Music Trade Review

Issue: 1919 Vol. 68 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
REVIEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
J. B. Spillane. 373 Fourth Aye., New York; Second Vice-President, Raymond Bill, 373
Fourth Are., New York; Assistant Treasurer, Wm. A. Low.
CARLETON CHACE, L. M. ROBINSON, WILSON D. BUSH, V. D. WALSH, WM. BRAID WHITE
(Technical Editor), E. B. MUNCH, C. A. LEONARD, A. J. NICKLIN, L. E. BOWERS
BOSTON OFFICE:
CHICAGO OFFICE:
E. P. VAN HARLINGEN, Republic Building,
Telephone, Main 6950.
209 So. State St. Telephone, Wabash 5774.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., D. C.
NEWS SERVICE 18 SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA.
Publish ^d Every Saturday at 373 Fourth Avenue, New York
Entered as second-class matter September 10, 1892, at the post office at New York, N. Y.,
under the Act of March 3, 1879.
SUBSCRIPTION (including postage), United States and Mexico, $2.00 per year;
Canada, $3.50; all other countries, $5.00.
ADVERTISEMENTS, $4.50 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising pages, $130.
REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman Bill, Inc.
Departments conducted by an expert wherein all ques-
Plavoi*
PlanA dUU
anil
• lajCl'IldUU
tions of a technical nature relating to the tuning,
regulating and repairing of pianos and player-pianos
p
are dealt with, will be found in another section of
this paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900 Silver Medal.. .. Charleston Exposition, 1902
Diploma
Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal—Lewis-Clark Exposition, 1905
LONG DISTANCE TELEPHONES—NUMBERS 5982—6983 MADISON SQ.
Connecting all Departments
Cable address: "Elbltl, New York"
Vol. LXVII1
NEW YORK, APRIL 12, 1919
ing pianos, players, talking machines, in fact every kind of musical
instrument, among the essentials to the enjoyment of life. Prom-
inent members of the trade, noted for their discernment and good
judgment, are quite optimistic regarding the future of the South,
particularly as far as it affects the music industry. They hold that
it is bound to be one of our best markets. Now that the citizens of
the Southern States are getting a large share of the wealth of the
nation, thanks to their industry and progressiveness, the outlook
for an enlarged appreciation of music and musical instruments is
certain.
HE report that a swindler has been operating in Brooklyn col-
T
lecting $5 "war tax" from trusting piano owners is not so sur-
prising as it might be under other circumstances, for throughout the
J. B. SPILLANE, Editor
RAYMOND BILL, B. B. WILSON, Associate Editors
Executive and Reportorlal Stall:
JOHN H. WILSON, 324 Washington St.
APRIL 12, 1919
No. 15
EDITORIAL=
RAVELING men who recently returned from the South are
very enthusiastic about trade conditions and prospects in that
T
section of the country. The demand for pianos and players is such
that at the present time it is impossible to fill requirements, but the
most pleasing feature of the situation among the Southern piano
merchants is the fact that those who formerly were extremely
desirous of buying instruments from the manufacturers on a long-
time basis are now decidedly opposed to this practice and prefer to
keep a low stock and buy or sell on a very short time or cash basis.
It is quite evident that a great lesson has been learned by piano
men not only in the South, but in other parts of the country, during
the war period, when an analysis of business practices became
imperative.
One substantial reason for this change of policy is the fact that
sales of pianos and players on time have been cut down consider-
ably and the effort made to get large first payments and a com-
paratively short period in which the balance must be paid up has
proven so successful that it is certain to be continued now that the
war has ended and business is being readjusted to a peace basis.
At no time in history were conditions in the South so hopeful
from a commercial and financial standpoint as to-day. All branches
of industry have broadened out, and in the agricultural and other
productive domains the South has through diversified crops, and a
more intensive cultivation of the soil, been able to achieve results
that have brought great wealth and prosperity to the people of the
Southern States.
Texas and other parts of the Southwest this winter have been
blessed with the best rains and snows that have fallen for years
following a drought of three seasons. The subsoil is now so full of
moisture that a wonderful cotton crop is practically assured, while
planters have combined to reduce the acreage of that crop so as to
diversify their farming operations by planting corn and other grains.
This necessarily means a greater surplus of wealth for such
necessities of culture as musical instruments; hence the Southern
people, always noted for their refined, esthetic attributes, are find-
discussion of the new War Revenue bill the public has read time
and time again of the fact that pianos are going to be taxed along
with jewelry, automobiles, etc. As a matter of fact, newspaper cor-
respondents unfamiliar with the details appear to welcome every
opportunity of putting pianos in the luxury classes and calling public
attention to the fact. That the War Excise Tax was to be collected
on the manufacturer's selling price was not mentioned, much less
emphasized, in the daily press, so it was natural to assume that, hav-
ing become used to the practice of paying war taxes on practically
everything of any value, the Brooklyn housewives believed it
was all right to pay for the privilege of owning a piano. It will be
surprising indeed if the same type of swindler does not turn up
in other sections of the country.
That there is still another angle to the tax on pianos was set
forth admirably in an editorial in the New York Evening Sun on
Thursday of last week. The editorial, which was headed "Extra-
Official Kitchinism," is well worthy of the attention of every piano
man. It reads as follows:
"The intelligent, thoroughly modernist swindlers who have been
collecting a $5 'luxury tax' on pianos from unsophisticated Brooklyn-
ites were doing little more than living up to the ideals of the makers
of the newest Federal tax laws. It was hardly more than extra-
official Kitchinism; reprehensible largely because it had only the
authority of a tin badge and an expert grafter's 'nerve' instead of
the sanction of the Committee on Ways and Means and the public
opinion of Scotland Neck to back it.
"Mr. Kitchin and his fellow experts saw the need of more money
to be spent in keeping the world warmly comfortable for the South-
ern democracy. The obvious thing was to 'let the North pay.' Many
malefactors of moderate wealth in New York own a piano. Not a
few were in the habit of paying, extravagantly, more than $3 for a
hat or even more than $2 for a shirt. Clearly these were luxuries,
base Sybaritic indulgences that the Spartans of North Carolina could
not contemplate without becoming 'all het up.' Therefore, let us tax
them. A $5 fine for owning a piano naturally appealed to the Kitchin
mind as a laudable expedient.
"Of course these Brooklyn specialists are rather overdoing it.
They do not belong to the union, and not even Mr. Kitchin would
approve their activity. Rut they had the really fundamental idea of
a luxury tax."
T
HE function of the motion picture in the commercial sphere is
becoming more widely recognized. Piano manufacturers have
been able to visualize their products, and the process of manufac-
turing them, as a means of educating the public to a recognition of
their merits, and it is not surprising to learn that the Department
of Commerce is planning a motion picture campaign to promote
American commerce provided the necessary appropriation for the
project can be obtained from the incoming Congress.
Those in charge of the idea say that such a campaign will en-'
able the agents of the Government to tell people around the world
who we are, what we manufacture and how our manufactures can
be utilized. It is pointed out that through such a campaign the point
can be made that quantity production and shop organization—two
great American ideas—are supreme factors in determining the price
and quality of goods, and that this can be done very effectively by
means of motion pictures, as has already been successfully demon-
strated in other countries.
The plan proposed is declared to have been tried by a num-
ber of other countries with satisfactory results. In England what
is known as "British Industrial Expansion" is promoted by moving
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
APRIL 12,
1919
THE MUSIC TRADE
REVIEW
WHY GUT PRICES ON MUSIC ROLLS?
(Continued from page 3)
It is a fact recognized by talking machine dealers that the real profits and real future of their business
lie not in the simple sale of the machine, but in the sales of records that follow, and the same rule unquestionably
should hold good to a large measure in the matter of music rolls. That there is money in the handling of rolls
is not a subject for doubt, because more than one member of the trade has developed a most substantial and
profitable business by handling music rolls exclusively, and other houses have established and maintained
substantial departments—-profitable factors in the business—devoted to the music roll business alone, with a
competent manager in charge and a trained sales staff.
The trouble appears to be that a great many piano men have allowed the player-piano sale at $500, $600
or $700 to blind them to the possibility of follow-up profits on roll sales at a dollar each. Any leisure time
they may have they give to the consideration of plans for building up the player-piano business without
spending some of that time in studying the music roll situation. Under existing conditions, with the majority of
player-piano owners trained under wartime conditions to pay in the neighborhood of $1 for word rolls, the
piano retailer has an opportunity to establish a department in his business that operates almost automatically—
for the player owners must have rolls—and if properly pushed is capable of being developed into a big thing.
Accurate statistics are unfortunately not available, but experience indicates that the new player owner who
has not at least 100 rolls in his library at the end of the first year and who does not add four or five rolls a month
to that library is in the minority. Multiplying those figures by the number of players sold each year will give
the retailer some idea of the roll business that should come to him naturally and without great solicitation. Add
to that the business that he can take away from competitors by aggressive methods, and the total is something
worth considering.
It is only by observing established prices in retailing rolls—by realizing the full profit under such prices,
and conducting his roll department as a business proposition—that the retailer can expect to make good on the
venture. He is practically compelled to handle some rolls if he sells player-pianos. The big question is whether
he is going to handle them at a loss and detract from his player-piano sales profits, or whether he is going
to welcome the change in the roll situation as a means for added income.
Certainly the majority of the manufacturers are doing their best to help the dealer increase his roll business.
They supply him with showcards, printed lists, numerous sales helps; they advertise in national magazines for
his benefit; they keep in touch with musical affairs so that they may offer him in roll form only such numbers
as may be expected to prove salable, and in other ways they endeavor to keep the business on a high level.
The price cutter is undoing all this work which the retail dealer is paying for indirectly when he buys his rolls,
and is in addition proving a handicap locally. It is time he was discouraged and made to see the light, and
it is probable that steps will be taken to that end.
In referring to the price cutter we refer directly to the man who continually slashes prices, who, by selling
at cost, or under, some popular rolls, serves to undermine public confidence in the fairness of prices asked for
other rolls in the same or earlier lists. When the time comes to clean up slow moving stock—stock that threatens
to become passe—then the well advertised sale, as in the case of the sale of used pianos, will not only clean the
shelves of dead stock, but arouse fresh interest in the new rolls. In such a case the sale is an event, but a
continuous price-cutting campaign is simply a destroyer of both confidence and profit.
pictures of British industries, and under whose management exhibi-
tions were given last year under the auspices of the British Cham-
bers of Commerce in self-governing dominions and in allied coun-
tries. This management, moreover, arranged last year for a world
tour of some of the principal cities in Western Europe, North and
South America, Canada, India, South Africa, Egypt, Australia and
New Zealand.
The Department of Trade and Commerce in Canada has also
been using motion pictures on a large scale, spending $40,000 for
this purpose since February 6 last, and so successful have been
the results that a further appropriation has been made to extend
this work.
Now that we are giving so much attention to the development
of foreign trade there is no question but that this form of educa-
tional propaganda should prove a most effective means of making
the peoples of the world acquainted with American manufactures
and their superiority. The making of a piano, or player, for in-
stance, from the raw material to the completed instrument, makes a
STRAUCH
fascinating story when properly presented, and where utilized in
connection with a good demonstrator an unanswerable argument can
be presented bearing on the superiority of the American musical in-
struments, and good reason shown why they are cheap at any price
as compared with the creations of other nations.
T
JIE following, which will be found food for thought, is clipped
from the Bulletin of the Grand Rapids Association of Credit
Men : "'Those who use dirty tools secretly despise them. Men who
carry out^shady instructions immediately pave the way to their own
dismissal. The very employers who profit through crooked under-
lings thereafter resent their presence in the organization. Who-
ever prostitutes his principles for hire is logically held ready to
seize the first favorable opportunity to advance himself by theft
or treachery. Nobody can strengthen his position by weakness. Con-
scientiously they do not possess and pay sincere respect to the force
of character which refuses to read into the obligations of employ-
ment submission to improper commands."
PIANO
ACTION
= = = = =
THE
ACTION OF
QUALITY and MERIT
STRAUCH BROS., Inc.
20-30 Tenth Avenue
New York

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