Music Trade Review

Issue: 1919 Vol. 69 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
NOVEMBER 15, 1919
49
CONDUCTED BY V. D. WALSH
CLEVER TEAM IN VAUDEVILLE
Another Big One!
Brennan and Rule Featuring Several of Their
Successful Songs in Act
Everyone knows what a clever writer of lyrics
is J. Kcirn Brennan and everybody is rapidly
coming to realize that a gifted melody writer is
Bert Rule. The former is responsible for the
lyrics of such song successes as "Dear Little Boy
of Mine," "A Little Bit of Heaven," "Goodbye,
Good Luck, God Bless You," "Turn Back the
Universe and Give Me Yesterday," "Have a Smile
for Everyone You Meet," "Gates of Gladness"
and the new Brennan-Ball ballad hit, "Let the
Rest of the World Go By." Bert Rule, though
Words by
Music by
a newcomer, is fast making a name for himself
WILLIAM LE BARON
VICTOR JACOBI
and has already to his credit two such hits as
"Have a Smile" and "Gates of Gladness." Both
Yes, of course, it's GHTkPPELL'S
Brennan and Rule are clever and versatile enter-
tainers, and have recently formed a vaudeville
partnership, with results that are of the happiest
SOME NEWS OF THE PLAYS
A NEW WILL WOOD NUMBER
kind, both for themselves and their delighted
audiences. In addition to "Have a Smile" and
"Our Opera News" Offers Much Information to "With You, My Own," a Standard Song That Is
"Gates of Gladness" in their program they have
Developing Rapidly
Sheet Music Dealers
also added the new ballad hit already referred to,
"Let the Rest of the World Go By," which the
T. B. Harms and Francis, Day & Hunter have
Will Wood, the music publishers, 235 West
publishers, M. Witmark & Sons, believe will
issued a little organ under the title of "Our Fortieth street, New York, recently issued a new
prove the biggest ballad they have ever pub-
song entitled "With
Opera News." The number has been issued for
lished.
You, My Own," which
the benefit of the dealers and gives items of in-
they have placed in
terest regarding musical comedies and operettas
their standard cata-
TO ISSUE "THE SACRED FLAME'
of which T. B. Harms and Francis, Day & Hun-
log. The words of
ter publish the score and music. It will be is-
In co-operation with the producers of the pic-
the number are by
sued from time to time. In the present num-
ture "The Sacred Flame," the Meyer Cohen Mu-
James Flynn and the
ber items of interest appear regarding "Angel
sic Co. will issue a song of the same title, the
music is by W. M.
Face,"
music
by
Victor
Herbert;
"Zicgfeld
Fol-
authors of which are Will A. Heelan and Will
Orest. The number
R. Haskins. The motion picture is a most elabo- lies of 1919," music by Buck and Stamper;
is quite popular with
the orchestras, and is
rate one and it will be booked in all the larger "Honeymoon Town," music by Byron Gay and
being sung by a num-
moving picture houses of the country. In it Miss Felix Rice and Will M. Hough; "Happy Days,"
ber of v a u d e v i l l e
Stevens is starred. In giving publicity to the song music by R. H. Burnsidc and Raymond Hubbel;
stars. Some of the
the publishers will have the assistance of both the "Hitchy Koo," music by Raymond Hitchcock;
"See-Saw," music by Louis A. Hirsch; "She's a
talking machine rec-
producers and exhibitors.
Good Fellow," music by Jerome Kern, and other
ord and player-piano
successes.
roll manufacturers have also placed it in their cata-
ROBERT L. WHITE RECOVERS
logs. From all present indications the number should
have a heavy sale. The title page of the song is
Robert L. White, well-known music dealer in
KEDEN WITH STASNY CO.
shown herewith.
Cleveland, O., who disposed of his sheet music
The A. J- Stasny Music Co. have appointed Joe
department early in July to G. Schirmer, Inc.,
has just returned to his duties after several months Keden, the orchestra leader, manager of their
SAM FOX FEATURING "TAXI"
spent in a hospital, where he underwent a major band and orchestra departments. He has already
assumed his new position.
The Sam Fox Pub. Co. arc makng a big publi-
operation.
city drive in professional circles on their new
number "Taxi." This novelty song has words
by Harry D. Kcrr, and music by Mel. B. Kaufman,
Music Dealers and Jobbers:
the latter composer being the writer of that Fox
Record Manufacturers and Dealers:
success "Me-Ow." This song has been quite pop-
Roll Manufacturers and Dealers:
ular on the Pacific Coast both with the profes-
the Trade in General:
sional singers and the orchestra leaders.
7\ Sure Tip
STANLEY MURPHY AGAIN ILL
A Waltz of
Rare and Haunting
Charm
INTRODUCTORY .PRICE 15c
Stanley Murphy, the song writer, who for a
long period was being treated for a serious ner-
vous disorder, has suffered a relapse and is again
in an institution. He lately appeared on Broad-
way and seemed in a fair way to recovery.
Jiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii'-
I
THREE BIG HITS
I
|
I
|
|
2 Songrs—"My Garden that Blooms in the Night"
"Mr. Moon-Chaperon"
1 Inntrumental—"Jolly Shriners" inarch
ORDER OF YOUR JOBBER.
1
=
|
|
I ARCHIE L. HAMILTON, Dayton, 0 . |
111 ] 11 • 11111 r i • 1111 • • i M 11111111 r 1111111 r 11111 • 111111111 r • > i M l r n 11 < i • M11 r 1111 a ^
RICHMOND
PUBLISHER
Harry Collins, Sales Mgr.
3 New songs just off the press.
"Leaves from the Human Heart"
"Dear Rose Marie"
"I'm glad I live in Ohio"
Beautiful title pages. All gems of art.
6c to dealers, prepaid where check accompanies the
order. Addison G. Smith, Publisher, Bucyrus, Ohio.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
50
THE
MUSIC TRADE REVIEW
NOVEMBER 15, 1919
TEN CENT EDITIONS OF POPULAR SHEET MUSIC DOOMED
forced upon them by the printers' strike now in
progress. If it is true that it is impossible for
Cost of Production Renders It Impossible for Publishers to Issue Sheet Music to Retail for Ten a publisher producing non-copyright sheet music
to retail it at 10 cents per copy, then it would be
Cents Without Sustaining Severe Losses—Fifteen Cent Editions Gaining in Favor
foolhardy on the part of a publisher of popular
For the past few seasons all indications have 13 cents a copy it would be possible for the copyrighted music to attempt to do so. For the
shown that the publication of popular music to publisher to stay in the business of publishing publisher of non-copyright editions avoids the
retail at 10 cents was doomed. It is a known fact so-called popular music. A big obstacle, how- expense of paying royalties on every copy sold,
that the profits to the big publisher with a large ever, in the publishers' efforts to inaugurate a and in addition has works mostly of the class that
organization have been only a fraction of a cent 15 cent edition, has been the larger syndicate are termed standard numbers, which can be pro-
per copy, and many have believed for some time organizations who have a maximum charge of dnced in voluminous quantities for the simple
that if it were not for the mechanical royalties 10 cents on all articles purchased in their stores reason that the sales of such numbers vary very
it would be impossible for such large companies outside of their branches on the other side of little throughout the different seasons.
with heavy overhead expenses to continue to the Rockies and on the Pacific Coast. These or-
No publisher is probably in a better position
supply syndicate stores and others with sheet ganizations have been adamantine in their desire to know his costs than is the publisher of non-
to maintain a 10 cent maximum on sheet music, copyrighted music, for he eliminates many of the
music at &y 2 cents a copy wholesale.
At the present time, in the printing trades in and as they have over five hundred retail sheet expenses that the publisher of a copyrighted song
the city of New York, where most of the larger music departments and pay the publishers in ten is forced to meet in order to exploit his numbers.
publishers are located, there is in force a printers' days' time, they have been a large obstacle in
The publisher of popular 10 cent music who
strike, and whether those involved in the strike the way of the publishers accomplishing their has been laboring under the impression that he
win or lose it has already been agreed that the desire.
has been publishing at a profit will probably by
printers themselves will get a raise, the strike
Recently one of the larger of these concerns close analysis find that if it were not for other
really being because of a difference of opinion sent out a general order to all their sheet music sources of revenue, such as mechanical royalties,
as to the number of hours that shall compose a buyers in which they encouraged their depart- he would not be able to continue in business.
working day. If the profit to the larger publisher ment heads only to purchase music from the
It is thought that at least one of the larger
has been only a fraction of a cent on popular larger publishers of popular songs. In this it syndicate stores will not at once attempt to raise
music, and this has been conceded in almost would appear, if they intend to continue to make the retail price of their sheet music, inasmuch as
every instance, the additional cost under the new 10 cents the maximum price, that they have made they have always made it a point to impress the
arrangements of publishing popular music will a great mistake, inasmuch as it is quite impos- public with the fact that 10 cents is their maxi-
absorb anything in the nature of a profit.
sible for the smaller publishing house with a mum on any one article purchased. But if they
That the publishers have realized this, and larger overhead expense to issue music to retail find themselves very shortly without hits it is
have acknowledged from time to time that it at 10 cents and to show a profit. They then a reasonable conclusion to anyone who makes
would be almost impossible for them to stay in force the smaller publisher to look elsewhere to a close analysis of the situation that they will
business were it not for other sources of reve- dispose of his products, and at the same time be forced to raise in order to get the hits, as far
nue, again has been shown by the spontaneous it is almost impossible for the larger publisher as their music departments are concerned.
action of most of the larger houses in issuing to continue supplying popular music at the pres-
The publishers who have inaugurated during
works to retail at 30 cents per copy. This they ent wholesale price. If they will continue in the past two seasons 30 cent catalogs have in-
are doing with so much success that it is sure this attitude, they have nowhere to turn for variably done so successfully. They are receiv-
that they will continue to place more and more goods of fast selling qualities.
ing the utmost encouragement from the higher
of their numbers in that priced catalog if they do
In addition to all the above, one of the largest priced syndicate stores who have a maximum
not discontinue and eliminate 10 cent music alto- publishers of non-copyright music in the coun- price of from 25 cents to 50 cents. With this
gether. From time to time there have been ef- try will shortly announce that their publications encouragement and the success of the numbers
forts made to make the retail price of popular will in the near future be issued to retail at 15 themselves, their position is not in the least
music 15 cents per copy. It is thought that at cents per copy. This move has been probably weak, and if it were, the situation that they must
NOW ITS UNANIMOUS
THe Performers
TKe OrcKestra Leaders
The Trade
All Said We Had The
Jazziest Fox Trot Song' of THe Season
NOW THE PUBLIC ARE
WHEN
DEMANDING
YOU'RE
ALONE
Retails at Thirty Cents
ARTMUSIC, Inc.
145 WEST 45tH STREET
NEW YORK CITY

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