Music Trade Review

Issue: 1917 Vol. 65 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
T 1 H E QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to-day.
The World Renowned
SOHMER
Sohmer & Co., 315 Fifth Ave. y N. Y.
BAUER
PIANOS
MANUFACTURERS' HEADQUARTERS
The Peerless Leader
305 South Wabash Avenue
CHICAGO
The Quality Goes in Before the Name Goes On
GEO. P. BENT COMPANY, Chicago
£SiS. A .£2
i HARDMAN, PECK
NEW
433 Fifth Ave
SING THEIR
OWN PRAISE
Manufacturers of the
Straube Piano Co.
HARDMAN PIANO
Factory and Offices: HAMMOND, IND.
Display Rooms: 209 S. State St., CHICAGO
The Official Piano of the Metropolitan Opera Co.
Owning and Operating the Autotone Co.. makers of the
Owning and Operating E. G. Harrington & Co., Est. 1871, makers of the
AUTOTONE (KS£S=J)
HARRINGTON PIANO
The Hardman Autotone
The Autotone The Playotone
The Harrington Autotone
The Standard Player-Piano
{Supreme A mong Moderately Priced Instruments')
The Hensel Piano
The Standard Piano
"A LEADER
AMONG
LEADERS"
MEHLIN
PAUL Q. MEHLIN & SONS
Faotorlaa 1
Broadway from 20th to 21st Streets
WEST NEW YORK, N. J.
Main Office and Wareroom:
1 East 43rd Street, NEW YORK
JAMES (EL HOLMSTROM
SHALL GRANDS
PLAYER PIANOS KEY-BOARD PIANOS
Eminmnt as an art product for over SO years.
Office: 23 E. 14th St., N. T. Factory: 305 to 323 E. 132d St., N. T.
Some of the best-posted piano men have learned of the money-making powers of the
DOLL & SONS
They are attractively created.
Be one of the wise dealers and investigate them.
JACOB DOLL & SONS, Inc., 98 lo 1W
HALLET & DAVIS
Endorsed
by leading
A .
FIFTY YEARS
for superiority in those qualities which
are most essential in a FirBt-class Piano
VOSE & SONS PIANO CO
BOSTON, MASS.
QUALITY SALES
developed through active and con-
sistent promotion of
BUSH & LANE
insure that lasting friendship between
dealer and customer which results in
a constantly increasing prestige for
Bush & Lane representatives.
BUSH & LANE PIANO COMPANY
HOLLAND, MICH,
"SveyythmaTCnown inJWusJe"
PIANOS
Boston,
artists more than three-quarters
M
Made on Honor and
Sold on Merit
They have a reputation of over
Pianos and Cecilians
Prices and tsrmi will lnt«r«at you. "Writ* ui.
Pianos.
VOSE BOSTON
PIANOS
Mass.
of a century
CHICAGO
cPHAI
PIANOS
R
VI 1V/I~DLJ
A II D
I A MA
M.
McrrlAlL
rlAINU
Have Been Manufactured
, in Boston since 1837
GENERAL OFFICES, 120 BOYLSTON ST.
BOSTON, MASSACHUSETTS
HADDORFF
CLARENDON PIANOS
Novel and artistic case
designs.
Splendid tonal qualities
Possess surprising value
apparent to all.
Snuite deafers;tcui?nte
jbriatest CatafcKjs.
Known the World Over
R. S. HOWARD CO.
PIANOS ana
PLAYERS
Wonderful Tone Quality—Best
Materials and Workmanship
Manufactured by toe
Main Offices
HADDORFF PIANO CO.
Rockford, - Illinois
Scribner Building, 597 Fifth Ave., N. Y. City
Writ* u« for Catalogue* '
raw
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
VOL. LXV. No. 22
T
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York.
Dec. 1, 1917
8In
**§
ft* 1
«2.00 Per
HEY are eliminating patch pockets from coats, and inside pockets from vests, to save cloth. They
are inaugurating meatless days and substituting syrups for sugar to save food. They are using paper
and composition in shoes to save leather, and yet there are piano merchants who continue to tempt
fate by giving with a piano or a player-piano, sold at close to ante-bellum prices, cabinets, stools,
scarfs, music rolls, etc., enough almost to represent the entire furnishings of a room.
In other words, while manufacturers are worrying- over the tremendous advances in the cost of materials
and the additional burden that the new war taxes will place on them through various channels, and are
endeavoring to keep the overhead down in order that as little of the burden as possible be passed on to the
dealer, and by him to the customer, the disciple of the "throw in" goes merrily on his way.
Music roll cabinets have advanced materially in price. Music rolls have gone up in many cases. Bench
manufacturers are asking and getting more for their products, as are the makers of scarfs, and yet one can
hardly scan a daily paper without seeing an advertisement announcing that one or all of the articles are given
away free to every purchaser of a piano or player.
Even in normal times the "throw in" habit is to be condemned, as being extremely unbusinesslike. It indi-
cates to the sophisticated that an abnormal price is being charged for the piano or the player itself, or that the
instrument requires a lot of free gifts behind it to overcome any lapses in quality. This may be a radical view,
but there is bound to be a suspicion when there is too much given for nothing.
In times like these the "throw in" practice is really dangerous because it represents an increased
expenditure on the part of the dealer that is not always covered in his calculations of selling expense and profits.
There is no line of trade that has not endeavored recently to eliminate every unnecessary item of expense, shaving
off here and there, and cutting waste to a minimum. It may be that a stool is a necessary and accepted adjunct
to a piano, and a bench and a dozen music rolls to a player-piano, but certainly scarfs and cabinets are articles
that the retailer can well forego giving away. Two dozen music rolls, free, which some retail concerns con-
tinue to advertise, is overdoing it, for a half dozen rolls (even if this is necessary) will serve to show what the
player can do, just as well as four times that number.
If a purchaser desires extra laces for his shoes, or tires for his automobile, or a cabinet for his talking
machine, or sheet music for a piano, he must, and expects to, go into the open market, and buy these addi-
tional items, yet some piano merchants proceed to advertise and give away with their instruments about
everything that can be considered as being usable in any sense with those instruments.
If the trade will come to a realization of the waste that is represented in "throw ins," there may be a
reversal of form that will enable some piano merchants to discount their notes instead of asking for extensions.
The inconsistency of the "throw in" idea at present lies in the fact that the piano merchant is frequently
inclined to protest when asked to pay a 5 per cent, or 10 per cent, increase in the wholesale price of his
instruments, but doesn't say a word when the customer takes out of the store with his instrument free
accessories which equal in cost the increased price asked for by the manufacturer.
What is needed now is the cultivation of salesmanship and public understanding of piano values. The
first requires the ability to make the purchaser buy the piano or player-piano without extras and at the price
quoted. The second means that the public must be educated to the fact that the piano or player has a definite
value, and is worth what is asked for it, without several dollars 1 worth of paraphernalia free to cover any
possible overcharge.
Every day the "throw in" habit is persisted in means that much more added to the cost of doing business,
and just so many dollars in cash taken from the profits. It is about time the trade woke up to this fact.

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