Music Trade Review

Issue: 1918 Vol. 67 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
The World Renowned
SOHMER
REVIEW
T H E QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to-day.
SEPTEMBER 14, 1918
BAUER
Sohmer & Co., 315 Fifth Ave., N. Y.
MANUFACTURERS* HEADQUARTERS
T h e Peerless L e a d e r
3O5 South Wabash Avenue
CHICAGO
The Quality Goes in Before the Name Goes On
GEO. P. BENT COMPANY, Chicago
CHICAGO
Bldg.
\ HARDMAN, PECK & CO. /Founded\
( 1842 / Republic
NEW
433 Fifth Ave
SING THEIR
OWN PRAISE
Manufacturers of the
Straube Piano Co.
HARDMAN PIANO
Factory and Offices: HAMMOND, IND.
Display Rooms: 209 S. State St., CHICAGO
T h e Official Piano of the Metropolitan Opera Co.
Owning and Operating the Autotone Co., makers of the Owning and Operating E. G. Harrington & Co., Est. 1871, makers of the
HARRINGTON PIANO
The Hardman Autotone
The Standard Player-Piano
^"Preme Among Moderately Priced Instruments)
The Autotone The Playotone The Harrington Autotone The Hensel Piano
The Standard Piano
MEHLIN
"A LEADER
AMONG
LEADERS' 1
PAUL Q. MEHLIN & SONS
VOSE PIANOS
BOSTON
They have a reputation of over
FIFTY YEARS
for superiority in those qualities which
are most essential in a First-class Piano
VOSE & SONS PIANO CO
BOSTON, MASS.
FaotorUs i
Broadway from 20th to 21st Streets
WEST NEW YORK, N. J.
} Main Olllce and Warerooas:
1 East 43rd Street. NEW YORK
BJUR BROS. CO.
QUALM SALES
developed through active and con-
sistent promotion of
Makers of
BUSH & LANE
Pianos and Player-Pianos of Quality
Pianos and Cecilians
705-717 Whltlock Avenue, New York
insure that lasting friendship between
dealer and customer which results in
a constantly increasing prestige for
Bush & Lane representatives.
US T \ « L l S H IS D 1H H 7
KINDLER & COLLINS
524 WEST 48th STREET, NEW YORK
HALLET & DAVIS
PIANOS
and
PLAYER
PIANOS
BUSH & LANE PIANO COMPANY
HOLLAND, MICH.
"&verythmcfJ{how» inJKusJc
PIANOS
Boston.
Mass.
Endorsed by leading artists more than three-quarters of a century
A. B. CHASE PIANOS
In t to nuke up an artistic instrument, there are none superior.
Factory and Principal Office: NOR WALK, OHIO
CHICAGO
jbritttest Catalogs.
Known the World Over
HADDORFF
CLARENDON PIANOS
Novel and artistic case
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Manufactured by the
HADDORFF PIANOCO.
Rock ford, - Illinois
R. S. HOWARD CO.
PIANOS ana
PLAYERS
Wonderful Tone Quality—Best
Materials and Workmanship
Main Offices
Scribner BaOding, 5 9 7 Fifth Ave., N. Y. City
Writ* B« for Catalogues
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REVIEW
THE
VOL. LXVII. No. 11
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York.
Piano Prices
Sept. 14, 1918
gle Copies 10 Cents
$2.00 Per Year
Water Mark
P
IAXO merchants who contemplate placing orders with the factories for new stock within the next
few months must he prepared to pay much higher prices for their instruments, for to accept the
statements of those actually making pianos, new instruments for the next six months are not only
going" to he scarce, hut are going to he offered at the highest wholesale prices in the history of the trade.
Fortunate indeed is the merchant who, heeding the advice to order early and liberally, has now sufficient stock
to take care of his requirements until the first of the year. He is going to save a large amount of money.
There will he some piano merchants who will raise the cry of profiteering, and in fact piano merchants
have already been quoted as saying that certain manufacturers have been endeavoring to gouge the dealers.
But cold, hard facts face the manufacturers and force them to demand prices for their products that will
at least enable them to keep their businesses on a safe footing.
It has already been announced in The Review that the War Industries Board has allotted to the piano
trade for the coming six months an amount of steel and iron approximately one-third of the amount of those
metals used during the corresponding period of 1916-K) 17. when it was estimated that pianos and players were
being manufactured at the rate of 350,000 a year. In other words, a retail trade that has absorbed in
normal times before the war something between 150,000 and 175,000 pianos—some say 200,000—during the
period from September 1 to March 1, which includes the holiday season, must now limit itself to an output of
between 55,000 and 60,000 pianos and players.
The manufacturer has a definite overhead. He has an organization that he is endeavoring to keep in
workable shape, not only for the present but for the reconstruction period after the war. That overhead
goes on whether he makes one or a thousand pianos, and its cost must be divided proportionately so that each
instrument leaving the factory carries its share. That is one reason for higher prices.
Both the steel and labor curtailment have had, and will have, a serious effect on piano production, and the
labor question is going to grow worse when the new draft law gets into operation. Not only are factory forces
greatly reduced, but those employes who remain are constantly demanding increased wages to enable them to
keep step with the mounting cost of living. Manufacturers have no recourse but to meet these demands for
higher wages, for otherwise the men are going to seek employment in plants handling war contracts, where
wages have reached a point that the piano man cannot meet and stay in business. In addition to this the
materials, besides the iron and steel, entering into pianos, including lumber, brass, felt, varnish and other
finishing materials, etc., have increased from 100 per cent, to 500 per cent, or more. These percentages are
not simply estimates, but are open to the investigation of anyone who cares to look into them.
On top of all these manufacturing costs and problems tending towards higher production costs comes the
new Revenue bill, which in its present form places a tax of TO per cent, not only on piano players, which were
already subjected to a tax of 3 per cent, in the old bill, but on pianos and organs. This tax may perhaps be
reduced during the hearings before the Senate Finance Committee, but there is no question but that the excise
tax on musical instruments is going to be higher than in the last bill. The tax will be levied on the
manufacturer's price, and will be added to the wholesale cost of instruments. Those retailers who would fain
raise the cry of ''wolf," perhaps sarcastically, will bear in mind that some piano manufacturers have already
announced, or are prepared to announce, substantial increases in their entire range of wholesale prices, while
the more cautious of the manufacturers, who seemingly are in the majority, have simply withdrawn wholesale
price lists entirely, and are offering individual quotations on individual orders. In other words, they are
basing their prices on conditions as they exist at the time the order is received, and the upward trend will be
steady and constant, until the reaction comes.
(Continued on page 5)

Download Page 2: PDF File | Image

Download Page 3 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.