Music Trade Review

Issue: 1919 Vol. 68 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE REVIEW
COMPOSING FOR THE PLAYER
(Continued from page 7)
It is most common, of course, to obtain con-
trast by dynamic means, that is, by variation in
loudness, but excellent contrasting effects may
be obtained by rhythmical treatment entirely
apart from mere accentuation. An example is
shown in the following pause measure:
MAY 31, 1919
MUSIC ROLLS AS FACTORS IN SELLING
PLAYER-PIANOS
A. W. Johnston, Vice-President of the Standard Pneumatic Action Co., in Editorial in the Stand-
ard Player Monthly, Shows How the Demand for Players Is Created by Music Rolls
The Standard Player Monthly for May con-
"Accurate statistics are unfortunately not
tains several very interesting articles, the first available, but experience indicates that the play-
being an editorial on "Player Rolls and Player- er-piano owner who has not at least one hun-
Pianos," by A. W. Johnston, vice-president of dred rolls in his library at the end of the first
the Standard Pneumatic Action Co., in year and who does not add four or five rolls a
•£•
which he gives some very interesting fig- month to that library is in the minority. The
••' f ures regarding the production of player increased sale of player rolls, especially word
rolls in this ctnmtry, and in substantiation rolls, stimulates and increases the demand for
| of bis remarks quoting from the columns the player-piano. The dealer who pushes the
of The Review.
sale of his player rolls increases the demand for
"We have watched with interest," he says, "the music in his locality and promotes the sale of
Figure X
To observe correctly a break like this in growth of the player roll industry and especial- player-pianos as well as of music rolls.
"The Standard Pneumatic Action Co. has man-
rhythm is most important to musical interpre- ly the increasing popularity of the word roll,
tation. Here the fermata or hold actually exceeds because this so vitally affects the sale of player- ufactured one hundred and eighty-five thousand
in effectiveness the positive accent. This is be- pianos. It has almost become an established player actions and, estimating that each player-
cause it throws the musical phrase into relief. fact that it is the music roll which sells the piano owner has one hundred and fifty player
The player-piano is supreme in respect of such player-piano and not the player-piano that sells rolls in his cabinet, this would make approxi-
correct interpretations of the rhythm, and indeed the roll. Prospective player-piano customers mately thirty million player rolls that the
many a classic piece can be endowed with new are created after they have heard a pleasing se- Standards are responsible for.
"With the aid of the player-piano the player
life and fresh power of giving enjoyment lection upon the player-piano. The first desire
through rearrangement by a skilful transcriber for a player-piano originates when a pleasing roll has accomplished big things. Thousands
selection strikes the ear.
of men and women are hearing better music
for the player-piano.
"Last year three million five hundred thou- than they ever heard before, except at the finest
Rhythm and Tempo
Music which is constructed upon a level and sand player rolls were manufactured in the concerts. Thousands of children are growing
animated rhythmic idea does not need very much United States. It would be hard to estimate this up with memories of real music rooted in their
special attention in transcribing for the player- year's player roll output. A new player roll mobile minds. Thousands of girls and boys are
piano, but pieces written in slow tempo are company has recently been organized. Its out- practicing music with definite high standards
doomed at the outset, that is to say, they are put alone will be at least one million player ringing in their ears.
"Increase your music roll department and you
doomed unless their musical fabric is recon- rolls this year and most of these will be word
accomplish three things: First, you increase
structed and interwoven with contrapuntal de- rolls.
"What has been the cause of this increasing your profits; second, you sow fertile seeds for
velopments, or, in other words, with additional
melodic ideas worked in so as to enrich with- popularity of the word roll? The answer is future player-piano sales; third, you promote an
clear. Its popularity is due to the fact that it excellent educational work.
out confusing the leading melody.
"To-day 75 per cent, of the total piano sales
In the next article I shall consider contra- enables more people to get a greater amount
of pleasure from the player-piano. The word represent player-piano sales. Still we are not
puntal development and melody.
rolls enable an entire family to take part in a satisfied.
The day is not far distant when
(To be continued)
pleasant evening's entertainment; it encourages there will be but two styles of pianos manufac-
Unless otherwise stated the illustrations are from player-
group singing; it makes singers of us all. It tured—grands and player-pianos. The player
piano selections by the author.
perpetuates many of the old ballads, comics, roll will be a decided factor in bringing this
etc. Each new player-piano owner is a prospec- about."
SCHUMANN ACTION CO. GROWS
tive buyer of an old song if it is a word roll,
Work Started on a New Addition to the Com- whereas he hesitates about buying purely instru- DEMAND FOR ELECTRICAL EQUIPMENT
pany's Factory in Rockford, 111.—W. N. Van mental numbers.
"Many dealers do not appreciate the value of Station Boxes for Control of Automatic Pianos,
Matre Enthusiastic Over Installation Idea
a music roll department and to these we wish to
etc., Growing in Favor—Big Call for Other
ROCKFORD, I I I . , May 26.—The Schumann Player offer a few suggestions. Such dealers assume
Player-Piano Hardware Also Reported
Action Co., Rockford, 111., have started the addi- the wrong attitude towards the player roll in-
CINCINNATI, O., May 26.—The Monarch Tool &
tion of a new building to their factory here. dustry. They carry music rolls simply because
W. N. Van Matre, president of the concern, is it is necessary to do so in order that they may Mfg. Co., of this city, report a steadily increas-
This is entirely the ing demand for their wall boxes, table boxes
enthusiastic over the possibilities of the instal- sell the player-pianos.
lation proposition. He believes that the country wrong viewpoint. Such dealers hurt their busi- and station boxes in connection with automatic
has not been touched in this "respect and recent ness in several ways, not the least of which is electrical musical instruments. The increasing
orders would seem to bear out the belief. In a that they lose the steady year-round profitable use for these instruments in candy kitchens, ice
letter sent out to his dealers regarding the pres- business that- comes from the sale of music cream parlors and soda fountains has become
ent trade conventions in Chicago he says, "You rolls. To substantiate this we quote as fol- very noticeable. The "Monarch" distance wall
should attend this convention for the purpose of lows from an editorial published in The Music boxes operate these musical instruments from
various parts of the room. They are now be-
getting in closer touch with conditions as they Trade Review:
exist in the trade in general and also to pick
" 'It is a fact, recognized by talking ma- ing made in two different styles, and with va-
up ideas which may be used to increase the chine dealers, that the real profits and the real rious finishes to suit the general color scheme
profits of your business. With that idea in future of their business lie not in the simple of the place for which they are intended.
The department devoted to piano-player hard-
view you cannot afford to overlook the installa- sale of the machine, but in the sales of records
tion proposition. It is the one way to cure the that follow.
The same rule unquestionably ware, rewinu machines for electric boxes, ma-
'trade-in' evil." Mr. Van Matre has engaged should hold good to a large measure in the mat- chine slot boxes, coin slides, etc., is also in re-
rooms 252-254 Auditorium Hotel for exhibits ter of the music roll. That there is money in ceipt of good business.
during the convention period.
the handling of rolls is not a subject for doubt,
because more than one member of the trade has
TO ENGAGE IN BUSINESS
a most substantial and profitable busi-
NASHVILLE MUSIC STORE OPENS > 44£.veloped
It has been announced that after June 1 Ed-
ness by handling music rolls exclusively and
The Hlliott-Rittenberry Piano Co., Nashville. other houses have established and maintained gar Beard, of Lincoln, Neb., will be associated
Tenn., has opened for business at 148 Fourth substantial departments—profitable factors in with his brother, J. W. Beard, in the Beard
avenue. The new music firm is composed of the business—devoted to the music roll busi- Music Co., of that city. Edgar Beard is well
Floyd Elliott and N. V. Rittenberry, both for ness alone with a competent manager in charge known in Lincoln as an expert piano repair man
and tuner.
and a trained sales staff.'
many years with the Starr Piano Co.
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
31, 1910
MUSIC TRADE
REVIEW
11
4^£ii^ii^a^i^ii^^
The coming convention of the music trades
should furnish the roll men with an unsur-
passed opportunity to carry a newer and more
potent message to those dealers who have never
yet supported them enthusiastically.
Why a
music roll business should not have appealed
to the retail merchant may be somewhat hard
for the roll man to understand, but the merchant
himself has plenty of excuses. His principal
excuse without a doubt lies in-the fact that the
roll business is more or less a specialty and re-
quires more or less of specialized knowledge.
This being so, the retail merchant who has tried
to run it as a mere side-line has not had much
success. Indeed many retailers who are very
successful in selling player-pianos have simply
left music rolls alone. The writer is acquainted
with one very successful retailer in a mid-West-
ern large city, who does a really enormous busi-
ness in players, but who has simply no desire
to sell music rolls at all. This retailer argues
that the rolls are of more trouble than benefit
to him. Yet this same man has set forth to
the writer a most interesting scheme for the
selling of sets of standardized selected rolls,
fifty or one hundred in number, to go with
every purchase of a player-piano and to be in-
cluded in the instalment contract. He knows
that one of the grave difficulties of the player
business lies in the feeling of apathy toward
the whole matter which takes possession of so
many purchasers once their first lot of rolls is
exhausted. To keep up interest in the player-
piano, not only during the time of the instal-
ment contract, but later on also, is one of the
grave difficulties of the retail business. Stimula-
tion of interest in the music roll is one of the
ways out of this blind alley.
Surely the
JUNE
CONNORIZED
SONG WORD
MUSIC ROLLS
Order them Now
6510 EGYPTLAND. Fox Trot. Cos-
tello and Casey. Played by H.
Claar assisted by H. S.
6512 FRIENDS. Fox Trot. J-^nson,
Meyer and Santly. Played by H.
Claar assisted by C. M.
6514 CHINESE LULLABY. R. H.
Bowers. Ukulele effects. Fea-
tured by Fay Bainter in "East Is
West." Played by S. A. Perry.
6519 IN THE HEART OF A FOOL.
Waltz Ballad. Freedman and
Squires. Played by S. A. Perry.
6524 I'VE GOT THE PROHIBITION
BLUES. Fox Trot. Carl Zerse.
Played by Herbert Claar assisted
by C. M.
6528 EVERYBODY WANTS A KEY
TO MY CELLAR. One-Step.
Rose, Baskette and Pollack.
Played by H. Claar assisted by
H. S.
Send for Complete List
Connorized Music Co.
144th St. and Austin Place, NEW YORK
1234 Olive Street
ST. LOUIS, MO.
music roll men will work as never before to put Watch
across the idea during next week.
To what extent, if any, the existing music of
the player-piano can be improved, so as to ren-
der it less monotonous, and more generally rich
and round, is a question which may be discussed
from a variety of angles. One cannot be sure
to what extent the saxophone and jazz arrange-
ments which have been worked out to such
lengths have been inspired by the desire to en-
rich player music as such. They may have
arisen from the recognition of the fact that the
two-handed music of the straight piano is thin
and monotonous indeed when applied unaltered
to the player-piano.
Doctor Schaaf, in the
articles from his pen now appearing in this
Player Section, shows another phase of this
question. There is undoubtedly a new field for
experiment . and observation uncovered here.
The music roll men should encourage research
and study in these directions. Say what you
please, you cannot get away from the fact that
just so long as the player-piano is publicly re-
garded as nothing else than a sort of substi-
tute for the two-handed straight piano, it will
never get along as it should. When the player-
piano advances, so does the music roll, and vice-
versa. The two must work together and keep
step with each other. Thus it is that everyone's
interest lies in making the music roll as mu-
sically attractive as possible. One of the prin-
cipal methods of doing this is to improve the
musical content of the roll.
Some men will say and some may believe
that the public taste in music is hopelessly de-
graded and that the mission of roll manufactur-
ers is to contribute to that degradation. Now,
in the first place, the public taste is not hope-
lessly degraded. It is not degraded at all. It
is merely uneducated.
That the people like
jazz and the shimmie, etc., is only a sign that
they like certain sorts of music and dancing.
The better the jazz and the shimmie, therefore,
the more the people will want to buy rolls. In
other words, the music roll, being the musical
medium for the player-piano, and the player-
piano being a whole lot more than just a pneu-
matically-played piajio, it follows that the music
for this special instrument should be more than
just piano music. That simply means that the
arrangers of music for the player-piano,
whether this be jazz or fox-trot, or ballad, or
transcription, whether it be popular or classic,
should first of all realize that their duty is. to.
fit the music, to the instrument. The definite
limitations of the player action prevent it being
fitted to the piano music proper. But, on the
other hand, the advantages and superiorities of
the player-piano are qfiite as marked, so that
we should much rather rejoice in a new instru-
ment than lament because ,w,e cannot have a n ,
old one. Let us strive to work out,newer i. in player-piano music and we shall thus open
up a field of immense importance to the en-
tire industry as well as to the future of Ameri-
can music.
AEOLIAN CO.
The June bulletin is large;*&& impressive.
Despite the singularly vile wea,th,e.r>.which pre-
vails throughput a large p a r t o f the .country" just
- " ' (Continued on page/12)
. ;"•*
this column for latest music!
Arto—Sing A— Perfection
MUSIC ROLLS
NEW WORD ROLLS
FOR JUNE, 1919
(Pianists' Names iu Parentheses)
5862* Don't Forget the Salvation Army. (My
Doughnut Girl). One Step. Key of
K Flat.
(Mackey) Frisch
5870*Evening Brings Dreams of You. Waltz
Song. Key of F.
(Weston) Burtnett
5856*PMres of Faith. Fox Trot. Key of F.
(Daniels) Jerome
5868*Friends. Fox Trot. Key of E Flat.
(Walter) Santly
5864* Himalaya. A Song of the Far East.
Fox Trot. Key of C. (Mackey) Henry
5873*Hindu Rose. Fox Trot. Key of D.
(Morton) Morel
5861*1 Always Think I'm Up In Heaven, When
I'm Down in Dixieland. E'ox Trot.
Key of C.
(Morton) Abrahams
5876* I'm Going to Climb the Blue Ridge
Mountains Buck to You. Fox Trot.
Key of F.
(Weston) McConnell
5873*In the Heart of a Fool. Waltz Song.
Key of C.
(Daniels) Squires
5866*It's Easy for You to Remember. Waltz
Song. Key of E Flat.
(Daniels) Stept
5865*Just Another Poor Man Gone Wrong.
One Step. Key of B Flat.
(Gardner) von Tilzer
5857*Longing. Jazz Rag Fox Trot. Key of
G.
(Goodwin) Pike
5871*L,ullaby Blues. Waltz Song. Key of G.
(Mackey) Morse
5869*Me-ow. One Step. Key of E Flat.
,
.
(Gardner) Kaufman
$874*I > ig-L,f«lfl Love. One Step. Key of E
:
Flat:
(Morton) Friedland
U0 and the World Smiles With You.
'One Step. Key of G. (Gardner) Frisch
ome Sunny Day. Fox Trot. Key of P.
; ;
(Weston) Donaldson
58C0*Take /Sour Girlie to the Movies. One
Step. Key of C. (Goodwin) Wendllng
5875* When I Hear a Dreamy Waltz Melody.
; , / - ; ' y?M tz
Soii
s-
K e y of E Flat
-
• ' * '•'*'••
(Daniels) Monaco
5850»When You Hold Me in Your Arms.
Waltz Song. Key of E Flat.
(Mackey) Klickmann
855*By the Camp Fire. Jazz Rag Fox Trot.
Key of G.
(Goodwin) Wenrich
863*Dear Little Boy of Mine. Ballad. Key of
E Flat.
(Daniels) Ball
878*I'll Say She Does. Fox Trot. Key of
A Flat.
(Goodwin) Kahn-Sylvia
Manufactured by
STANDARD MUSIC ROLL CO.
Makers of Music
->
;
Orange, N. J.
BUY FROM YOUR NEAREST JOBBER
'-V
.
NEW YORK CITY
Crown Music Cor., (437 Broadway
Plaza Music Co., 18 West 20th St.
PHILADELPHIA
Standard Music Roll Co.. 514 Market St.
BOSTON
New England Music Co., 597 Washington St.
A. Fred Phillip*. 165 Tremont St.
RICHMOND
The Cnrley Co., Inc.
;

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