Music Trade Review

Issue: 1918 Vol. 67 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
DECEMBER 21,
1918
45
THE MUSIC TRADE REVIEW
MREVIEWflEARS
Harvest Time!
DEALERS who are co-operating with us
shoulder to shoulder to make this greatest of
all Advertising Campaigns a success, are reap-
ing an abundant harvest of Century Dimes!
This "up-to-the-minute" method of merchan-
dising is paying a big reward in profits and
laying new and lasting roads into broader
fields of trade, from which these dealers will
benefit for years to come!
Send today for the FREE AD. CUTS we have
ready to mail you.
Century Music Pub. Co.
231-235 West 40th Street, NEW YORK
DEATH OF MONROE H. ROSENFELD
Had Written a Number of Successful Songs in
His Earlier Days
Monroe H. Rosenfeld, who some years ago
enjoyed a reputation as a song writer, died on
Friday of last week of acute indigestion at his
home, 64 West 107th street, at the age of fifty-
six years. Born in Richmond, Va., he had made
his home in this city for the last thirty years.
He was at one time a reporter on The World
and later New York representative of several
Chicago papers. For the last twenty years he
had directed the Rosenfeld Musical Press Bu-
reau at 1547 Broadway. Among the popular
songs he composed are "Johnnie, Get Your
Gun," "With All Her Faults I Love Her Still,"
"Hush, Little Baby, Don't You Cry" and "I'm
the Man That Broke the Bank at Monte Carlo."
A POPULAR SONG NUMBER
"The Worst Is Yet to Come," one of the live
numbers from the catalog of Waterson, Berlin
& Snyder, is so popular at the present time that
there is hardly a vaudeville bill but has at least
one singer using the song.
THAT even the Salvation Army now has its
war song in "That Salvation Angel of Mine,"
by Jack Caddigan, writer of "The Rose of No
Man's Land."
THAT it would seem that the prospects, for the
song would have been much better some months
ago.
THAT now we have the revival of old-time
songs as peace songs, the latest among them
being Harry Von Tilzer's "Take Me Back to
New York Town."
THAT if the idea is carried out generally we
should soon see quite a flood of new-old "come
back" songs.
THAT "Every Day Will Be Sunday When the
Town Goes Dry," a new song by Wm. Jerome
(Feist), is being featured in the production
"Gloriana."
THAT, despite the signing of the armistice,
they are still holding war song contests in the-
atres.
THAT Gilbert & Friedland, Inc., have opened a
branch office in Minneapolis with Moe Thomp-
son in charge.
THAT if the printers continue to raise prices
the publishers will have to take them into part-
nership to save money.
THAT Jack Mahoney, the song writer, is now
making talking machine records with much suc-
cess.
THAT "Tears" indicate grief, and when there
are two "Tears" much grief. More later.
HANDLING HEAVY BUSINESS
Maurice Richmond, general manager of the
Enterprise Music Supply Co., recently stated
that the fall sales of his company were heavier
than in many seasons past. The company has
had to make extensive alterations in the shipping
department during the past few weeks in order
to care for the ever-growing business.
ARMY SONG STILL POPULAR
It seems that Irving Berlin's "Oh, How I
Hate to Get Up in the Morning" will not die as
rapidly as some were led to think at the signing
of the armistice. Reports from some of the
big trade centers show that its sale is quite
heavy at the present time, this despite the enor-
mous demand during the past few months.
For Camp, Fireside, Liberty
and Community Singing
Here it is—the song book of America—a Pocket
Book of Songs—the soul of America's war-time spirit
expressed in songs of cheer. Here are the songs our
buys sing when they march away—the choruses they
sing In trench and dugout over there-—the Rongs
they'll sing when they conn- marching home from
victory. All of them are songs of cheer, that you
love tn hear, and sing and play.
64 PAGES of Patriotic
Love and Cheer SONGS
$7.00 a Hundred
DEALERS-Writm for Bulletin
and Price*
LEO.
F E I S T , Inc., FEIST Bidg., New York
SEEKS-TO END SHORTAGE EVIL
F. J. A. Forster Co. Asks Music Publishers to
Co-operate in Effort to Put an End to the
Difficulties Arising Therefrom
The F. J. A. Forster Co., Chicago, music job-
bers and publishers, have addressed a circular
letter to the music publishers generally asking
that they co-operate in an effort to eliminate the
shortage evil, which is steadily becoming more
serious. As it is now, bundles of music wrapped
loosely and shipped by express frequently ar-
rive with several numbers missing, and the
shortage is somewhat difficult to check until
invoices are received, particularly where one or-
der is divided into several bundles for conveni-
ence. It is suggested that every bundle sent
by express should bear on the outside notice
of exactly how many copies are contained in the
package so that any shortage can be discovered
immediately.
IT'S A R A G " IF YOU SAY SO
IT'S A BALLAD-IF YOU SAY so
AND WHAT A ' D A N C E D INSTRUMENTAL
WEIL SAT 50
McKinley's New Song Success
GREATEST "JAZZ" SONG EVER PUBLISHED
"SONGS OF CHEER"
SECULAR
Ring Out, Sweet Bells of Peace
Songs of Dawn and Twilight
Spring's a Lovable Lad ye
Freedom for All Forever
My Rosary for You
Sorter Miss You
Mother Machree
Who Knows?
Values
Can't Yo' Heah Me Callln', Caroline
Evening Brings Best and You
There's a Long, Long Trail
The Magic of Your Eve*
Dear Little Boy of Mine
In Flanders Fields
Smilin* Through
Kiss Me Again
SACRED
Teach Me to Pray
I Come to Thee
A Little While
It Was for Me
Ever at Rest
AND MANY OTHERS
HUNDREDS OF LIVE DEALE
LINE — DO
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
46
THE
MUSIC
TRADE
REVIEW
DECEMBER 21,
1918
A STRONG PRODUCTION CATALOG
THE HISTORY OF MINSTRELSY
NEW HOMECOMING SONG FEATURED
Shapiro, Bernstein & Co., Inc., Publishing
Music of Several Successful Shows
Some Interesting Sidelights Upon Those Who
Composed Songs and Poetry in Olden Days
Shapiro, Bernstein & Co., Inc., now appear as
publishers of the leading song numbers in sev-
eral musical comedy successes at present run-
ning in New York or other cities, the produc-
tions including "The Melting of Molly," "Little
'Simplicity," "Somebody's Sweetheart" and "Lis-
'teri, Lester."
! 'The Melting of Molly" is a Shubert produc-
jt^Ojn, with a book by Maria Thompson Davies
and Edga-r Smith, lyrics by Cyrus Wood, with
•music by Sigmund Romberg. Among the mu-
sical numbers are "Darling," "Dear Old Gowan,"
"You'll Remember Me," "Oh, Doctor, Doctor,"
^'Lodger," "You Win," "Dancing School," "Wed-
ding by Proxy," "Jazz, How I Love to Hear
It," "Floating Down a Moonlight Way" and "I
Want My Husband."
Arthur Hammerstein is the producer of
"Somebody's Sweetheart," and the words and
music are by Arthur Hammerstein and Herbert
Stothart. Prominent among the songs are "In
thie 1 Old-Fashioncd Way," "It Gets Them All"
and "An American Beauty Rose."
V'.'Little Simplicity" appears to have several
numbers which should have good sales, "The
Boomerang," "My Caravan," "When the Whistle
Blows," "A Military Fox-Trot" and "Follow the
Boys." The Messrs. Shubert are also the pro-
ducers of the above, and the book and lyrics
are by that successful author, Rida Johnson
Young, with music by Augustus Barratt.
"Waiting," "I Was a Very Good Baby," "I'd
Love to," "When the Shadows Fall" and "Show
a Little Something New" are the song numbers
from John Cort's successful musical comedy,
"Listen, Lester." The book and lyrics are by
Harry L. Cort and Geo. F. Stoddard, and the
music by Harold Orlob.
Minstrelsy played an important role in the
social and intellectual life of the early centuries,
when hand-wrought books were rare and price-
less, and a single line of print would have baf-
fled the mightiest conqueror, says "Along Broad-
way."
The art of minstrelsy reached its height in the
tenth, eleventh and twelfth centuries, although it
was in 850, B. C, that the immortal Homer,
greatest of all minstrels, sang his thrilling tales
of the Trojan wars.
The "Mimes" of the Roman Empire and the
"Minnesingers" and "Meistersingers" of Ger-
many were among the first organized bands of
minstrels. Across the Channel, with the Nor-
mans, came the royal troubadours and the pic-
turesque "jongleurs" in their many colored coats
and flat shoes.
All royal persons boasted their own minstrels
and Edward III of England is said to have had
nineteen in his pay. They were often employed
by towns and cities as "Histroines" or public
story tellers. There was a wide difference in
the social status of the several types of min-
strels. Those who belonged to royalty enjoyed
many privileges and considerable distinction,
and were in no way associated with the wander-
ing groups of bards that plied their trade from
town to town. The Troubadours were poets of
royal blood, many of them reigning princes, who
followed art for its own sake.
The most famous of these poet kings was
Richard, Coeur d' Lion, and there is a charming
legend told of him and his favorite Minstrel,
Blonde!. On his return from the Crusades in
Palestine, Richard was captured by Leopold,
Duke of Austria, and made a prisoner. Blondel,
determined to find his master, wandered in dis-
guise throughout Germany until he came to the
castle of Diirrenstein, where he had heard there
was an illustrious captive.
Standing beneath the tower, Blondel sang a
song that he and Richard had composed to-
gether. The first verse was hardly finished when
the voice of Richard in the tower took up the
second. Overjoyed, Blondel returned to Eng-
land and was the means of securing Richard's
ransom.
With the advance of Christianity and the de-
velopment of the art of printing, minstrelsy fell
into disfavor. At last a general edict was is-
sued against all "gleemen, dancers, jugglers,
bear leaders and tumblers."
Sir Walter Scott, in "The Lay of the Last
Minstrel," pictures the long, gray twilight of
minstrelsy:
"The last of all the bards was he
Who sung of border chivalry;
For well aday! their date was fled,
His tuneful brethren all were dead:
"No more on prancing palfrey borne,
He caroled, light as lark at morn; '^
No longer courted and caressed,
High-placed in Hall, a welcome guest,
He poured to lord and lady gay, -'.
The unpremeditated lay:
"A wandering harper, scorned and poor,
He begged his bread from door to door,
And tuned, to please a peasant's ear,
The harp a king had loved to hear."
Fact That John McCormack Was to Sing "I
Shall Meet You" (Boosey), Strongly Featured
—Number Received With Great Enthusiasm
PEACE SONG PROVING A SUCCESS
M. Witmark & Sons' new song, "Ring Out,
Sweet Bells of Peace," has had good success
from the day it was issued, shortly after the
armistice was signed. The number is from the
pens of Caro Roma, the well-known composer,
and William H. Gardner. Madame Frances
Alda, one of the stars of the Metropolitan
Opera Co., recent introduced it at one of the
Sunday concerts at the New York Hippodrome,
a«d since that time many others have pro-
gramed it, including the Rialto Quartet and
Greek Evans, the prominent baritone.
Karl Fuller, who has been featuring Gilbert &
Friedland's "Singapore," has, so it is understood,
made a dance record of the number for the Co-
lumbia Graphophone Co.
'JEROME H.REIIICK&CO.'S
Sensational Song Hit
SONGS
"Madelon"
"Till We Meet Again 11
"A little Birch Canoe and You"
"Smiles"
"Blue Ridge Blues"
"Tackin 1 »Em Down"
*
"Give A Little Credit to The
Navy".
N
"Comprenez-vous Papa"
"In tn«- Land Where Poppies
Bloom"
"Germany, You'll Soon Be No
Man's Land"
"Blue Bird"
"M'Everythlng"
"I'll Say She Does
Pace A. Handy, originators of the "BLUES,"
specialists in rags and Southern ballads, offer
TWO SENSATIONAL HITS
The (He's
Kaiser's
Got the Bines
Got Them Weary Blues)
By BROWN and HANDY
A Good Manfelard to Find
SEND FOR CATALOG
JEROME H.REM1CK&CO.
PACE & HANDY MUSIC CO., Inc.
1547 Bf^dw^r (CUiety The.U. Bldg.), NEW YORK
Seldom has a high-class song been brought to
the attention of the concert-going public so
strongly as was the case last week with the new
number, "1 Shall Meet You," heralded as a
homecoming song and written by Wilfrid San-
derson, the composer of "God Be With Our
Boys To-night." "I Shall Meet You" was fea-
tured by John McCormack at his most success-
ful concert at the New York Hippodrome on
Sunday night, and for several days previous, as
well as on Sunday morning, the amusement col-
umns of the newspapers carried large advertise-
ments inserted by Boosey & Co. and calling at-
tention to McCormack's use of the song. The
New York American gave a special reading no-
tice regarding the number on Sunday, reproduc-
ing the lyrics by E. M. Chesham.
The success of the new song as featured by
Mr. McCormack was instantaneous and tremen-
dous, and the number bids fair to outshine even
its predecessor, "God Be With Our Boys To-
night." The Hippodrome was packed to suf-
focation, and several thousand people were un-
able to gain admission. The audience was quick
to recognize both the timeliness and merit of
the new song.
MUSIC DEALER ^VRITES NEW SONG
Archie L. Hamilton, a well-known piano and
music dealer of Dayton, O., has written an at-
tractive new song entitled "My Garden That
Blooms in the Night." The number has already
been recorded on music rolls.
BERT WILLIAMS SINGS IT
"A Good Man Is Hard to Find," one of the
new songs in the Pace & Handy catalog, and
which is being feaured by Bert Williams, is
having a good demand in the Middle West.
C C. CHURCH & COMPANY
60 ALLYN ST., HARTFORD. CONN.
Successors to CHURCH, PAXSON & CO., N«w York
ROBERT TELLER SONS & DORNER
Music Engravers and Printer*
SEND MANUSCRIPT AND IDEA OF
TITLE FOR ESTIMATE
311 West 43d Street
New York City
The Song of the Moment
"KEEP THE HOME-
FIRES BURNING"
('Till the Boys Come Home)
CHAPPELL & CO., Ltd.
41 East 34th St.
NEW YORK
BUY YOUR MUSIC FROM
BOSTON
PuMishe
"
WALTER JACOBS
rth St.
BOSTON. MASS.
"See Dixie First"
Oliver Diteon Company
BOSTON
NEW YOR*
Aattatpwte and supply I w y R«qnirMn«nt st Mwte
White-Smith Music Pub. Co.
PUBLISHERS, PRINTERS AND ENGRAVERS OF MUSIC
Main Offices: 62-64 Stanhope St., Boston.
Branch Houses: New York and Chicago.

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