Music Trade Review

Issue: 1918 Vol. 67 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
NOVEMBER 30, 1018
r
NOW IS THE TIME TO FEATURE THE "ALLIED" MUSIC ROLL
vice versa. This exchange of melody will have
its effect on the people of the Allied countries
Music Roll Dealers Will Find That the Songs of our Allies, Most of Which Are Already Available and will sooner or later create a demand which
must be met. Our musicians now at the front
for the Player-Piano, Will Be in Great Demand if They Are Properly Featured
have learned these songs and are playing them.
They will bring back all this music. Our re-
From time to time this Section of The Re- tion, so to speak? Why not also help the dealer
turned boys are already whistling it. It won't
make money by giving him something he can
view has been preaching about the use of bet-
take long for the owners of player-pianos to be-
push at all times?
ter music rolls. It has been repeatedly pointed
It can be done, and in this way: We and our gin asking for it. This music consists of stand-
out that manufacturers as well as the general
Allies are now "all little pals together."
Most ard numbers which won't be sold one day and
public are really beginning to take the repro-
forgotten the next. Some of the roll manufac-
of the songs the Allies are using are standard
ducing piano seriously. Reasons for this grow-
turers have lists, ancient ones, including all
numbers, or will be soon.
Let us mention a
ing seriousness have been pointed out. In case
few: The "Marseillaise," "Sambre et Meuse," these numbers. The trouble then was they did
any one has forgotten them, let me briefly sum
not sell; there was no demand, and the rolls
"Marche Lorraine," "Tipperary," "The British
them up again. Three words will do it: "Hand-
That's what they tell us. The
Grenadiers," "The Maple Leaf Forever," etc. were junked.
Played Rolls!"
real trouble was they weren't pushed, and years
Then there are the Belgian, the Italian national
It is generally admitted that the hand-played
airs and distinctive patriotic songs—all too ago there were no up-to-date methods of pushing
roll saved the player-piano, because, to the vast
used by either the roll maker or the dealer.
numerous to mention.
Each of the Allies has
mass of the musically uninstructed public, the
Times have changed. The war has made a de-
hand-played roll presents the only possible, uni- brought forth its own war song. Some of them
are merely "revived" and date back a hundred
mand.
That demand is coming soon, and it's
versally applicable and entirely simple means of
But regardless of nationality, going to last. Push the "Allied" music roll, and
giving, with the player-piano, a tolerable repro- years or more.
one Ally is singing the other Allies' songs, and
push it hard!
duction of "good" music, no matter how badly
the player-piano may be operated.
The roll manufacturers have seen the point,
and have taken advantage of it. Whenever the
Pacific Coast Manager of the Autopiano Co. Writes a Comprehensive Little Volume Embodying
"music mills" have ground out a new "popular"
song the roll men have "rolled" it out into the
Many Common-Sense Suggestions Which Will Prove of Much Benefit to the Player Salesman
market.
When the United States entered the
A little booklet entitled "Some Suggestions on
war countless new "writers" of music were
Are Spending Their Money for Automobiles,"
Selling the Autopiano" has just been published
"discovered."
Some of their stuff was very
"People Are Investing Their Money in Real
by Walter S. Gannon, Pacific Coast representa-
good; some, but not much.
Estate," "There Is No Summer Business," "De-
tive for the Autopiano Co., New York.
As a
structive Advertising," "My Competitor Charges
And then what happened? The roll manufac-
foreword Mr. Gannon states: "The first draft
No Interest," "I Will Not Buy Until I Can Pay
turers nearly broke their necks trying to
for these selling suggestions was made at a
Cash," "My Competitor Is Cutting Terms." On
"scoop" their competitors and be the first to
time when I had charge of a large number of
all these questions very sound arguments are
place their "latest popular numbers" on the
salesmen selling the Autopiano.
There is no
presented, and, as the questions imply, it is
market. The "fever" spread to the dealer, and
claim for originality.
The best ideas from all
plainly manifested that they can be applied to
he, likewise, didn't want to let the other fellow
sources have been freely appropriated.
The almost any business.
get ahead of him. So he'd order a bunch, sell
a few, and then put the rest in his stockroom. salesman knows and craves for suggestions that
The other subjects taken up are: "Building
will help him in his work.
If what is here
Why? Simply because the demand for a new
the Foundation," "Educational Work," "Luxury
submitted will add a little help to the large
number would begin before he even had time to
or Necessity," "Playing versus Appreciating,"
number of salesmen engaged in the work of
make deliveries of those he had just sold.
"Learning to Appreciate Music," "Choice of Ex-
selling the Autopiano, I will feel amply repaid
perts," "Selling the Autopiano," "The Autopiano
Which leads us to believe that the whole pro-
for having written it."
Is One Instrument," "Proofs of Durability,"
cedure has been wrong.
The dealer has had
It may be said in all fairness that the booklet
"Quality That Endures."
stock on his hands which couldn't begin to be
has been written in such a spirit that not only
pushed after a few days.
In a word, he has
Several pages are devoted to the distinctive
may Autopiano salesmen be benefited by the
been getting stuck on a whole lot of unsalable
features of the Autopiano, explaining in detail
suggestions therein, but any salesman who is
stock. This is the sort of thing to discourage
from a salesman's standpoint the automatic
fortunate enough to secure one of these booklets
the dealer and cause him to lose all interest in
tracker, patent flexible fingers, metal tubing and
will find many valuable suggestions therein.
the roll business. When he's losing money and
other important devices. The simplicity of con-
The booklet comprises forty-two pages and is
knows it, how can you blame him?
struction is also discussed, and such questions as
uniquely illustrated by line drawings, each draw-
"No Interference With Piano Tone" and "The
But, you may ask, what can the dealer do?
ing harmonizing with the subject discussed.
Construction of the Piano Itself" are dwelt on
The owners of player-pianos want war songs,
Various subjects which are taken up are: "The at length.
don't they?
Right Mental Attitude" and "Peculiar Condi-
True, but why not give them what they want
Another subject which is of vital importance
and then at the same time give them an educa- tions," under which are the sub-titles "People
to a player-piano salesman is one under the title
of "Demonstrating the Autopiano," while under
the title of "Selling Terms" Mr. Gannon says:
"There is no surer test of the business acumen
of the piano dealer or salesman than the terms
upon which he sells his goods.
For several
years it has been part of the writer's work to
pass upon dealers' credits. The surest test, even
more important than assets or volume of busi-
ness, is the terms on which the dealer sells. A
The valve unit that made the player famous"
dealer with capital will eventually dissipate this
capital if he sells on extended terms, but a dealer
with limited resources will gradually become
stronger if his selling terms are short."
W. S. GANNON WRITES BOOKLET ON PLAYER SALESMANSHIP
The highest class player
actions in the world
The new "Amphion Accessible Action" is the last word in scientific player
achievement. It has the complete valve action assembled in a "Demountable
Unit" giving instant accessibility.
AMPHIONfmCTIONS
SYRACUSE
f
—Your Guarantee
^
NEW YORK
(
1
"The importance of follow-up work" is an-
other interesting subject found in this booklet,
as well as the matter of one price. The last
two reminders for the salesman 'w- this very
comprehensive educational booklets are "Per-
sonal Appearance and Conduct" and "A Square
Deal." "Every customer," says Mr. Gannon, "is
entitled to a square deal. No salesman can af-
ford to give his customer less. The salesman
who resorts to misrepresentation or impossible
promises to effect a sate is hurting no one so
much as himself, and soon destroys his value as
a salesman.
"Whatever may be said of other player-pianos
at least this may be said of the Autopiano, that
there is so much that can conscientiously be said
in its favor that there is no excuse for ever mak-
ing one misrepresentation about it."
Excerpts from Mr. Gannon's booklet will be
published in the Salesmanship Department qjf
The Review next month.
"
-— •-'-•-••• -•'
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE MANY ADVANTAGES OF GUARANTEED PLAYER-PIANOS
A Timely Presentation of the Benefits to Be Obtained From Handling Players That Are Guar-
anteed, Written by J. A. LeCato, and Published in the Standard Player Monthly
[The following article on guaranteeing players, reprinted
from the November issue of the Standard Player Monthly,
is the last contribution from the pen of J. A. LeCato, whose
death was reported last week. The idea advanced therein
is entirely sound, and though written with specific refer-
ence to the Standard player action, the idea of guarantee-
ing a player, and of making a player that can be guaran-
teed, is worth the serious attention of all those interested
in the progress of the player-piano. The article shows Mr.
LeCato's keen understanding of the problems existing in
the player field to-day, and indicates the deep interest he
had in the advancement of the player-piano as a musical
instrument of worth and service.—Ed.]
The National Association of Piano Tuners has
suggested that player-piano manufacturers of
the United States agree on a standard form of
warranty and has compiled such a warranty for
the consideration of the industry. This form
of warranty leaves the time to the option of the
maker and makes the entire guarantee condi-
tional upon the owner of the instrument securing
the services of a competent tuner and repair-
man at least twice a year. In other words, if
the owner of the player-piano does not engage
the services of a competent tuner and repair-
man at regular intervals the warranty will in
effect be null and void.
Of course, the responsibilities that the manu-
facturer of a player-piano incurs when he guar-
antees the instrument depend almost entirely
upon the character of the player action within.
And, of course, the dealer, being the one who
most directly incurs the displeasure of the cus-
.tomer in case of dissatisfaction, assumes his
share of the responsibility for the player ac-
tion.
While it is entirely unreasonable to assume
that any mechanism with movable parts subject
to friction will remain perfect indefinitely with-
out attention, yet we are square up against the
fact that people will neglect to obtain the serv-
With the Dawning
of a Brighter Day
and the opening of an era of unparalleled
economic expansion and prosperity, the
makers of the
M. Schulz Company
Player-Piano
rendering the due measure of thankfulness
and gratitude, face gladly and cheerfully
the great and worth-while task of taking
their share in the coming re-adjustment to
new conditions.
The demand for our Player-Pianos, for
some time beyond our capacity to fill, may
now soon be satisfied to an extent which
will please our large and ever-growing
• family of SCHULZ representatives.
If you want to have something "extra good"
for the 1919 demand, write to-day to
NOVEMBER 30, 1918
ices of an expert tuner and repairman at reg-
ular intervals and there probably will be a cer-
tain number of people who always will neglect
to do so. Therefore, while manufacturers, deal-
ers and tuners are perfectly justified in going to
almost any length to persuade people to keep
their instruments in tune and repair, we must
not attempt to avoid responsibility for imperfec-
tions if they do not give their instruments proper
attention.
An inherent defect in principle or construction
probably will show itself even though an expert
repairman does go over the player twice a year,
so that we must not confuse fundamental de-
fects with a certain natural deterioration that
may come from neglect. In other words, the
responsibility for the durability of the player
action must always rest squarely upon the manu-
facturer thereof and not upon the owner or the
tuner or the dealer.
We know of no other article manufactured of
a multiplicity of parts, many of which move
when the device is operated, that is guaranteed
so broadly and unconditionally as is the Stand-
ard player action. Yet this guarantee does not
assure that a player-piano containing the Stand-
ard action will always play at its highest stand-
ard of efficiency if neglected. In the first place,
the piano will get out of tune and the piano ac-
tion out of regulation. Those two factors alone
are sufficient to vastly reduce the efficiency of
the whole. And then the player action itself
requires some attention, such as lubrication and
occasional adjustments.
This is no reflection
upon the quality of the piano or the player
mechanism, any more than it is a reflection upon
the quality of a watch that it requires cleaning
at certain intervals.
A guarantee means just what it says and no
more.
Its language should be easily under-
stood by anyone with an adult mind, yet it is
undoubtedly true that some owners of pianos,
player-pianos, or watches, miscontrue the guar-
antee and expect it to include the few simple
attentions that all these articles must have if
they are to give efficient service.
Therefore,
if the warranty proposed by the tuners' asso-
ciation brings to people a realization that they
should obtain the services of an expert twice a
year, to care for their player, its adoption would
be well worth while. It would be most valu-
able, however, in serving to keep the instru-
ments in playable condition so that the owners
may obtain from them a full measure of pleas-
ure in the ownership. Certainly, a half million
player-pianos maintained in a high state of ef-
ficiency all the time would be of great value
to the player industry as compared to the same
number neglected to the point that they are not
mediums for the production of good music.
The Standard player action is already covered
by a guarantee so broad and unconditional as
to relieve its users of the necessity of giving
much consideration to the question.
But we
are heartily in favor of any proposition that will
serve to keep all player-pianos in better condi-
tion and will encourage people to keep their
instruments in tune so that they may always find
• them paying good returns in pleasure on the in-
vestment. Every piano should be tuned twice
a year and every player action should be exam-
ined by an expert at the same time that the
piano is tuned. But no amount of tinkering on
the part of a repairman can make a good player
action out of a poor one. On the other hand,
a good action will require very little attention.
G. H. DAVIS WRITES SONG
M. SCHULZ COMPANY
More Than 135,000 Instruments
General Offices
Established 1869
- !?,-.*-»-;*. : „
5d,^ B*,**.
3 Factories in
711 Milwaukee Are.
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CHICAGO
LH1LAUU
Produced
Southern Wholesale Branch
ATLANTA. GA.
G. Howlett Davis, president of the Standard
Music Roll Co., of Orange, N. J., has taken on
an entirely new role, that of song writer and
composer. The December bulletin of Arto and
SingA rolls contains a recording of Mr. Davis'
new song, "Now That the War Is Over," which
is written in the form of a toast, and is along
timely and patriotic lines. The music is ex-
cellent, and the song, both as an instrumental
number and as a vocal selection, should find
wide popularity.

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