Music Trade Review

Issue: 1916 Vol. 62 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE
PUBLISHED BY THE ESTATE OF EDWARD LYMAN BILL
(C. L. BILL, Executrix.)
J. B. SPILLANE, Editor
J. RAYMOND BILL, Associate Editor
AUGUST J. TIMPE
Business Manager
Executive and Reportorial Staff:
B. BRITTAIN WILSON,
A. J. NICKLIN,
BOSTON
CARLETON CHACE,
W M . B. WHITE,
OFFICES i
JOHN H. WILSON, 324 Washington St.
Telephone, Main 6950.
L. M. ROBINSON,
WILSON D. B U S H ,
GLAD HENDERSON,
L. E. BOWERS.
CHICAGO OFFICE:
E. P. VAN HARLINGEN, Consumers' Building
220 So. State Street. Telephone, Wabash 5774
HENRY S. KINGWILL, Associate.
LONDON, ENGLANDt 1 Gresham Buildings, Basinghall St., E. C.
NEWS SERVICE IS SUPPLIED W E E K L Y BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 373 Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION
(including postage), United States and Mexico, $2.00 per year;
REMITTANCES
Edward Lyman Bill.
Departments conducted by an expert wherein all ques-
tions of a technical nature relating to the tuning, regu-
ntc!
lating and repairing of pianos and player-pianos are
p n i S .
dealt with, will be found in another section of this
paper. We also publish a number of reliable technical works, information concerning
which will be cheerfully given upon request.
.il
allU
A
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal.. .Charleston Exposition, 1902
Diploma
Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
Gold Medal..Lewis-Dark Exposition, 1905.
^_
KO2TG DISTANCE TELEPHONES—NUMBERS 5982—5983 MADISON SQ.
Connecting all Departments
Cable address: "Elbill, N e w Vori."
NEW YORK, APRIL 8, 1 9 1 6 .
EDITORIAL
the piano trade, as in other lines of business, the war on the
advertiser is carried on, it seems, almost constantly.
I The N misleading
legitimate piano men wait until there is a flagrant case of
deceptive piano publicity and then proceed to take any action pos-
sible against the offender. The great trouble, however, seems to
be that the effect of such action is purely local, and that the mis-
leading advertising is stamped out in one locality only to bob up
serenely in another.
In certain sections, in Baltimore, San Francisco and Cincinnati,
piano men, either on their own account or in connection with
organizations of advertising men, have taken drastic action against
questionable piano advertising, but each case makes it more evi-
dent that the final solution to the problem is a Federal statute ex-
plicit in its provisions and applicable to every part of the country.
The law known as the "Printers' Ink Statute," and which has
been passed by nearly thirty States in the Union, appears to answer
the purpose intended on the subject, but even this measure in the
hands of State legislators and the courts can be so misconstrued
as to be ineffective. It has been found that the little words,
"knowingly" and "with intent to defraud," offer a wide loophole
for the escape of the fraudulent advertiser, though inserted osten-
sibly to protect the innocent from the workings of the law. A
Federal statute to be acceptable should be so framed that the guilty
advertiser could not escape in a tangle of red tape or through vary-
ing interpretations of the meaning of certain phrases.
I
N the discussions regarding the handling of used pianos of
standard make that have cropped up in the trade from time
to time, the suggestion has been made on numerous occasions
that the legitimate representatives of the pianos be permitted
to buy them at a fair valuation from competitors who had taken
the instruments in trade and thereby directly discourage the
advertising of the used instruments at prices tending to reflect
on new instruments of the same make.
To many dealers the suggestion appeared to be Utopian in
character, but a number of houses have actually put it into prac-
tice with a remarkable success, among them being the piano
department of the Emporium, San Francisco, Cal., where Man-
ager Marcus never places a trade-in piano of standard make on
sale or advertises it until the local dealer of that particular make
of piano has been afforded an opportunity to purchase the
instrument.
The Emporium department watches closely the allowances
made on used pianos, and, consequently, is able to offer the
instruments to a local dealer at a price that is fair. The result
is that the plan is working out most successfully, and is worthy
of consideration and adoption by other piano houses.
HILE youth in business is to be accepted as representa-
W
tive of modern methods, abounding energy and that
intangible spirit termed "pep," age in business will never lose
its value as an asset. New concerns enter the field and succeed,
but as they succeed they grow older and gradually come to the
point where the date of establishment looks good on the sta-
tionery. That a house has been a factor in the piano business,
for instance, for thirty, forty or fifty years and at the latest
analysis can show a steady and persistent advance speaks vol-
umes for its honesty of purpose, ideals lived up to and the proper
conception of business methods. Such a house must have sold
products of quality at fair prices and thus been able to build
steadily new business upon the business that has gone before.
A half century in business means something beyond a plain
schedule of years; it means more than a mere period of time.
Only recently the noted house of Thomas Goggan & Bro.,
of Galveston, San Antonio and other cities in Texas, celebrated
its fiftieth business anniversary. When the late Thomas Gog-
gan, the founder of the business, entered the field in 1866, Texas
was a land of magnificent distances, small population, and very
little else, and yet, through earnest effort, the Goggan house,
with a quality line of instruments headed by the Steinway,
appealed to the musical tastes of the cattle barons and the
townsmen and expanded as the population and resources of the
State expanded. It is a fifty-year record to be proud of, but a
record that is closely approached, if not equalled, by a number
of other concerns prominent in the trade to-day. Certainly
age in business means something.
HILE on the subject of preparedness it might be well to
W
emphasize the desirability for adhering to that slogan in
the matter of trade associations. An instance in point is the
experience of the piano dealers of Baltimore recently in the
fight against the business methods of a new member of the
trade in that city. When the sensational sales tactics were first
in evidence, Jos. M. Mann, head of the Mann Piano Co., imme-
diately called a meeting of other old-line dealers and framed such
a strong protest that the post-office authorities stepped in and
arrested the principals of the offending concern.
Had there been an association in existence a few weeks ago,
the officers of that organization could have handled the matter
with neatness and despatch, and with a knowledge of just who
was supporting the movement. Fortunately, however, the music
dealers of Baltimore have seen the light, as evidence of which
there appeared in The Review last week the account of the
formation of the Music Dealers' Association in that city. Even
though there be no questionable sales methods to require atten-
tion, there are plenty of trade features to keep the trade asso-
ciation busy in any city.
HESE are days to put lines of worry upon the faces of
T
exporters while their dispositions are affected by many
exasperating matters. One figures out an excellent profit on a
bill of goods sold to a South American merchant, say, and
arranges for his cargo space on a steamer. The goods are made
up in a Western plant and are shipped with a fair time allow-
ance for delivery at the steamer's side. Railroad congestion
delays the shipment, perhaps no further away than New Haven
or Poughkeepsie, the ship sails without it, the exporter is unable
to fill his contract, and besides, if he decides to ship the consign-
ment on the next steamer, two weeks later, he finds the freight
cost greatly advanced. The profit originally contemplated can
easily shrink 25 per cent.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
THE HUMAN EQUATION CAN'T BE IGNORED
(Continued from page 3.)
Consider our own industry. What is the best part of that industry, the part that lives, that makes it
possible for the rest of us to exist? Plainly it is the conservative, the honorable, the fine element which
is making the best goods it can, which sticks to the old principles of merit and honor. The great honorable
houses of East and West alike are the foundation and splendor of our industry. They are all efficient;
but they know what efficiency means. They know what they are trying to do.
You say they are trying to make money? Of course, they are! Money is power, and if you have not
money you have not power in the industrial world of which you are a part. But the end of efficiency is
not the mere piling up of money, because any efficiency system which has only that end in view is not
efficient. It is the plainest truth in the whole tangled history of the piano trade that the houses which have
tried the get-rich-quick game have gone to the wall, one and all.
The really efficient houses are—as they have always been—those whose efficiency engineering has been
thought out by themselves, and who have kept in mind the cardinal principle that the end and aim of real
business efficiency is to increase the opportunity one has to make something good for the world's service and
to make it so as to secure an adequate reward for the labor and capital alike invested in the enterprise.
Right here in New York we have a piano manufacturing institution run by bright business men. If
any business has a right to be called efficient, the branches of this great business have that right. Do
they use any patent profit-mill? Do they attempt to treat their plants like a collection of machines, human
and non-human alike? Do they have any thrillingly elaborate "systems" which are harder to handle than
the actual making of the goods? Not by a long shot!
Their system is beautifully simple. They treat their men and women decently, give them good
surroundings, fair pay, opportunity to make and profit by suggestions, chance of promotion, and a bonus
system based on a percentage of earned income without any reference to patent methods of "speeding."
What is the result? Well, it is evident in the success of the enterprise.
The following recipe for efficiency in business is worth considering: First, be sure you know what
you are trying to do. Then, remember that a business is a personality; not only has, but is a personality.
Therefore a business is more than a mere machine and shows its humanity by responding to kind treatment
meted out to the human atoms who compose it. Thirdly, know that friction is the great foe of efficiency,
that if the friction is sweetened away from the human element, that element will busy itself with great
pride in removing the physical and mechanical friction and lost motion. Fourthly, realize that one man's
meat is another man's poison, and that the treatment that is suited to John Smith's business may be
swift anesthesia for yours. Lastly, comprehend the simple fact that humans love kindness and a square
deal, and that when once assured of this, they soon prove the old truth that a man know x s his own business
best, and its converse, that those who are on the inside looking out know more of the interior than those
who are on the outside looking in.
The Growth of the Demand for the Grand Piano
HE musical season which is now coming to a close, has
T
been especially notable for the great number of pianists
who have been heard in concert and recital, due, of course, to
the fact that the war in Europe has forced many artists to
depend on this country for a livelihood. Never before in New
York, and we are sure the same condition exists throughout
the country, have there been a larger number of recitals in
which prominent pianists have figured.
That these recitals have stimulated interest in the piano is
inevitable. Hence the question arises, have piano merchants
having the representation of the various pianos thus exploited,
utilized the publicity value of these recitals in their towns, and
brought to the attention of the local purchasing public their
exact relation with the instrument, and thus gained the value
that may be derived from local exploitation?
We do know that in many cities this has been done with
increased profit and prestige for those dealers who have had
the enterprise to grasp this opportunity for dignified publicity.
Piano merchants should always be on the alert for oppor-
tunities like this, particularly when the piano which they rep-
resent is brought to the attention of the musical public by a
great artist, who has won a position of international celebrity.
Co-operation with the piano manufacturer and the artist
never fails to\be productive, and when utilized in conjunction
with local publicity is the most effective form of dignified and
profitable business building.
The increased demand for grand pianos, now so evident
throughout the country, can be attributed in a large measure
to the activity which prevailed in the concert field during the
present musical season. The manufacturers and dealers all
admit that at no time in their history has the grand piano made
such a strong appeal as to-day.
This is not surprising. With the betterment of the times,
and the increased circulation of money, the grand piano is the
ideal instrument for those who own their own homes; its artis-
tic design harmonizes more effectively with the general fur-
nishings of the music room than any other type of instrument.
In the large apartment buildings which are so novel a feature
of New York, particularly on the West Side, the music room
is considered a necessary part of the construction, and a great
many grands, particularly of the smaller type, have found their
way into these domestic palaces where countless families live.
Americans are notoriously partial to the best, and the grand
being the highest type of instrument, as well as the most
expensive, has an especial call upon their consideration, even
altogether apart from its intrinsic worth musically.
It must be admitted, however, that the increased musical
knowledge and appreciation which to-day prevail throughout
the United States, as compared with a quarter of a century ago,
as well as the increased wealth, have also been tremendous
factors in the selection of grands for home use. The cultivated
musician is not always satisfied with the upright and finds in the
grand piano that tone volume and quality, as well as action
mechanism, that satisfy his musical desires.

Download Page 4: PDF File | Image

Download Page 5 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.