Music Trade Review

Issue: 1917 Vol. 64 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
Now that the great decision has been made
and the Rubicon definitely crossed, the business
man will begin to ask himself what is to be the
course of future events. That business will in
fact not be disturbed at all, that the chances are
strong for a boom in all industries, and that the
music trade will benefit thereby is the opinion
of many whose views are customarily received
with respectful consideration and attention.
The experience of our British allies in this re-
spect has been extremely interesting. In spite
of a dependence upon foreign sourcs for such
essentials as piano and player actions, tuning
pins and wire, the British piano business has suf-
fered only from the difficulties of improvising
supplies and by the war-caused shortage of
skilled workmen. The retail business, however,
has been remarkable, and the fact is noted that
pianos are being sold among a class of persons
who have never bought such instruments be-
fore. The cause is to be found, of course, in
the war-time wage level.
MUSIC TRADE
15
REVIEW
need anticipate no slump whatever, but rather
the contrary; and the music roll branch of that
trade may expect to share in the general ac-
tivity.
THE AEOLIAN CO.
The Themodist metrostyle edition for May
contains the third and fourth movements of
MacDowell's magnificent Indian suite, of which
At this moment it is- very proper to direct at- the first and second parts were published for
tention to the fact that the organization of in- April. The Aeolian bulletin also contains quite
dustry by the Government, which we may an- a number of the recently added song rolls, in-
cluding Nevin's "Rosary" and Marshall's "I
ticipate, may lead to a system of allotment of
Hear You Calling Me," both played by Felix
raw materials among non-military trades. It
Arndt.
The Metro-Art hand-played rolls in-
is conceivable, for instance, that the supply of
paper available for music roll manufacture, may clude two little MacDowell pieces also played
be cut down, whether on public or by private by Arndt. The usual number of Jass>, saxo-
initiative. Should such a condition of affairs phone and dancing arrangements are, of course,
be found to exist after a time, the manufac- to be found. We give a general selection from
turers might well have to consider using more the May list as follows:
SONG ROLLS
discretion concerning the selections they put
Composer
Title
Played by
out and the number of them. A shortage of il'Hardelot—Because
Arndt
Santly—Hawaiian
liutterfly
Morse-Rees
paper has, of course, existed for the past year; Vincent—Naughty, Naughty, Naughty—Fox-trot,
Elrebach-IIerzog
and at the present time there is not the slightest
Nilson—Peruvian Maid—One-step
Wilson Burdo
reason to anticipate any condition of still Tati;—Somewhere a Voice Is Calling
Arndt
METRO ART
greater stringency.
But it is never wise to
Wilson & P.rowne—Have a Heart
prophesy what may happen in the development (irieg—Dance Caprice
Arndt
Now, in the United States, with the industries
Luban—(iallon o' Gas—Fox-trot
Paris
of a situation, the like of which we have never Let's
All
lie
Americans
Now—One-step,
Jass
arr.
.
.
.Berlin
duly organized and the machinery of production
had to deal with before. If it should ever be- You Said Something
turned to account with more than normal ac-
TIIERMODIST-METROSTYLE
come good policy to consider cutting down any
Title
Composer
tivity and efficiency—as, of course, will be the
Border
Comrades
March
Hamilton
part of the present output, we hope that less Honeymoon Inn—Medley
One-step
Kern
case within a comparatively short time—it is
paper may be devoted to nonsense and more to May Heaven Bless Your Wedding Day
Piantadosi
plain that the purchasing power of the workers
Sunny Nook—Hesitation, Saxo arr
Hamitton
the sort of music that encourages, stimulates Charme d' Amour—Valse
Cremieux
will not be reduced but expanded. The with-
Waldteufel
and inspires. The days before us are not neces- Polka Militar
drawal of many men from industry for military
sarily, or even probably, days of danger; but
purposes will also be to the advantage of busi-
they will surely be days of inspiration and of
AMER1CAJSJMANO CO.
ness, for the same reason. The piano trade
vast events. We are at war; and the Amer-
The May Rythmodik bulletin contains a con-
ican people will need the inspiration of good tribution from Richard Buhlig in the shape of
ADVANCE LIS'TOF
music, not of bad; of music with a message,
(Continued on fagc If))
not of more or less tuneful piffle set to more or
less stupid words. Of course, the music roll
men are not in the business of song publishing.
For MAY 1917
They reproduce whatever sells well first as sheet
music. But they need not follow a bad ex-
LATEST POPULAR SONGS
ample, even if the publishers should be minded
All the World Will Be Jealous of Me.
to give it. They can do their best to popularize
Hiilliid. Flayed by Frank C. Western.
Ball
Allah's Holiday. jazz-Kag Fox Trot. From
music rolls that appeal to something more than
Kiitinkii. Flayed by Viola Steadman.
Friml
von Tilzer
86982 He'w Junt Like You. One-step Song.
a desire to fox-trot.
Played by i'iola
Steadman.
"PERFECTION"
30c
30c
«<;•)!>•»
8fi»9fi Just the Kind of a Girl You'd Love to Make
Your Wife. .Tiiz/,-Iliig One Step.
von Tilzer
Played hy Frank M. Hearn.
Penn
80095 Magic of Your Eyes, The. Ballad.
Played by Joseph J. Fecher.
86983 M-I-S-S-I-S-S-I-r-P-I. Jazz-Kag Fox Trot
(The Spelling Sung.)
Tierney
Played by George Morton.
My
Heart
Is
a
Garden
and
You
Are
My
Beau-
86900
tiful Hose. Ballad.
Fischer
Played by Joseph J. Fecher.
Yellen
87000 My t i t t l e China Doll. One Step.
'Flayed bv Harry W. Walter.
Friedland
H(j9»< My Sweet Egyptian Rose. Ballad.
Companion Sons to "My Little Persian Howe."
Played by Drucilla Adler.
Olman
86001 Oh! Johnny. Oh! Johnny, Oh!
Jazz-Rag One Step.
Played by lldna Mackey.
86984 Somewhere in Delaware. Jazz-Rag Fox Trot.
Played by Kathrync Delaney.
Kohinson
Berlin
86985 There Are Two Eyes (ii) in Dixie.
Jazz-Rag Fox Trot.
Plaved by Paul E. Rozvley.
86986 There's Something About You Makes Me Love
You. Jazz-Rag Fox Ti-ot.
Lunge
Played by Alvin Gardner.
Glogau
86989 When It's Circus Day Back Home.
Jazz-Rag One Step.
Played by Alvin Gardner.
87001 Won't You Give Me a Chance to Love You?
Ballad. Played by Joseph J. Fecher.
Monaco
86980 You're In Love. From "You're in Love."
Friml
Jazz-Rag Fox Trot.
Played by Viola Steadman.
LATEST DANCES
Zamecnik
86993 All America March.
• Played by Doris Goodwin.
Deane
86988 Moonlight Blues. Jazz-Rag Waltz.
Played bv Frank C. Weston.
Scbroeder
86994 Rig-a-Jig "Rag. Fox Trot.
Played by Paul E. Rowley.
Olman
86981 Step Along Henry. Fox Trot.
Played by Frank M. Hearn.
We have, in our time, rather unsparingly crit-
icized music roll men for reproducing worthless
so-called "hits." Nor do we now feel called
on to reverse the opinion. But we shall be for-
given for saying that, so long as the American
people want that sort of music, it is our business
to encourage them in buying and playing and
singing (by means of the song rolls, if you will)
songs that will at least be healthy in sentiment.
We are not likely to be accused of desiring to
boost the composer of many successes whose
latest is entitled "Let's All Be Americans Now,"
but the sentiment, if not wholly candid, is at
least healthy. Let rolls of that song be pushed
for all they are worth. We need them at this
moment. The same is true of that other song,
"America, Here's My Boy." The pestiferous
inanity that scattered its false sentiment two
years ago in the shape of "I Didn't Raise My
Boy to Be a Soldier" has been—O! how iron-
ically—rebuked by the stern events of this year.
Let us have "the other thing now, even if the
sentiment is a bit crude and the music flashy.
The idea back of it all is healthy; and that is
what interests us. Music roll publishers can
now do much to popularize healthy songs, songs
We will allow you the 16c price on shipments of 100 without stupid gush or eagle-screaming bunk,
or more rolls at a time.
but with clean, sane and inspiring sentiment,
We will be glad to send you a sample roll free.
cleanly and sanely expressed, with music just
as catchy and lively as our versatile Piantadosis
Standard Kusic Roll Co.
and Monacos and Irving Berlins can grind out.
Maker, of Muiic
Orange. N. J.
Let us have patriotic music roll bulletins; and
Mambar of ttw National Association of Music Roll Mtnutacturars of fcnarlca
have them now!
GUARANTEED
SERVICE
UNDER PENALTY
United States Music Co
CHICAGO
U. S. A.
The most d a r i n g and
original interpretation
ot the word
SERVICE
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
16
REVIEW
MUSIC OF THE MONTH—(Continued from page 15)
Balakirew's transcription of Glinka's "The Lark";
a wonderful piece of piano playing. Miss Vol-
avy is on hand with her interpretation of the
third and fourth movements of the Liszt piano
concerto in E flat. She contributed the first
two movements to last month's bulletin. Messrs.
Cutchin and Whittaker present classic numbers,
and the usual popular offerings are made by
Sterling, Berge, Kmita and the other Rythmodik
artists in this special line. We append a rep-
resentative selection:
A Tear, A Kiss, A Smile—Medley Waltz.. .Motzen-Kalman
When You Feel a Little Longing in Your Heart
"You're in Love"—Chorus Medley
Friml
ARISTOKRAT EDITION
Title
Composer
America, Here's My Boy—One-step
Lange
Donkey Trot—Saxophone arr
Nugent
Ghost of the Ukulele—Saxophone arr. .Brockmann & Smith
Let's All Be Americans Now—One-step..Berlin-Leslie-Meyer
The Road That Leads to Love
Berlin
When the Sun Goes Down in Dixie—Fox-trot. . .von Tilzer
Where the Black-Eyed Susans Grow—Fox-trot
Whiting
You Don't Have to Be Irish—One-step
Morse
IMPERIAL PLAYER ROLL CO.
A feature of the very interesting list of hand-
played records issued by the Imperial Player
Roll Co. for May is Chopin's "Prelude Op. 28,
No. 16," played by Ossip Gabrilowitsch in his
usually commanding style. There are also four
excellent numbers played by McNair llgenfritz
—a "Japanese Sunset," by Deppen; "Serenade,"
by Drigo; "Concert Paraphrase of Valse Des
Fleurs," by Tschaikowsky, and a dainty novel-
ette entitled "Water Lilies." The Jazz com-
positions continue to be in great favor, and
AUTOPIANO CO.
there is a good representation in evidence for
The May bulletin of this company comprises May. A partial list from the hand-played and
both the Aristo regular edition and the popular- Songrecord bulletins for May follows:
priced Autokrat rolls. Both lists are confined
IMPERIAL HAND PLAYED RECORDS
Title
Played by
to the popular styles, but the Aristo has some Composer
Romberg—Auf Wiedersehn
Randale
nice musical comedy numbers from Friml's Herbert—Kiss Me Again
Randale
Holstein—Hong
Kong—One-step
(Jazz
Rag)
"You're in Love." The saxophone arrange- Burke—If I Had a Son for Each Star in Old Glory Kahn
(Jazz Rag)
Kahn
ments are out in force, needless to say, and so
"Imp —Fox-trot (Jazz Rag)
Kahn
are the Jasses (or is it Jazzes?). About the Fisher—Night-Time
in Little Italy (Jazz Rag)
Kahn
the Cork Out of Erin—One-step
only way we can think of, however, to give any Fisher—Pull
(Jazz Rag)
.Kahn
idea of the general lay-out, is to make the fol- Ruby—When Those Sweet Hawaiian Babies Roll Their
Eyes—Fox-trot (Jazz Rag)
Randale
lowing selection:
IMPERIAL SONGRECORDS
Composer
Title
Played by
Chopin—Nocturne Op. 72, No. 1
Cutchin
Paderewski—Legend, Op. 16
Cutchin
Faure—Impromptu
Whittaker
Bach—Overture to 28th Cantata
Whittaker
Ilimmelreich—Waltz No. 1
Composer
Burieigh (arr.)—Deep River—Negro Melody
Brockway
McKenna—Meet Me in the Moonlight, Mandy Lane. .Arden
Erdman—Saxophone Sobs—Fox-trot
Arden
Baskette-Santly—Hawaiian Butterfly—Jazz Fox-trot,
Arden-King
Lange—America, Here's My Boy—One-step
Wayne
Daly—Cotton Pickin' Time in Alabam'
Arden
ARISTO EDITION
Title
Amerinda—Intermezzo
(Original) Domino—Waltz
II Brio Carnavalesco—Tarantella
Saxophone Fox-trot, Medley No. 3
Saxophone One-step. Medley No. 2
Composer
Smith
Green
Mauro
.
Lead and Composition
Tubing for Players ^Organs
Composer
Title
Played by
Penn—Carissima—Waltz Ballad
Randale
Luders—Heidelberg—Stein Song
Randale
Shannon—That's An Irish Lullaby—Song
Hilliard
Monaco—I Called You My Sweetheart—Ballad. . .Randale
Morse—Sing Me Love's Lullaby—Song
Randale
Francis—The Love Mill—Fox-trot
Kahn
Skidmore—It Takes a Long, Tall, Brown-skin Gal to
Make a Preacher Lay His Bible Down—Fox-trot
(Jazz Rag)
Randale
Edwards—Mister Butterfly—Fox-trot (Jazz Rag) Kahn
Fisher—Pull the Cork Out of Erin—One-step
(Jazz Rag)
Kahn
Carroll—Somewhere on Broadway (Jazz Rag) . . . .Randale
Q R S CO.
STANDARD' ROLLING MILLS, Inc.
363 Hudson Avenue
BROOKLYN, N. Y.
WHITE, SON CO.
Manufacturers of
ORGAN AND PLAYER-PIANO
LEATHERS
530-540 Atlantic Ave., BOSTON, MASS.
The Autograph bulletin, issued by this com-
pany for May, features an interpretation of
Mendelssohn's famous "Rondo Capriccioso," by
no less a person than Leopold Godowsky. The
tried and true Mme. Sturkow-Ryder puts her
diminutive but dynamic self into Handel's
"Harmonious Blacksmith Variations," a survival
of the eighteenth century that is alive with
MeWille
Cltrk'i
APOLLO B=
Rudolf
Player-Pianos
Absolutely Reliable
INSTRUMENTS
Worth Dollar For Dollar
What We Ask For Them
RUDOLF PIANO CO.
721 E. 137th Street
NEW YORK
charm and beauty. She also gives us Godard's
fourth "Mazurka." The other artists confine
their efforts to interpretations of the popular
dances and songs, while the perennial popularity
of the Italian opera is counted on to add Vic-
toria Boshko's playing of "Favorite Strains
From 'Rigoletto' " to the long list of similar Q
R S operatic hits. Word rolls are also to be
found in great variety, and the regular straight-
cut edition shows up well. Appended are se-
lections from all three lists:
Composer
Title
Played by
Berlin—Alice in Wonderland—Jazz Fox-trot. .Scott-Watters
Lewis-Young—Huckleberry Finn
Wendling
Musical Comedy Hits of 1917
Wendling
Eastwood-Vincent—O You Daddy—Fox-trot
Wendling
Cohan—There's Only One Little (iirl—One-step. . . . Straight
Vail—It's a Long, Long Time Since I've Been Home,
Wendling
WORD ROLLS
Wendling—Alexander's Back from Dixie—Jazz One-step,
Wendling
Emmett—Dixie Land
Roberts
Roberts—Honey Mine—Jazz Fox-trot. .. Roberts-Kortlander
Hanley—Indiana—Jazz Fox-trot
Baxter-Kortlander
Lewis-Grossmann—There's Something About You—
Fox-trot
Straight
Le Clerc—Triangle Jazz Blues—Fox-trot
Kortlander
REGULAR EDITION
Cute Little Wigglin' Dance
Creamer-Layton
I Call You My Sweetheart—Waltz. .Johnson-Clarke-Monaco
I'm Hearin' from Erin
Gilbert & Friedland
Lesentinsky Kovar—Waltz
Maresh
You're Mine
Snyder
STANDARD MUSIC ROLL CO.
This company's May bulletin consists entirely
of popular songs and dances of the hand-played
variety, including, of course, the Jazzes, the fox-
trots and the rest of the special kind of rolls
that pleases the dear public just now. Some
day we shall have some seriousness in life, per-
Established Retail Price £7AA |. tO A(\t\
Consistent with Quality $f UU CO A fC, tl tW>
MELVILLE CLARK PIANO CO.
FINE ARTS BUILDING, CHICAGO
ANGELUS
PIANO-PLAYER
Introduced in 1895 and constantly im-
proved and developed to its present point
of superiority.
THE
OUR PLATFORM
PIANO
An excellent upright piano with an
Angelus incorporated in it, making one
complete and compact instrument.
Higneat Quality
Beit Arrangements
Fair Retail Prices
Quick Service
MELODANT and THE PHRASING LEVER
are patented expression devices found only on the Angelus. The Angelus
instruments are the results of years of experience and success.
THE WILCOX
& WHITE
^
COMPANY
MERIOEN. CONN.
Established 1876
JUVICMSTG
YOC/A T&RIZfrOlZYAfAYB&
THE AUTOPIANO COMPANY B ^ A V E ^ g T O
52"-VTREET^

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