Music Trade Review

Issue: 1918 Vol. 67 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
OCTOBER 19. 1918
IS A DRUMMER A MUSICIAN?
MUSIC T R A D E
REVIEW
COLD INJURIOUS TO VIOLINS
Correspondent Raises the Question, After
Watching Some Jazz Enthusiast Play Seven
Instruments While Standing on His Head
Dealers in Violins Should Instruct Their Cus-
tomers Concerning the Care of Their Instru-
ments During the Winter Months
A correspondent, in whose soul there evident-
ly is no love for the tintinnabulating tinkles of
the jazz drummer, writes to the editor of Jacobs'
Orchestra Monthly, complaining that the drum-
mer is no longer a musician, and says:
"Times have # changed. The musician drum-
mer seems to have degenerated, and the call
now is for a jazz man who is proficient in the
playing of tuned cow bells and crash cymbals.
He must also be a good contortionist, be able to
make funny faces, have seven or eight wood
blocks of different sizes, a tom-tom or two, fry-
ing pan, siren whistle, squawk can, tin rattle (tin
Lizzie—to carry the junk to and from the job—
he could not carry it on his back, for it weighs
about two hundred pounds), xylophone and bells.
Oh yes, he must also bring along his drums so
that when he has mauled everything else it may
be possible for him to hit his drums a couple
of times, more or less as a novelty.
"His visiting card, which used to read:
Violin dealers naturally take care that climatic
influences do not impair their stock, but this
precaution, while necessary, does not extend far
enough. Many times a customer will purchase
a violin, and then subject it to climatic condi-
tions which influence its tone, and instead of
blaming the weather will lay the blame on the
instrument itself, and consequently on the dealer
for selling inferior goods.
Therefore, it is
wise for the dealer in musical instruments to
give a few simple hints to his customers con-
cerning the care of their instruments during the
winter months. Violins are susceptible to cold,
and though cold is not as injurious to a violin
as damp, still it should be avoided. It does not
affect the violin materially as does clamp, but
it does have a bad influence on tone. Chilled
fibers like chilled fingers refuse to work. Many
violinists playing art concerts in the wintertime
go very early in order to get their fiddles
warmed up before it is time to go on the plat-
form.
"I once had the necessity for keeping a violin
warm brought home to me in a very forcible
manner," said a prominent musician. "I was
giving a lecture on violins, and had all my speci-
mens laid open on a table on the platform so
they would be right at hand for the various il-
lustrations. They had all been brought to the
hall in warm cases, the room in which I tuned
them was comfortably heated so I thought all
was well. But, owing' to some break in the
heating system, the hall itself was extremely
cold. My first illustration, an unusually sweet
and mellow fiddle, sounded unpleasantly thin
and unsympathetic. Since then I always keep
them shut up in their cases until the time comes
to play on them, unless it is in the summer."
JOHN JONES
Trap Drummer, Bells and Xylophone
now contains his name in one corner and little
pictures of every known freak piece of hardware
that will produce a tone when struck with bell
hammer, drum stick or axe, and 'JAZ JAZ JAZ
T H E DELIRIUM TREMENS O F SYNCO-
PATION' (or something like that) written in
big letters in the center of the card.
"His fingers, formerly cigarette stained, now
exhibit only calluses acquired by twirling his
sticks in the air (sometimes he catches them
when they come down). His counter hoops are
worn down to the level of the drum head from
stick playing and his pair of sticks last about
one job per pair under the terrific bombardment
with which he assaults his not long but short
suffering traps (they don't last under the strain
long enough to be called long suffering)."
The above description is a little hard on the
jazz drummer, who certainly earns his living by
the sweat of his brow. Drummers are musi-
cians, even though they may have to take a
course in contortionalistic movements to qualify
for some of the wilder forms of jazz and blues,
and a study of drum parts, even in jazz music,
will prove that the drummer must do his work
in as musicianly a manner as does any other-
member of the orchestra.
The Kaiser has not invested in W a r Savings
Stamps. Are you like the Kaiser?
PROFESSIONAL UKULELE SHOWN
An interesting exhibit of the Ditson "Ha-
waiian Professional" ukulele occupies the center
of the Ditson windows at 8 East Thirty-fourth
street. The various parts and progressive con-
struction of this popular instrument are shown.
JOHNFRIEDRICH&BRO.
, *
I WILL BUY
FOR CASH
Sheet Music and Small Goods
Peate's Music House,
OLIVER DITSON GO.
BOSTON, MASS.
Utica, N. Y.
RUWQ
THE OLDEST AND
LARGEST MUSICAL
MERCHANDISE HOUSE
INAMERICA
Exclusively Wholesale
FINE PIECE OF VIOLIN REPAIRING
John Friedrich Restores Badly Damaged Strad
to Original Playing Condition
The daily press some months ago carried news
concerning the destruction in an automobile ac-
cident of a fine Stradivarius violin owned by
the noted American violinist, David Hochstein.
Before going "over there" he collected insurance
on the violin intending to purchase another upon
his return to this country.
Ernest N. Doring, Jr., secretary and treasurer
of John Friedrich & Bro., dealers in old and
modern violins at 279 Fifth avenue, reports that
the violin came into their possession in its
broken condition. A beautiful piece of repair
work was done by John Friedrich, reputed as
one of the foremost violin makers of the present
day, which restored the instrument to its orig-
inal condition.
Critics who have played this Slrad since its
overhauling have attested that the instrument
is in equal, if not in better, condition than pre-
vious to the accident.
The violin is dated 1715, and was purchased
for Mr. Hochstein in Boston. To Boston the
violin has again gone, and is now the prized
possession of one who recognizes and appre-
ciates its beauty and tone.
IN JAIL, BUT PATRIOTIC
That the spirit of sacrifice inspired by the war
has penetrated into the prisons has been shown
a number of times by the subscriptions made
by prisoners to the Red Cross, the Liberty Loan
and Thrift Stamp Fund. New evidence conies
in a letter from an inmate of Sing Sing to the
Lower Wall Street Business Men's Association,
which is raising money to buy musical instru-
ments for the navy. The letter follows:
"Gentlemen—I noticed an article in The Eve-
ning Sun of the 28th inst. to the effect that you
were seeking donations of musical instruments
for the navy boys.
"I have an almost new banjo-mandolin with
a good case, which 1 will be glad to send you.
"The address is the State Prison at Ossining,
and I would ask you not to use my name. If
you want this instrument you may have it. I
would be very glad to know it was giving pleas-
ure to some fine lad in the United States serv-
ice,
t await your pleasure."
DURRO
AND
STEWART
Largest Wholesale
Musical Merchandise
House in America
Buegeleisen & Jacobson
Manufacturer*
Importer* and Jobbers ol
MUSICAL
MERCHANDISE
Attractive Specialties
Modern Service
ESTABLISHED ISM
Manufac-
turers of
ESTABLISHED 1034
Superior Quality MUSICAL INSTRUMENTS
Victor Distributer*
Victor Distributors
47
1108 Cheitnut Street, Philadelphia, Pa.
Established ovar half a cantury
113 University Place
NEW YORK
Black Diamond
Strings
THE WORLD'S BEST
National Musical String Co.
Nev Brunswick, N. J.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
48
THE MUSIC TRADE REVIEW
OCTOBER 19,
1918
CONDUCTED BY B. B. WILSON
JAMES E. DEMPSEY PASSES AWAY
Weil-Known Lyric Writer a Victim of Influenza
at His Home in Philadelphia
KLAW & ERLANGER'S PRODUCTI ON OF THE NEW MUSICAL PLAY
THE GIRL BEH HND THE GUN
James K. Dempsey, one of the best-known
and most successful of the popular song writers,
and who was particularly active in that field
some years ago, died at his home in Philadel-
phia on October 9, a victim of Spanish in-
fluenza. Mr. .Dempsey was about forty years
old and a native of Philadelphia. In his early
days he traveled with Dumont's Minstrels for
over twelve years, and then joined the staff of
Jerome H. Remick & Co., the publishers, where
he remained for three years as a lyric writer.
Songs for which he supplied lyrics included
Johann C. Schmid's big hit, "Garden of Roses,"
and such numbers as "The Hour That Gave Me
You," "Roses Remind Me of Someone," "There's
No Girl Like Your Old Girl," "Moonlight in
Jungle Land," "Missing" and "Ashes of Love."
His later songs include "Germany Will Soon Be
No Man's Land," "A Soldier's Rosary," "My
Rose of Waikiki" and "The Greatest Day the
World Will Ever Know."
PUBLISHERS CONSIDERING FORMATION OF ORGANIZATION
McCORMACK SINGING DITSON SONG
Initial Meeting Held Last Week to Discuss Proposed Plan for Organizing a National Association
of Music Publishers to Be Affiliated With the Music Industries Chamber of Commerce
John McCormack sang the new Ditson patri-
otic number, "When Pershing's Men Come
Marching Into Picardy," before the President at
the Metropolitan Opera House on September
28. Since that time he also used it as an en-
core number in one of his Sunday Hippodrome
concerts. Dana Burnet and James H. Rogers
are the authors.
FEIST SECURES RIGHTS TO POEM
Leo Feist, Inc., early last week received by
cable the American rights to the poem "When
I Come Home," which is being used extensively
in the Fourth Liberty Loan drive. The poem
was written by Leslie Coulson (killed in action
October 7, 1916). Leo Feist, Inc., are having
it set to music, and it will be issued at once.
Greatest Song We Ever Published!
IT WILL LIVE LONG AFTER THIS
BIG WAR IS OVER
Original "SUNSHINE" Song
AND BEHIND YOU THE SHADOWS WILL FALL
SONG
• LYRIC BY
PAUL B ARMSTRONG
^
«+* ^
MUSIC BY
E HENRI KLICKMANN
PRICE 6O CENTS
FRANK K. ROOT &O?
M C KINLEY MU5IC CO.OWNERS
CHICAGO
A l b e r t * Sun. Au5l.,il,r
Introductory
NEW YORK
i A,,r ntv by Jlicy. Austrnli.i.
7 Cents
BLACK AND WHITE COVER SELLS
READILY FOR 25 CENTS
McKinley Music Co.
NewYork
Book and Lyrics by GUY BOLTON and P. G. W ODEHOUSE
THERE'S A LIGHT IN YOUR EYES .60
(Waltz Song)
SOME DAY WAITING WILL END
Back to the Dear Old Trenches .
I Like It
Women Have No Mercy on the Men
Vocal Score .
.
.
$2.00
Waltz
.
.60
.
.60
60
.60
.
.
.
.60
Music by IVAN CARYLL
THE GIRL BEHIND THE MAN BE-
HIND THE GUN
60
THERE'S LIFE IN THE OLD DOG
YET
60
A Happy Family
I've A System
Oh! How Warm it is Today .
Selection .
.
.
CHAPPELL & CO., Ltd., 41 East 34th St., New York
LONDON
.
$1.00
.
Fox-Trot
60
60
.60
.
.
.
.60
347 Yonge St., Toronto
MELBOURNE
The Lyrics ire published b y special arrangement with
T. B. HARMS and FRANCIS. DAY & HUNTER. NEW YORK
Copyright MCMXV1I by Chapp fll Sc Co., Ltd. All Rights Reserved
Local music publishers to the number of a
score or more gathered in the offices of the
Music Industries Chamber of Commerce at 105
West Fortieth street, on Friday morning of
last week, for the purpose of considering the or-
ganizing of a National Association of Music
Publishers, with the idea of affiliating with the
Chamber of Commerce.
Unfortunately the plan as set forth by its
promoter appeared so complicated and unintel-
ligible to the publishers that it was only after
lengthy discussion that they were able to grasp
the fundamental idea, which delayed things to
such an extent that no organization could be
formed at the first meeting.
The plan for the organization as outlined
will be rewritten in simplified terms and copies
sent to music publishers in general that they
may study it and thus be ready to render a de-
cision at another meeting to be held within a
month or so, after the present epidemic of in-
fluenza, which was responsible in a measure for
keeping some publishers away, has passed.
It was pointed out that with a national or-
ganization taking in all members of the trade,
the publishers could appoint and maintain com-
mittees to handle questions of copyright, music
sizes, curtailments, legislation and the other
problems of the business, with a minimum of
friction and that through membership in the
Chamber of Commerce publishers would also
take up directly with music roll manufacturers
and others questions interesting two or more
factions of the industry. The suggestion was
also made that through a centralized jobbing
organization the publishers could handle their
distribution more satisfactorily than under the
present jobbing system.
Considerable discussion resolved around the
question as to what would become of the now
existing organizations in the trade, such as the
Music Publishers' Protective Association, the
Music Publishers' Association of the United
States, and the American Society of Authors,
Composers and Publishers in their relations with
any proposed organization taking in as mem-
bers the same people.
Although the publishers present appeared to
be in favor of the idea of a National Association
affiliated with the Chamber of Commerce, and
others had written in support of the plan, there
were a great many details that did not appear
clear to those at the meeting.
George Fischer, of J. Fischer & Bro.; Charles
K. Harris, Edward B. Marks, of Joseph W.
Stern & Co., and H. W. Gray, of the H. W.
Gray Co., were selected as a committee to
get in touch with local publishers, explain the
organization plan, and persuade them to at-
tend the next meeting for the purpose of form-
ing an association. Clarence A. Woodman, of
the Oliver Ditson Co., Boston, was deputized
to interview the Boston trade on the question.
Those present at the meeting included Harry
Von Tilzer, of the Harry Von Tilzer Music Co.;
Ted Barron, of the Metropolis Music Co.;
Charles K. Harris, E. 13. Marks, Joseph W.
Stern & Co.; H. W. Gray, of the H. W. Gray
Co.; J. N. Priaulx, of Charles H. Ditson & Co.;
Sol. Bornstein, Broadway Music Corp.; Max
Dreyfus, T. B. Harms, Francis, Day & Hunter;
E. T. Paull; George Fischer, of J. Fischer &
Bro.; Louis Bernstein, of Shapiro, Bernstein &
Co.; H. H. Gordon, Estate of Hamilton S. Gor-
don; Fred Kraft, of the Schuberth Music Co.;
Harold Flammer, Isidor Witmark, M. Witmark
& Sons, and William LaVar, of Howard & La-
Var.
J
E
R
O
M
E
H
q
.Sensational Son^ Hit
SONGS
•SMILES"
•I LOVE YOU MORE FOR LOSING
YOU A WHILE"
•WHEN WE MEET IN THE SWEET BYE
AND BYE"
•WE'LL. BUILD A RAINBOW IN THE
SKY"
•THERE'S A LUMP OF SUGAR DOWN
IN DIXIE"
•SWEET LITTLE BUTTERCUP"
•ON THE ROAD TO HOME SWEET
HOME"
•YOU'RE IN STYLE WHEN YOU'RE
WEARING A SMILE"
•MANDY AND ME"
•WHEN WE WENT TO SUNDAY
SCHOOL"
•RAGTIME MOSE'S BOMBOSHAY"
•MY GIRL FROM THE SOUTHLAND"
"BLUEBIRD"
"N* EVERYTHING"
JEROME H. REMICK & CO.
T.DE w l t a m

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