Music Trade Review

Issue: 1917 Vol. 64 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
10
NOW SETTLEDjNJSIEW QUARTERS
From the Revolution to the
War With Germany
92
43
American
Patriotic songs,
including
many brand-
new songs
never before
published in
a collection
National
songs of other
Nations in
both the
original text
and the
English
translation
Every Country in the Civilized World is Represented
A Window Display of This Wonderful Collec-
tion Will Draw the Half-Dollars to
Your Till Like a Magnet
Kalmar, Puck & Abrahams Enjoy Increased
Facilities in Strand Theatre Building—Featur-
ing Several Excellent Songs
Kalmar, Puck & Abrahams, Consolidated,
Inc., who in recent years occupied quarters at
the corner of Forty-seventh street and Broad-
way, adjacent to the Palace Theatre, are now
situated in their new offices and professional
studios on the third floor of the Strand Theatre
Building.
The new home of the firm is much larger
than their former quarters, and is a demonstra-
tion of the progress this company is making.
Besides the commodious offices and shipping
rooms they now have eight professional demon-
stration rooms. The offices since the recent
opening have been besieged by professionals
who are anxious to place numbers from the
Kalmar, Puck & Abrahams catalog in their
repertoire.
Among the featured songs this concern is
now publishing are: "America Needs You Like
a Mother" (Would You Turn Your Mother
Down), "When Those Sweet Hawaiian Babies
Roll Their Eyes," "Rolling Stones," "Bring Me
a Girl," "The More I See of Hawaii the Better
I Like New York" and "When I See You I
See Red, White and Blue."
'BLACK & WHITE^ERIES ENLARGED
Some Excellent Compositions Recently Added
to the Series Give It Increased Value
The "Black and White" series of music pub-
lished by M. Witmark & Sons is suddenly in-
creasing in popularity, as the value of the pub-
lications included in the list is realized. They
represent music of the type for which there is
steady and unending demand.
Recent additions to the "Black and White"
series include "There's a Long, Long Trail,"
now an international success; "The Magic of
Your Eyes," a song of the ballad type, by Arthur
COMPLETE CONTENTS
Absent Friends and You, Mary
America
America for Me
American Eagle, The
Annie Laurie
Auld Lang Syne
Baby Mine
Battle Cry of Freedom, The
Battle Hymn of the Republic
Battle Prayer, The
Ben Bolt
Benny Havens, Oh
Blue and the Gray, The
Bowld Sojer Boy, The
Columbia, God Preserve Thee Free
Columbia, Hail
Dearest Spot Is Home, The
Dixie's Land
Drink to Me Only with Thine Eyes
Flag of Our Country, The
Flag of Our Union Forever. The
Girl I Left Behind Me, The
God of Our Fathers
God Reigns
God Save America
Great God of Nations
Hail Columbia
Here's to You
Home Again
Home, Can I Forget Thee
Home of the Happy and Free
Home, Sweet Home
Hot Time in the Old Town, A
Hurrah for Our Bauuer
John Brown's Body
Just Before the Battle, Mother
Keller's American Hymn
Last Night
Last Rose of Summer, The
Lizette
Lord Is My Shepherd, The
Love's Old Sweet Song
Marching Along
Marching Through Georgia
Maryland, My Maryland
Massa's in de Cold Ground
Midshipmite, The
Minstrel Boy, The
My Country Dear
My Old Kentucky Home
My Native Land
Nancy Lee
Nearer My God to Thee
Oh, the Land That We Love
Old Black Joe
Old Familiar Place, The
Old Folks at Home
Old Ironsides
Old Oaken Bucket, The
On the Road to Mandalay
Onward, Christian Soldiers
Our Banner
Our Country's Flag
Our Land, O Lord
Private Tommy Atkins
Rally 'Round the Flag
Red, White and Blue, The
Remember the Maine
'Round the Old Camp Fire
Sailing
Sailors' and Soldiers' Memorial
Day
Soldiers' Farewell
Star Spangled Banner, The
Stars of the Summer Night
Sweet and Low
Sword of Bunker Hill, The
Taps
Thanksgiving
Then You'll Remember Me
Thousand Leagues Away, A
Toast to Dewey, A
Tramp, Tramp, Tramp
True Blue
United
Vacant Chair, The
We Are Coming, Father Abrah'm
We're Tenting To-night
When Johnny Comes Marching
Home
When This Cruel War Is Over
Yankee Doodle
Yankee Girls, The
Yankee Ship and a Yankee Crew, A
National Songs of the Following Nations
In both the original text and English translations
Argentina—National Hymn
Austria—Austrian National Hymn
Belgium—Brabanconne
Brazil—National Hymn
Bulgaria—Blood, O Maritza
Canada—The Maple Leaf Forever
Cuba—La Bayamese
Denmark—King Christian
Ecuador—We Salute Thee
Egypt—Khedival Hymn
England—Rule Britannia
God Save the King
Finland—Our Land, Our Father-
land
France—The Marseillaise
Germany—The Watch on the
Rhine
Deutscbland tiber Alles
Greece—Hymn to Freedom
Retail Price 50 cts.
Guatemala—Guatemala,
Around
Thy Free Banner
Hawaii—Aloha Oe
Holland—Holland's National
Hymn
Hungary—Hungarian National
Hymn
Ireland—The Harp That Once
Through Tara's Hall
The Wearing of the Green
St. Patrick's Day
Italy—National Hymn
Garibaldi's War Hymn
Japan—May Our Lord Reign Long
Mexico—Patriotic Song
New Zealand— Zealand
Norway—Norwegian National
Hymn
Poland—Polish Hymn
Portugal—National Hymn
Roumania—Long Live Our Noble
King
Russia—Russian Hymn
Russian National Hymn
Scotland—The Blue Bells of Scot-
land
Serbia—O, Serbians Rise
Spain—Spanish National ^png
Royal March
Sweden—Charles John, Our Brave
King
Turkey—Song of the Sultan
Venezuela—Glory to the Brave
Men
Wales—March of the Men of Har-
lech
Write for Special Introductory Trade Price
HINDS, HAYDEN & ELDREDGE, Inc.
Publishers
11-15 Union Sq. West
NEW YORK
The "Black & White" Series Trade-Mark
A. Kent; "Somebody Loves You, Dear," a love
ballad by Annie Andros Hawley; "My Rosary
for You," a melodious composition by Ernest R.
Ball; "The Secret of Home, Sweet Home," by
George J. Trinkaus; "It's a Long Lane That
Has No Turning," by Manuel Klein; "A Song
for You," by Frederick W. Vanderpool;
"Spring's a Lovable Lady, Dear," and "In Pillow
Town," two effective numbers by W. Keith
Elliott; "Sorter Miss You," by Clay Smith;
"Evening Brings Rest and You," by F. H.
Bishop, and "No Voice But Yours," a fine piece
by Frank E. Tours.
WRITING MUSICAL COMEDIES
Eysler, the composer of "The Blue Paradise,"
is a little man who thinks only of his wife and
family. When he has a commission to write*
musical comedy, says the New York Evening
Post, he will bring out the score of "Aida" and
carefully examine it before beginning work.
"You know," he says, "there are so many arias
in 'Aida' that the public has never heard that
I feel it is a waste of time to write so much
new with all this old beautiful material avail-
able."
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
11
THE MUSIC TRADE REVIEW
currency of the American list price or even less.
Certain American musical publications are now
American Consul William J. Dawson Tells of the Effect of the European War on the Demand for being retailed at Rosario at 15 per cent, below
Musical Publications in Argentine—An Opportunity for Export Trade From This Country
the American list price, while leaving a good
WASHINGTON, D. C, June 11.—Some interest-
Since the war began, the importance of the profit to the dealer.
ing facts regarding the effect of the war upon United States as a source of supply for music
Customs Duties and Charges
the demand for musical publications in Argen- has considerably increased, according to Rosario
Musical publications (musica impresa) are
tine are offered in a recent report sent to the dealers. This is especially true of good edi- classified under paragraph 692 of the Argentine
Bureau of Foreign and Domestic Relations by tions of classical composers, arranged for the import tariff and are subject to a duty of 25
Consul William Dawson, Jr., stationed at Ro- use of students and conservatories. There are per cent., to which must be added the regular
sario, Argentina. In his report Mr. Dawson numerous conservatories at Rosario, and the surtax of 2 per cent, assessed on all imports
says:
number of music students is large.
the duty on which is 10 per cent, or over, and a
Before the present war, about two-thirds of
Texts in Spanish Native Industry
special additional surtax of 5 per cent, recently
the sheet music and musical publications im-
A leading Rosario importer considers it is voted and in force until December 31, 1917,
ported into Argentina came from Germany. highly essential that American houses publish assessed on imports the duty on which is more
Italy and France were next in importance as their texts for this market in Spanish. This is than 20 per cent. This duty of 32 per cent,
foreign sources of supply. The following offi- not customary at present, and English texts and (including surtaxes) is collected not on the de-
cial figures of imports of music into all Argen- directions are unsatisfactory. German publish- clared or actual value, but on the "aforo" or
tina show the annual average for the five years ers furnish Spanish texts, or occasionally officially fixed valuation for customs purposes,
from 1908 to 1912, and amounts for 1913:
French, which, with Italian, is far more widely which is for musical publications 80 gold cen-
tavos per kilo. This makes the duty equivalent
Average
understood here than English.
Countries—
for 5 years,
1913
The native music publishing industry, with to a specific rate of 11.2 cents per pound, includ-
1908-1912
headquarters in Buenos Aires, is said to be im- ing paper or other wrapping.
Pounds. Pounds portant and supplies considerably more than
In addition to the import duty, the Argentine
France
5,613
9,147 half the Rosario trade, particularly in music for tariff prescribes certain official charges for cus-
Germany
48,493
63,800 the general public. For students and conserva- toms handling, storage, and statistics, which
Italy
17,860
15,313 tories, Buenos Aires products are said to be amount to a little less than 1 per cent, of the
Spain
849
375 higher in price and less attractive than those value of merchandise. The foregoing duty and
United Kingdom
,.
1,715
1,704 which are imported.
charges apply to musical publications imported
United States
1,129
3,342
Prices and Discounts
from all countries, there being no preferential
Other countries
145
201
Single publications, attractively presented for or conventional rates.
popular use, are sold by Buenos Aires publish-
Credit Terms—Quotations—Shipping
Total
75,804
93,882 ers to dealers as low as 6 to 10 paper centavos
The recognized credit terms here are 90 days
Imports During the Past Three Years
( 2 ^ to 4% cents) each. It is believed that if from the arrival of goods, but many importers
Argentina imported 72,786 pounds of music American houses are to compete in this field are accustomed to paying cash against docu-
in 1914, 41,577 pounds in 1915, and 24,996 pounds it will have to be with very cheap editions in ments when dealing with American firms. It is
during the first six months of 1916. Separate Spanish. Before the war German publishers often well to give, the customer an opportunity
figures showing imports into this consular dis- sold similar products at 10 pfennigs (2.38 cents), to inspect the merchandise before accepting the
trict alone are not available.
f- o. b. factory, and gave from 10 to 15 copies documents. If it is desired to build up a per-
While practically all imported music is en- free with every 100 ordered.
manent business, it is advisable to offer credit.
tered at Buenos Aires and credited in customs
American houses must be prepared to give
Prices quoted f. o. b. New York are acceptable
returns to that port, Rosario has music houses heavy discounts on their list prices for all kinds to the leading Rosario houses, although, when
which import directly and place orders without of publications. In general, the discount must practicable, c. i. f. quotations are to be pre-
the intervention of Buenos Aires concerns, be large enough to enable the retailer (at Ro- ferred. At present very few vessels come
although they enter their goods largely at the sario generally the importer himself) to sell through to Rosario from American ports, but
national capital.
the publications at the equivalent in Argentine goods may be transshipped at Buenos Aires.
THE SHEET MUSIC TRADE IN THE ARGENTINE REPUBLIC
^ >
%«*• J U K I
,w? •>•
STASNY
LIBRARY EDITION
2 . «
Wonderful Standard
Sellers
TIT
% Oije
Jlappo
"One Happy
Day"
A Beautiful Story told so melo-
diously that we promise you will
never forget it.
Three Keys—High, Med. and Low
>
'•Win/3 6 Music r-N.
\
6 fey
Zeo/7 i?e Tosfa
,«»W VMWI ^ ^
"That's Why I Love to Live"
A song of supreme tenderness with a haunting
simplicity of melody that appeals to all.
Three Keys—High, Med. and Low
Words 6y
"Just a Kiss"
Music 6
Con Barf/}
6
A Lyric of Poetic Beauty and a
melody that clings to memory, easy
to sing and hard to forget.
Three Keys—High, Med. and Low
"Because You Are Mine,
Sweetheart"
An inspiring melody with a lyrical setting
woven around love and romance.
Three Keys—High, Med. and Low
"Mighty Lonesome for
Somebody"
"That's Why I Call You Dear"
This beautiful dialect ballad "of the South"
has that intimate touch of realism which can not
fail to endear it to all music lovers.
Medium Key only
A charming lyric set to a fascinating and irre-
sistible melody. Each time it is played the en-
joyment will be greater.
Three Keys—High, Med. and Low
Order today, Vocal 15c per copy, Instrumental 12}4c per copy
A. J. STASNY MUSIC CO., 56 West 45th St., New York City
INSTRUMENTAL
"DANCE OF THE WOODNYMPHS"
The treatment of this composition iu technique
and construction is of the finest and you will
enjoy its charm, daintiness and melodic beauty.
Grade !5.
"VALSE MAYBELLE"
Possessing rare musical value and originality,
it makes a splendid piano solo with several in-
teresting variations of expressions. Grade 3.
"INNOCENCE"
A Meditation possessing all the sweetness and
charm of innocence, expressing the tenderest and
most beautiful sentiment in every note. Grade 2.
"LOVE'S GARDEN"
Although a classical composition it has a mel-
ody one can not help but appreciate and will
make a welcome addition to any Library. Grade
4 or 5.

Download Page 10: PDF File | Image

Download Page 11 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.