Music Trade Review

Issue: 1917 Vol. 64 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
T 1 H E QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to-day.
The World Renowned
SOHMER
QUf#lWN
Sohmer & Co., 315 Fifth Ave., N. Y.
BAUER
—PIANOS
MANUFACTURERS' HEADQUARTERS
The Peerless Leader
3O5 South Wabash Avenue
CHICAGO
The Quality Goes in Before the Name Goes Oh
GEO. P. BENT CQMILANX .Chicago
JAMES (& HOLMSTROM
SMALL GRANDS PLAYER PIANOS K E "
SING THEIR
OWN PRAISE
Straube Piano Co.
Factory and Offices: HAMMOND, IND.
Display Rooms: 209 S. State St., CHICAGO
Eminent as an art product for over SO years.
Prices and tarai will interest yot». Write us.
Office: 23 E. 14th St., N. Y. Factory: 305 to 323 E. 132d St., N. T.
QUALITY SALES
developed through active and con-
sistent promotion of
The Kimball Triumphant VOSE PIANOS
Panama-Pacific Exposition
BOSTON
They have a reputation of over
FIFTY YEARS
for superiority in those qualities which
are most essential in a First-class Piano
San Francisco
1915
VOSE &"SONS PIANO CO.
BOSTON, MASS.
Pianos and Cecilians
insure that lasting friendship between
dealer and customer which results in
a constantly increasing prestige for
Bush & Lane representatives. ^
BUSH & LANE PIANO COMPANY
a
Highest Honors,
BUSH & LANE
HOLLAND, MICH,
Kimball Piano*, Player
Pianos, Pipe Organs, Reed
Organ*, Music Rolls
Every minute portion of Kimball instruments is a product
of the Kimball Plant. Hence, a guaranty that is reliable
W. W. Kimbfll Co., s ^nd c j«k»n b BiYd Aye ' Chicago
ESTABLISHED 1857
NEWYORK
433 Fifth Ave
/Founded\ C H I C A G O
.\ 1842 ) Republic Bldg.
TIT A "P F . \ y f A TV
Manufacturers of the
HARDMAN PIANO
The Official Piano of the Metropolitan Opggi Go.
Owning and Operating the Autotone Co.. makers of the
Owning and Operating E.G.^trrington & Co., Est. 1871, makers of the
AUTOTONE (?!£.»
HARRINGTON PIANO
The Hardman Autotone
The Autotone The Plavotone
The Harrington Autotone
The Standard Player-Piano
(Supreme Atnong Moderately Priced Instruments)
The Hensel Piano
The Standard Piano
MEHLIIM
"A LEADER
AMONG
LEADERS"
PAUL Q. MEHLIN & SONS
Factories 1
Main Office and Wareroom:
4 East 43rd Street, NEW YORK
Broadway from 20th to 21st Streets
WEST NEW YORK. N. J.
HADDORFF
CLARENDON PIANOS
Novel and artistic case
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Manufactured by the
HADDORFF PIANO GO.
Rockford, - Illinois
Known the World Over
R. S. HOWARD CO.
PIANOS and
PLAYERS
Wonderful Tone Quality—Best
Materials and Workmanship
Main Offices
Scribner Building, 597 Fifth Ave., N. Y. City
Write us for Catalogue*
CABLE & SONS
Pianos and Player-Pianos
SUPERIOR IN EVERY W A Y
Old Established House. Production Limited to
Quality. Our Players Are Perfected to
the Limit of Invention.
CABLE A SONS, 550 W. 38th St., N. Y.
mm
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
VOL. LXIV. No. 12
Published Every Saturday by Edward Lyman Bill, Inc., at 373 4th Ave., New York, March 24, 1917
8ln
*H oco °R' erB h°J? nim
Advertising as a Trade Force
N
O art has been subjected to such rapid advancement as has the art of advertising, and each forward step
is the result of earnest study on a strong foundation of experience. In the "evolution of publicity the
most radical change has been in the theory of what constitutes good advertising.
It was only yesterday, we might say, when it was believed that to be effective, an advertisement
must virtually be shot at the reader. Advertisements printed upside down, or appearing in all corners of a page;
immense signboards, erected for size rather than for artistic effect, were all considered in the category of good
publicity.
*"-••
What a change, however! To-day advertising has reached a point whe/e elegance and refinement are the
rule. It is so arranged as to appeal to people who are apt to use the artidjgxploited. It is not written above their
heads. It is comprehensible, full of "human interest," and so designed, l^ro in the matter of illustration and text,
as to arrest attention.
No sane business man can hope to succeed without the aid of advertising. The finest products, whether
pianos or any other line—manufactured with the best artistic conceptions in view—cannot win their proper
meed of appreciation without publicity. Success in the corani ^cial sphere can only be secured when the product
and publicity are properly and judiciously linked.
**
The whole matter in a nutshell is that with tht?.^, jtjtknw -^.die country, the bringing of its commercial
interests into closer contact, and the increase i the nurr 1 .^
.indiums, advertising has developed into a great
system, which is becoming greater continuously.
In olden days, advertising was frowned upon by the majority of reputable business houses, just as about
one in a thousand pretend to frown upon it to-day. A few useful things were advertised, but the subjects were
usually novelties for which it was necessary to create a demand.
Staples sold themselves in those times, and reputable business liaises avoided the advertising columns as
they did bad credits. There were fewer publications. The Country was smaller. Business centered on .neigh-
borhoods. It took years for New York ideas to reach the Mississippi. Railroads were fewer; mail service
less efficient, and a broad national movement as affecting trade-marked articles almost unknown. Billboards
were for the circus and theatrical troupes. A merchant might print a small card in his local newspaper, but the
department stores were yet unborn. To have used advertising then as a distributing force would have been as
much ahead of the times as trying to make an x-ray diagnosis with gas light.
To-day, however, advertising really distributes, and its uses are now almost wholly commercial. The swindler
is being elbowed out by publishers on one hand, and. snapped up by postal inspectors on the other.
Advertising is the voice of our superb system for carrying things wherever they are wanted. It publishes
news of commodities nationally, and the business houses can use it either to build national demand, or to find out
by experiment that the commodity in question is not wanted on a national scale.
The growth of industrial America has been synonymous with advertising, and this is particularly true of
the situation in the piano trade. The successful piano houses, both manufacturers and dealers, are believers in
advertising.
Publicity in this industry has kept fully up to the artistic character of the goods represented, and there are
very few months when the prominent magazines, which devote themselves to the advancement of the art of
advertising, do not compliment some piano house upon tlie effectiveness of its publicity, even reproducing and
praising the character of the announcement and the artisticness of its appearance.
This is a healthy sign, and it is also worthy of note that the music trade concerns that do advertise are those
who are marching toward a greater business expansion, and a greater measure of prosperity.

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