Music Trade Review

Issue: 1917 Vol. 65 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE REVIEW
T H E QUALITIES of leadership
*
were never better emphasized
than in the SOHMER PIANO of
to-day.
The World Renowned
SOHMER
Soluner & Co., 315 Fifth Ave., N. Y.
BAUER
PIANOS
MANUFACTURERS' HEADQUARTERS
3O5 South Wabash Avenue
CHICAGO
The Peerless Leader
The Quality Goes in Before the Name Goes On
p . P. BENT COMPANY, Chicago
NBWYORK T T A T> T^IV^ A 1VT T>T?r^Tf
&r C^C\ /Founded\ CHICAGO
413 Fifth Ave. J L 1 . / \ X V U 1 V 1 / \ 1 > I , ± JJ/V^JV OC \^\J* \ 1842 / Republic Bldj.
SING THEIR
OWN PRAISE
Manufacturers of the
Straube Piano Co.
HARDMAN PIANO
Factory and Offices: HAMMOND, IND.
Display Rooms: 209 S. State St, CHICAGO
The Official Piano of the Metropolitan Opera Co.
Ownlnf and Operating the Autotone Co.. makers of the
Owning and Operating E.G. Harrington & Co., Est. 1871, makers of the
AUTOTONE (HSJSE)
HARRINGTON PIANO
Hardman
The H
a r d a Autotone
The Autotone The Playotone
p
(Supreme
Among- Moderately Priced Instruments)
The Standard Piano
The Hensel Piano
The Harrington
Autotone
g
The Standard Player-Piano
"A LEADER
AMONG
LEADERS"
MEHLIN
PAUL Q. MEHLIN & SONS
Faotorl**:
Broadway from 20th to 21st Streets
WEST NEW YORK, N. J.
Mala Office and Wareroom:
i East 43rd Street, NEW YORK
JAMES (SL HOLMSTROM
TRANSPOSING
SMALL GRANDS PLATER PIANOS KEY-BOARD PIANOS
They have a reputation of over
FIFTY YEARS
(or superiority in those qualities which
are most essential in a First-class Piano
VOSE & SONS PIANO CO.
BOSTON, MASS.
QUALITY SALES
developed through active and con-
sistent promotion of
BUSH & LANE
Rmlnmnt at an art product for ovmr 5O yarn.
Pianos and Cecilians
Pric«a and ttrmi will interest you. "Write us*
insure that lasting friendship betw«
dealer and customer which results in
a constantly increasing prestige for
Bush & Lane representatives.
Office: 23 E. 14th St., N. T. Factory: 305 to 323 E. 132d St., N. T.
BUSH & LANE PIANO COMPANY
Some of the best-posted piano men have learned of the money-making powers of the
DOLL & SONS
Pianos.
VOSE BOSTON
PIANOS
HOLLAND, MICH.
They are attractively created.
JACOB DOLL & SONS,
Be one of the wise dealers and investigate them.
BOULEVARD
Inc., 98 to 11« SOUTHERN
NEW YORK
HALLET & DAVIS
"SveyythmaXhowr* mJKusie
PIANOS
Boston,
Mass.
Endorsed by leading artists more than three-quarters of a century
Made on Honor and
Sold on Merit
M
Hyi I V / I ^ D O A ¥1
A . M. M c r M A l L
CHICAGO
Been Manufactured
e PHAII Have in Boston
since 1837
PIANOS
O f A N i n r*f\
JU
GENERAL OFFICES,
120 BOYLSTON ST.
rlAINU lAJ., BOSTON, MASSACHUSETTS
HADDORFF
CLARENDON PIANOS
Novel and artistic case
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Manufactured by the
HADDORFF PIANOCO.
Rockford, - Illinois
jbriatest Catafaqs.
Known the World Over
R. S. HOWARD CO.
PIANOS and
PLAYERS
Wonderful Tone Quality—Best
Materials and Workmanship
Main Offices
Scribner Building, 597 Fifth Ave., N. Y. City
Write at for Catalogue*
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC T^ADE
VOL. LXV. No. 16
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York.
Oct. 20, 1917
Single Copies 10 Cents
$2.00 Per Year
Retail Prices Must Be Increased
W
HILE a great many members of the trade, manufacturers and dealers alike, are still at sea
regarding the actual scope of the War Revenue Act, as it applies to the music trade, there is one
thing they should not be in doubt about, and that is that any taxes which may be assessed against
musical instruments or parts of any sort must be passed on to the consumer, the ultimate purchaser,
or, in broad terms, the public.
Although manufacturers in various divisions of the trade have increased prices to a certain degree, they
have, on the other hand, in many instances managed to absorb increased production costs without passing a
full share on to the dealer, and finally to the purchaser, by developing increased efficiency in manufacturing
processes and by other means.
The time has come, however, when this practice cannot be continued with safety. If a man smokes he pays
more for his tobacco and cigars. He also pays more for his collars, and likewise a considerable advance in the
price of his automobile and his clothes. Practically everything he uses has increased in cost. Therefore, why
should the piano trade hesitate about placing the increased war cost on musical instruments straight, up to the
consumer?' The talking machine companies are doing it. One company, for instance, has made a direct increase
of 5 per cent, in the retail price of its machines to cover the war tax and a portion of higher manufacturing-
costs, the entire 5 per cent, increase reverting direct to the company. Other talking machine makers have
adopted other means to the same end.
A goodly proportion of the piano men are likewise dealers in talking machines, and under their agreements
with talking machine manufacturers they must change increased prices for their products when the higher prices
are fixed by the manufacturers.
If they are getting more for their talking machines why hesitate to ask more for pianos, player-pianos, and
music rolls? It is true that not all of these are subject to a war tax, but they are all subject to increased
production costs, and it is much easier to make a general advance right along the line than it is to single out
certain articles for increase.
Then, too, the piano merchant must bear in mind that there are various other taxes which must be borne
by his business, directly or indirectly, and which he will have to pay out of his profits. If he is not doing business
at a profit, or if he hesitates to ask from the customer what is due him, and simply slides along on a narrow margin
while hoping for better times, then this increased overhead, exclusive of the wholesale cost of his goods, is going
to spell disaster.
The retail piano trade is not a business of large profits. It should be unnecessary to call attention to this
fact in a paper read by retail piano men, but nevertheless there are a great many members of the trade who still
persist in figuring profits on a dollars and cents basis, instead of by percentages, and who neglect to figure selling
costs accurately. A $400 selling price for a piano that costs, for instance, $250 wholesale does not mean 66 2/3
per cent, profit. It means that there is $150 over the cost price from which to deduct freight, rent, commissions,
light, cartage, advertising, bad accounts, interest on outstanding capital, necessary repairs, tuning, and a hundred
and one items that enter into piano selling. The result is that the net profit is more likely to be only $50, or 20
per cent, of the wholesale cost, rather than in excess of that amount. In actual business the proportion of net
profit is frequently smaller.
In view of all this the piano merchant should be prepared to protect his own interests, and incidentally the
manufacturer's interests, by asking a price for his instruments consistent with the present cost of manufacturing
and selling. The public has been trained to expect higher prices for everything it buys, both necessities and
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