Music Trade Review

Issue: 1918 Vol. 67 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
AUGUST 31, 1918
MUSIC
TRADE
REVIEW
55
MUSICAL INSTRUMENTS AND WAR
VIOLINIST'S PRACTICE DEVICE
REGIMENTAL BAND CONTESTS
Captain Dugmore Tells of the Value of Music
and Musical Instruments to the Soldiers—
How the Pipers Help Bring Victory
Karl A. Becker, of Los Angeles, Secures Pat-
ent on Device to Aid Students to Hold the
Violin and Manipulate the Bow
Many Army Cantonments Plan to Hold Con-
tests Between Bands Stationed in Them
Capt. A. Radclyffe Dugmore, now lecturing
in this country on his experiences in France
and the life of the soldier at the front, tells of
the fighters' need for music and the consequent
attention it receives from the military authori-
ties. Capt. Dugmore was for two years in the
zone of the hottest lighting, where his adven-
tures included arrest as a spy—first by the Bel-
gians, then by the Germans; escape to his own
lines, hazardous assignments as brigade scout
and intelligence officer and, finally, participa-
tion in the battle of the Sorame, where a gas
attack finished his career of usefulness on the
firing line. In his description of the musical
activities of the soldiers, Capt. Dugmore says:
"I 1 .very regiment lias a divisional band. These
bands play at football matches within eight
miles of the front. They are supplemented by
individual players using any sort of instrument
available, even the mouth-organ and the paper-
covered comb, when nothing more exalted is at
hand. Hundreds and hundreds of phonographs
are being used behind the lines to-day, and
pianos are found in many improvised Y. M. C.
A.'s converted from old barns. For the fighter
must have music, and his officers see that he
gets it.
"Song rallies are held at frequent intervals,
led often by well-known tenors and baritones.
It is practically an established rule that twenty-
four hours before a contemplated charge a great
concert is held for those who are to take part,
thousands of soldiers usually attending these
concerts.-
"No singing or playing is, of course, permitted
in the first line trenches. These are, for the
most part, shallow—not having been constructed
for permanent occupation—and every sound of
this kind would attract the enemy. Nor does
any music, with the exception of bagpipes, actu-
ally advance into battle. The bagpipes, how-
over, have been found a necessary adjunct in
the conduct of a successful charge. They have
been known to turn the tide of battle when
our men seemed exhausted. The brave pipers
play under the fiercest fire, giving up not even
when wounded.
"It is little wonder, in view of all this, that
Y. M. C. A.'s and welfare committees who can
judge the troops' needs on the spot emphasize
the value of music and make liberal provision
for it. As a stimulant to the spirits of men, its
importance can hardly be overestimated."
Already we have come to the point in the
training of our new huge army where we hold
contests between regimental hands, buglers and
singers. It is quick work. But in fact, such a
contest has been held.
It came off on July 26, at Camp Sheridan. An
idea can be gained of the scope of the affair by
merely enumerating the classes of contest.
There were solos, quartets, orchestral selections,
bugle corps calls, bugle solo calls and full regi-
mental marching songs. The judges, besides,
of course, the leading camp officers, were civil-
ians and musicians of established standing; and
a large silver loving cup was awarded the 45th
Regiment.
Soon, probably, other camps will be following
suit in this matter, and contests of regimental
trumpeting and song will be staged all over the
country. A symptom of the enlarged interest
which regimental music is enjoying to-day is
the recent introduction into Congress of a bill
authorizing the commission of a first lieutenant
be given to each army bandmaster.
At the present time there is no specific rank
for a regimental bandmaster. He may be a
non-commissioned officer or a private, and other
non-commissioned officers may be playing in-
struments under him in the band. It is alto-
gether confusing, as seen from the outside, and
the awarding of a commission to the leader will
easily straighten that point out, as well as give
the entire band a stronger dignity.
Too often, as things are, the nifty drum-major
seems the most important figure in the band
TO MANUFACTURE VIOLINS
organization, to civilian eyes, whereas, in reality,
A certificate of incorporation was issued last there may be a number of players of instru-
week to the Fredeking-Banks Violin Co., of ments who top him in both pay and standing.
Huntington, W. Va., with a capitalization of
MUSICAL INSTRUMENT IMPROVEMENT
$75,000 for the purpose of manufacturing violins
and other musical instruments.
The incor-
WASHINGTON, D. C, August 26.—A stringed
porators are Will B. Fredeking, W. H. Banks, musical instrument has just been patented by
Arlene Young, C. T. Taylor and A. W. Wer- Joseph Ferretti, Jersey City, N. J., Patent No.
inger, all of Huntington, W. Va.
1,275,667 for which has just been granted. The
invention has for an object to provide a stringed
The Kaiser has not invested in War Savings musical instrument having novel means for re-
Stamps. Are you like the Kaiser?
producing and amplifying the sound thereof and
causing the same to be projected in the most
suitable and desired direction.
WASHINGTON, D. C, August 26.—Karl A. Beck-
er, Los Angeles, Cal., was last week granted
Patent No. 1,275,202 for a Violinist's Practice
Device.
This invention relates to devices of the char-
acter designed to aid violin students in learning
to properly hold the violin and to properly ma-
nipulate the bow thereof.
An object of the invention is to produce a
device in which the position and manipulation
of the bow may be caused to exactly correspond
with the correct position and manipulation
thereof in the playing of a violin.
Another object is to afford means for the
strengthening of the muscles of the fingers
used in stopping.
Another object is to make provision for both
a positive guiding and a non-positive guiding
of the bow. By "positive guiding" is meant
the constraining of the bow on three sides dur-
ing the bowing operation, and by "non-posi-
tive guiding" is meant the constraining of the
bow on two sides only during the bow r ing opera-
tion.
When the bow is constrained on but
two sides, if it be not moved accurately at right
angles to the body of the device, it will slip off
of the guiding means. The positive guiding
prevents mistakes in the bowing and the non-
positive guiding permits mistakes to be made
in the bowing but reveals that the mistake is
made.
JOHNFRIEDRICH&BRO
I WILL BUY
FOR CASH
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
56
THE MUSIC TRADE REVIEW
AUGUST 31,
1918
CONDUCTED BY B. B. WILSON
OUTING OF NEW YORK ASSOCIATION
Music Publishers and Dealers Hold Annual Af-
fair at Massapequa, L. I.—Large Crowd in
Attendance—Ball Game a Feature of the Day
—Shore Dinner Winds Up Perfect Day
KLAW & ERLANGER'S PRODUCTI ON OF THE NEW MUSICAL PLAY
THE GIRL BEH 1IND THE GUN
Book and Lyrics by GUY BOLTON and P. G. W< DDEHOUSE
The annual outing of the Greater New York
Music Publishers' and Dealers' Association is
over, but it has left a pleasant memory in the
minds of all those members of the trade who
were fortunate enough to be present at the fes-
tivities at the Massapequa Inn, Massapequa, L.
I., on Tuesday of last week. One thing can
be said of the local publishers, and that is that
they can enjoy themselves to the limit, and make
a real holiday out of an outing. It was the
best-attended outing that has yet been held by
the association, but that fact did not interfere
with everybody having a good time. Really
it added to the enjoyment of the occasion.
Starting from the store of Charles H. Ditson
& Co., shortly after 10 o'clock in the morning,
THERE'S A LIGHT IN YOUR EYES .60
(Waltz Song)
SOME DAY WAITING WILL END .60
Back to the Dear Old Trenches . . .60
I Like It
60
Women Have No Mercy on the Men . .60
Vocal Score
.
.
.
$2.00
Waltz
.
.
. . 6 0
and New Catalogs
Now Ready for 1919
FAMOUS
McKINLEY
10 CENT MUSIC
THE GIRL BEHIND THE MAN BE-
HIND THE GUN
60
THERE'S LIFE IN THE OLD DOG
YET
60
A Happy Family
I've A System
O h ! H o w Warm it is Today
Selection
CHAPPELL & CO., Lid., 41 East 34th St., New York
$1.00
6 0
60
. . . .60
Fox-Trot
.
.
.60
347 Yonoe St., Toronto
MELBOURNE
y special arrangement with
The Lyrics are published b
DAY & HUNTER. N E W YORK
T . B . HARMS a n d FRANCIS,
;11 At Co.. Ltd. All Rights Rejerved
Copyright MCMXVI1 by Chapp.
LONDON
moments, some bonehead plays, and the usual
umpire baiting, which helped to make it a real
game. The two teams were captained respec-
tively by George II. Bliss and J. T. Roach, and
the latter's team had the slight advantage of a
manager in the person of Walter Eastman. The
"Blissiviki's" line-up consisted of Morris Pearl-
man, catcher; Arthur Mehlinger, pitcher; B. P.
Sibley, Arthur Conrow, George H. Bliss, Phil
Kornheiser, M. J. Wale, A. F. Olsen, A. J.
Stasny and Jerome Keit. The "Roachites" lined
up as follows: A. Cantor, pitcher: J. T, Roach,
catcher; Lawrence Ellert, Jos. Glassmacher, B.
N. Beck, Frank J. Flyiin. VVm. Phillips, C. A.
Meier, J. S. Barr, Ben Richmond and Michael
Stasny, Sibley, I'eurlman, J'.liss, Conrow, Olsen, Mehlinger,
Keane.
Kornlieiser and Wale
The final score of the game was 21 to 11 in
the pleasure seekers arrived at Massapequa in favor of the Bliss team, and the credit for their
time for a substantial buffet lunch, after which success was given to their board of strategy as
the details of the athletic program were at- much as to their good playing. The board was
tended to. Of course, the ball game was the composed of Phil Kornheiser, Geo. Bliss and
leading attraction of the day, and throughout Arthur Conrow; Arthur's ideas being highly re-
eight innings there were numerous thrilling spected, owing to the fact that in last year's
game he made one of the longest hits of the
TO 6000 McKINLEY AGENTS
day. The game ended after the first of the
eighth inning, when Roach was disgusted at the
form shown by his players and exclaimed "Aw,
let's play quoits."
There were two prizes for the best quoit team,
which was open to all, the losers being elim-
inated each game. Joseph Priaulx and George
Bliss lived through the numerous elimination
contests
and received novelty dolls for their
YOU ARE SURE TO HAVE CALLS
awards, these being presented at the dinner in
Better Muaic, Better Paper, Better Title*
the evening as a surprise with appropriate re-
marks from the chairman of the entertainment
committee, J. T. Roach.
150% Profit on
In the evening an elaborate shore dinner was
served and there was appropriate music for
those desiring to dance. George Bliss also was
persuaded to play and sing his inimitable
"Wicked Woman," and Artie Mehlinger sang
"I'm Sorry I Made You Cry," while Meyer
Cohen rendered "That's What God Made
Mothers For."
The return trip was made about 9 o'clock, and
homeward bound it was voted that the day's
affair was the most successful the association
ever held. The entertainment committee came
All of the Best Reprints and more
in for many congratulatory remarks, both for
Big Selling Copyrights than any
the selection of the place and for what went
other 10 Cent Edition.
with it.
Among those present were: J. M. Priaulx
Free catalogs with stock orders. We pay
for your advertising. Our music is as staple
and Joseph Glassmacher, Chas. H. Ditsou &
as wheat.
Write for samples.
Co.; Michael Keane, Boosey & Co.; Felix Meyer,
Karczag Publishing Co.; Meyer Cohen, Meyer
Cohen Music Co.; Morris Pearlman, Evans
Chicago McKINLEY MUSIC CO. New York Music
Co.; Hamilton A. Gordon, E. L. Hoffman,
46 New Numbers
Music by IVAN CARYLL
Frank I. Flvnn, C. A. Meyer, George H. Bliss,
Arthur F. Olsen and M. J. Wale, Q R S Co.;
A. I. Stasny, Win. Phillip, Phil Kornheiser, J.
White and Arthur Mehlinger, Leo Feist, Inc.;
J. T. Roach, Hinds, Hayden & Eldredge; Wal-
ter Eastman, Chappell & Co.; V. I). Walsh, The
Music Trade Review; Lawrence V. Ellert, B. F.
Wood Music Co.; W. Kretchmer, Carl Fischer,
Priaulx in Action
Phil Kornheiser
B. N. Beck, Maurice and II. N. Beck, Ben Rich-
mond, Enterprise Music Supply Co.; J. A.
Carter, A. Conrow, Connorized Music Co.; A.
Cantor, F. Kraft, E. Schuberth & Co.; B. P.
Sibley, the Autopiano Co.; B. W. McClelland; A.
15. Barbelie, Jerome Keit, J. H. Remick & Co.;
J. S. Barr, Joseph W. Stern & Co., and others.
Notes of the Day
Phil Kornheiser stated he had not played ball
for live years, but he handled third base so well
that he was accused of being under cover.
Joe Glassmacher arrived at the plate with
three men on and he was so anxious to "kill"
the ball that he struck out.
The most comical play of the afternoon was
when Mehlinger was caught between third and
home. While the entire opposing team made
an effort to catch him he slid back to third.
Joe Keit played the role of pinch hitter and
took a base on balls.
Mike Keane insisted on getting in the game,
made a hit and stayed on the bases until he was
brought in home with a run that did not count.
Phil Kornheiser seemed quite pleased when
the orchestra played a half dozen Feist num-
bers.
Chicken was served at dinner and on the dance
Moor. No married men's uames mentioned.
During the afternoon a trip was made to an
adjacent beach for those desiring to bathe, many
sans raiment.
Airplanes ilew over the baseball Held through-
out the afternoon, performing stunts.

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