Music Trade Review

Issue: 1917 Vol. 65 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
12
(Salesmanship)
THE MUSIC TRADE REVIEW
trouble with just as big a smile. Don't make him feel as if he
had done something wrong when he has cause for complaint.
Give him the impression that you are glad he called your atten-
tion to the defect; in fact, you consider it a favor that he has
come back.
If many customers are not coming back asking for you per-
sonally—look out. There's something the matter with your
salesmanship. If some things are good enough to bring folks
back again for them by name, surely salesmanship should have
this "repeat" quality also. The salesman who has the biggest
line of customers waiting for him is the salesman who will get
there. We must all bear in mind that while a keen desire to
"make a record" is natural and creditable, it must not blind us
to the fact that far more important than to sell more is to satisfy
more.
The department manager cries "give-me-an-ad-in-the-paper"
—as if there were a sort of magic in that. And it is indeed a
relatively simple matter for an advertising man to string words
together to make pleasing mental pictures that attract folks to
the store—particularly if the general reputation of the store is
good.
But—when these people come to the store—what then?
Will they find the merchandise right—the prices right—
salespeople capable of interpreting the goods, and who have
caught the spirit of modern storekeeping; to be courteous, to be
helpful, to remember that the customer is always right? I say,
will they find these things? Because if they do not, then is all
the advertising vain—yes, worse than vain—for then it will
surely recoil on the house—and on us.
You see, there's no particularly miraculous power about
advertising, after all. It's simply telling the news of the store
and its offerings in an interesting way. Like other news in the
paper, it must be based on facts—facts truthfully and soberly
presented, without even the tinge of exaggeration—or both
store and "the paper" will in time be utterly discredited.
I am particularly keen on these matters because I feel myself
to be in a deep sense a representative of the outside public. As
the public's representative, I go about the store—watching—-
analyzing—criticizing—comparing. I must be shown. Can you
sell me? If you can, then I can sell the public. But I must be-
lieve myself, or I cannot convince others.
Now let's get down to "brass tacks." How can we make our
advertising constantly more effective? First, I believe, by always
remembering that the house has an honored name, and that it is
both our privilege and our duty to uphold that name in every way
that we can.
And this means extraordinary care on our part that we never
become careless, or superficial, or discourteous. Care, above all
else, that we weigh our words and do not let our enthusiasm
beguile us into overstatements, into claims that cannot be dem-
onstrated, or promises that we or the house cannot fulfil. For
public confidence is at best an unstable structure: the slightest
misstatement may topple it over.
Let's be builders! Let's build confidence—always more con-
fidence. And the only way I know to build confidence is to
deserve it.
Perhaps the above may sound a bit like preaching. But this
advertising problem seems to me to simmer down to about this:
A store that rightly takes care of its customers will have the
right kind of customers to take care of—whether it formally
advertises or not.
But, of course, if it does advertise, and if its advertising is
newsy, informative, and truthful through and through, that store
will gain just so many more customers, for folks certainly like to
learn about and patronize a store that treats its patrons as
friends, with all that this implies—a store whose first and last
consideration is always—a customer!
One practice which I am utterly opposed to is that of
offering a bonus to salespeople to move certain merchandise.
While there are some few arguments in favor of this practice
and which, if it could be carefully guarded and guided, might
produce favorable results, still the practice is one that so easily
leads one in wrong channels that it is best to steer clear of it
altogether.
In many instances there is no practice in business which so
creates selfishness on the part of the salesperson; which so be-
clouds the eyes of real service given to the customer as the
practice of offering a bonus for moving certain slow-selling mer-
chandise. It leads the salesperson to take undue advantage of
the customer by selling things either which he is not in need
of or is otherwise undesirable. The removal of such merchan-
dise is up to the buying end, and that of special sales which
do not exaggerate nor force customers to buy.
Now in conclusion, and as a summary of the whole thing, I
think it can be boiled down to this:
Always remember that it is the customer's privilege to decide
where he shall buy and what shall be bought.
Further: Every sale doesn't do a store good. If the cus-
tomer is not rendered a real service; if he is unduly influenced ;
if no consideration is taken of his natural taste; if the purchase
is reluctantly accomplished—that sale is a failure. The right
way is to help a customer sell himself.
What the Salesman Expects from His Sales Manager
The following article was written by a successful piano salesman who has been em-
ployed by prominent concerns in many sections of the East, and who appreciates from
experience just what conditions the piano salesman labors under and what he should
expect. His viewpoint, that of the salesman, is worthy of more than casual attention.—
EDITOR.
a piano salesman, forty years old and successful, inasmuch
I am AM
as I sell enough pianos to give me a comfortable living and I
not a "report faker" nor "job loafer."
Every time I take up my trade paper I read remarkable and
wonderful articles by sales managers where I am told of the
value of this and the value of that, how to approach Mrs. Jones
or Mr. Smith and how line it is to have good fellowship, etc.,
etc., etc.
I believe an article entitled "What I Expect From My Sales
Manager" would sort of balance the various articles by the big
fellows.
We salesmen, who are the men that make it possible for
this business to exist, are seldom heard from except when we
bring in a contract with "the name on the dotted line," so I
think I am talking for all of our clan when I recite a few of
the things we expect from our sales manager.
We expect courtesy. Boorishness and brusqueness create
antagonism and many a sales manager has lost a valuable man by
the "Great-I-Am" way he receives him. We expect not familiarity
(that breeds contempt) but courtesy and good will to the man
who, at some future time, may have a bigger job, bigger perhaps
than that of the man who is hiring him.
We expect a man who will work with us. I do not mean
one who, in the meeting and at the morning interview, will tell
us what to say and how to say it—all such talk is good and the
salesman is a fool who does not listen to the experiences of the
man who has been through the mill; but a man who once in a
while will get out with us and show us—we want to be shown.
If our sales manager proves to us that he is also a salesman, we
will have more confidence in what he tells us than if we believe
he is only an arm-chair expert.
We expect a man to whom we can go (especially the younger
men) with our little business problems and who is sympathetic
and willing to listen to us. A man cannot sell pianos when he is
worried, and a little heart-to-heart talk with a big-hearted "regu-
lar fellow" who will advise us and try and help us saves many a
dollar for the "house."
We expect a man who will stand up strong for us before
the "big boss," who will see that we get our rights and a square
deal. Such a man can always count on the backing of his men,
and the backing of your men counts. I remember talking with a
sales manager once who told me that when he applied for a
position and was asked for references said that the best refer-
ences he could give were the names of men who had worked for
him.
Therefore, I think the ideal sales manager is the one who can
give his men as a reference—not a superman, just a human being
like ourselves, who greets us with a real "Good Morning" and
who gives us a little extra pat when we "put one over."
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
(Salesmanship)
13
Successfully Practicing the Art of Piano Selling
Some Valuable Hints for the Piano Salesman Who Is Interested in His Work, By
William A. Taylor, of the Sales Staff of the W r anamaker Piano Warerooms, New York
to get an order now and then with such a method; but he will
never progress or stick long in any one establishment. The
prestige of the piano or of the house he is representing is the
only thing which will consummate a sale when these selling
It is only in the most recent modern times that the piano-
tactics are employed.
forte has gained such a predominance over other manually played
A customer, nowadays, who is spending several hundred
instruments. It has accom-
dollars, is very quick, indeed, to detect the difference between
plished more actual mis-
glibness, or "hot-air" as they call it, and the possession of definite
sionary work for the cause
knowledge. A pertinent question may suddenly arrest the flow
of music than almost any
of words, confuse the salesman, destroy what little confidence
other factor.
the customer may have had, and lose the sale for him. Because,
The piano business has
either
he did not know positively what he was talking about, or
now reached gigantic pro-
because
he had only a hazy notion of what he was trying to do.
portions. Piano selling has
The man who has the most sales to his credit at the end of
developed into a science as
the year is the man who has a thorough confidence in himself,
broad and comprehensive
in the house he is representing, and in the line of pianos he is
as that of any profession.
selling, because, through hard work and experience that came
An astonishing number
of it, he has acquired a comprehensive knowledge. Confidence
of people have gained the
begets confidence the same as success creates success. It carries
idea that the life of the
all dissenting arguments down before it. It convinces the pros-
average piano salesman is
pective purchaser that the salesman is right because he is so
a sinecure, requiring only a
sure of himself and of what he says. If he did not know and
genial personality, a glib
could not prove, or back up, his assertions to the entire satis-
William A. Taylor
tongue and an ability to
demonstrate an instrument properly. The surroundings are usu- faction of the customer, he would never have controlled the
situation.
ally more or less pleasing to the eye and there is literally music
in the air all day long.
Mere volubility will not win a sale. It might get an occa-
Salesmanship is more than it appears to be on the surface.
sional order. This is where training counts; where a knowledge
It is a science based on just such concrete laws as that of medicine of human nature, of a logical presentation of your argument, and
or the law. It depends on a certain amount of eloquence, to
a knowledge of construction, will down, by pure reason alone,
be sure; but it is, certainly, more than a so-called display of
any dissenting arguments. You will show your customer, per-
"hot-air." Some men are naturally more gifted in expressive
haps against his will, that you are master of the situation. You
speech than others; but eloquence, alone, never made sales.
make him feel that you know exactly what you are talking about.
The qualifications required for the selling of pianos are per- That secures his confidence. When you have once secured the
confidence of a prospective buyer, the rest is comparatively easy.
haps more rigid and exacting than those of any other branch
A salesman who could not, because of ignorance or inexperi-
of retail selling. In order to become a really successful piano
salesman, a man must have a love, or at least a liking, for the ence, inspire this confidence, would not carry any conviction to
the mind of the customer. He would not feel sure of himself
work and not choose it because of ulterior motives. He must
or of his ground. This state of mind is unconsciously carried
have health. Next in importance is a quick mind, tact, courtesy,
to the mind of the customer. Most purchasers, or rather, pros-
discretion, and, most important, grit, perseverance and endurance.
The last three qualifications are by no means peculiar to the pective purchasers, who call at piano warerooms, do so with the
resolution and determination not to be persuaded by some "hot-
selling of pianos. Success in any profession, or any business,
air" salesman until they have visited other piano warerooms
absolutely requires sticktoitiveness. Without this, no matter
and have seen all the different makes of instruments to be sold
what other brilliant attributes he may possess, he will never .go
in the neighborhood of the price they wish to spend.
very far in anything. He must have a knowledge as broad and
comprehensive of his business as the doctor or lawyer has of
The art of piano selling requires versatility, many years of
his. Pure glib will not sell a piano; neither will it win a case
experience and as much discouragement and drudgery as that
for a lawyer.
of any other profession before results begin to be tangible, and
before a salesman has the assurance that he is able to cope with
It is not the salesman who grows red in the face, and
any situation that may arise. But for such a man, the time spent
gesticulates, with a running accompaniment of volubility, who
is well worth the effort expended.
is successful. This is pure "hot-air." A salesman may be able
USIC is purely the result of civilization. So is the art of
M
salesmanship, although neither became identified with one
another until after the invention of the pianoforte.
HERE is a lot of meat in the following extract from a bulletin
T
recently sent to outside salesmen by W. W. Bradford, assistant
treasurer of that go-ahead piano house in Denver, Colo., the Knight-
Campbell Music Co. It is timely, it has the right ring, and is worthy
of emulation by those members of the trade who are prone to com-
plain and not ACT:
"If the war and war-talk is affecting some businesses, it is not
noticeably affecting our outside business.
"And the reason we are still selling goods, if anyone should
ask, is that we are still talking music and not zvar.
"You must talk music to sell musical instruments. If you first
talk war with a prospect and then music, you are going at your deal
backwards—you are working against yourself.
"Talk music first, last and all the time. Let the "other fellow"
talk about the war.
777/P ppjtAftou)n
musical mine
in the World.
PIANOS
"The public never really needed music more than they do in
these strenuous times. It is a necessity to-day more than ever.
"And the beauty about it is, if you can convince a man these
days that he should have music in his home, the chances are he can
afford to buy and buy now.
"For there is more money in circulation nowadays than ever in
the history of the West.
"And, keep in mind, prices on musical instruments of all kinds
have not been advanced nearly so much as practically every other
line, and it is our honest conviction that present prices are lozver
than they will be again in years.
"But all our prices are subject to increase without notice.
Substantial increases may be expected at any moment.
' "All of which is another argument to use in pushing deals
over noiv."
ORGANS
E5TEY PIAND COMPANY NEW YDnK CITY-
cs/te pesrproiu
producer far.the
dealer intneTrade.

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