Music Trade Review

Issue: 1916 Vol. 62 N. 20

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW
"THE QUALITIES of leadership
*
were never better emphasized
than in the SOHMER PIANO of
to-day.
The World Renowned
SOHMER
BAUER
PIANOS
Sohmer & Co., 315 Fifth Ave., N. Y.
MANUFACTURERS*
HEADQUARTERS
3O6 S O U T H W A B A S H
AVENUE
The Peerless Leader
ESTABLISHED 18»7
Thm Quality Goet In Bmtorm th* Nanxm Go— On.
QUALITY
GEO. P. BENT COMPANY, Chicago
BOARDMAN
& GRAY
One of the three
GREAT PIANOS
of the World
Manufacturers of Grand, Upright and Player-Pianos
of the finest grade. A leader for a dealer to be
proud of. Start with the Boardmaa ft Gray and
your success is assured.
Factory:
CINCINNATI NEW YORK CHICAGO
Owner, of the Everett Piano Co., Boston.
SING THEIR
OWN PRAISE
BOSTON
Mf>rit of
FIFTY YEARS
Factory and Offices: HAMMOND, IND.
Display Rooms: 209 S. State St., CHICAGO
tor iupenority in tbote qualities which
are most essential in a First-class Piamo.
VOSE & SONS PIANO CO.
BOSTON, MASS.
~
LflCIIl b a l l p r o d u c t
shown by the verdict of the World's Co-
lumbian Jury of Awards; that of the Trans-
Mississippi Exposition; the Alaska-Yukon-
Pacific Exposition; and of the masters
whose life-work is music.
W
Straube Piano Co.
I bey have a reputation of OTH
t h e Kim
ill
ALBANY, N. Y.
trauh?
KIMBALL VOSE PIANOS
Grand Pianos
Upright Pianos
Player Pianos
Pipe Organs
Reed Organs
DURABILITY
I72-«^1%.«11
P A
QUALITY SALES
JANSSI N PIANOS
developed through active and con-
sistent promotion of
In a «.• l.i^s h \
BUSH & LANE
Pianos and Cecilians
BEN II. JANSSEN
Established 18*7
I'l u ,•
. W. Kimball CO., CHICAGO
\ l \\
^ ORK
\ HARDMAN, PECK & C O . f t i $%
NEW YORK
433 Fifth Ave
insure that lasting friendship between
dealer and customer which results in
a constantly increasing prestige for
Bush & Lane representatives.
Manufacturers of the
HARDMAN PIANO
The Official Piano of the Metropolitan Opera Go.
Owning and Operating the Autotone Co.. makers of the
Owning and Operating E. G. Harrington & Co., Est. 1871, makers of the
AUTOTONE (M&S)
HARRINGTON PIANO
The Hardman Autotone
The Autotone The Playotune
The Harrington Autotone
The Standard Player-Piano
BUSH & LANE PIANO COMPANY
HOLLAND, MICH,
(Supreme Among Moderately Priced Instruments')
The Hensel Piano
"
The Standard Piano
MEHLIN
"A LEADER
AMONG
LEADERS"
R. S. HOWARD CO.
PIANOS, PLAYER-
PIANOS and
ELECTRIC PLAYERS
PAUL G. MEHLIN & SONS
Factories:
Main Offloe and Wareroom:
27 Union Square, NEW YORK
Broadway from 20th to 21st Streets
WEST NEW YORK, N. J.
In 1889, twenty-six years ago, the R. S. Howard
Piano was introduced to American buyers and since
that period their lasting purity of tone and remarkable
ability to stand all changes of climate, their fimiihed
beauty of exterior and supreme excellence of workman-
ship have made the Howard Pianos world famous.
The Best in the World for the money.
HADDORFF
CLARENDON PIANOS
Novel and artistic oatt
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Manufactured by the
HADDORFF PIANO CO.,
Roekford, - - Illinois
R. S. HOWARD CO., 35 W. 42d Street
NEW YORK, N. Y.
•CABLE & SONS
H
Piano* mnd PlmyBf Plmmom

H
H
SUPERIOR IN EVERY WAY
Old Established House. Production Limited to
Quality. Our Players Are Porfootod to

the Limit of Invention.
JCABLB A SON*. Bit W««t »8tt St., PJ.T.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUilC Tfy\DE
VOL. LXII. No. 20 Published Every Saturday by the Estate of Edward Lyman Bill at 373 4th Ave., New York, May 13, 1916
Single Copies 10
$2.00 Per Year
Advertising and Its Purpose
I
F, in future generations, a compilation of the wonders of the present day and age is made, the list will be
incomplete should the science of advertising be unmentioned.
The earliest advertising medium was the human tongue. The merchants of primitive times walked
about the streets crying the qualities of their wares. From this humble beginning, advertising has
developed into a science, governed by rules and principles which have been evolved with almost the same
unvarying accuracy and care which attended the creation of those formulas upon which the science of
astronomy is predicated.
Yet, in spite of the metamorphosis which has taken place in the gradual evolution of business, the tongue
still plays an important part in the modern science of publicity, for the advertising of to-day seeks but to start
it wagging—to start people talking about the merchandise which the advertising features.
Many piano men seem to hold to the theory that advertising is designed merely to create new customers,
to open new accounts, to sell new goods. This is but a half truth. One of the fundamental objects of all
advertising is to keep a name, a concern, or a product, constantly in the public mind and before the public eye —
to keep the public continuously talking and thinking about the product advertised, whether any immediate
sales result therefrom or not.
In the assets of any established concern that intangible something called good-will holds a most important
and valuable place. Good-will cannot be materialized, it cannot be weighed or measured, and yet it is one of
the foundation stones upon which the structure of modern enterprise is raised.
Consistent, persistent, sensible advertising is the greatest factor known to-day in the creation and con-
tinuance of good will. Examples of this are not hard to find. Witness the national publicity campaigns which
are constantly carried on by the American Telephone & Telegraph Co., popularly known as the Bell Telephone
Co. It would be exceedingly difficult to trace the installation of a single telephone directly to any one printed
advertisement of the telephone concern, yet it is an unquestionable fact that the continuous advertising which
has been done by this concern has created an appreciation of the convenience offered by the telephone, and has
established a good-will for the telephone, as an instrument, and for the Bell Telephone Co., as the purveyors
of this instrument, which cannot be measured in mere dollars and cents.
The Victor Talking Machine Co. is reported to have spent $250,000 in newspaper advertising during
the Christmas season last year, and this despite the fact that the unfilled orders in the factory, long before the
Christmas season approached, were sufficient to consume the entire output of the plant for the coming twelve
or eighteen months. In other words, the actual number of talking machines sold by the Victor company
during the month of December would have remained the same had not a line of advertising appeared in any
publication. If this be true, why did the Victor company spend a quarter of a million dollars to advertise
machines for which orders had already been obtained? Simply to maintain the good-will which the company
enjoys, and to strengthen, if possible, the Victor name as a concomitant of the talking machine throughout the
civilized world.
The same theory is as directly applicable to the great piano houses. It is exceedingly doubtful if anyone
ever purchased a Steinway piano, for example, simply and solely because of the fact that they happened to see
an advertisement of that instrument in some publication, yet the continuous advertising of the Steinway, which
has been carried on for many years, has so firmly established the Steinway name in the mind of the public
that the man on the street, if asked to name over half a dozen leading pianos of the day, will undoubtedly
include the Steinway in that list.
The Steinway advertising, the Aeolian advertising, the Chickering advertising, the Mason & Hamlin adver-
(Continued on f>age 5.)

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