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54
THE
MUSIC
TRADE
REVIEW
success and a long life from the very first. Sang Annie Laurie," "Way Down Home" and
"America First" is a new patriotic issue writ- "Some Day the Shadows Will All Fade Away."
Great Demand Evidenced for Late Numbers ten by J. Will Callahan and Eddie Gray. It
in the McKinley Music Co.'s Catalog—Many has a good swing and with the addition of spe-
GOOD REM1CK SUMMER BUSINESS
Songs Listed on Pathe Record List
cially written verses can be made an excellent
Jerome H. Remick & Co., New York, report
campaign song for either the Democratic or that the summer business is away above the
CHICAGO, I I I . , June 26.— Tf a casual visitor to Republican party, considering the platforms re-
average for this season of the year. Among the
the McKinley Music Co. were to walk into the cently adopted at the conventions in Chicago songs of the house which are having exception-
establishment of that concern at Fifty-fifth and St. Louis."
ally large sales are: "Memories," "Underneath
"When the Moon Shines Down in Old Alaska" the Stars" and "They Didn't Believe Me."
street and Harper avenue these days, he would
get the impression that June is the "rush" and "Oh, Those Blues" are two new numbers "Memories" is especially going fine, and the last
month of the music that are picking up rapidly in the matter of
two numbers are having good sales as vocal
publishing business. sales.
as well as instrumental pieces.
FAMERICA FIRST The
Three very meritorious numbers which are
McKinley Co.
has been very for- featured by Carlos Sebastian, the famous dancer,
NEW MUSIC
tunate this year in and used by him at the new Bismarck Gardens,
O L I V K K 1HTSON CO.,
its publications and are "My Phantom Girl," "My Honey Lou" and
ISO T r e i m n t St.,
Boston, Mass.
from William Mc- "La Danza Appassionata."
STRUMENTAL.
"If You Only Had My Disposition" is a rag At Dawning (Nellie I N Richmond
Kinley, who is pres-
Eberhart-Clias. Wake-
field C a d m a n )
$ .50
number by Chas. McCarron and Albert Von
I ident, and D. R.
Cradle Song of t h e W a r ( M a r g a r e t Kuthven L a n g ) . . .60
Tilzer
that
is
being
used
with
success
in
all
Disillusion
(John
G.
Saxe-G.
A.
Grant-Schaefer)
40
I F o s t e r , manager,
I H e a r d a Cry ( S a r a Teasdale-Wm. Arms F i s h e r ) . . . .40
i down to the office parts of the town.
I Know N o t W h y ( M o r r i s Kosenfeld-Wm.
Arms
Fisher)
SO
"You Are the Image of Mother," "I'm Going
boy, everybody in
Love Will Live ( P a t r i c k MacGill-Chas. Fonteyn Man-
60
t h e institution is to Raise My Boy to Be a Soldier" and "Pussy- Never ney)
Again (Theodosia Garrison-Louis Schmidt)
60
^ ^ j busily at work in foot" fox trot are three others that are helping <) Perfect Love (Dorothy F. Blomllelcl-A. Walter
Kramer)
60
supplying d e a l e r s to make McKinley history.
Thy Wav, Not Mine, O Lord (lloralius lionar-Louis
The McKinley publications are rapidly break-
K. Dressier)
60
with music from the McKinley shelves.
Low (Howard Weeilen-Wm. Arms Fisher)
60
ing into the talking machine business as witness Swing
Valentine
Song
(Mary
Turner
Salter)
40
The remarkably well designed and illustrated
I Awake (Wintter Watts)
40
the following numbers which are listed in the When
Wind's Tales, The (Helen M. Hutchinson-Mary Tur-
covers that have characterized the McKinley
ner Salter)
50
June supplement to the Pathe catalog alone,
product for years past continue to be in evi- "Drifting," "I Love the Name of Dixie," "Moon- Wood Song (Eugene Lee Hamilton-Winner W a t t s ) . . .40
Jos. L. Wells, music dealer, of La Salle. 111.,
beams Bring Love Dreams," "On the Day You
Said Goodbye," "Dear Old Ma, 1'hey All will move to 414 First street in the near future.
McKINLEY NUMBERS GOING BIG
PUSSYFOOT
MAKERS OF
7O5-717
Whitlock
dence and no neglect in this department is
resultant from activities in the other divisions
of the business.
Perhaps the best selling of the popular num-
bers is "I Ain't Got Nobodj'" by David Young
and Charles Warfield. This is a character song
of class, but in addition to the lyrics there is a B A U S P I A N O C O . , I n c .
haunting melody that apparently marked it for
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