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THE MUSIC TRADE
REVIEW
(Salesmanship)
13
Successfully Practicing the Art of Piano Selling
Some Valuable Hints for the Piano Salesman Who Is Interested in His Work, By
William A. Taylor, of the Sales Staff of the W r anamaker Piano Warerooms, New York
to get an order now and then with such a method; but he will
never progress or stick long in any one establishment. The
prestige of the piano or of the house he is representing is the
only thing which will consummate a sale when these selling
It is only in the most recent modern times that the piano-
tactics are employed.
forte has gained such a predominance over other manually played
A customer, nowadays, who is spending several hundred
instruments. It has accom-
dollars, is very quick, indeed, to detect the difference between
plished more actual mis-
glibness, or "hot-air" as they call it, and the possession of definite
sionary work for the cause
knowledge. A pertinent question may suddenly arrest the flow
of music than almost any
of words, confuse the salesman, destroy what little confidence
other factor.
the customer may have had, and lose the sale for him. Because,
The piano business has
either
he did not know positively what he was talking about, or
now reached gigantic pro-
because
he had only a hazy notion of what he was trying to do.
portions. Piano selling has
The man who has the most sales to his credit at the end of
developed into a science as
the year is the man who has a thorough confidence in himself,
broad and comprehensive
in the house he is representing, and in the line of pianos he is
as that of any profession.
selling, because, through hard work and experience that came
An astonishing number
of it, he has acquired a comprehensive knowledge. Confidence
of people have gained the
begets confidence the same as success creates success. It carries
idea that the life of the
all dissenting arguments down before it. It convinces the pros-
average piano salesman is
pective purchaser that the salesman is right because he is so
a sinecure, requiring only a
sure of himself and of what he says. If he did not know and
genial personality, a glib
could not prove, or back up, his assertions to the entire satis-
William A. Taylor
tongue and an ability to
demonstrate an instrument properly. The surroundings are usu- faction of the customer, he would never have controlled the
situation.
ally more or less pleasing to the eye and there is literally music
in the air all day long.
Mere volubility will not win a sale. It might get an occa-
Salesmanship is more than it appears to be on the surface.
sional order. This is where training counts; where a knowledge
It is a science based on just such concrete laws as that of medicine of human nature, of a logical presentation of your argument, and
or the law. It depends on a certain amount of eloquence, to
a knowledge of construction, will down, by pure reason alone,
be sure; but it is, certainly, more than a so-called display of
any dissenting arguments. You will show your customer, per-
"hot-air." Some men are naturally more gifted in expressive
haps against his will, that you are master of the situation. You
speech than others; but eloquence, alone, never made sales.
make him feel that you know exactly what you are talking about.
The qualifications required for the selling of pianos are per- That secures his confidence. When you have once secured the
confidence of a prospective buyer, the rest is comparatively easy.
haps more rigid and exacting than those of any other branch
A salesman who could not, because of ignorance or inexperi-
of retail selling. In order to become a really successful piano
salesman, a man must have a love, or at least a liking, for the ence, inspire this confidence, would not carry any conviction to
the mind of the customer. He would not feel sure of himself
work and not choose it because of ulterior motives. He must
or of his ground. This state of mind is unconsciously carried
have health. Next in importance is a quick mind, tact, courtesy,
to the mind of the customer. Most purchasers, or rather, pros-
discretion, and, most important, grit, perseverance and endurance.
The last three qualifications are by no means peculiar to the pective purchasers, who call at piano warerooms, do so with the
resolution and determination not to be persuaded by some "hot-
selling of pianos. Success in any profession, or any business,
air" salesman until they have visited other piano warerooms
absolutely requires sticktoitiveness. Without this, no matter
and have seen all the different makes of instruments to be sold
what other brilliant attributes he may possess, he will never .go
in the neighborhood of the price they wish to spend.
very far in anything. He must have a knowledge as broad and
comprehensive of his business as the doctor or lawyer has of
The art of piano selling requires versatility, many years of
his. Pure glib will not sell a piano; neither will it win a case
experience and as much discouragement and drudgery as that
for a lawyer.
of any other profession before results begin to be tangible, and
before a salesman has the assurance that he is able to cope with
It is not the salesman who grows red in the face, and
any situation that may arise. But for such a man, the time spent
gesticulates, with a running accompaniment of volubility, who
is well worth the effort expended.
is successful. This is pure "hot-air." A salesman may be able
USIC is purely the result of civilization. So is the art of
M
salesmanship, although neither became identified with one
another until after the invention of the pianoforte.
HERE is a lot of meat in the following extract from a bulletin
T
recently sent to outside salesmen by W. W. Bradford, assistant
treasurer of that go-ahead piano house in Denver, Colo., the Knight-
Campbell Music Co. It is timely, it has the right ring, and is worthy
of emulation by those members of the trade who are prone to com-
plain and not ACT:
"If the war and war-talk is affecting some businesses, it is not
noticeably affecting our outside business.
"And the reason we are still selling goods, if anyone should
ask, is that we are still talking music and not zvar.
"You must talk music to sell musical instruments. If you first
talk war with a prospect and then music, you are going at your deal
backwards—you are working against yourself.
"Talk music first, last and all the time. Let the "other fellow"
talk about the war.
777/P ppjtAftou)n
musical mine
in the World.
PIANOS
"The public never really needed music more than they do in
these strenuous times. It is a necessity to-day more than ever.
"And the beauty about it is, if you can convince a man these
days that he should have music in his home, the chances are he can
afford to buy and buy now.
"For there is more money in circulation nowadays than ever in
the history of the West.
"And, keep in mind, prices on musical instruments of all kinds
have not been advanced nearly so much as practically every other
line, and it is our honest conviction that present prices are lozver
than they will be again in years.
"But all our prices are subject to increase without notice.
Substantial increases may be expected at any moment.
' "All of which is another argument to use in pushing deals
over noiv."
ORGANS
E5TEY PIAND COMPANY NEW YDnK CITY-
cs/te pesrproiu
producer far.the
dealer intneTrade.