Music Trade Review

Issue: 1918 Vol. 66 N. 6

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
VOL. LXVI. No. 6
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York.
Feb. 9, 1918
Single Copies 10 Cents
$3.00 Per Year
War as a Stimulator of Factory Efficiency
W
AR is an evil of appalling magnitude. But, like all human evils, it is relative, not absolute. We
are learning that war may be relatively more righteous than peace. We are also learning that war
causes a searching out of human methods, a dividing between the bones and marrow, as it were,
which may be in the highest degree healthful and stimulating.
When a great and overwhelming necessity commands, it is surprising how tradition, custom and prejudice
vanish; m
When we are up against the real thing, in a word, we find ourselves scrapping cherished notions and
adopting in their places others which we should have called madly revolutionary a few months ago.
We in the piano business are no worse than other business men in respect of acuteness. But our tendency
is the tendency of every organization; the tendency to solidify in some places, to get accustomed to accepting
conditions without question, to believe that we cannot make improvements where improvements are radically
needed.
This war is showing us that, as we change the conditions surrounding us, or as these are changed by the
force of circumstances, possibilities we never dreamed of before are first conceived, then timidly tried, then
triumphantly put into general practice.
The silver lining to our war cloud is found in this; that piano manufacturers are being forced to learn
economies, efficiencies and refinements that have hitherto escaped with scant notice or have been dismissed
without trial because they have seemed to be too much out of joint with tried methods.
To every slightest extent that the conditions imposed by transportation, fuel and supply difficulties, cause
us to make trial of new and more efficient methods, does the war become no more or less than a boon to us.
Much has been said in the past about "efficiency engineering" and much justifiable fun has been poked
at the superficial persons who have, with more zeal than knowledge, rushed in where tried business men have
feared to tread. But when costs are rising, supplies becoming scarcer and the necessity presses for larger
output to care for increasing retail demand, it is plain that old ways will no longer work. Putting on overtime
here, or taking little more space there, will not do in times like these. Yet we are faced with the fact that
we must get more this year out of our present plants than ever we have got before.
*
That is why we are simply compelled, no matter how reluctantly, to bring ourselves up to date, make
ourselves efficient, re-organize and clarify our manufacturing methods. The war is making us do it. The
war is making us, sometimes much against our wills, better manufacturers and better business men.
Suppose the problem of increasing output in a given plant is being considered during this present time.
It is certain that the manufacturer concerned will be forced to give attention and careful consideration to
schemes which in earlier days he would have ridiculed. If labor is short, as it undoubtedly is in many branches
of piano making, then methods of manufacture must be changed. Machinery can be substituted, branches can
be re-divided, labor saved in one department for use in another; all these things can be worked out; when
necessity inspires the will.
Will a reorganization of departments eliminate certain wastes caused by re-handling during the progress
of work? Then let the old system be dropped, and the new one adopted in its place.
Does the Government offer a contract to turn out some part of an airplane? The contract looks good
and the profit is tempting. The factory can do the work. But, when the war is over, what about business then ?
Will that factory be able to get back prestige sacrificed or diminished by a suspension of piano making
wholly or in part?
The answer is simple: The factory must not stop piano making or even cut down its output.
(Continued on page 5)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
REVILW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President, C. L. Bill, 373 Fourth Ave., New York; Vice-President, T. B. Spillane,
373 Fourth Ave., New York; Second Vice-President, J. Raymond Bill, 373 Fourth Ave.,
New York; Secretary and Treasurer, August J. Timpe, 373 Fourth Ave., New York.
J. B. SPILLANE, Editor
J. RAYMOND BILL, Associate Editor
AUGUST J. TIMPE
Business Manager
Executive and Reportorlal Stall:
B. BRITTAIM WILSON, CAILBTON CRACB, L. M. ROBINSON, WILSON D. BUSH, V. D. WALSH,
W M . BBAID W H I T E (Technical Editor), E. B. MUNCH, A. J. NICXLIN, L. E. B o w n s
BOSTON OFFICE:
CHICAGO O F F I C E :
J O I N H. WILSON, 324 Washington St. E. P. VAN HA*LINGEN, Republic Building.
Telephone, Main 6950.
209 So. State St. Telephone, Wabash 5774.
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LOCATED I N T H E LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 373 Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
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REMITTANCES, in other than currency forms, should be made payable to Edward
Lyman BiH, Inc.
Departments conducted by an expert wherein all ques
tions of a technical nature relating to the tuning,
regulating and repairing of pianos and player-pianos
p
a r e dealt with, will be found in another section of
this paper. We also publish a number of reliable technical works, information concern-
ing which will be cheerfully given upon request
amil
allU
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900 Silver Medal. .Charleston Exposition, 1902
Diploma.. .Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal. .Lewis-Clark Exposition, 1905
LONG DISTANCE TELEPHONES—NUMBERS 5982—5985 MADISON SQ.
Connecting; all Departments
Cable address: "Elblll, New York."
NEW Y O R K ,
FEBRUARY
9, 1918
EDITORIAL
WO piano merchants from St. Louis, one from Milwaukee,
one from Richmond, Va., and another from New Hampshire,
were among those who attended the midwinter meeting of the
Board of Control of the National Association of Piano Merchants
last week. Under present conditions of travel, it meant that to
attend that one-day session these men had to take from three
days to a week from their business and make considerable per-
sonal sacrifice. This fact should stimulate interest on the part
of other merchants in association work.
Surely no piano man can deny that through the association,
in co-operation with other trade organizations, work has been
accomplished that has meant a tangible saving of a large amount
of real money for every piano man in the country, and indirectly
the protection of his interests in the present fuel crisis; but the
fact that busy men will leave their business and journey thou-
sands of miles to attend a trade conference for the sake of the
association and the trade as a whole should be accepted as final
proof of the value of association membership. The type of men
who are active in association work to-day do not waste their time.
When they give up several days taken from their business they
must, and do, see some return for it.
T
The Review last week John R. Deike, a piano tuner of wide
I to N experience,
made the interesting claim that through the failure
recognize the importance of piano tuning many merchants
permitted their stock of high-grade instruments to fall into a con-
dition where even to the practiced ear there was no distinction
between the tone of the really good instrument and that of its
cheaper counterpart. In other words, the opportunity to impress
the prospect with the superior qualities of the better instrument
was ignored, and that fact is largely responsible for the many
sales of cheaper pianos, as the prospect cannot see why $100 or
more extra should be paid for an instrument where there is no
apparent superiority in tone.
FEBRUARY 9, 1918
Many dealers have been prone to regard the protest of the
tuner as simply a means to gain a selfish end, but if, as Mr. Deike
points out, this neglect of the tuner and of tuning is responsible
for the loss of many sales of high class instruments, then it is time
to regard the tuning question with more seriousness.
Merchants in every line of trade regard it as the first rule
of business to see that their goods are in first-class shape. An
automobile demonstrator would not think of taking a prospective
customer on a trial run in a car in which half the cylinders were
missing fire. Me would see to it that the repair man removed the
fault before it "queered" the sale. Why, therefore, should the
piawo merchant offer to his prospect a high-class piano out of tune-
and risk the sale for the sake of saving a couple of dollars in
tuning expense? It is holding no brief for the tuner to say that
neglect of this sort is false economy and bad business.
T
HE announcement made during the course of the executive
meetings of the National Piano Manufacturers' and Piano
Merchants' Associations last week to the effect that arrangements
had been made to utilize the door receipts of the coming National
Music Show for the purchase of musical instruments for the sol-
diers and sailors is a step in the right direction, and one to be
commended and endorsed by the trade as a w r hole.
It is, of course, a patriotic thing to do, but there is also a
psychological effect that will do no harm to the cause of the
industry as a whole. These are times when anything that will
aid in placing the music industry in a favorable light before the
Government and the public, and keep it there, is worthy of more
than casual interest and support. The fact that the gate receipts
of the National Music wShow will go to provide entertainment for
the boys in the service will mean a much larger attendance and
a larger volume of press matter in the daily papers, provided the
publicity department is handled in a proper manner.
It will not do for the manufacturers to make this sacrifice
and then have the effect spoiled by having their action regarded
as so much advertising. It is a patriotic move but can be made
to react directly to the benefit of the trade, while still accomplish-
ing its worthy object.
point to the fact that manufacturers in all
A LL lines indications
of trade, if they contemplate financing their business
through the banks, will be forced to adopt the trade acceptance
in some measure at least in the conduct of their business.
The trade acceptance has been strongly advocated for sev-
eral years in the piano trade, but to-day has not been generally
adopted, though some few manufacturers use that system in
certain cases.
At a recent dinner of the New York Piano Merchants' Asso-
ciation, C. W. H. Koelsch, vice-president of the Bank of the
United States, warned the piano men that the open account and
the one name paper must soon go by the board, as a result of
the present financial situation of the country and the control over
banks and business exercised by the Federal Reserve Board.
Now the American Trade Acceptance Council plans to
hasten the adoption of the trade acceptances by having the
War Credits Board refuse advances to manufacturers doing
Government work unless the applicant has availed himself of
his own credit by resorting to the trade acceptance in purchasing
raw materials.
From the credit men's viewpoint these are strenuous days,
and the piano man might do well to give the question of trade
acceptances some genuine thought as a matter of protection,
whether or not he should plan to adopt that system in the near
future. Leading trade associations in the United States are on
record as approving the trade acceptance.
strong stand taken by the Federal Reserve Board against
T HE
the rediscounting of notes, in its annual report, cannot but
prove of interest to the piano trade as a whole.
The Board holds that the discounting of paper which is
based upon an agreement for repeated renewals is contrary to
sound banking practice, and announces that it will direct its
efforts towards eliminating that evil as far as possible.
A great many piano manufacturers have had all too much
experience with the type of merchant who makes a practice of
renewing his notes time after time. It may be said that the

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