Music Trade Review

Issue: 1919 Vol. 68 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
Leopold Godowsky
who has recorded for other reproducing pianos, has
decided to make records in future exclusively for
9Ae A M
£NJRPOTC XUOD6HTHC RpCKXES
February 16 th , 1919
Is it not amazing that I
should sit in judgment at my
own performance though
not performing ? Yet here I
am listening to a number of
selections which I have re-
corded on the Ampico. Al-
though I have gone through
this process before, 1 must
state it at this moment, in
the flush of enthusiasm, that
no other recording of mine
on any instrument whatso-
ever gives me the deep,
unalloyed satisfaction which
these reproductions on the
Ampico do. They possess,
aside from the quality of flaw-
less reproduction, the true-
to-life heart pulsation which
stamps the Ampico absolute-
ly individual and apart irom
anything else. And further-
more, this applies to the
records made by my fellow-
artists, whose renditions it
has been my pleasure to hear.
'/Oy
Mr.Godowsky's interest in the Ampico will be extended to his acting as
SUPERVISING EDITOR
of Classic and Standard^mpico Records. He will bring his
wide knowledge to building the Catalogue and bringing it to
the highest point of attractiveness, both as to the beautiful
works it will offer the music lover and its value to the student
and educational institutions
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The Music Trade Review
Is the Only Reproducing Piano in the Work
THREE • GRE
I
LEVITZKI
" I n the years that I have been playing on the concert stage I, as every
other pianist of any note, have been keenly interested in the possibilities of
the Reproducing Piano.
" I believe I have heard them all, not once, but many times,
but until I heard the Ampico I never found one that would adequately
reproduce the artist's playing.
"The Ampico reproduces the artist in absolute perfection. To me it
seems to mirror the very soul of the artist. In the Ampico I have found
the means of leaving an imperishable record of my playing. It is for this
reason that I have decided to record my playing for the Ampico exclusively."
RACHN
" I have never before recorded
I have played my works for th(
fulness of reproduction and i
painting. It goes far beyond ai
which a pianist must demand ir
MISCHA L E V I T Z K I
A Pianist Whose Playing Can Be Hear
Considered Exclusive.
EXCLUSIVELY

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