Music Trade Review

Issue: 1916 Vol. 62 N. 8

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to-day.
The World Renowned
SOHMER
Sohmer & Co., 315 Fifth Ave., N. Y.
BAUER
PIANO*
MANUFACTURERS - HEADQUARTERS
308 SOUTH WABA8H AVENUE
The Peerless Leader
Thm Quality Gom* In Bmform thm Namm Goms On.
CHICAGO
ESTABLISHED 1817
QUALITY
GEO. P. BENT COMPANY, Chicago
©/pert
One of the three
GREAT PIANOS
of the World
BOARDMAN
& GRAY
Manufacturers of Grand, Upright and Player-Pianoa
of the finest grade. A leader for a dealer to fee
proud of. Start with the Boardmaa ft Gray and
your success is assured.
Faotory:
ALBANY, N. Y.
CINCINNATI NEW YORK CHICAGO
Owners of the Everett Piano Co., Boaton.
JOUD
KIMBALL VOSE PIANOS
BOSTON
Grand Pianom
They have a reputation of over
FIFTY YEARS
tor superiority in tfaote qualities which
are most essential in a First-clast Piaao.
Upright Piano*
Player Pianm9
Pimm Organ*
SING THEIR
OWN PRAISE
Straube Piano Co.
Factory and Offices: HAMMOND, IND.
Display Rooms: 209 S. State St., CHICAGO
VOSE & SONS PIANO CO.
Rmmd Organ*
M
e r l i t l
mXfl
DURABILITY
BOSTON, MASS.
of the Kim
~
QUALITY SALES
ball product
"™"^^~ s h o w n by
the verdict of the World's Columbian Jury
of Awards; that of the Trans-Mississippi
Exposition; the Alaska-Yukon-Pacific Ex-
position; and of the masters whose life-
work is music.
developed through active and con-
sistent promotion of
W. W. Kimball CO., CHICAGO
NEW
433 Fifth Ave.
HARDMAN,PECK&CO.( r °,8r)
Manufacturers of the
HARDMAN PIANO
The Official Piano of the Metropolitan Opera Co.
Owning and Operating the Autotone Co.. makers of tlie
OwningandOperating E.G. Harrington &Co., Est. 1871, makers o£the
AUTOTONE (£.%»
HARRINGTON PIANO
'The Hardman Autotone
The Autotone The l'layotone
The Harrington Autotone
The Standard Flayer-l'irtiio
BUSH & LANE PIANO COMPANY
HOLLAND, MICH.
T h e T e n - , I •>=
(C
A LEADER
AMONG
LEADERS"
PAUL G. MEHLIN & SONS
Factorial:
Main Offloe and Wararoom:
insure that lasting friendship between
dealer and customer which results in
a constantly increasing prestige for
Bush & Lane representatives.
(Supreme A motif Mitderately Priced Instruments >
MEHLIINI
27 Union Square, NEW YORK
BUSH & LANE
Pianos and Cecilians
Broadway from 20th to 21st Street*
WEST NEW YORK, N. J.
HADDORFF
CLARENDON PIANOS
Novel and artlttlo oat*
doslgns.
Splendid tonal qualities
Possets surprising value
apparent to all.
Manufactured by the
HADDORFF PIANO CO..
Roikford, • • Illinois
R.S HOWARD CO.
PIANOS, PLAYER-
PIANOS and
ELECTRIC PLAYERS
In 1889, twenty-six years ago, the R. S. Howard
Piano was introduced to American buyers and since
that period their lasting purity of tone and remarkable
ability to stand all changes of climate, their fiaithed
beauty of exterior and supreme excellence of workman-
ship have made the Howard Pianos world famous.
The Best in the World for the money.
R. S. HOWARD CO., 35 W. 42d Street
NEW YORK, N. Y.
CABLE
& SONS
Plmnom and Plmym* Plmnom
SUPERIOR IN IVCRY WAY
Old latabllahad Houaa. Produotton Llmltad ta
Quality. Our Playara Ara Parfaatad ta
tha Limit al Invantlan.
CABLE at SONS, I M W e s t SMfc St., N.Y.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
REWW
ffflJJICT^ADE
VOL. LXII. No. 8 Published Every Saturday by Estate of Edward Lyman Bill at 373 Fourth Ave., New York, Feb. 19, 1916
»oo
Credit—The Basis of Business Health.
HE larger our knowledge of efficiency and scientific management in business becomes, the
more we realize that it is impossible to steer the business ship to the port of safety without a
proper comprehension of the importance of credit, which is not only a necessity to the con-
tinuance of any enterprise, but is as much a necessity as cash.
This is just as true of the small piano store in the country town as of the great corporation in
a big city doing an immense domestic and foreign trade. Both depend upon credit for their exist-
ence and prosperity. Nevertheless every day we find merchants in the piano trade, as well as other
industries, who treat their credit as if it were their health—they fail to realize its true value until
they have lost it.
Credit men have well been described as physicians of business, and they will tell you that many
a man conducting a sound, healthy business becomes a financial wreck within a few years, simply
because he has abused his credit—just as a man who starts out in life with a sound, healthy body
becomes a physical wreck within a few years by excesses or dissipation.
It is difficult for a man to regain lost physical or business health, because in many cases char-
acter has deteriorated with his business. Character is one of the greatest assets governing the giving
of credit, for a man receives credit in proportion to the amount of confidence that men place in him.
In considering the importance and necessity of credit to every business man, it is remarkable
how careless some are regarding that prime essential to their commercial existence. The nature of
their transgressions would indicate that these are generally the result of thoughtlessness, or a false
conception of the value of credit. It is not so much an active abuse of credit, but is rather a possible
indifference and neglect, which are mental ailments that weaken the will. And be it remarked that as
tiie will is the index of character, the ease or indifference which marks this retrograde step implies
the fact that there exists a moral as well as physical law of gravity.
Too many men overlook the importance of meeting obligations when they fall due, at least with-
out putting themselves to serious inconvenience. They calculate that the manufacturer can well
afford to wait—that is only a trifling matter to him, whereas payment may mean a general disturbance
of the merchant's affairs at the time it becomes due. Sophistry and temporizing supply the general
justification.
There is a prominent business man, a manufacturer in an important branch of the music trade
who looks upon the note as a genuine obligation for the maker of the note to pay a specified amount
at a certain time. The unexpected happens in every business. The maker of the note may meet
with the trials and tribulations of business and be unable to meet it. When the circumstances are
reasonable and are explained to the manufacturer before the note becomes due, he frequently grants
a renewal without question. But for the note to go to protest means that the customer's business
relations with that particular manufacturer are ended for all time.
This is a business practice that is absolutely justifiable.
No business can be safe, or conducted correctly, without giving close attention to the fulfilling
of obligations, and business men, whether in the music trade or elsewhere, should not be indifferent
to the importance of this fact.
With favorable business conditions confronting us in 1916, and with prosperity so diffused
among the masses of the people that an immense demand for musical instruments of air kinds is
possible, it necessarily involves a business expansion that will mean much for the piano manufac-
turer and the piano merchant.
T
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