Music Trade Review

Issue: 1916 Vol. 63 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
REVIEW
PUBLISHED BY THE ESTATE OF EDWARD LYMAN BILL
(C. L. BILL, Executrix.)
J. B, SPILLANE, Editor
J. RAYMOND BILL, Associate Editor
AUGUST J. TIMPE
Business Manager
Executive and Reportorial Staff:
]'.. TIRITTAIN WILSON,
MYRON TOWNSEND,

CAKI.ETON CHACE, L. M ROBINSON. WILSON 1). l.usir, V. D. WALSH,
W M . I'.RAID W H I T E (Technical Editor), A. J. NICKLIN, I.. K. BOWKRS
BOSTON OFFICE t
JOHN H. WILSON, 324 Washington St.
Telephone, Main 6950.
»
CHICAGO
OFFICE t
E. P. VAN HARLINGEN^ Consumers' Building,
220 So. State Street. Telephone, Wabash 5774.
HENRY S. KINGWILL, Associate.
LONDON, ENGLANDs 1 Gresham Buildings, Basinghall St., E. C.
WS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 373 Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION (including postage), United States and Mexico, $2.00 per year;
Canada, $3.50; all other countries, $5.00.
ADVERTISEMENTS, $3.50 per inch, single column, per insertion. On quarterly or
yearly contracts a special discount is allowed. Advertising pages, $no.
REMITTANCES, in other than currency forms, should be made payable to the Estate of
Edward Lyman Bill.
Departments conducted by an expert wherein all ques-
tions of a technical nature relating to the tuning, regu-
lating and repairing of pianos and player-pianos are
p
d ea i t W j t h, W JH b e found in another section of this
paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900 Silver Medal. . .Charleston Exposition, 1902
Diploma. .. .Pan-American Exposition, 1901 Gold Medal
St. Louis Exposition, 1904
Gold Medal. .Lewis-Clark Exposition, 190D.
XiONQ DISTANCE TELEPHONES—NUMBERS
5982—5983 MADISON SQ.
Connecting 1 all Departments
Cable address: "Elblll, New York."
NEW YORK, NOVEMBER 4, 1916
EDITORIAL
HE increased cost of production in all lines of manufacturing
is one of the vital questions of the day, and the piano industry
is certainly no exception. Indeed the necessity of manufacturers
making an advance in the selling prices of pianos to cover condi-
tions which have materialized during the past six months, not
merely in the matter of labor but in materials, which in almost
every branch have shown an upward trend, becomes more im-
perative every day. Manufacturers must get a price for their
instruments commensurate with the cost of manufacture, and
arguments must be presented to their representatives throughout
the country to this end.
Piano merchants have sufficient business foresight and judg-
ment to arrange matters whereby they will receive a just and
fair increase in prices from the public whose purchasing power
has been greatly augmented through the large volume of employ-
ment and the good times which we are now enjoying*
It behooves every manufacturer to carefully revise the cost
formula so that he may know exactly what it costs him to make
instruments now as compared with say twelve or twenty months
ago. In this connection every salesman can be of considerable
value to his employer and to the trade at large by helping to
sustain prices. There is no excuse why any ground should be
surrendered to the "price beater."
Piano salesmen have a large amount of "grit" and at a time
when prices are being considered this is a necessary possession,
so as to avoid the temptation to yield a point or two in order to
prevent a threatened cancellation of an order, or clinch a prom-
ised sale.
T
HAT the tariff, whatever its underlying principle, should be
T
flexible enough for the encouragement of foreign trade, and
that American exporters should be authorized to co-operate, as
do their foreign rivals, were two national policies advocated by
Willard D. Straight, vice-president of the American Interna-
tional Corporation, and chairman of the National Foreign Trade
Councils Committee on the foreign trade aspect of the tariff, in
an address last week at Atlantic City.
Mr. Straight emphasized that there will be a difficult period
of readjustment after the war, which will be marked by a cur-
tailment of abnormal demand for many of the specialties for
which there is now a big call, and added : "Two facts are in our
favor, despite the contemplated alliances between members of
the two groups of belligerents and their possible reciprocal un-
derstandings with other countries not now at war. Europe must
continue to make large purchases in this country. More than
that, after the war, with our prevailing high prices, Europe, in
order to find an outlet for her products, will seek this market.
"Our purchasing power is our first line of economic defence.
We must utilize this purchasing power to protect our producers
and our exporters against discrimination by economic alliances.
We must be on guard against possible preferential arrange-
ments between members of these alliances and between those
groups and other countries which might unduly discriminate
against the share of world trade to which its productive re-
sources entitle the United States, and which is in the interest
of well balanced international commerce.
"We must protect our domestic producers against the unre-
stricted importation of foreign goods and must assure our ex-
port markets by. capitalizing our purchasing power. To accom-
plish these two results we must have a flexible trading tariff."
of those who attended the meeting of the New
T HE York majority
Piano Manufacturers' Association wore agreeably
surprised, and in some instances distinctly astonished, at the
report made by C. M. Tremaine, director of the National Bureau
for the Advancement of Music, conducted under the auspices
of the National Piano Manufacturers' Association.
There Were some who believed that the Bureau existed in
name only, that it was a passive factor, that it had not got under
way, but the facts presented by -Mr. Tremaine proved conclu-
sively that thq Bureau lias done things and has gotten beyond
the crude stage, that those in charge of it have a definite idea
of what they have set out to accomplish, and have evolved
definite plans for reaching that goal.
The presentation of the advertising slogan, "A piano in
every home," alone served to impress the manufacturers favor-
ably. The good work in connection with the various music
pages in the daily papers also shows that every effort has been
put forth to make this section of the campaign successful. But
there comes the question of support.
The report was very good to listen to. Tt reflected credit
on both the director and the committee, and showed that there
was something actually being done. The director and the com-
mittee, however, cannot do it alone. They are simply in the
position of collating—bringing together in concise form—the
ideas evolved by the members of the trade at large. That neces-
sitates not passive but active interest and co-operation, and
moreover it takes money to carry on the work—considerable
money in the aggregate it is true, but still a surprisingly small
sum considering the magnitude of the campaign. Split up
among the many concerns and individuals in the trade, the money
necessary does not place a burden on anv one provided everyone
does their share.
llE scarcity of competent piano salesmen has been the sub-
T
ject of considerable comment by piano merchants in widely
separated sections of the country recently, and the matter has
been set forth frequently by correspondents of The Review- in
their communications to this publication.
Apparently many young men starting out in commercial
life "pass up" the piano business for something offering greater
opportunities—on the surface, at least. Just why this condition
exists merits consideration.
Discussing the situation, a piano man recently remarked to
The Review that the fear of losing sales through inexperienced
salesmen often prompts dealers and managers to refuse to give
such men a chance, no matter how promising they appear to
be. Then oftentimes the new man is placed out in the field at
what is colloquially called "doorbell ringing," where he cannot
receive the benefit of advice from his employer, or from some
experienced salesman. The result is that the young man often
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
ADVERTISING AS A FACTOR IN BUSINESS SUCCESS
(Continued from page 3)
to endeavor to insure the permanency of that prosperity by advertising their lines more intensively than ever
before.
Now is the time to impress upon the general public the need for pianos in the home to such an extent that
a piano will come to be regarded as more of a necessity and less of a luxury than it has been hitherto.
When this idea becomes firmly implanted in the public mind the piano industry will have but little fear
of times of business depression and inactivity.
Advertising is the only medium through which this idea may become prevalent and permanent.^
Therefore, piano manufacturers, consider the parable of the hen and the duck!-
becomes discouraged by the problems offered in a field with
which he is as yet unfamiliar.
The progress from doorbell ringing to star salesmanship
does not take the form of a sudden jump. The new man in the
piano sales field must naturally expect to begin at the bottom, but
the dealer who puts him there and leaves him to his own devices
is not only making a mistake, but naturally is not making money.
It is safe to say that many more sales in the making are lost
by the inexperienced doorbell ringer, through lack of knowledge
of how to impress new prospects favorably, than are lost by the
same kind of a man on the wareroom floor, where he can have
the assistance of the manager or salesman in closing a sale.
The dealer who really wants to build his own sales force
should give the newcomer a chance to develop in all depart-
ments, both inside and outside. 11 is education may cost money—
may mean the loss of a few sales—for it must be considered that
the education that doesn't cost anything, either in money or
effort, is really worth about what is paid for it—but the loss will
eventually be more than recovered.
In the case of the piano salesman, the properly trained
dealer is in a position to secure ample return on his investment.
The successful piano salesman is not the result of accident; he
must receive special training in several departments, especially
under the present system of selling pianos, and particularly now
that the player-piano with its new problems is proving such a
strong factor.
The piano merchant who complains about the lack of ex-
perienced men must realize that to secure men of ability and
experience means that somebody must have had the labor of
training them, or must have stood the expense of such training.
If the piano merchants in a body would each resolve to take a
proportionate share in the trouble and expense of training sales-
men, the individual expense through lost prospects and sales in
the beginning would be surprisingly small, and the benefit's to
the trade at large could not be overestimated.
many instances the greatest enemy of the player-piano is
I it N seems,
the player-piano itself— that is, the instrument that is played,
for the purpose of producing noise instead of music.
On the great majority of player-pianos the control devices
are designed to modulate and soften the tone instead of increas-
ing it, that is, if we except the sustaining pedal. Some day there
is going to be a player-piano manufacturer who will produce an
instrument so regulated that it will normally produce a medium
volume of sound—a volume suitable for the average room and
which will require the use of special devices to produce fortis-
simo effects. Such a manufacturer would not only earn the
blessings of those who are forced to listen to noise producing
neighbors, but will benefit the entire trade, by reducing in some
measure the tone volume of the player-piano.
contrast to the wails that come from piano men in various
I is N cutting
sections of the country regarding the belief that the automobile
into piano sales, it is rather refreshing to learn that
the piano men of Detroit are finding the self same automobile a
source of profit, for in that city automobile workmen and execu-
tives earning large wages and salaries are spending good money
for pianos in large numbers.
If the demand for automobiles continues to increase and the
factories grow in number, with the consequent enlargement of
their staffs, w r e may see the time when automobile makers will
buy enough pianos to make up for the lack of sales to those
"common" people who nowadays buy automobiles rather than
pianos. It is conceded that within a few years practically every-
body will travel around in their own car, and that the inhabi-
tants of the United States will be divided in two classes, the
quick and the dead—those fast enough to dodge the autos and
those who are not. If this condition develops and everyone has
purchased an automobile, they will then perhaps turn their
thoughts and minds to pianos and players. It is simply a case
of waiting long enough.
GETTING DOWN TO PLAIN PLAYER FACTS
The education of the public along player lines is a necessity for the expansion of the player business.
There is no doubt of that; and education of the piano merchants and salesmen is also a vital necessity,
because through them will come a powerful force in the education of the public; and right here we wish to
remark that we have produced a line of books upon, the player-piano which comprehensively covers the
entire player situation.
In this respect this trade newspaper stands alone, for it has been the principal source from which player
information has been available for piano merchants and salesmen for a period of years. Our latest book,
"The Player-Piano Up to Date"
is the best of the series. It contains upwards of 220 pages of matter bearing directly upon the player.
Every piano merchant and piano salesman should have a copy of this book within easy reach. It
gives to readers a fund of information not obtainable elsewhere.
It contains a series of original drawings and a vast amount of instructive and educational matter, as
well as a detailed description of some of the principal player mechanisms.
It costs $1.50 to have this book delivered to any address in the United States, and your money will be
refunded if you are not satisfied with the book after examination. No one yet has availed himself of this
opportunity. Foreign countries, 15c. to cover extra postage, should be added.
Estate of EDWARD LYMAN BILL, Publisher
373 Fourth Ave., New York

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