Music Trade Review

Issue: 1916 Vol. 63 N. 27

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
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The Player Roll Is an Integral Part of the Music Business, and Dealers
Should Treat and Handle It as Such — Some Pointers for the Enterprising
Dealer Who Wishes to Make His Music Roll Department Pay a Profit
The music-roll branch of the player-piano
industry is in a peculiar condition. It is to
its major element what the tire is to the auto-
mobile, the record to the talking machine, the
cartridge to the rifle—an indispensable acces-
sory.
For various reasons, however, there exists con-
siderable dissatisfaction
with the present
position of the music-roll industry in respect
of its profit-making abilities. The rank and file
of retailers have no special success with music-
rolls, because they do not attempt to sell them
with any sort of system, or make them an in-
tegral element in the profit-producing sections
of the business.
Why is all this when as a matter of fact
there are ways of making the music-roll pay
handsomely, of making the music-roll produce
more sales of player-pianos and of keeping
present sales in good humor? There are ways
indeed, of making the music-roll one of the best
items in the retailer's stock.
How do You Sell?
Assuming that the purchaser of a player is
the usual citizen, knowing nothing about the
player and very vague as to his musical require-
ments, how is he handled when it comes to
buying music to go with his new instrument?
The usual plan, unfortunately, is to avoid the
subject or else leave it to the purchaser to bring
up. Some houses have a system of circulating
rolls on a rental and approval basis. But these
are gradually abandoning the method, finding
it does not pay. The greater number of houses
place the purchaser in front of a collection of
rolls, or give him a catalog and tell him to pick
out the dozen free rolls that go with the instru-
ment. If, by any chance the lunacy of giving
free rolls has been avoided, then the purchaser
must pick out rolls at random and pay for
them. In practice he usually asks that the se-
lection be left to the salesman. The latter is
often a poor selector, wherefore the purchaser
gets a dozen very badly chosen rolls of very
indifferent music.
In a month that purchaser is sick to death
of the rolls and yet—such being perversity of the
human mind—as likely as not he will never
think of coming to buy new ones. Unless he
is actually stimulated in some way, the chances
are that his roll buying will be very infrequent
and very much begrudged. For these reasons
Artattpn
Record Rolls
"Music as Actually Played"
HESE record rolls repre-
T
sent a true, scientific re-
production of piano playing
as performed by e m i n e n t
artists. Made with a respect to
the ideals of past and present
composers. Artempo rolls sell
on a merit basis only.
Your proof is in our sample
box at $2.00. Ask for it today.
BENNETT & WHITE, Inc.
67-71 Gobel St., NEWARK, N. J.
the roll department in many a music-store is a
much neglected place, while conversely the
slowness of buying reacts upon the purchaser,
who tires of his player-piano and becomes any-
thing but a good booster of player-pianos in
general to his friends.
Remedies
Now the remedies for this state of affairs
can be seen with half an eye. To apply them
may be more difficult, but to state them is com-
paratively a simple matter. They may, in fact,
be summed up in three sentences:
1. Advertise your music-rolls and let people
know you have them to sell.
2. See that owners get the right kind of rolls
at the beginning to keep them satisfied, and
enough to encourage them to form a library
for themselves thereafter.
3. Feature the quality roll.
Advertising
Sometimes, in spite of the obvious desirability
of some particular commodity, the public is so
little informed about it or has been so little
stimulated with regard to it, that without care-
ful instruction, no demand will ever grow of
itself. The music-roll is to an extent in this
situation.
Therefore, to make music-roll retailing pay,
each retailer must look first at the advertising
aspect of the matter.
The Window Display
The simplest, most striking and most effec-
tive advertising stunt for local use and appli-
cation is found in first-class window display.
In attempting to apply such an idea to the
music-roll business, we must remember that
everything must be done indirectly. You cannot
show the sound of music in a window, but you
can suggest it.
For instance, the hand-played roll attracts
attention through its personal feature. Then,
suppose, for instance, you wish to draw atten-
tion to the facts in the case of an interpretation
recorded by, say, Harold Bauer.
Procure a
picture of this artist at the piano and use it
with sign placards reading such'as:
"Harold Bauer lends you his hands"; or
"A Recital by Harold Bauer in your Home
to-night; will you have it?" or
"No More Machine Music; the Artist's own
Interpretation on your own Piano"; or some-
thing of the sort, and then another one like
this:
"A Thousand other interpretations by Bauer
and other artists, within, priced from one dol-
lar upwards," or words to that general effect.
Lastly, one should never forget two essentials
to such a display; one, a heap of the rolls on
the window-floor and the other a card reading:
"Hear for yourself inside; no obligation; we
are glad to have you compare and judge"; or
"Stop wishing you could play your player-piano
like an artist—Begin to play it well to-night."
Now, if such an idea as this, for instance, is
carried out when a certain artist is giving a re-
cital in town, it cannot fail to be effective. It
is equally good when no special recital is cm,
just as general publicity. The point is that
this is doing something to attract attention,
and simultaneously to instruct the public in a
matter of which they know little or nothing.
A hundred other ideas of the same sort will
occur to any retailer who will give the subject
five minutes thought.
Utilizing Sheet Music
Here is one other idea. Suppose a certain
piece of popular music is being featured by the
local song-shop or by your own sheet music
counter. Stock up with a lot of the rolls of
the piece and make a display of rolls and sheet
music together with maybe a talking machine
record, too. Have a sign reading like this:
"Mother, Get a Hammer, There's a Fly on
Baby's Head."
The Astounding Hit of the Minute
Everywhere.
By Milton Vienna, the rag-time King.
Can You Play it On the Ivories?
Then buy it quick at a quarter the copy.
Do You Play it On the Player?
Then slip it over your tracker-bar at a quarter
the roll.
The above may be too frivolous in its word-
ing for the dignified ones; but the import of the
idea will be seen, and that is the main point.
The Newspaper Work
It is a cardinal principle in the advertising
departments of all department stores that every
section, no matter how insignificant, shall have
its mention from time to time. The same prin-
ciple should be applied to the music-lover. The
music-roll section may be small at present, but
it ought to grow and can grow, if it be adver-
tised persistently.
No display advertisement
of a music-store should be published without
including a line or two about the rolls. But
that does not mean the stilted repetition of a
cant phrase about having rolls in stock. That
is mere indifference, and sells rolls no more
that the listing of a lot of piano names on a
dealer's letter-head sells those pianos. The
point is that in every display advertisement
where a player-piano is set forth, there should
be a line or two in a box at one corner stating
some specific fact relating to some specific
roll which is being for that week featured; or
something equally to the point.
In addition, one can from time to time have a
music-roll advertisement devoted to rolls en-
tirely; but this, say, once a month, when it is
necessary to remind the public that music-rolls
are really to be bought, not just to be thought
of. Such advertisements should be instructional
in character and devoted rather to educating
the public on roll matters of which they are
ignorant; such as the hand-played roll, the qual-
ity roll, the stupidity of buying cheap rolls, etc.
Don't Advertise Bargains
To make the music-roll the bearer of the bar-
gain burden is the worse of policies, for the
roll can least of all endure such treatment. Ad-
vertise bargains in anything else, if you must,
but leave the roll alone. For as soon as one
advertises rolls at bargain prices, the value is
gone, and it is just that much more difficult to
sell at profit-bringing prices thereafter. In
selling rolls you are not selling something of
understood and appreciated value.
You are
selling something that has been given away with
player-pianos and sold at bargain prices and
produced in worthless editions to be displayed
on the counters of ten-cent stores. Therefore
your advertising must be constructive and
adapted to show good reasons for desiring the
roll irrespective of its cost.
Specifically, newspaper advertising should be
adapted to produce two distinct effects; one
being to persuade owners of player-pianos to
form regular roll libraries, and the other to
induce frequent purchases in small quantities
rather than larger quantities less frequently.
Functions of the Roll
From the retailer's standpoint, the main func-
(Continued on page 6)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
6
PUSHING THE PLAYER ROLL
* (Continued from page 5)
tion of the music-roll is preventive, to keep
present owners satisfied and happy. Its sec-
ond function is positive; to make new owners.
To keep present owners happy, get them to
buy new rolls. Advertise at them. Talk about
the roll library as if it were a book library.
Send out suggestions, educate, encourage, try
to get the public schools to take on a player-
piano and a library of good rolls at the High
School for music appreciation study.
Give
home recitals, offering to defray all expenses
if the hostess will undertake to invite a given
number of her friends and get them to the
house. Preach always in the newspapers, and
in monthly letters to the list of player owners,
that new music is always on hand, that it pays
to invest in a music-roll library, and that stand-
ard music never dies.
Talk up the quality roll, talk up the hand-
played, the artist record. .Talk quality and for-
get price. Forget price and talk quality. It
pays. All the good people do it. It pays; for
it is right, true and positive.
To make prospects into owners of player-
pianos, get them to hear good music at the
store. Talk quality again. The popular music
will take care of itself. Display it, advertise
it when it comes in, and it will be bought by
all who want it. But: talk quality and go after
the people who "would buy a player if it did
not sound so mechanical." Play at them, play
a record of Harold Bauer or Hofmann or Ga-
brilowitsch or Angell or Brockway or Arndt,
and let them hear the difference. Talk quality
and again Talk Quality.
These, are some pointers on the music-roll
business, drawn from the experiences of those
who have made music-roll retailing pay. They
are worth study and trial, for the music-roll is
an integral part of the music business and as
such deserves to be treated and handled.
Kroeger
Progress
A
YEAR of marked advance in both
grand, upright and player-piano
departments of the Kroeger Piano
Co. has now reached its close. Among
dealers and the purchasing public there
has been manifested a new appreciation
of Kroeger values—truly an incentive to
new accomplishments—for which we are
most grateful.
^ With the Kroeger institution there- is
no resting on past laurels, for the quality
standard has ever been kept to the front
since the business was founded in 1852.
1917 will usher in, at an early date, a
number of important inventions and im-
provements, representing the perfection
of player mechanism, which have been
developed by the experimental depart-
ment of the Kroeger Co., that are bound
to emphasize afresh that the Kroeger
player-piano is to be the leader during the
New Year.
^ These improvements are embodied in
two new player styles, to be designated
Style 47 and Style 48 — instruments that
represent almost two years of continuous
development in the experimental depart-
ment, and represent improvements of such
distinct merit that they will mark an epoch
in the player world when formally intro-
duced.
GREAT VOCALSTYLE CO. YEAR
Just Closed by This Weil-Known Cincinnati
Firm—Praise for Their Hand-Played Rolls
CINCINNATI, O., December 23.—Business with
the Vocalstyle Music Co. of this city has been
unusually active during the past season, and they
are closing a year which shows a distinct ad-
vance not merely in the total business done, but
also in the quality of the product produced. The
greatest difficulty, it appears, has been their in-
ability to manufacture Vocalstyle rolls fast
enough. H. G. Miller, secretary and manager,
reports that they have been receiving the most
encouraging commendations on their new hand-
played rolls, and this has been quite a factor
in their increasing business combined with their
national advertising campaign.
In a chat with Mr. Miller he further stated:
"It has always been our aim to give the pub-
lic the best possible service, and to furnish
our dealers with 'Sales Helps' of the most ef-
fective kind. Our publicity department is do-
ing everything possible in this line, and is
working on some new ideas which we feel
when presented to the trade will be exceed-
ingly appreciated. We firmly believe that the
results will be worth the expenditure."
PATENTS ELECTROMAGNETIC RAIL
WASHINGTON, D. C, December 26.—Patent No.
1,209,214 was last week granted to Melvin L.
Severy, Arlington Heights, Mass , and George
B. Sinclair, Georgetown, Me., for a • magnet-
rail for electrical musical instruments, which
they have assigned to the Choralcelo Co., Bos-
ton, Mass.
This invention relates to musical instruments
comprising tuned electromagnetically attractive
sonorous, bodies vibrated by means of closely
disposed electromagnets having properly timed
electric pulsations delivered thereto; and this
invention has for its objects the construction
of improved means for supporting said electro-
magnets; and to improvements in the electro-
magnets themselves.
i Within a very few weeks we expect to bring
these instruments to the attention of the trade.
Meanwhile, we will be glad to give the fullest
details regarding them to inquiring dealers.
I
The Kroeger Piano Co.
Stamford, Conn.
New York, N. Y.

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