Music Trade Review

Issue: 1917 Vol. 64 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
6
THE MUSIC TRADE
REVIEW
IMPORTANT NEW MUSIC CLUB
PIANO=PLAYER PATENT
Home Music Club, Organized Under Auspices
of the Evening Mail Has for One of Its Pri-
mary Objects the Teaching of Player-Piano
and Talking Machine Owners That They May
Get More Musical Entertainment
Improvement on Former Piano-Playing Device
Devised by Walter C. Reed
To show the owners of player-pianos and
talking machines ways and means for getting
more musical enjoyment from their instruments
is one of the principal purposes of the new
Home Music Club, which was organized under
the auspices of the "Music in the Home Page"
in the Evening Mail on Friday evening of last
week at a meeting held at the Country Life
Permanent Exposition in the Grand Central Ter-
minal.
Miss Mabel Garrison, the brilliant coloratura
soprano of the Metropolitan Opera Co., was
the guest of honor and took an active part in
the musical program. She sang the famous
scena and aria, "Ah, fors e lui," from "La Tra-
viata," and the sparkling vocal polonnaise from
"Mignon," with that charm of personality,
beauty of voice and perfection of art that
arouse the enthusiasm of her Metropolitan au-
diences.
The first part of the night's proceedings con-
sisted of a music-talk about "Nationality in
Music," by Henry W. Hart, editor of the
"Music in the Home" page.
The talk was illustrated by appropriate vocal
and instrumental selections from Italian, Ger-
man, French and Slavic music. Some of the
numbers were played upon the Kranich & Bach
player-piano, and others on the Columbia Grafo-
nola. Other instruments will be used to illus-
trate future talks.
Thus the first step was taken in carrying out
two of the chief purposes of the club—to give
interesting information about music and musi-
cians, and to show some of the infinite possi-
bilities for enjoyment to be had from a player-
piano or a talking machine, or both, in the
home.
The speaker pointed out how sharply defined
is the "nationality" of music. How the music
of the four great "schools"—Italian, German,
French and Slavic—possesses different national
characteristics, almost as pronounced as the dif-
ferences in languages.
After all (he said) music is indeed the lan-
guage of the soul, of the emotions, just as
speech is the language of the mind. It is the
most spiritual of the arts—the most subtle, the
most emotional—and therefore the most quick-
ly influenced by environment. And it is en-
vironment that makes nationalities.
After the music talk, a majority of those pres-
ent remained for the business meeting, called
to organize the club, which will hold meetings
weekly.
SCHUMANN PLAYERS IN DEMAND
Music Teacher Becomes Convinced of the Value
of the Player-Piano Through Listening to
Demonstration in Retail Store
CHICAGO, IU... January 22.—The Schumann Piano
Co., of Rockford, 111., reports that the player
action put out by this concern is gaining con-
stantly in popularity. President W. N. Van
Matre, in commenting on the excellent quali-
ties of the Schumann player cited as an illustra-
tion a recent incident where a well-known mu-
sician and teacher, who formerly had a decided
aversion to player-pianos, came in to the retail
warerooms at Rockford one day and heard one
of the salesmen playing a difficult selection on
a player. Not knowing that the instrument was
a player the teacher complimented the sales-
men on his ability as a pianist whereupon the
teacher was informed that she had been listen-
ing to a player-piano. She was so impressed
with the rendition of the piece that before she
left the store she placed an order for her
grand piano to be taken to the factory and
equipped with one of the Schumann player
actions,
WASHINGTON, D. C, January 22.—Patent No.
1,211,623 was last week granted to Walter C.
Reed, Dalton, Mass., assignor to the Tel-Electric
Co., Pittsfield, Mass., for an electrically operated
piano player.
,
In U. S. Letters Patent No. 1,152,841, granted
September 7, 1915, there was shown and de-
scribed an electrically operated piano playing ap-
paratus in which the loudness of the tones pro-
duced by a predetermined number or group of
playing magnets is regulated by means of a
single resistance which is included in a com-
mon portion of the energizing circuit for said
magnets and is automatically varied in such
manner that the current sent through each play-
ing magnet is substantially maintained at what
may be termed its normal strength, regardless
of the number of magnets in closed circuit at
one time, provision being made for varying the
normal current strength either automatically or
manually or in both ways in order to produce
the desired expression effects in the composition
played.
The present invention is embodied in a playing
apparatus having the general characteristics
above referred to, being particularly intended to
improve upon the subject matter of the afore-
said patent in certain respects.
PATENTS TRACKER MECHANISM
WASHINGTON, D. C, January 22.—Patent No.
1,212,165 was last week granted to John T.
Austin, Hartford, Conn., for a tracker mechan-
ism, which he has assigned to the Austin Organ
Co., same place.
This invention relates to tracker mechanism
such as is used, for example, in automatic players
for musical instruments of various kinds, for
instance organs and pianos, among the primary
objects of the invention being to provide simple
and effective means of the kind set forth by
which accurate and precise tracking is insured.
"The Player-Piano It's a
Pleasure to Play"
was the description given our player by one of our retail
agents the other day. And many others, at many different
times and in many different places, have said the same
thing about it.
They have been right; all of them. .For it really is
a pleasure to play the
M. Schulz Company
Player-Piano
It is a pleasure, because the pumping is
easy, and women or children feel no
fatigue from its use.
It is a pleasure; because the pedal control
is perfect and there is a feeling of
mastery the first time you try it.
It is a pleasure; because the expression
system is so compact and convenient,
owing to the patented folding expression
levers and rightly placed buttons.
It is a pleasure; because the music roll
always registers and our tracking-control
avoids complicated machinery which gets
out of order.
And mainly it is a pleasure because one has the feeling of really
making music: a. feeling more to be counted on in SALES
GETTING VALUE than all the automatic complexities ever
invented yet.
Dealers who do not yet know the "LIVEST PROPOSITION
IN THE PLAYER TRADE" as it has well been called, should
immediately get acquainted with the SCHULZ PLAYER LINE.
Ask us to send you THE SCHULZ PLAYER BOOK; it tell* you thing* you
NEED to know; and it is yours for the asking
M. SCHULZ COMPANY
OTTO SCHULZ, President
3 FACTORIES IN CHICAGO
General Offices
711 Milwaukee Avenue
CHICAGO
Southern Wholesale Branch
730 Candler Bldg.
ATLANTA, GEORGIA
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
Too Little Attention Has Been Given by Dealers to the Proper Merchan-
dising of Player Rolls, and until This Situation Is Remedied, the Music Roll
Department Will Not Show the Degree of Profit That It Logically Should
It is generally becoming understood that the
situation of music roll manufacturers with re-
gard to the cost of doing business is already se-
rious; and that something must soon be done
if the margin of profit is not altogether to be
wiped out. There are, in point of fact, just two
possible things to do. Prices must be raised
or dealers must be content with a smaller mar-
gin. Nobody will pretend that the music roll
department is the most profitable in a music
store; but at the same time there is no reason
why we should waste any sympathy on the trade
on this account. The truth is that the trade is
not giving, and never has given, to the music
roll, the sort of intelligent attention it is accus-
tomed to give to the selling of pianos and player-
pianos. Until something like the same amount
of intelligence is applied in the one case as in
the other, music roll selling will not become
profitable.
Not a Disaster
Suppose that it becomes necessary to put up
the prices of music rolls to the dealers and to
announce a general blanket rise in catalog fig-
ures! The retailers will protest, no doubt, but
what else will they do? Will they accept the
situation and sell still fewer music rolls than
before? Or will they have sense enough to
see that the most difficult of apparent situations
may always be turned to account and made into
opportunities?
We are frankly skeptical about the rise in
prices being disastrous, when it comes. We
thoroughly believe that it is a blessing in dis-
guise. And we further believe that it may be
turned to account in a manner that will agree-
ably surprise the concern wise enough to give
it a thorough trial.
We have, indeed, no patent remedies to pro-
pose, but we have the one sovereign remedy that
is free to all but that, usually, is least of all con-
sidered.
That remedy is the remedy called
Intelligence.
The Essential Roll
Begin at the beginning: The music roll, in
some form or other, is an absolute essential in
the player game. You can no more get along
without it than you can get along without
music wire in making pianos. Take away the
music roll and the player-piano becomes an ordi-
nary piano, no more and no less. Every player-
piano sold, therefore, should mean the sale of
ar indefinite number of music rolls.
Giving Them Away
Now why is it that people do not buy more
music rolls? Careful examination and investi-
gation undertaken by the writer of this article
reveals that apparently the average private roll-
stock of the individual player-piano owner does
not exceed thirty rolls. Of these it is safe to
say that nearly one-half are not regularly
hard one. If the rolls are offered to him for
reason for so peculiar a state of affairs. The
reason is not hard to seek. When a dozen music
rolls are given away with the purchase of a
player-piano, the thought is unconsciously sug-
gested that rolls have no specific money value,
hut are simply so many incidentals that go with
the instrument, like the brass trimmings or the
bench. Let such an idea penetrate into the
consciousness of the purchaser without contra-
diction and the job of persuading that purchaser
to invest in a large stock of rolls will be a
hard one. If the rolls are offered to him for
next to nothing, then he will buy, of course.
Equally, of course, there always will be a certain
number of people who buy anyway, because
and into homes where they will be played.
Some of them will bring to their owners the
very message of satisfaction and musical riches
they have been waiting for. Others will be as
pearls cast before swine.
But they will be
played; and as a result the sales of other and
high priced standard music will be stimulated
from that time onward.
If people will pay three dollars for a classical
talking machine record, they will pay one dollar
and a half for a classical piano reproducing roll;
Make Them*feuy!
Anything can be sold if it be rightly pushed that is, when they understand what is. being
and have no positively disagreeable features offered them. It no longer can be said that ex-
about it. The one and only remedy for de- pensive demonstrating must be done to sell
clining sales in the face of a rising cost mar- good rolls, for the modern reproducing system
ket is to be found in more intelligent presen- takes care of all that. The hand played roll
tation of the goods and more intelligent ex- cannot be played wholly badly and the com-
ploitation of their sales features. Over and over plete reproducing piano, now obtainable at mod-
again, the application of good selling methods erate prices, does all that the talking machine
has revolutionized a sales situation and saved does in reproducing piano music; and does it
much better. It is, therefore, intelligence in
the day.
Now there is no use in pretending that one exploitation and advertising, and not lower
can sell people what they don't want. You prices, that we need. People do not haggle
cannot sell classical music to a people who have over the price of what they want. They pay
no liking for it. But that is one thing; and to what they must pay for what they want; hut
be unable to sell enough of the music that peo- they will hardly pay at all for what they do not
ple do like is quite another thing. The reason want.
that music rolls are not sold profitably is mainly
Again we say that the music roll needs for its
that they are not sold in big enough quantities exploitation on a profitable basis, increased vol-
and that the retail merchants have never yet, ume of sales. This means that the untapped
generally speaking, devoted systematic atten- reservoirs of demand must be reached. The
tion to this phase of their business. The public greatest of these is the intelligent public. Reach
do not buy, because they are not made to buy. them; you can; but only by intelligence and
Advertising and exploitation are simply so persistence. Leave them alone and you will
many ways of making people buy. They can be have even more cause in the future than you
made to buy music rolls too.
have had in the past, to cry that the music roll
business is one of small profit.
The High Priced Roll
The idea that music rolls cannot be sold at
NEW VOCALSTYLE FOLDER
high prices is an idea that springs from the
giving away theory. Of course you cannot sell
CINCINNATI, OHIO, January 22.—The Vocalstyle
a roll at a dollar to a person who cares only Music Co. is sending out an attractive folder
for noise and can get just as much noise out to its dealers containing many suggestions which
of one at fifty cents. But the fact remains that
will be of benefit to them in stimulating the al-
the intelligent section of the public have been
ready wide demand for the song rolls manufac-
almost wholly overlooked in this respect.
tured by the concern. The folder states that the
There is an enormous stock of unsold and vir- concern is paying particular attention to qual-
tually unsalable music on the shelves of retail
ity, and is endeavoring not only to turn out
merchants, accumulated from overbuying of
rolls which contain quality music but which are
cheap popular hits, which have died as fast as
manufactured from the very best grade of paper.
they grew up and have left only these pale
The folder further points out the advantage of
ghosts behind them. That represents often a
the salesmen explaining to their customers the
real dead loss. But the classified roll is in a
few simple marks which are placed on the
different position.
It is not unsalable, be-
Vocalstyle rolls for the purpose of enabling
cause there does ijpt exist a public which will
anyone to sing correctly.
buy that sort of music if the proposition be
put up to them intelligently. Therefore when
we find rolls of good standard music lying
unsold on shelves of retailers, we know that no
intelligent effort is being made to sell them.
the}' are fiends on some class of music, good
or bad. Again, it is always true that some
special popular roll will sell largely and that
the manufacturers will have to hustle to keep
up with the demand. But will it seriously be
argued that the output of music rolls comes
anywhere near supplying what ought to be
the natural, healthy demand of a nation that
consumes a hundred thousand player-pianos a
year?
Move the Slow Movers
If a determined effort were now made to rid
the shelves of slow moving standard music, by
every retailer who is complaining of slack roll
business, the results would be surprising. They
would go far to dispel the prevalent and false
notion that the public cannot be instructed as
to what they ought to choose, but can only be
given what they demand.
Suppose that a sale were held of all the high
class rolls in a store, at attractive prices with
a real reduction in them. Suppose that this
were advertised as being done in anticipation of
an immediate rise in price and because a new
stock of rolls is wanted. Suppose you get these
rolls sold out—as you will—then, even though
the margin be very small, the fact remains that
you have got those rolls at last off your shelves
LANGDON
The Remarkable
:
"^fP§:
PLAYER-PIANO
||p:;DEALERSliif
If
Proposition on the
Market Today
LANGDON PIANO CO.
Piciyer-Pianps Exc
$2-88 Brown Place
New York

Download Page 6: PDF File | Image

Download Page 7 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.