Music Trade Review

Issue: 1918 Vol. 67 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
REVIEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President, C. L. Bill, 373 Fourth Ave., New York; Vice-President, J. B. Spillane.
J73 Fourth Ave., New York: Second Vice-President, J. Raymond Bill, 373 Fourth Ave..
New York; Secretary and Treasurer, August J. Timpe, 373 Fourth Ave., New York.
J. B. SPILLANE, Editor
J. RAYMOND BILL, Associate Editor
AUGUST J. TIMPE
Business Manager
Executive and Reportorlal Staff:
B. BKITTAIN WILSON, CARLKTON CHACE, L. M. ROBINSON, WILSON D. BUSH, V. D. WALSH,
W M . B«AID W H I T I (Technical Editor), E. B. MUNCH, A. J. NICKLIN, L. E. B o w m
BOSTON OFFICE:
CHICAGO O F F I C E :
FOHH H. WILSON, 324 Washington St. E. P. VAN HAKLINGZN, Republic Building,
Telephone, Main 6950.
209 So. State S t Telephone, Wabash 5774.
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St., D. C.
NEWS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED I N T H E LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 373 Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
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Canada, $3.50; all other countries, $5.00.
ADVERTISEMENTS, $4.50 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising pages, $130.
REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman Bill, Inc.
Departments conducted by an expert wherein all ques-
t [ ons
o f , technical nature relating to the tuning,
H p n a r r m o n t t regulating and repairing of pianos and player-pianos
l / e p a r t m e i U S a r e dealt with, will be found in another section of
this paper. We also publish a number of reliable technical works, information concern-
ing which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Pris
Paris Exposition, 1900 Silver Medal.. Charleston Exposition, 1902
Diploma... Pan-American Exposition, 1901 Gold Medal. . . . S t Louis Exposition, 1904
Gold Medal, .Lewis-Clark Exposition. 1905
LONG DISTANCE TELEPHONES—NUMBERS 5982—698S MADISON 8Q.
Connecting all Departments
Cable address: "Elblll. New York."
NEW YORK,
JULY
20,1918
EDITORIAL^
USINESS conditions naturally vary in different sections of
B
the country, being governed largely by the local situation ;
one section reporting a volume of business as normal or just
JULY 20, 1918
forms in the matter of terms and methods, it has been quite pos-
sible to realize a normal profit, or better, on a sub-normal volume
of business. If these improved methods continue after the war,
then the period of stress will have accomplished some good at
least.
from Washington regarding the consideration by
R EPORTS
the Ways and Means Committee of the proposed new Wai-
Revenue bill have naturally aroused considerable anxiety in the
musical instrument manufacturing and selling field, owing to
the suggestion, said to have been made by the Treasury De-
partment, that all musical instruments be subjected to an excise
tax of 20 per cent. Members of the trade have not yet forgotten
the fight that was made in connection with the present Wai-
Revenue law, and the difficulties met with in explaining to the
legislators that the making and selling of musical instruments,
particularly pianos, was not, as popularly supposed, a business
of large profits, but rather a business in which profits were sur-
prisingly small in view of the amount of capital invested and the
thought and labor demanded.
Of course, there has been nothing definite decided as to the
final wording of the bill, but members of the trade cannot afford
to let their interest lag for a moment in setting those in charge
of the drafting of the measure right regarding what the industry
can stand without being forced into oblivion. The piano trade,
as that of all peace industries, has borne and is bearing its full
burden in support of the war. As there are greater demands
upon the resources of the country, so is the piano trade prepared
to do a further share in meeting those demands, and steps must
be taken quickly to impress upon the national legislators that
there is a dividing line between what the industry can stand in
the way of taxation and what will mean its disruption.
George W. Pound at the recent hearing on the proposed new
War Revenue bill presented some convincing facts to the mem-
bers of the Ways and Means Committee, and it is to be hoped
that in the framing of the bill the committee members will at
least give some consideration to these facts as presented, and
govern themselves accordingly in placing a further wartime bur-
den on this industry, remembering that in all of the war demands,
including the floating of Liberty Bonds, and contributions to the
Red Cross, the piano men and members of the allied music trades
have given their support wholeheartedly and substantially, which
has proved that the spirit to do is there.
below normal, while another section can report in the same
OELDOM has a court in this country rendered so sweeping
period a volume of trade surpassing previous records. In view
^ a decision in giving protection to the use of a family name
of this likelihood of variance in business volume, therefore, it
on a manufactured product as that rendered by the Superior
is interesting to note that from practically every part of the Court of Cook County in the case of Decker & Son, Inc., New
country come reports of an unusually satisfying piano business
York, versus the Decker Bros. Co., Chicago. The decision, which
for the first six months of 1918, and particularly for the month
appeared in full in The Review of July 6, is important, not alone
of June. Some piano merchants report several record-breaking
from the viewpoint of the victorious plaintiff, but from the view-
months within the period, although, of course, these are excep- point of the trade at large, as setting another precedent in the
tions. There are very few, however, who report any dropping
legal protection of name rights.
off of their last year's figures, and this is to be accepted as sig-
Piano names have a peculiar value—a value that does not
a
nificant, inasmuch as business conditions have been less favor-
PPly generally to names of manufactured products. A piano
able this year than last.
to the average purchaser is a tiling of mystery. As a rule, he has
In the first place, the piano merchant has been forced to
no means of judging value beyond, of course, tone value, and
contend with stock shortage, delayed shipments, depleted staffs
that depends upon his individual taste. He, therefore, is com-
and higher expenses in his establishment and, on the other hand,
pelled to rely upon the word of the retailer, and more particularly
he is faced by a public urge to economize in every direction, and
upon what is represented by the name on the fallboard. The
beset by the unusual expenses and problems brought about by
piano name is, in short, a guarantee of the standing of the instru-
the war. Over all these things, however, the piano merchant
ment, and is generally accepted by the public in that light. For
has triumphed, which bodes well for the future.
another to trade, therefore, upon an established name, whether
It is particularly significant that the reports tell of a larger
innocently or not. means in a measure trading upon the guar-
proportion of cash sales in most instances, and in practically
antee implied by the appearance of the name on the instrument.
every case where instalment sales have been made larger down
From other decisions in the trade it would seem that the
payments and more substantial monthly payments have been
courts are always quite willing to protect name rights, which
demanded and secured. Then again piano merchants practically
should serve as a deterrent to those who, intentionally or other-
have been gainers in some measure through depleted sales forces,
wise, seek to infringe upon those rights.
for they have cut down expenses in this direction, even though
more work was required to make up for the vacancies. Still
N order to stimulate a fuller realization of the fact that music
again the wide-awake merchants have realized that this is the
is an essential and powerful influence in maintaining" the
time to clean house, and they have stopped the leaks arrd cut
national morale during wartime, The Music Trade Review, at the
out poor systems that under ordinary circumstances might con-
National Music Show, held in New York, June 1 to 8 inclusive,
tinue indefinitely without receiving attention. With these re-
announced that a first prize of fifty dollars and a second prize
I
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JULY 20,
THE MUSIC TRADE REVIEW
1918
of ten dollars in War Thrift Stamps would be given by this
publication for the best article treating on "The Value and Im-
portance of Music in Wartime." Lieut. John Philip Sousa, con-
ductor of the world-famous Sousa's Band, and C. M. Tremaine,
director of the National Bureau for the Advancement of Music,
kindly consented to act with the editor of The Review as judges
of the various essays which would be presented for consideration.
Up to the time the contest closed, June 20, a large number
of articles were submitted, some of them of excellent quality, but
the contest really narrowed down to about a dozen contributions
from which the judges have selected the article submitted by
A. J. Palmer, Orange, N. J., as entitled to the first prize of $50,
and the article of John W. Desbecker, New York, to the second
prize of $10. Mr. Palmer's essay appears on the first page of
The Review this week, the second prize-winning essay will ap-
pear next week.
To the large army of contributors to this interesting contest
The Review wishes to extend its thanks with a full appreciation
of their efforts. The contest has undoubtedly stimulated interest
regarding the relation of music to the great war, a topic which
is certainly most pertinent to-day, when people should more
fully comprehend the tremendous part music is playing and can
play in augmenting not only the spirit of our fighting men but
in stimulating and consoling the millions of civilians behind
them.
I
N another part of The Review will be found a letter written by
Chas. E. Hughes, ex-Justice of the United States Supreme
Court, and who was head of the Hughes Postal Commission,
which made the latest investigation of the postal department
of the country, in which he discusses the postal zone law in a
most illuminating way. He condemns absolutely this reactionary
and destructive postal zone law, which is not only unjust to
the publisher, but particularly unjust to the public, because it
imposes sectional divisions that impede general circulation of
magazines and needed educational matter throughout the country,
compelling those located at a distance from the publication center
to pay a premium on information. He points out that in our
correspondence, and in the diffusion of necessary intelligence,
we should have a uniform postal rate for the entire country—
that the widest and freest interchange is the soundest public
policy. Everyone having the interest of education at heart should
see to it that their congressmen and senators are advised as to
their opposition to this zone system of second-class mail matter,
to the end that it be repealed.
ROGRESSIVE piano merchants and manufacturers are
P
recognizing that this is the motion picture age, and are utiliz-
ing the "movies" to a considerable extent for exploitation pur-
poses. A great many of our manufacturers have prepared reels,
Th
traufae
showing the construction of a piano from the raw material to
the completed product, which are being utilized by dealers of
small cities to give the public an idea of the varied and im-
portant processes necessary in the construction of a piano or
player.
One of the cleverest demonstrations along this line was
that reported in last week's Review, given under the auspices of
the Fitzgerald Music Co. at a local motion picture theatre in Los
Angeles. The demonstration consisted of a featuring of the
Knabe-Ampico, both in motion pictures and in actual operation.
Following a "screened" statement of the perfection attained in
the instrument, the introductory reel of pictures opens with a
view of the stage of a large auditorium containing a Knabe con-
cert grand piano, and, continuing, there shortly steps forth from
one of the wings of the pictured stage the noted pianist, Leopold
Godowsky, who, bowing to the audience and seating himself at
the piano, begins to play. Next, the picture fading, the curtains
of the real stage part, and there before the audience stands the
Knabe-Ampico, which, with no visible performer, actually plays
the piece the pictured performer has begun—Godowsky's roll
rendition of Chopin's "Scherzo" in C sharp minor. At times the
reproducing piano is accompanied by the theatre's forty-piece
orchestra, directed by E. Bierman, and at other times it plays
alone. As the final bars are played, the curtains come together,
concealing the player, and the audience again sees, in pictures,
Godowsky seated at the piano, who shortly rises, bows and exits.
Needless to say that the demonstration was most impressive
and so entirely out of the ordinary that it made a decided sensa-
tion. It was not only distinctly educational, but it conveyed in
an impressive way the wonderful strides made by the player-
piano along distinctly artistic lines.
the victory punch into your business letters. Pessimism
G ET is more
infectious than a cold. One doubter can give the
chills to a room full of people. The germ of this disease often
creeps into our correspondence and does more harm than the
spoken word.
So the Department of Commerce suggests that the win-the-
war spirit be got into business letters. Originally the idea was
proposed to apply to mail sent to foreign countries. Here the
color of our thoughts is searched for eagerly between the lines
of what we write. The business man abroad—whether a neutral
or an ally—is quick to see any weakness. The flag ought to be
kept flying in all letters that leave the country.
The same is true of business letters to home correspondents.
There is such a thing as negative as well as positive patriotism.
To refrain from doubts is not enough. Our correspondence
should carry a vital confidence and purpose to see the war
through to victory. We are going to win. Let your letters show
you know it.
1898—1918
Since the introduction of the first
S>trattt)e twenty years ago we have
maintained the same ideal principles
for the successful merchandising of
our product. Made right and at the
right price, is the keynote of our
success. Dealers who have handled
the fettaube since its inception back
up this assertion. What does this
mean to you?
Straube Upright, Style K
"Sin&Their Own Praiae"
Straube Player, Style 15
"Sing Their Own Praiae"
STRAUBE PIANO CO.
HAMMOND
INDIANA

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