Music Trade Review

Issue: 1917 Vol. 64 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE
QUALITIES of leadership
*
were never better emphasized
than in the SOHMER PIANO of
to-day.
The World Renowned
SOHMER
Sohmer & Co., 315 Fifth Ave., N. Y.
BAUER
—PIANOS
.MANUFACTURERS' HEADQUARTERS
The Peerless Leader
3O5 South Wabash Avenue
CHICAGO
ianoa
The Quality Goes in Before the Name Goes On
GEO. P. BENT COMPANY, Chicago
JAMES CD. HOLMSTROM
SMALL GRANDS PLAYER PIANOS
TRANSPOSING
SING THEIR
OWN PRAISE
Straube Piano Co.
Factory and Offices: HAMMOND, IND.
Display Rooms: 209 S. State St., CHICAGO
Eminent as an art product for over SO years.
Prices and t«*»ms will intarett you. 'Writ* us.
Office: 23 E. 14th St., N. T. Factory: 305 to 323 E. 132d St., N. T.
QUALITY SALES
developed through active and con-
sistent promotion of
The Kimball Triumphant VOSE PIANOS
Panama-Pacific Exposition
BOSTON
They have a reputation of over
H
FIFTY YEARS
(or superiority in those qualities which
are most essential in a First-class Piano
VOSE & SONS PIANO CO
BOSTON, MASS.
BUSH & LANE
Pianos and Cecilians
insure that lasting friendship between
dealer and customer which results in
a constantly increasing prestige for
Bush & Lane representatives.
BUSH & LANE PIANO COMPANY
HOLLAND, MICH.
7
Kimball Piano., Player
Piano., Pipe Organ., Reed
Organ., Ma.ic Roll.
Eoery minute portion of Kimball instruments is a product
of the Kimball Plant. Hence, a guaranty that is reliable
W . W . Kimball C o . , s " v Ld c jIckVon b B%d AY<: " Chicago
ESTABLISHED 1857
433 Fifth Ave. H A R D M A N , P EC> Manufacturers of the
HARDMAN PIANO
The Official Piano of the Metropolitan Opera Co.
Owning and Operating the Autotone Co.. makers of the
Owning and Operating E.G. Harrington &Co., Est. 1871, makers of the
AUTOTONE (K%»
HARRINGTON PIANO
The Hardman Autotone
The Autotone The Playotune
The Harrington Autotone
The Standard Player-Piano
(Supreme Among Moderately Priced Instruments)
The Hensel Piano
The Standard Piano
1VIEHLIN
"A LEADER
AMONG
LEADERS"
PAUL Q. MEHLIN & SONS
Faotorlas;
Main Office and Wareroom:
4 East 43rd Street, NEW YORK
Broadway from 20th to 21st Streets
WEST NEW YORK, N. J.
HADDORFF
CLARENDON PIANOS
Novel and artistic case
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Manufactured by the
HADDORFF PIANOCO.
Rockford, - Illinois
Known the World Over
R. S. HOWARD CO.
PIANOS and
PLAYERS
Wonderful Tone Quality—Best
Materials and Workmanship
Main Offices
Scribner Building, 597 Fifth Ave., N. Y. City
Write u< for Catalogues
CABLE & SONS
Pianos and Player-Pianos
SUPERIOR I N EVERY W A Y
Old Established House. Production Limited to
Quality. Our Players Are Perfected to
the Limit of Invention.
CABLE ft SONS, 559 W. 38th St., N. Y.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUJIC TRADE
VOL. LXIV. No. 22
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York. June 2, 1917
8lng
Ji. 0 Vrer 8
Accomplishments at the Conventions
T
HE conventions of 1917 are now history, and if the plans formulated at the sessions in Chicago lead
even to halfway accomplishments, the history will be one of which the entire trade should be proud. ;
Never before were problems of the trade taken so seriously, recognized so broadly and handled so
emphatically. Those of the trade with broad vision found that the time to temporize had passed, that
the situation demanded more than conversation, that action was needed, and needed quickly.
That the sentiment of the rank and file of the various associations was for action, regardless of how that
action might affect the individual pocketbook, was indicated by the fact that the program as outlined went
through practically without opposition.
Before the Convention, especially among the merchants, it was broadly hinted that various phases of next
year's program would be disputed in open meeting; that there were differences of opinion which would "be
fought out on the floor; that there was a sentiment of conservation of association resources that would not be
downed. As a matter of fact none of these things happened. It was discovered that the danger was not in
the association doing too much but in its doing too little.
This new sentiment was appreciated by those privileged to attend the meetings of the manufacturers, where
representatives of a number of leading manufacturing houses of the industry submitted with little opposition
to a proposition falling for a voluntary assessment of one-tenth of one per cent on their net wholesale output for
association work. It was true that there was much discussion on the question, but the discussion was not on the
payment of the assessment but on the exact means by which the net output was to be determined and other
factors calculated to clear up the atmosphere for the operation of the plan.
With the country at war, and a War Revenue Bill threatening to pile a five per cent, excise tax on musical
instruments in addition to the duties and taxes of ten per cent, to thirty per cent, on supplies, one would be
inclined to pardon a slight show of pessimism among the members of the industry, but if pessimism existed it
was well concealed.
The piano men visited Chicago not to cry over their troubles but rather to determine the ways and means
for meeting unusual situations and developing business in the near future—not simply to keep it normal but to
make it better than normal. There were, of course, piano merchants from various sections who truthfully said
that business at present was not particularly lively but they explained they held high hope for fall sales.
There were many dealers, particularly those from the agricultural sections of the West, who came to the
Convention full of enthusiasm. Why not? Farm products are bringing unprecedented prices. Farmers have
money to spend now, at a time of the year when they were formerly hoping for the future. Several dealers
reported a volume of business during the last few months which almost equalled that of the entire year 1916.
Summing up, the piano men who attended the Convention found out that the piano business was not shot
to pieces by any means, but was going strong—that the piano men not only recognized conditions but were
prepared to face them. They found out that the live factors of the trade were as a unit in efforts to develop
the industry as a whole. Moreover, they found that trade associations, instead of being merely passive factors
providing an excuse for an annual joyfest, were capable of being developed into militant organizations when
the proper time arrived and the proper plans were presented.
Now, with a program carefully laid out, with a definite objective determined upon and representative men
of the trade pledged to the support of the new ideas, it remains only for the rank and file of the trade to get back
of the movement, realizing that anything that makes for the betterment of the trade as a whole reverts directly
to the benefit of every individual in it, providing he is conducting a legitimate business in a legitimate and
straight-forward manner.

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