Music Trade Review

Issue: 1917 Vol. 65 N. 10

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
SALESMANSHIP
A Complete Section Devoted to Piano Salesmanship Published Each Month by The Music Trade Review
The Salesman Who Really Helps the Customer to Buy
There Is a Vast Difference Between Helping the Customer to Buy a Piano and
Merely Selling Him One—Sales That Stick Must Be Based on Complete Satisfaction
This article is taken from an address recently delivered before the Advertisers' Club
of Davenport, la., by E. A. Schmidt, of the Schmidt Music Co., and contains ideas which
are well worth the serious consideration of all piano salesmen.
OME one has aptly said, "Advertising is not to sell goods, it
S
is to enable people to intelligently and economically buy
goods." There is entirely too much selling in stores these days.
There is too little of helping the customer to buy.
The other day I met a man who said to me, "I like So & So's
clothes, but one day I fell into the hands of a salesman who
simply talked a suit of clothes on my back. I asked for a certain
kind of suit. Had made up my mind that it was what I wanted
this time. The salesman pulled out one such suit. He made no
effort to tell me the good in that article, but, on the contrary,
.immediately started in putting forth an array of unwelcome and
flimsy arguments why I should not have it and proceeded to pull
down another, saying 'this is what you want.' I fell for the talk
and unwillingly bought the suit."
You might say that it was the customer's fault that he took
the suit. I say it wasn't. That suit was sold to him—he was
under the spell of a good talker. And to prove to you that it was
bad salesmanship I'll tell you that the customer brought it back
later!
You see, when he got away from the spell of the salesman's
oratory, and he could judge coolly, he didn't like the suit at all.
This proves the positive reaction on such "bad service" and dis-
counts the pulling power of that store's advertising.
Every sale doesn't do a store good. If the customer is 'not
rendered a real service; if he is unduly influenced; if no consid-
eration is taken of his natural taste; if the purchase is reluctantly
accomplished—that sale is a failure.
A few moments devoted to finding out the purpose and con-
ditions under which an article is to be used, before ever showing
it, is a most considerate and appreciative service to the customer.
You must cleverly discover his likes and dislikes; you must
help him find what he wants—and when he sees it he will ex-
perience a thrill of satisfaction that will win for you a place in
his affections. Then he will begin to ask for you by name.
And then you'll know that he thinks of you as a friend who
serves instead of a salesman that sells.
Personally, I like the terms "service-men" and "service-
women"—instead of "salesmen" and "saleswomen."
Salesmen differ in their ability to sense the customer's pref-
erences. The prospective customer hasn't the time nor would
he have the patience to see all the things you have. You must
be able to find out quickly what the prospective customer wants.
While you are busy sizing him up, he's sizing you up. If
you seem to "flounder"—if you impress him that you are unde-
cided as to what he ought to have—he will lose his confidence in
you, and when that happens—"Good-bye."
He will then approach every article offered with an air of
suspicion. He will take suggestions with a grain of salt—and
you'll have a much harder time selling him than if you had won
his confidence from the start.
Your approach is most important. As soon as you put your
foot forward the customer is on the alert—he is beginning to size
you up. He is saying to himself something like this: "Is this
chap going to help me get the suit most becoming to me or is he
going to see how quickly he can sell me so he can have a 'big
book' to-day?"
Now understand that from the store's standpoint you should
turn in as many sales as you can—but not at the expense of a
customer's feelings. You must never give the customer the im-
pression that you are in a hurry.
Why is it many men come in and say, "I'll wait for Mr.
Brown"—or whoever it may be? Is it because the salesman
asked for can show him different merchandise than any sales-
man he may have selected at random?
Of course not! It is because the customer has learned that
Mr. Brown knows what he wants. Questions well worth con-
sidering are: How many stores have lost customers because they
did not render efficient service? How many stores have you cut
off your list because you did not like the way you were treated?
I used to drop into a certain store pretty often and I got so
tired of the grouch behind the case and the Sphinx-like way of
slamming down my change that I go elsewhere now.
The smile on the face or the "thank you" given over the
counter must not be mechanical or merely for effect. The cus-
tomer's feelings can sense it in a minute. It must be the spon-
taneous result of one really enjoying one's work and the patron-
age. A sort of "glad you're living" spirit.
I have known men to give up good positions because they
simply could not stand the grouch of the proprietor. And I have
known men who worked for less money because they enjoyed
the "pat-on-the-back" of their employer. That is why so many
small stores are prosperous—because they hold their trade
through the genial personality of their salespeople.
Just a few days ago I heard one of our salesmen wind up a
sale with the remark, "Here's my card. If anything goes wrong
I want you to call on me." That was a clever touch. He has
established a bond of friendship between himself and the cus-
tomer. Note that he said, "Call on me." That makes it personal.
That injects the personal element into the sale and that is what
you should strive for all the time. If anything goes wrong with
that suit that man knows some one by name on whom to call,
and he likes that a lot better than going to no one in particular.
You should strive to build up a personal following. That's
the only way you will ever get more money. That's the only
way you will ever get more patrons.
Don't "knock" competitors' merchandise; no one likes to
hear another store run down. If there are differences in favor of
your merchandise use a little tact in pointing them out.
Don't use a hammer, use a pointer.
And don't run away from the customer who comes back with
a "kick." You took his money cheerfully—now look into the
(Continued on page 12)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
12
(Salesmanship)
THE MUSIC TRADE REVIEW
trouble with just as big a smile. Don't make him feel as if he
had done something wrong when he has cause for complaint.
Give him the impression that you are glad he called your atten-
tion to the defect; in fact, you consider it a favor that he has
come back.
If many customers are not coming back asking for you per-
sonally—look out. There's something the matter with your
salesmanship. If some things are good enough to bring folks
back again for them by name, surely salesmanship should have
this "repeat" quality also. The salesman who has the biggest
line of customers waiting for him is the salesman who will get
there. We must all bear in mind that while a keen desire to
"make a record" is natural and creditable, it must not blind us
to the fact that far more important than to sell more is to satisfy
more.
The department manager cries "give-me-an-ad-in-the-paper"
—as if there were a sort of magic in that. And it is indeed a
relatively simple matter for an advertising man to string words
together to make pleasing mental pictures that attract folks to
the store—particularly if the general reputation of the store is
good.
But—when these people come to the store—what then?
Will they find the merchandise right—the prices right—
salespeople capable of interpreting the goods, and who have
caught the spirit of modern storekeeping; to be courteous, to be
helpful, to remember that the customer is always right? I say,
will they find these things? Because if they do not, then is all
the advertising vain—yes, worse than vain—for then it will
surely recoil on the house—and on us.
You see, there's no particularly miraculous power about
advertising, after all. It's simply telling the news of the store
and its offerings in an interesting way. Like other news in the
paper, it must be based on facts—facts truthfully and soberly
presented, without even the tinge of exaggeration—or both
store and "the paper" will in time be utterly discredited.
I am particularly keen on these matters because I feel myself
to be in a deep sense a representative of the outside public. As
the public's representative, I go about the store—watching—-
analyzing—criticizing—comparing. I must be shown. Can you
sell me? If you can, then I can sell the public. But I must be-
lieve myself, or I cannot convince others.
Now let's get down to "brass tacks." How can we make our
advertising constantly more effective? First, I believe, by always
remembering that the house has an honored name, and that it is
both our privilege and our duty to uphold that name in every way
that we can.
And this means extraordinary care on our part that we never
become careless, or superficial, or discourteous. Care, above all
else, that we weigh our words and do not let our enthusiasm
beguile us into overstatements, into claims that cannot be dem-
onstrated, or promises that we or the house cannot fulfil. For
public confidence is at best an unstable structure: the slightest
misstatement may topple it over.
Let's be builders! Let's build confidence—always more con-
fidence. And the only way I know to build confidence is to
deserve it.
Perhaps the above may sound a bit like preaching. But this
advertising problem seems to me to simmer down to about this:
A store that rightly takes care of its customers will have the
right kind of customers to take care of—whether it formally
advertises or not.
But, of course, if it does advertise, and if its advertising is
newsy, informative, and truthful through and through, that store
will gain just so many more customers, for folks certainly like to
learn about and patronize a store that treats its patrons as
friends, with all that this implies—a store whose first and last
consideration is always—a customer!
One practice which I am utterly opposed to is that of
offering a bonus to salespeople to move certain merchandise.
While there are some few arguments in favor of this practice
and which, if it could be carefully guarded and guided, might
produce favorable results, still the practice is one that so easily
leads one in wrong channels that it is best to steer clear of it
altogether.
In many instances there is no practice in business which so
creates selfishness on the part of the salesperson; which so be-
clouds the eyes of real service given to the customer as the
practice of offering a bonus for moving certain slow-selling mer-
chandise. It leads the salesperson to take undue advantage of
the customer by selling things either which he is not in need
of or is otherwise undesirable. The removal of such merchan-
dise is up to the buying end, and that of special sales which
do not exaggerate nor force customers to buy.
Now in conclusion, and as a summary of the whole thing, I
think it can be boiled down to this:
Always remember that it is the customer's privilege to decide
where he shall buy and what shall be bought.
Further: Every sale doesn't do a store good. If the cus-
tomer is not rendered a real service; if he is unduly influenced ;
if no consideration is taken of his natural taste; if the purchase
is reluctantly accomplished—that sale is a failure. The right
way is to help a customer sell himself.
What the Salesman Expects from His Sales Manager
The following article was written by a successful piano salesman who has been em-
ployed by prominent concerns in many sections of the East, and who appreciates from
experience just what conditions the piano salesman labors under and what he should
expect. His viewpoint, that of the salesman, is worthy of more than casual attention.—
EDITOR.
a piano salesman, forty years old and successful, inasmuch
I am AM
as I sell enough pianos to give me a comfortable living and I
not a "report faker" nor "job loafer."
Every time I take up my trade paper I read remarkable and
wonderful articles by sales managers where I am told of the
value of this and the value of that, how to approach Mrs. Jones
or Mr. Smith and how line it is to have good fellowship, etc.,
etc., etc.
I believe an article entitled "What I Expect From My Sales
Manager" would sort of balance the various articles by the big
fellows.
We salesmen, who are the men that make it possible for
this business to exist, are seldom heard from except when we
bring in a contract with "the name on the dotted line," so I
think I am talking for all of our clan when I recite a few of
the things we expect from our sales manager.
We expect courtesy. Boorishness and brusqueness create
antagonism and many a sales manager has lost a valuable man by
the "Great-I-Am" way he receives him. We expect not familiarity
(that breeds contempt) but courtesy and good will to the man
who, at some future time, may have a bigger job, bigger perhaps
than that of the man who is hiring him.
We expect a man who will work with us. I do not mean
one who, in the meeting and at the morning interview, will tell
us what to say and how to say it—all such talk is good and the
salesman is a fool who does not listen to the experiences of the
man who has been through the mill; but a man who once in a
while will get out with us and show us—we want to be shown.
If our sales manager proves to us that he is also a salesman, we
will have more confidence in what he tells us than if we believe
he is only an arm-chair expert.
We expect a man to whom we can go (especially the younger
men) with our little business problems and who is sympathetic
and willing to listen to us. A man cannot sell pianos when he is
worried, and a little heart-to-heart talk with a big-hearted "regu-
lar fellow" who will advise us and try and help us saves many a
dollar for the "house."
We expect a man who will stand up strong for us before
the "big boss," who will see that we get our rights and a square
deal. Such a man can always count on the backing of his men,
and the backing of your men counts. I remember talking with a
sales manager once who told me that when he applied for a
position and was asked for references said that the best refer-
ences he could give were the names of men who had worked for
him.
Therefore, I think the ideal sales manager is the one who can
give his men as a reference—not a superman, just a human being
like ourselves, who greets us with a real "Good Morning" and
who gives us a little extra pat when we "put one over."

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