Music Trade Review

Issue: 1917 Vol. 65 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
There Is an Urgent Need for Some Means Being Provided Whereby Tuners
Can Become Thoroughly Acquainted With the Technical Details of Player
Construction, So That They Can Do Repair Work on Player-Pianos Easily
One beauty about the piano trade is that one
is never at a loss for topics. The same is
true of the player end of this business; only
rather more so, if anything. In all seriousness,
we have forever with us numerous important
matters to which our attention is constantly be-
ing- drawn and which require our best thought;
problems which involve the future, and often the
very present, of our trade.
Of all these, it cannot be said that the most
important are always the most prominent. On
the contrary, the most important are, as often
as not, the least advertised—the least popular.
A Big Question
Those who would look facts fn the face know
that we are facing, in the player business, cer-
tain peculiar conditions with relation to the
supply of labor," both inside and outside the
factories. Using the term "labor," in its widest
sense, and, without offense, including outside
tuners and repairmen within the category, the
condition may be summed up in the one word
"shortage." Demand exceeds supply. That is
the simple truth.
The question of labor supply within the fac-
tories is, however, vastly different in all its as-
pects from the problems which are concerned
with the treatment of the player-piano outside
the factory.
It is the latter that we are at
present to consider. We have discussed the
other questions elsewhere.
For some years past the attention of the
ablest minds in the business, especially among
the manufacturers, has been directed towards
solving a peculiar problem. When the player-
piano began to become popular, its popularity
was so sudden that the question of its mainte-
nance outside the factory was not even consid-
ered. But, as time went on, the original policy
of maintaining traveling experts to go round
the country and fix up troubles was found to
be far too expensive, simply because the num-
ber and distribution of the instruments had so
vastly increased in a short time. It became
evident very soon, in fact, that the tuner, the
ordinary common-or-garden tuner, the tuner
from the town, from the country, the salaried
tuner, or the tuner independent, must learn how
to look after player-pianos. This would have
been all very well if any machinery had ex-
isted competent to impart to these hundreds of
men scattered thinly all over this broad land
the rudiments of pneumatics, player construc-
tion and player maintenance; but, of course, no
such machinery existed.
In consequence of
this, the broad-minded spirit oi the Kohler In-
dustries founded the Danquard School in New
York and threw it open free to all. This school
exists to give instruction without charge to all
who come and ask for it. It is a well equipped,
well run and successful institution.
Attempts
Other similar attempts were made to fill the
rapidly growing need. The public school sys-
tem in New York City added a class in player
construction to its night schools; and through
the initiative of Paul B. Klugh, then of Chi-
cago, similar arrangements were made for two
seasons in Chicago. Both of these classes met
with large support from tuners and were wel-
comed by the trade. The tuning schools an-
nounced courses in player work; and showed a
commendable desire to be up-lo-date. But all
this has not been enough.
The country is too big. That is one trouble.
If it were a small, compact, densely populated
territory, such an institution as the Danquard
School could no doubt care for the entire re-
quirements of the trade, giving instruction to
every tuner in the country. But, apart from
this, apart from the fact that a continental ter-
ritory like ours cannot be handled from one
single point, and that one located at one end of
the territory, there is another equally interest-
ing point to be considered.
That is to say, it is unfair and wrong to ex-
pect a work like this to be carried on solely
by the public spirit of one private concern.
Should Be a Trade Question
The whole trade will have to take an interest
in this matter; and until the whole trade does
so, there will be no solution. There will be
no solution because there will be no adequate
means for inducing the tuners and others who
need the instruction to take it. The Danquard
School accounts for a good many; but these are
volunteers, men who, in most cases, journey to
New York and stay there at their own expense
while taking their courses of instruction. A
few are sent by dealers. The same is true of
the tuning schools. Those who go, go at their
own expense. The whole thing is spasmodic,
and like all measures that depend upon volun-
teers, is productive more of heroism than of ef-
ficiency.
The publication of the Standard
Player Monthly and the Technical Department
of this paper represent other attempts to solve
the problem; but they, too, are partial and nec-
essarily incomplete.
Co-operation on the part of all branches of
the trade, co-operation between manufacturers,
dealers and tuners, is completely and essen-
tially necessary. Without it we can never put
technical education in this industry on a firm
foundation. Yet, unless we do so put it, the
development of the player industry will never
be what it ought to be, will never attain to the
fullest fruition, will never be as big or as profit-
able as it ought to be. For when an essential
element in the prosperity of a trade, such as the
maintenance of player-pianos undoubtedly is,
suffers from neglect,'the trade itself will suffer
also.
These things are without doubt recognized by
the best minds in the industry. We have been
at some pains to discuss the questions involved
with a number of men representing the whole-
sale, the retail, and the tuning branches; and
here is what they have to say summed up into
compact paragraphs:
WHAT MANUFACTURERS THINK
The general attitude of wholesale men with
whom the writer has talked may be described
as frankly cordial to any scheme that would pro-
mote a better understanding of player mecha-
nism among tuners and others.
Naturally,
this should be expected; and it may be said
that the only difference of opinion we have been
able to observe comes from consideration of
ways and means. Some seem to think that it
would be advisable to put up to the Music In-
dustries Chamber of Commerce a proposal look-
ing to the establishment of one or two central
technical schools, perhaps^ founded on some of
the private institutions already existing. Others
have thought that existing schools might be
subsidized so that they could offer instruction
free to tuners already in practice while charg-
ing a fee to student tuners. There have been
other ideas also. The general impression left
on one's mind by talking with various heads of
manufacturing houses is that there is a general
desire to see something done, but no very clear
notion of what is to be done, or of how it is
to be accomplished.
The manufacturer knows by sad experience
that it costs real money, genuine "hard-earned,"
to take back player-pianos into the factory, when
the trouble on account of which they were re-
turned is a simple little matter which any one
should have been able to remedy. There is a
good deal more of this kind of thing going on
than is usually supposed. That is one reason
why manufacturers are in favor of technical
education for tuners.
Another reason is that manufacturers see how
the development of the player business is bound
to be more or less retarded so long as any re-
spectable number of tuners are ignorant of so
important a part of their business. It is not
the tuners' fault that they have not become
player experts overnight; for the player was
forced on them without their will. Yet, unless
they learn the secrets of the mechanism we
must either wait till they are pushed out of the
way by a newer generation; or must educate
them; willingly, if possible, but educate them
anyway.
That briefly seems to be the view of the manu-
facturers.
It is not exactly precise, and it
does not give any real information as to details;
but it means well.
THE VIEWS OF THE DEALERS
Dealers are less unanimous, so far as one
can see. The retailer is naturally more in-
clined to look at all trade matters from a most
individualistic standpoint; and his views are his
own personally without much thought of others.
Therefore it is not surprising to find, in con-
versation with dealers, the statement that "so
(Continued on page 6)
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W R I G H T & S O N S C O M P A N Y , WORCESTERTSASS.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE POINT OF VIEW
(Continued from page 5)
long as we can train our own men, it is not for
us to interfere with other men's methods"; or
words to that effect. But such narrowness, to
put it candidly, is not on the increase. Indeed,
one is led to feel that the renaissance of ac-
tivity, and the consequent renaissance of. retail
interest, in the National Association of Piano
Merchants is bound to bring about an early dis-
cussion of this subject; with results that can-
not be wholly barren. Of course, it is not wise
to shut one's eyes to the fact that the retail
trade have not yet begun to think seriously about
what is really a matter of essential importance
to themselves. One can only continue to ven-
tilate the subject, in the hope that discussion
may be promoted and results finally be brought
about by mutual consent based on a widespread
understanding of a great need.
THE TUNERS' OPINION
To obtain anything like a representative ex-
pression of opinion from tuners is extremely dif-
ficult, not only because they are notoriously
still-tongued, as a class, about themselves, but
because they are so thinly scattered all over the
country, and it is so hard to get at anything
like a consensus. It is useless to talk to city
men only, for their views are not likely to ac-
cord with those of their country brethren. The
latter have individualistic standpoints of the
most various kinds. But the practice of main-
taining correspondence throughout the United
States, with tuners of all sorts and sizes, en-
ables the writer to speak with, he thinks, some
approach to authority on this tangled matter.
The writer's belief, then, is that the tuners
of the country are extremely anxious to obtain
all the information and instruction available.
The subscription list of this paper numbers
hundreds and hundreds of tuners scattered all
over the country, and throughout the countries
contiguous to the United States. The Stand-
ard Player Monthly has a similar large list of
tuner readers. The Danquard School, though
it has been able so far only to touch the outer
edge of the mass of tuners, nevertheless has
constantly from a dozen to two dozen of them
going through its courses. The various schools
and private teachers have students all the time
from among tuners. It is perfectly evident that
the work is wanted. But the following consid-
erations must be kept in mind:
1. Only a very few tuners, relatively, can
travel far from home.
2. Not all can pay a fee even if a long journey
with its expense can be avoided.
3. Many are not good mechanics and need in-
struction in the most elementary branches of
pneumatics as well as in the manipulation of
tools and materials for repairing.
4. The multiplication of pamphlets, technical
catalogs and similar printed instructions can
do much and should be continued; but personal
instruction in practical work is the only way to
give sound knowledge.
5. Lack of sound knowledge is responsible for
loss amounting to thousands of dollars annual-
ly, which loss is borne entirely by manufactur-
ers and dealers.
The above considerations are respectfully sub-
mitted to the attention of all foresighted men in
the player business.
LEABARJAN CO. REPORT BUSY TIMES
The Leabarjan Mfg. Co. of Hamilton, Ohio,
report constantly increasing business in their
line of music roll perforators. Years ago when
their original machine was designed for per-
forating mus'ic rolls, one at a time was the out-
put. Through the ensuing years of experienc-
ing and appreciating the requirements of the
users the latest models will perforate 16 rolls
at a time. Dealers who handle the Leabarjan
perforator report that the cutting of music
rolls for their own use by their customers has
become a sort of pastime for the winter eve-
nings.
GOOD DANQUARD OCTOBER REPORT
HOW THE BALDWIN COLLABORATES
Fourteen New Enrolments and One Gradua-
tion During Month
"Collaborators" is the title of a dignified and
artistic half page advertisement used by the
Baldwin Piano Co. in last week's Saturday Eve-
ning Post. This advertisement featured the
''Manualo," the popular player piano that is
manufactured by the Baldwin Piano Co. in four
standard pianos, the Baldwin, Ellington, Ham-
ilton and Howard. The use of the heading "Col-
laborators" was explained in the following two
paragraphs:
"Artists like Levitzki play the Baldwin piano
not merely because its action is plastic to their
most prodigious feats of technic, but especially
because its tone is responsive to their subtlest
feeling and collaborates with them to produce
every degree of their ever-changing musical
emotion.
"For the same reason, music lovers who de-
mand something more pianistic in a player-pi-
ano than the mere mechanical ability to repro-
duce effects cut into a music roll invariably
choose the Manualo."
The report of the Danquard Player Action
School, New York, for October, shows that
there were seven new students registered in the
day class and seven in the night class. Those
in the day class are: Bernard B. Brown, New
York; Theodore Roettger, New York; Walker
G. Worth, Virginia; Chas. G. Burton, Pennsyl-
vania; E. J. Torrey, New York; William G.
Tracy, Massachusetts, and Mark Haywood, who
hails from Kansas.
Those in the night class are as follows: Jo-
seph C. Wekerle, New Jersey; Chas. Stumpf,
New York; William Gray, New York; Adolph
Schad, New York; Frederick Wm. Knoll, New
York; Alexander Hart, New York; Fred Mis-
sing, New York.
One student was graduated during the month
in the person of J. H.Corson, of Michigan, with
an average of 86% per cent.
"The Kind of Player
the Dealer Likes"
That phrase would be a good one to describe the kind of player-piano
we have been making for seven successful years; the kind of player
that just fits in with the requirements of the successful dealer. Just
how the wonderful
M. Schulz Company
Player-Piano
fills the dealer's requirements so perfectly may be seen from the fol-
lowing statement of its mechanical and commercial features:
Mechanical Points!
Single-valve system.
Positively air-tight action.
Positive sure-seating valve, bal-
anced, working by gravity.
Perfected automatic roll-centering
device.
Light-running ten-point motor.
Most powerful and economical bel-
lows-system.
Commercial Points!
Exclusive, made by ourselves; not
an imitation of any other.
Lightest Pumping.
Easiest to Play with Expression.
Most reliable under usage.
Lowest maintenance cost.
125,000 pianos and player-pianos
of our make made and sold.
High grade and moderate price.
Let us send you THE SCHULZ PLAYER BOOK to tell you more
about this great player! Also other player literature; and informa-
tion that will help you to know more about player values!
We Have a Good Proposition for Good Dealers
M. SCHULZ COMPANY
Established 1869
General Offices
711 Milwaukee Ave.
CHICAGO
3 Factories in
CHICAGO
Southern Wholesale Branch
1530 Candler Bldg.
ATLANTA, GA.

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