Music Trade Review

Issue: 1917 Vol. 65 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
54
CONDUCTED BY B. B. WILSON
MEETING OF BOSTON ASSOCIATION
Held at Parker House on October 9—Receipts
for Enclosure Packages Discussed as Is Also
Advance in Postal Rates—Association Op-
posed to Reprinting German Copyrights
BOSTON, MASS., October 15.—There was a good
attendance at the first fall meeting of the Bos-
ton Music Publishers' Association which was
held at the Parker House on the evening of
October 9. President Banks M. Davison pre-
sided, and following a reception and dinner,
which was up to the Parker House's usual high
standard, the members discussed informally
many business problems. Several reforms both
in the local and national field of music publish-
ing were given hearty approbation.
One thing that was generally agreed upon was
that the local association needs legitimate adver-
tising through the medium of the trade press.
One thing that brought forth more or less dis-
cussion was the receipts for enclosure pack-
ages, and the entire matter finally was left for
disposition to the individual publishers to exer-
cise their discretion as they saw fit. It was
agreed that at a subsequent meeting the pub-
lishers report their experiences along this line.
As an example a receipt was given the follow-
ing morning for an enclosed package in a trans-
action between the Oliver Ditson Co. and the
B. F. Wood Music Co. This was the first
time that such a receipt had been exacted in the
local trade, and it is thought that the idea will
show beneficial results.
Still another matter that was taken up was
that of the new and advanced postal rate which
will become effective November 2. "Several
propositions were advanced as to how the pub-
lishers might save on postage. One saving,
for instance, will be made by not mailing re-
ceipts for checks, letting the canceled checks
serve for that purpose. The subject of retail
prices for octavo music brought out consider-
able discussion. It was proposed that leading
publishers add a fair profit to their actual cost
of manufacture and then agree upon a schedule.
This matter, also, was left to the individual pub-
lishers, but it was nevertheless the view of most
SUCCESS
'
^~
of those present that some advances should be
made.
President Davison and Henry Homeyer were
named as a committee to increase the member-
ship in the association, and in doing this it is
likely that some of the leading school book pub-
lishers may be invited to become members.
One of the most important and interesting
debates of the evening centered around reprints
of German copyrights. It was agreed that
should such an act become prevalent, particu-
larly during the war, it would prove an em-
barrassing reflection upon the honor of American
publishers, that the copyright treaty should be
lived up to to the letter and no unfair ad-
vantage should be taken of German publishers
who are now helpless. It was the unanimous
feeling that the international copyright law
should be something more than a "scrap of
paper." As a result of the discussion this was
adopted:
"Resolved, That the Boston Music Publish-
ers' Association sound the keynote for the rest
of the country in it's disapproval of such an act
as the reprinting of German copyrights during
the war."
It was voted that two weeks before the next
meeting of the association topics for discussion
be submitted to the secretary by individual mem-
bers. As no child labor is resorted to by the
local publishers it was deemed inexpedient to
use the stamp upon their merchandise. H. F.
Odell quoted a recent issue of one of the music
trade journals in its report of the recent ruling
on the law by the Victor Co., expressing the
belief that it was applicable to music publishers.
FOLLOW ME
LEARNS
FRANCAJS
KERN, BOLTON & WODEHOUSE SIGN UP
Reported That Composer and Librettists Will
Write Exclusively for Klaw & Erlanger
It is reported that Jerome Kern, the composer,
and Guy Bolton and P. O. Wodehouse, the
librettists, have been engaged by Klaw & Er-
langer to write musical comedies exclusively for
that company. The three have collaborated on
a number of successful productions, including
"Very Good, Eddie," "Have a Heart" and "Oh,
Boy."
SUCCESS
CHARLES DILLINGHAM
presents FRED STONE in a
New Musical Comedy
"JACK O'LANTERN"
by
Anne Caldwell and R. H. Burnside
Music by Ivan Garyll
^
Wait Till The Cows Come Home
Candyland
Along Came Another Little Girl
Girls
.60
Follow The Girls Around
.60
A Sweetheart of My Own
.60
Knit, Knit, Knit
I've Met
.60
Vocal Score
Waltz
2.00
.60
SUCCESS
HIT of the ANNA HELD
Show
.60
.60
.60
Selection
Jack O'Lantern Fox Trot
1.00
.60
CHAPPELL & COMPANY, Ltd.
NEW YORK
TORONTO
LONDON
MELBOURNE
SUCCESS
Lyrics published by arrangement with
T. B. HARMS & FRANCIS, DAY & HUNTER, NEW YORK
ORDER TODAY
7c. Per Copy
A.J.STASNYMUSICCO.
56 WEST 45th STREET, NEW YORK
LOCAL ASSOCIATION MEETS
Music Dealers' Association of New York Holds
First Session of New Season—Reported That
Dealers on Cut Out List Are Getting Music
The first fall meeting of the Music Dealers'
Association of New York was held on Friday
night of last week, at 107 West 116th street.
Considering the session was held on a holiday
a large attendance was secured.
Theodore Arison, president of the association,
made the opening address, after which reports
were had from dealers on conditions in the
different sections of the city. From the vari-
ous reports it was soon seen that the dealers
who have been cut off by publishers for price-
cutting have been obtaining all the standard
library editions without much trouble.
A committee was appointed to discover if pos-
sible where these dealers are obtaining these
publications, if from publishers, or through the
disloyalty of members of their own body. The
committee will run down every clue regarding
the supplying of these works and the associa-
tion went on record as ready to push the mat-
ter until every dealer not adhering to the
standard prices has either joined the organiza-
tion or is unable to obtain the library editions.
From the consensus of opinion the majority of
the members think the life of the association is
at stake under present conditions.
It has been decided to hold meetings every
month without fail throughout the coming sea-
son and special efforts are to be made to obtain
a maximum attendance.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
WITMARK & SONS BRING SUIT
Music Publishers Start Action for Injunction,
Accounting and Damages Against Leo Feist,
Inc., Ernest R. Ball and J. Kiern Brennan—
Breach of Contract Alleged in Complaint
M. Witmark & Sons filed suit in the Supreme
Court last week against Leo Feist, Inc., Ernest
R. Ball and J. Kiern Brennan, the song writers,
asking that the Feist concern be enjoined from
selling or distributing any of the compositions
of Ball and Brennan, and that all three defend-
ants be ordered to give an accounting and pay
damages. It is claimed by the Witmarks that
they have an exclusive contract with Ball and
Brennan to publish all their compositions and
that the contract has been broken.
In addition to an accounting and damages, the
bill of complaint also asks that the song "With
All My Heart and Soul," together with the copy-
right covering same, be turned over to the Wit-
marks by Feist, and that the copyright on other
songs placed with Feist by Ball and Brennan
also be turned over and that the contract exist-
ing between Feist and the song writers be de-
clared void by the court.
The papers in the action prepared by Nathan
Burkan, the Witmark attorney, were served on
the Feist attorneys, Gilbert & Gilbert, who stated
MUSIC TRADE
55
REVIEW
in regard to the matter: "In our answer we
shall declare that we inquired into the relations
of Ball and Brennan with the Witmarks be-
fore contracting for their services, and from
what they told us we concluded that the Wit-
marks had breached their contract with the song
writers through failing to pay them royalties
alleged to be due them. In reply to the charge
that Leo Feist, Inc., took the song writers away
from a competing house we would say that Ball
and Brennan were apparently dissatisfied with
their former arrangements, and that the contract
they received from Leo Feist, Inc., was not as
favorable to them as the one they had held with
the Witmarks." In the case of Ball and Bren-
nan the papers of complaint were served on
their attorney, J. A. Timony.
It is understood unofficially that the question
of the status of the Witmark contract with
Ball and Brennan rests upon the granting of
mechanical rights for works of the latter.
REMICK'S NEW COMEDY SONG
Jerome H. Remick & Co., New York, have
just issued a clever new comedy song, with
lyrics by Haven Gillespie, and music by Henry
I. Marshall, entitled "Somebody's Going to Get
the Bee." The number is being featured in
vaudeville by the Ford Sisters and others.
"BLIGHTY" SONGS RAGE IN LONDON
Prevalence of New Term Makes the Accom-
panying Definition of Timely Interest
According to cable despatches from London,
the "Blighty" songs are all the rage there, and
there has been some discussion on this side as
to the exact meaning of the word "blighty." In
answer to a query from this side an English cor-
respondent writes:
"Replying to your query as to the meaning of
the word 'Blighty,' this term is now being very
much used by the soldiers of the Allies in
France and elsewhere in returning home. 1
have very frequently seen it used by friends in
the fighting line in addressing their letters to
England from the front, but as a matter of fact
the word itself is not confined to England but
to any place that is home. Probably before
long your boys will be writing home from
France using the same word in connection with
'God's Own Country.'
The word, I believe,
originally came from Hindustani, doubtlessly
brought over the seas by the East Indian
troops that were in France early in the war. It
seems a most peculiar fact that the 'Tommies'
in the trenches always look forward to getting
a 'Blighty Wound/ this being a wound that is
just serious enough to take them home."
IIH
THE Two Outstanding IONGS OF HOM& I
APPROPRIATE TO THE MOMENT.
Music by
W. H.SQUIRE
Words by
FRED.E.WEATHERLY
No. a i n E\>
No. 4 in G
N o . 3 in F
Words by
E. TESCHEMACHER
Music by
F. DOREL
To
Troops Overseas
Copyright MCMXVI by Boosey & Co.
p Moderato
^m
Efc
When-you come home,dear, all will be fair,
J
Home is not
ten.
There is a land I
heart,dear,
E-veritsvoice is
love,
Far far away from here,
rit. f
^ J IJ J
home if
softly
you are not there,- You in my
tnf ~r
No.4 inEl>
r-i
American Edition - Copyright MCMXVII by Boosey <£ Co.
The American
Andante
No.3 in
No.3 in C
No. l i n B\>
call - ing,
Ten- der and
clear.
«
you at my side, Whenyou come home at _ ev -
en-tide
Birds in the garden, all day long
Singing for me their happy song,
Flow'rs in the sunshine, wind and dew,
All of them.speak to me of you.
You that I long for, near or far,
You that I follow like a star,
Days may be weary, weary and long,
You will come home at even-song!
When you come home,dear, when you come home,
No more to leave me, no more to roam,
God will remember! God will provide!
When you come home at eventide.
Published in Four Keys, as above, to suit all voices,
and obtainable where music is sold
For 40 cents.(Net Cash)
BOOSEY & Co.
Joy inmyheart a-wakes, .
rit.
1
Hear-ingthatsongso true,
p raU.
J Ij
For thro'the lonely world I go,
J
i
Long-ing forhomeand you.
There is a heart I love,
Waiting beyond the foam,
Watching for me and praying,
Calling me ho'me.
Life that is sweet and fair,
Love that shall wake anew,
Will they not crown your soul and mine
When I come home to you!
Published in Four Keys, as above, to suit all voices,
and obtainable where music is sold
For 40 cents (Net Cash)
The House of Song Fame, - New York, - Toronto, London, (Eng.)
l

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