Music Trade Review

Issue: 1919 Vol. 68 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
VOL. LXVIII. No. 21
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York.
May 24, 1919
Single Copies 10 Cent*
$2.00 Per Year
Conventions
W
}:*•'
ITHIN a week aften.this issue of The Review is in the hands of its readers, the hosts of the music
industry .will be in Chicago, or on their way to that city, to participate in the national conventions
of the several trade associations, and of the Music Industries Chamber of Commerce. In view of
the proximity of the convention itself, the most timely thought is concerning what there is to be
"•done at the various meetings, and how the different problems that have developed in the industry within the
past yea£ o#^s&*w.rii.l}e*t9oiv6«lr* iV ''" *' "
These 19T9 conventions are to be considered in many respects unique in trade history. Not only will
there be more divisions of the industry represented in Chicago during the week than ever before, but there
will 15e questions of muiKi3ar" importance brought up for decision—questions distinctly apropos to the period of
re^onstWietiesi^ia^H^far more complicated than most of the problems that have faced conventioners in the past.
It is ^MU.i,s^|^ niak-c ^oiilpa-rlsons with the trade situation as it existed at the time of the last Chicago
convention, in T977,* or the 1918 convention in New York, for it is impossible to compare things that vary
absolutelv^rYe from anotnei\~ Tn 1917 war had just been declared, and the nation was in the midst of a new
experjenpe, ,Uie far-reaching results of which had not begun to be felt. There was a tension in the air, but
the industrial situation was normal, or practically so. In 1918, after a year of war, things were not quite so
settled, but the industry was in fair shape, and the dangers that menaced it were dangers of the future,
that could only be'"controlled by circumstances and not by resolution.
Next-irteftfli the trade forces will come together under conditions that are clearly abnormal for two distinct
i
*T ea*g#s^ First, the direct effect of the war is not yet passed, and, secondly, on top of war's effect
there have come problems of the aftermath—of the reconstruction period. As an example of the first condition,
there is needed only reference to the new War Revenue Bill and its provisions, and as an example of the
sTcdnd'•Conxion we have the labor problem, export trade developments and a dozen other leading- questions.
Fortunate indeed it is that at this time there is a Music Industries Chamber of Commerce to co-ordinate
the affairs of the trade, and to provide a channel Tor*the interchange of thought. Each trade division, of
course, has its own peculiar problems. The piano manufacturer, the piano merchant, musical merchandise man.
and the music roll people all will have to fc se division. Bvlt'there are"offrer,questions that affect fne ''rnfttS^jpl^s^giMJ^jl.e. These must be threshed out at
the various trade association meetings and then de-cidatfef$gg^K before the Chamber of Commerce.
Chicago trade convention week will be no~t»H*»«iHf4hecff
with half-baked ideas—for
the theorist. There are so many practical ^HP^yji^soinany realprolilwij&^omany developments of the past,
present an^JL.future that require thought^ that there^viTf%?'f!!!ftte
questions that are not
prafctfcal and constructive. The big men oirWW'Wfde in all its branches have for months given thought to
'ea Ifnfhe convention delegates at large.
these problems. The results of their work and
for: "earnest endeavor.
It will be the time for action and decision, for
The^unerican music industry h^'YltfrTng" 1 an»
m^Ppreaaiintil
it is now a world industry.
.c \v:
America .herself has become a world power nati^j.
fct"sense" of the word. There-
fore, the men in convention cannot coriffne tnemse 1
of domestic' policy. They must
view the problems in the broadest sense as tb
in Chicago what they shall
It is not within the province of any one 1
lnnent can be the result only
or shall not do. The work is too big for one
opinion in deference
of co-operation, of giving freely of ideas anr'
n«M will be definite and just.
to the views of the majority, all working 1
**" w ' i.'I'IU flftTiistry.
These 1919 conventions are goir
flr
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
T. B. Spillane, 373 Fourth Aye., New York; Second Vice-president, Raymond Bill, 373
Fourth Aye., New York; Assistant Treasurer, Wm. A. Low.
J. B. SPILLANE, Editor
RAYMOND BILL, B. B. WILSON, Associate Editors
Executive and Reportorial Staff:
CARLKTON CHACK, L. M. ROBINSON, WILSON D. BUSH, V. D. WALSH, WM. BRAID WHITH
(Technical Editor), £. B. MUNCH, C. A. LEONARD, EDWARD LYMAN BILL,
A. J. NICKLIN, L. E. BOWERS
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REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman Bill, Inc.
Departments conducted by an expert wherein all ques-
tions of a technical nature relating to the tuning,
regulating and repairing of pianos and player-pianos
are dealt with, will be found in another section of
this per. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Player-Piano and
Technical Departments
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900 Silver Medal... .Charleston Exposition, 1902
Diploma
Pan-American Exposition, 1901 Gold Medal
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Cable address: "Elblll, New York"
Vol. LXV1I1
NEW YORK, MAY 24, 1919
No. 21
EDITORIAL 1
T
H E formation of the Wisconsin Association of Music Industries,
reported in last week's Review, is another forward step by the
merchants of that State which emphasizes their progressiveness—it
is a recognition of the value of association work in elevating the
standards of practice in merchandising, and in eliminating abuses
of any nature that may have crept into the retailing end of the
industry in that State.
If the State organization follows the lead of the Milwaukee
Association, and we are sure that it will, it is certain to accomplish
splendid results not only for the betterment of the members but
of the industry. The Milwaukee Association has been foremost in
working along co-operative lines in the matter of publicity and other
matters that have raised the standard of piano merchandising, and
with such an example there is no reason why the entire State should
not derive great benefits from the new association.
The machinery of an association affords a most effective means
not only of removing any abuses or unethical practices which may
klevelop, but it brings the members of the trade together, and
removes antagonisms and misunderstandings, and teaches the gospel
of live and let live.
ANY subjects of interest and importance will come up for
discussion before the various bodies which will meet in Chicago
the first week of June, but few topics are more vital to the industry
than the development of our export trade—not in a haphazard way,
or through individual initiative—but by the use of some co-operative
plan of operation that will be productive of the best results for
the entire industry.
Never before in the history of this industry has there b^en H
an opportunity for securing a goodly share of the workf ffade .
to-day. It is true that we have an exceedingly- larj
demand which is not entirely satisfied, but men of visior
expansive minds in the music industry—cannot be o b ^ B p T to the
unprecedented^ favorable conditions which now pjjjj^^p whereby
musical instruments may be marketed advantageou«^^Hrd a trade
M
REVIEW
MAY
24, 1919
established that will mean much for the permanency and prosperity
of the industry.
To achieve results there must be organization, and this sub-
ject will be one of many to be taken up for consideration at the
various sessions in Chicago. We have laid emphasis on this topic
frequently in The Review, because we must work not only for
to-day, but for the future. The man or men who look ahead far
enough are bound to score a success not only for themselves, but
they will establish the industry in a stronger position than it has
ever occupied before in the nation's history.
There are innumerable reasons why Chicago should attract
the largest attendance of piano men ever assembled within its gates
during the Convention period. It is a time for constructive actio:
for a more complete understanding by the members of the indust
of what can be achieved by united effort—a common understandin
as to the most desirable policy to be pursued for the advancement
of the industry.
S
PECIAL emphasis is placed on the importance of price main-
tenance in a letter recently sent out to the trade by the Estey
Piano Co. It is pointed out that as far as possible it would be a
very good thing to standardize retail prices as far as the Estey
piano is concerned the country over, and Secretary Dalrymple adds
further: "The trade is becoming more and more wedded to the
one-price idea as well as to the idea of making that price high
enough to assure a living profit and have a little something left
to take care of lean and rainy days, and we ourselves are living
up to that idea."
This move of the Estey Co. is in line with the spirit of modern
merchandising. Dealers of standing appreciate more and more that
price maintenance means business ability, and that the manufacturer
who has spent time and money to create a demand for his products
does not seek any special privilege, but rather desires to induce
retailers not to slash prices which are known to be fair.
Price maintenance is a trade principle in which every piano
merchant—in fact every member of the trade, no matter what line
of goods he handles—should be interested, for it means-that uncer-
tainty and haggling are eliminated, likewise unjust discrimination
among customers.
Price maintenance likewise guarantees the purchaser a standard
of quality. And when it is carefully analyzed, what other way is
there in which a full standard of value can be secured anywhere in
the retail world aside from a uniform selling price?
As it stands to-day.in many trades the transaction of buying
and selling is a contest of wits. The practice invariably is for the
seller to give as little value and get as much money as he can. This
practice we are glad to say is not common in the music industry,
but it can be totally prevented by manufacturers adhering to price
maintenance. Where the one-price policy is established by *the
manufacturer the unscrupulous merchant is forced to abandon Jhi^
plan of substitution of cheap and inferior products for the standard
article.
D
URING the past year music as a factor for good in the com-
munity has won the highest recognition. Whether in the army
or in the home, its influence for good has been the subject of favor-
able comment. Music was never more welcome in the American
home than it is to-day. It is an investment in future happiness
and contentment. Piano manufacturers and dealers should not
overlook linking up this remarkably favorable attitude toward music
with their business.
CHICAGO defendant whom the police and the court thought
had been celebrating, for some reason or other, in a way most
pleasing to himself, declared that he had become drunk with
music. Gee f if that's possible there will be a great demand for
music after July Thirst. Wonder what music will be most popular,
canned or bulk? Subject for grave consideration. Somebody
should bring it before the piano conventions in June.
A
in all parts of the country continues to progress along
most satisfactory lines with a steadily increasing demand % for
grade pianos and player-pianos. Piano manufacturers and
ers have good reason to feel optimistic regarding the showing
made>in all branches of the industry so far in 1919.

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