Music Trade Review

Issue: 1919 Vol. 68 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
56
THE MUSIC TRADE REVIEW
APRIL 19,
An Interview With the McCarthy & Fisher Boys
In making my rounds of the different publishers, looking for scandal, I drifted into McCarthy and Fisher's
and the first man I met was Fred Fisher.
FRED FISHER
T asked Fred Fisher what
lie thought was the best song
in his catalog and Fred said
"There is no such thing. We
have so many wonderful
songs and each one is so dif-
ferent from the other that it
is almost impossible to pick
which is going to be the big-
gest hit. Right now I think
that
'EVERYBODY
WANTS A KEY TO MY
CELLAR' by Ed. Rose, Billy
Baskette and Lew Pollock, is
a safe bet for the biggest
comedy song hit of the year;
but you cannot overlook the
other comedy songs we have,
such as 'RIP VAN WINKLE
SLEPT WITH ONE EYE
OPEN,' 'OH SUSIE BE-
HAVE' and 'BALLYHOO
BAY; Can you imagine such
a thing as having four great
comedy songs at one time? I
suppose if I mention some
more songs you would say I
am raving, but on the level,
did you ever think we could
pick up a song like 'KISSES'
and make it one of the biggest
hits in the country? Lynn
Cowan and Alex Sullivan, who
wrote 'K I S S E S\ certainly
deserve a lot of credit, and
they have given us a waltz
song entitled 'I CAN'T SEE
THE GOOD IN GOOD
BYE/ which looks like an-
other one of those things.
Well, I have got to go along
now and rehearse that act in
the front room on Jimmie
Monaco's new 'daddy' song,
and say, it is some song. The
title of it is ' T H E R E ' S
ONLY ONE THAT I
WOULD EVER LOSE MY
SLEEP FOR AND THAT'S
FOR DADDY.' It is one of
those clever little rag songs
that only one 'Jimmie' can
write. So long. Why don't
you go upstairs and see Jack
Mills for a minute if he isn't
too busy?"
JACK MILLS
I found Jack Mills on the
third floor demonstrating for
several acts and had to wait
nearly half an hour before I
could even get him to give me
a tumble. I finally got him
in a corner and told him what
Fred Fisher said about songs
and then Jack started his
spiel, which was something
like this: "What Fisher told
you was the truth. We have
such a big catalog of regular
songs that I am nearly
swamped. Fisher was too
modest to talk about his own
songs, but 1 want to tell you
that his new song, 'EYES
THAT SAY I LOVE YOU,'
is the surest fire hit the house
ever had. It is a real Fisher
melody and the song lends it-
self to so many angles that
anybody can sing it. I'll bet
we have twenty-five different
choruses on 'EYES' and ten
different
double versions,
Tust keep your eyes on this
baby. It is going over as
sure as the Lord made little
apples. Another great song
is Grant Clarke's and Jimmie
Monaco's first song with the
house called 'WHEN YOU
HEAR
A
DREAMY
WALTZ MELODY.' Now.
after all has been said and
done about waltz songs, you
can take it from me this song
is going to walk away with
the bacon. Just wait until
you catch it once from the
front of the house, yoii ( will
rave about it as much as I
do. Nothing can stop it."
JACK GLOGAU
After congratulating Glogau
for his good judgment in
connecting himself with a
live wire house, I asked him
for a little scandal, but all he
would talk about was songs
the house is publishing, lie
elaborated on what Fisher
and Mills had already told
me, but he gave me a little
more song talk. "Say, did you
hear Sam Lander's and Phil
Baker's novelty song, 'LOV-
ERS' LANE IS CROWDED
AGAIN?' Some title, Eh?
Well, it is some song, right
up to the minute and a laugh
in every line. We have an-
other great novelty song by
Shelton Brooks, 'TELL ME
WHY YOU WANT TO GO
TO PA REE WHEN YOU
CAN GET THE SAME
SWEET LOVING HERE
AT HOME.'
You know
Shelton never wrote »a bad
one and you can bank all
you've got that this one is a
pip. This number is going
to put all the 'parlez vous'
songs in the shade."
Just then someone called
for Glogau and he left me
flat, so I took a chance and
knocked on the door that
leads to "Smiling" Leo Ed-
wards' office.
LEO EDWARDS
Leo was there and asked
me to sit down while he
played his new one-step,
"CASTLES IN SPAIN,"
which is a corking number.
Then I asked him about
songs. Leo said: "We have
one ballad in the house that
is going to make us a fortune
just as sure as you live and
that is 'MY LADDTE.' by
Howard E. Rogers and Harry
Akst." I heard the song and
agreed with Leo. T thought
I had heard enough songs for
Just then Jack Glogau one day and started down-
walked into the room and stairs, where I ran into lack
McCoy on the second floor.
Mills left me with him.
JACK McCOY
"Well, Jack," I said, "I
thought T would drop in for
a minute, but I have been
here for two hours. You cer-
tainly have a wonderful cata-
log." "Did you hear the
songs?" asked Jack. I told
him I did. "T'11 'bet you didn't
hear my favorite ditty," and
1 asked him what that might be.
He grabbed me by the arm and
draped me into a rehearsal room
and played me an Trish song by
Hilly Tracy, Kate Klinore and
Sam Williams, entitled "IF I
KNEW THAT IRELAND WAS
FREE." That capped the climax.
I heard every conceivable kind of
song under one roof that any per-
former might want to use. I even
heard someone rehearsing "SADIE
HARROVTTC1T,
TELL
ME
WHICH TS WHICH," a great
clean comedy Jew song. I started
for the front door and bumped into
General Manager George Friedman,
whom the boys refer to as "Ross."
GEORGE A. FRIEDMAN
He asked me into his beau-
tifully upholstered: red and
white, mahogany furnitured
office and^ offered me a Fa-
tima. "Well. George," I said,
after I sat myself down in
the $500.00 guest chair, "this
is a great institution you have
and a great bunch of boys,
and the greatest bunch of
songs I ever heard." "Do
you think so?" said George,
"well you haven't heard any-
thing. Tn about four weeks
we are going to hand you the
greatest surprise of your life.
We are going to make every band
and orchestra leader in the country
our friends, by giving them the
most wonderful catalog of instru-
mental numbers they ever heard."
He showed me a stack of manu-
scripts and out of it he selected
what he termed the "cream." They
were "DARDANELLA," Oriental
Fox Trot by Felix Bernard;
"LOVE STARS," Waltz, by Leo
Edwards;
"HIAWATHA
WALTZES," by Jimmie Mcllugh;
"SONG OF OMAR," Oriental Fox
Trot, by Leo Edwards; "STAR OF
LTGHT," Oriental Fox Trot, by
Jacques Adrian; "CASTLES TN
SPATN," One Step, by Leo Ed-
wards; "BUDDHA," Oriental Fox
Trot, by Lew Pollock. Then he
sent for Arthur Lange, who de-
lightfully played them all over for
me, and if what I heard was in
those manuscripts, McCarthy and
Fisher, Tnc, have nothing to worry
about.
1919
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
APRIL 19, 1919
THE MUSIC TRADE
57
REVIEW
"SUNSHINE" SCORES A SUCCESS
New Musical Comedy Proves a Hit—Witmark
& Sons Publish the Score
The writers of that successful musical play
"Fiddlers Three," produced by John Cort and
now touring the country after a prosperous sea-
son in New York, have again collaborated in
a new musical comedy called "Sunshine." This
novelty, which the producers, Messrs. Shaw and
Johnstone, offer, was produced with success at
Baltimore recently and proved itself the equal
in most respects and the superior in many to its
predecessor by Wm. Cary Duncan and Alexan-
der Johnstone. Mr. Duncan has written a most
attractive book, and the sunshine of the title is
very happily reflected in the score Alexander
Johnstone has furnished. There are some splen-
did ensembles and plenty of graceful dancing,
and the music throughout is a pleasant stream
of melody and rhythm.
Many of the single
numbers will probably prove song successes.
These include "Love Is Like This Little Wheel
of Mine," "Loving a la Spain," "Home Again,"
"The Idol of the King," "The Land of Make-
BelievV and "The Hispaniola Crawl," the last
being a particularly agreeable variation of ec-
centric song and dance. All the music of "Sun-
shine" and of "Fiddlers Three" is published by
M. Witmark & Sons, and is already in excel-
lent demand.
THE BIGGEST DANCE HIT IN YEARS
YOU'LL KNOW
YOU'RE HOME"
(ONE STEP)
With a lyric by GORDON JOHNSTONE
rn
iAL,
¥ta
LONDON
L I Q . TORONTO
NEW YORK
MELBOURNE
SHAPIRO, BERNSTEIN PUBLICITY
MODERN AND CLASSICAL MUSIC
Active Publicity Campaign Now Well Under
Way on Behalf of New Numbers
Modern Ragtime Lovers Should Not Scoff at
the Classical Music of the Great Composers
—The Laugh Is Sometimes on Them
The publicity Shapiro, Bernstein & Co., Inc.,
are giving their three numbers, "Beautiful
Ohio," "Sweet Siamese" and "Ruspana," com-
prises one of the biggest advertising campaigns
that was ever inaugurated in behalf of standard
numbers. The campaign includes not only the
professional department, but also a big drive by
the band and orchestra department.
Results
so far accomplished show that the campaign
will be a tremendous success. All of the various
branches have reported that the results so far
accomplished have been much beyond expecta-
tion, and the outlook for further intense interest
in the drive is most promising.
The appeal of music is shown in many ways.
The blase lover of modern ragtime, who loudly
proclaims his dislike for the great music of the
masters, does not always realize that the very
melodies he so enthusiastically praises often
come from the music of the past. When he
A. J. STASNY WINS SUIT
says he is bored to death by the so-called
"classical" music he is only showing his bliss-
Litigation Arising Over Automobile Accident
ful ignorance of the facts. An instance of this
Won by Music Publisher
was shown at a recent concert held in one of
the suburbs of New York City.
The suit brought by A. J. Stasny, president
The concert was held by a musical society and
of the A. J. Stasny Music Co., against Gatti-
appearing on the program were artists famous
Casazza, manager of the Metropolitan Opera
in the musical world. The music was that of
House, to recover damages caused by a collision
well-known composers of Europe. The audi-
of automobiles on Saturday, September 7 of
J. L. DILWORTH RETURNS
er.ee for the most part was composed of music-
last year, was decided in favor of the plaintiff
early last week. At the time of the accident Reports Excellent Conditions Existing in the lovers whose appreciation of the best type of
music held them silent and delighted. But scat-
the Stasny car was traveling up Fifth avenue,
Middle West
tered here and there were some who had come,
and it had a number of the Stasny employes as
occupants.
J. L. Dilworth, of Huntzinger & Dilworth, not to listen, but because their presence was
arrived in town late last week after a trip cover- necessary for other reasons. As the evening
ing the entire West and Middle West. In speak- advanced these people became more and more in-
A MUSIC COMPOSING MACHINE
ing of the trade conditions in the territory vis- different and impatient and by their attitude
New Device Produces Complete Musical Com- ited Mr. Dilworth said:
"The demands for were easily distinguished from the rest.
positions Instead of Outlines—Works Like a music were never greater than at the present
A selection was being played, a fantasie by
Kaleidoscope and Is Easily Manipulated
time, and dealers are experiencing great pros- Chopin, the unequaled composer of melodies,
perity.
They are taking advantage in most and the artist was doing full justice to her in-
An unusual invention has appeared which may cases of this increased demand, and as a whole terpretation of the famous composition. As
almost be called a machine for composing music. they are very enthusiastic over the outlook for the piece progressed there tinkled from the
Tt is somewhat similar in arrangement to the the coming months."
flying fingers the lilting melody of one of the
plot-building machine for short-story and sce-
most popular song hits of the day. The indif-
nario writers, but has the advantage of produc-
ferent members of the audience awoke with a
STARTING BIG CAMPAIGN
ing complete compositions instead of mere out-
start.
Ragtime at a concert of this kind?
lines. Tt is said that the possible musical com- Stasny Music Co, Featuring Four Numbers in They glanced around to see how others were
binations of this new machine are almost limit-
taking it and, seeing their tense interest, were
Extensive Newspaper Campaign
less.
surprised into attention. This was the sort of
The apparatus consists of a rack that is di-
The A. J. Stasny Music Co. have inaugurated music they liked, why wasn't it all like that?
vided into six rows of four squares each. On a national advertising campaign in the daily From that moment they were among the most
each square there are two bars of music which newspapers of the country, copy of which will interested hearers in the concert hall. They
are so written that they will harmonize with the appear in the April 25 issue of fifty leading left at the close, with a feeling that they had
notes on the adjoining squares.
Extending dailies.
derived some pleasure from their evening and
through the rack from side to side are rods or
This is one of the largest campaigns this pro- had a greater respect for "classical" music than
spindles carrying long strips of paper wide gressive firm has ever attempted, and gives before.
enough for two measures of music, each section publicity to four songs, "Evening," "I'm Not
having a treble and bass capable of harmonizing Jealous," "Just Like the Will o' Wisp" and
Consult the universal Want Directory of
with each other.
"Rose Dreams" (vocal and instrumental). The The Review. In it advertisements are inserted
By turning the spindles the music is arranged whole Stasny organization are backing up this free of charge for men who desire positions
in various combinations just as geometric fig- campaign to the limit.
of any kind.
ures are rearranged by turning a kaleidoscope.
The device is made in a size suitable for use
WALTER J. POND'S WONDERFUL BALLAD
on the ordinary piano music rack and is easily
manipulated.
t h e Li| G o o d
As the Rose K I S S E D
DEALERS! Here's What They're Asking For
TheBattlef I D r D T V
Line of L l D E l l U I
Featured by leading bands and orch'estrag everywhere. Pro-
grammed at the bie lliratres and moving picture houses.
Ised by mechanical instrument concerns. On all up-to-date
music stands—HAVE YOU GOT ITT
From your Jobber or direct
L. S. Florence Music Pub. Co., HaTerkill, M m . , U. S. A.
V
Night
IS
NOW SWEEPING THE COUNTRY
"You Have Me and I Have You" I "WANTED: A Man to Go 'Round With"
A Great Song tor Good Singers
|
Novelty Jazz Now Being Sung by Sophie Tucker
"WHEN THE FIELDS ARE WHITE WITH DAISIES"
An Instantaneous HIT!
"HENDRIK HUDSON"
I
"GIRLS OF THE U. S. A."
A Comedy Song
|
Ringing March Song
WALTER J. POND, Music Publisher
::
No 812 W
All Music Counters and Woolworth Stores
*JZ
NtW

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