close to schedule,
despite unusual difficulties. Although the strike of the printers in
New York has been over for a fortnight, printing conditions are far
from normal, but in the face of these handicaps the Holiday Issue—
the largest ever published by The Review—was planned and carried
out to completion without delay.- The Review staff naturally takes
pride in the accomplishment and is highly gratified by the expressed
appreciation on the part of its many friends in the trade.
The production of a paper weekly which, including inserts, ran
well over 200 pages, was in itself no small task. To bring it out in
the regular time, between regular weekly issues, likewise mailed
according to schedule, represents a feat that has not yet been
equaled, or for that matter approached, by any other publication in
the music trade.
T H E REVIEW'S W I N D O W DISPLAY C O N T E S T
T
DECEMBER 20, 1919
HE matter of attractive window displays is steadily being
accorded more attention in the trade as the scope of the business
develops, and as the merchants adopt modern methods in retailing.
The store show window, particularly in the lively business centers
where piano salesrooms are most generally located, represents one
of the greatest assets from the standpoint of publicity. When the
store is located in a business center much of the rental charge is
represented by that same display window, and to neglect it is as
bad as to allow the store itself to remain dirty and devoid of stock.
It is with a view to stimulating interest in window displays
generally that The Review has inaugurated the contest announced
last week, to determine the most attractive holiday display of musi-
cal instruments. The prize of a trip to the Music Show, in New
York, in February, should prove a sufficient incentive to interest
the majority of those concerns who give attention to window displays
and pride themselves upon the results obtained. Inasmuch as every
music house makes some sort of special effort at holiday time in the
THE COAL SHORTAGE RELIEVED
N
EWS of the settlement of the coal strike has naturally been
received with frank enthusiasm by the music trade, the members
of which, together with those engaged in other industries, had begun
to see in the fuel conservation restrictions a serious menace to the
holiday trade. As it was, the Federal restrictions, even in the se-
riously affected sections of the Middle West, lasted only for a
comparatively brief period, and along the Atlantic Seaboard had
hardly become operative before they were rescinded. The prospect
of having idle factories and dark warerooms, however, was so immi-
nent for a time that the members of the trade will have some
difficulty in shaking off their nervousness, even though they are
becoming used to having one trouble piled up on top of another.
THE FACTOR OF MORAL INFLUENCE
T
H E strength of the average association lies not in its ability
to force upon its members the observance of sundry rules and
regulations that it may promulgate, but rather upon the moral in-
fluence its membership as a whole may exert upon the individuals
who offend in the matter of trade methods and trade ethics. This
has been proven in the piano trade on several occasions and, for
that matter, most recently. The Association can pass resolutions
condemning this or that practice, but is impotent to force an ob-
servance of those resolutions except through the medium of moral
suasion. But this in itself quite often proves most effective.
Association membership is, or should be, made up of the men
of high standing in that particular industry—men imbued with the
idea of trade betterment, and with the spirit of putting their ideas
into effect in their own businesses. When a piano merchant, or
an individual in any other line of endeavor, becomes so callous
that the condemnation of the better element among his fellows has
no effect upon him then he has reached the point where he is liable
to overstep the bounds and get in trouble in other directions.
Ethics are hard to define, but when the majority of the members
of an industry agree that certain methods are inimical to the welfare
of that industry the offender had better watch his step.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
DECEMBER 20,
1919
THE MUSIC TRADE REVIEW
THE CHEAP COMMERCIAL PIANO AN INJURY TO TRADE
HANDSOME STORE IN SPRINGFIELD
Canadian Writer Discusses Relation of American and Canadian Piano Trade and Points Out Trade
Evils—"Thump Box" Hurts U. S. Trade—National Policy Aids Industry
Retail Store of Jesse French & Sons Piano Co.
Equipped and Decorated in Most Modern
Style—S. E. Secoy the Local Manager
TORONTO, CAN., December 15.—A writer who is
conversant with the conditions in the piano
trade both in this country and the United States
recently said in the Toronto Globe:
Subsidiary factors in encouraging the Cana-
dian piano industry were the leveling up of
exchange, which had been heavily against the
United States, and the injury to its name which
the American piano received from the pro-
duction and sale of the cheap commercial piano
known to the trade as the "thump-box." It is
difficult to realize to-day that at the time of
the American Civil War, and for a number of
years afterward, as a result of it, American
money was worth much less in Canada than
Canadian money is worth now in the United
States. So low was the value of the greenback
that Canadian music dealers could buy a piano
in the United States, bring it into Canada, pay
the duty which was imposed after the abro-
gation of the Reciprocity Treaty, and, selling
it for the same number of Canadian dollars as
they had paid greenbacks, realize a handsome
profit. This condition encouraged them to push
the sale of American pianos at a time, more-
over, when the number of Canadian-made pianos
was insignificant, even in the limited Canadian
market. As the value of the American dollar
rose to its normal state the profit on dealing
in American pianos decreased, and with it the
salesman's eagerness to push sales.
Closely allied with the exchange situation was
the other condition. In contrast with the Ameri-
can, a marked characteristic of the Canadian
was his slow, careful buying. When he pur-
chased a piano he looked for merit, and did not
readily allow himself to be led into buying
something not really good. American pianos
in general, until well into the seventies, had
held a name in Canada for quality and durability,
and Canadian firms had to combat a definite
desire on the part of the purchasing public for
American pianos. The seller of a Canadian
piano had often to give a contract that if it
proved unsatisfactory he would exchange it for
a named American piano.
The "thump-box" injured this confidence in
the American piano in general, although it did
not affect certain well-established names. It
was the result of the appearance of a purely
commercial spirit in an industry in which qual-
ity must come before quantity. The manu-
facturer of the "thump-box" reversed the order.
He was ready to sell an unnamed product to
any dealer anxious to put his name on it. He
had no pride in his product, such as the manu-
facturer who sold his product under his own
name. His single aim was to make a profit.
The result was the widespread sale of cheap
pianos under the utmost diversity of names and
by dealers who often knew little or nothing
about a piano. Attempts were made to sell
these cheap pianos in Canada, but with only
temporary success. The conservative habits
of the Canadian buying public prevented them
from being "taken in" to any extent, and the
chief effect was to lower the high name of the
American piano.
The advent of the "thump box" is of interest
chiefly because at this time the Canadian manu-
facture of pianos scarcely existed. The piano
business was a dealer's business, and in it the
American manufacturer occupied the largest
place. There had been some slight importation
of English and German pianos, but it was found
that they d d not stand the Canadian climate,
and they failed to gain an established place in
the market.
The adoption of the national policy occurring
at a time when other conditions were favorable
encouraged several dealers to take up the manu-
facture of pianos. In some, cases this consiste 1
in the assembling and Finishing of pianos, of
which all, or nearly all, the parts were imported.
But this gave the foundation for experience and
the development of the industry. It tended, too,
to. shift the balance oi production in Canadian
firms already manufacturing pianos and organs,
in which the output of the latter was the greater.
SPRINGFIELD, I I I . , December 15.—The new store
of the Jesse French & Sons Piano Co., in the
DeWitt Smith Building on East Monroe street,
this city, is one of the most attractive music
JAS. F. BOWERS MAKES COMMENT
Believes That Association of "Erring Brethren"
With the Better Members of the Trade Will
Serve to Offset Evils Now Prevalent Therein
The director of the Music Industries Better
Business Bureau, C. L. Dennis, at times has
cause to submit problems of trade derelictions
to his advisory committee of the executive board
of the National Association of Music Merchants.
In the course of development of one case, a
complaint was submitted to Jas. F. Bowers,
president of Lyon & Healy and chairman of
the executive board of the Music Merchants.
He acknowledged receipt of a copy of letter "to
one of our erring brethren," in this manner:
'T quite agree with you that the use of the
Association's name as reference in this sort of
connection is reprehensible to a degree. It does
seem at times as though our devoted trade cer-
tainly has to carry handicaps of one sort or
other. David Harum, you remember, said that
after all it was a good thing for a dog to have
fleas because it kept the dog from forgetting
that he was a dog. I suppose we are destined,
in spite of our good efforts, to have this sort of
flea attached to us. Notwithstanding these tem-
porary setbacks the trend of the trade is upward
and onward. Tennyson tells us that
" 'I doubt not through the ages one increasing
purpose runs,
" 'And the thoughts of men are widened with
the process of the suns.'
"Let us hope and continue to pray that such
of the brethren as you have mentioned to me
will have their thoughts widened by association
S. E. Secoy
centers to be found in the Middle West. The
large double store has been remodeled and re-
decorated throughout in the most elaborate
style, the finish being white mahogany, and the
furnishings of the sort to promote ease and
comfort. Both the main floor and the mezzanine
gallery are given over to the display of pianos
and talking machines, and there are a number
of sound-proof booths provided for the demon-
stration of both types of instruments. A com-
modious concert hall is also provided.
The local store, which is controlled by the
factory, and is under the management of S. E.
New Headquarters of Jesse French & Sons, Springfield, Ohio
with the better element of the trade, the which Secoy, handles the Jesse French & Sons, Chick-
I think will eventually come to pass, and these ering & Sons, Kohler & Campbell, Lagonda
evils that we now labor under and suffer from and other makes of pianos and player-pianos,
'Will fold their tents like the Arabs and si- together with Aeolian-Vocalions, Columbia
Grafonolas and Q R S and other music rolls.
lently steal away.' "
Manager Secoy has had wide experience in
the
business, having been connected with
NEW STORE OPENS IN HUNTINGTON the piano
trade for over twenty years, and he has
The Hibbard Music Shop was opened recent- done much to promote the success of the store.
ly in Huntington, W. Va., at 1031 Fourth ave-
nue. A. F. Hibbard, formerly of Athens, O., is
THE STEINWAY AT LECTURES
owner and manager and A. H. Lent is assist-
Mabel Wagnalls, the pianist-author, who has
ant manager. At the formal opening an attrac-
tive musical program was offered and several been giving a series of lecture recitals on
new player-pianos were demonstrated. All kinds "Imagery and Music" with great success in and
of pianos and musical instruments will be car- about New York, is using a Steinway piano as
the accompanying instrument.
ried.
PIANOS
ORGANS
E5TEY PIANO COMPANY NEW YORK CITY

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