Music Trade Review

Issue: 1915 Vol. 61 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
11
Oiuf TECHNICAL DEPARTMENT
CONDUCTED BY WILLIAM
BRAID WHITE.
ever, this attitude on their part can work harm
only to themselves. To persist in an unprofitable
In The Review for July 23 there appeared an business is to have trouble sooner or later. Un-
article under the heading "Where Experience Is happily, the idea of making the tuning department
Needed," in which were quoted the views of a anything else than an expense account has scarcely
manufacturer of player-pianos as to the lamentable entered into the calculations of the piano trade;
results of unskilled meddling with player actions. and when the attempt is made to extract a profit
In this connection I have a letter from George L. from this department it is only too often confined
Maitland, of Philadelphia, whom we all know and to cracking the whip over the force and threatening
whose messages we always like to get, although we them with penalties if they do not turn in a maxi-
do not have them so aften as we should like. mum of work each week. Of course this sort of
thing is ridiculous, but there is not much sense in
Says he:
"Permit me to ask if it is not largely the player expecting anything better until dealers are content
manufacturer's and dealer's fault that such condi- to look at their business scientifically and to see
tions prevail. In their eagerness to sell players that eternal attempts to meet competition by cuttting
many have cut the tuning and repair end down to prices are the least useful and generally the most
about half what it ought to be in order to induce stupid that can be imagined.
Still, for all that, the independent tuner who has
customers to buy.
"Let me say right here that my idea of a good his own trade outside of a big city must be a player
piano tuner is a man who can not only tune on the man. There is no getting away from this re-
road but who can keep his actions in the highest quirement.
By the way, my readers will be interested to
state of efficiency. In order to do this he must
keep his actions properly regulated and keep the know that one of Mr. Maitland's sons, Rollo F.
Maitland, who is an eminent organist, a Fellow of
pianos clean inside and free from moths.
"Now, the same thing applies to the player-piano the American Guild of Organists and an acknowl-
tuner; and if anything, with more force. For the edged organ virtuoso, gave the opening recital on
player-piano tuner is up against the same thing that the new $20,000 municipal organ in the Municipal
we were up against many years ago when Nunns building of Springfield, Mass., on the occasion of
& Clark and Hallet & Davis built melodeons into the meeting of the American Association of Organ-
their pianos. If, in these old instruments, we did not ists, which took place during the first week of this
keep our piano actions clean and free from moths, month. I have had the pleasure of hearing Rollo
the moth dust choked the reeds and they were no Maitland's organ playing and can testify to his
good. The same thing applies to the player, for if virtuosity.
A Word of Appreciation.
the action and parts are not kept free from dust
Once
in
a
while one feels vain enough to repro-
and moths the wind sucks in the dirt and the player
duce one of those not so frequent letters of appre-
clogs up.
"Notwithstanding the great amount of additional ciation that one gets from a reader. It is worth an
work entailed on the tuner, most of the trade have immense amount of labor and trouble to get a letter
undertaken to keep player-pianos in order for very like this:
"FT. MADISON, IA., July 24, 1915.
little, if any, more than they charge for the straight
"My Dear Mr. White: While in New York at-
pianos. I know many local firms who give three
tending the Danquard Player Action School I
tunings per year on player-pianos for $6.
"Is it any wonder that good tuners refuse to bought one of your latest technical works, 'The
enter the player field while such deplorable condi- Player-Piano Up to Date.' Please accept my hearty
tions exist? Is it not more profitable for the good congratulations for your untiring efforts in finally
tuners to let the fakers and amateurs have the producing a work that for clearness of diagrams,
player-piano in their own way, so long as dealers correct and comprehensive descriptions, with sys-
will not see the necessity for increasing their prices tematic and suitable terminology, far exceeds any-
thing previously produced, not excepting your ex-
for work on player-pianos?
"Of course people like the Danquard School and cellent work, 'Regulation and Repair of Piano and
others deserve great credit for instructing the Player Mechanism.' Wishing you health and suc-
I. S. CHRISTY."
tuners, but so long as merchants and manufactur- cess.
In
answer
whereof
I
can
only
say, "Thank you
ers cut the prices of their repairs below what they
ought to be they are hindering the good schools in very much; I shall try to deserve these commenda-
their work, for it is certain that the time and pa- tions." And, by the way, I might as well say that
tience to properly clean and adjust a player-piano I have something else soon to see the light, which
are more than twice what is needed for the same I hope and believe will be equally useful to my
readers in another way.
operation on a straight piano."
A Note on Solid Tuning.
There is something to this argument; at least in
From
time
to time I read and hear in various
large communities where there are many piano
stores and much competition. But the argument, I places opinions on this important question which, by
fancy, hardly applies in the sparsely settled country their diversity, if in no other way, demonstrate the
districts, where dealers are few and tuners as few, extraordinary lack of definite information thereon.
if not fewer. The tuner who is handling a country May I be permitted here a brief note on one aspect,
trade simply must understand the player-piano, for thereof?
The entire question of solid tuning rests on two
it he will not or cannot take care of it, somebody
must be had who can and will. Sooner or later, foundations: (1) The capacity of the tuning pin
then, the tuners must take this viewpoint or be sun- for turning in its block, and (2) the capacity of the
planted. There seems to be very little use in string to pull evenly through its bearings. Here
let me say three things: First, tuning pins usually
arguing a question like this.
stick more or less and usually are found to have
Of course Mr. Maitland is right in saying that
dealers are wrong to offer to care for player-pianos
FAUST SCHOOL OF TUNING
on the straight piano basis. In the long run, how-
"WHERE EXPERIENCE IS NEEDED.'
PIANO KEYS BLEACHED
REPAIRED OR RECOVERED
Work Done in 6 to 1/2 Days
and Guaranteed
Smnd Us Your Keys fey Parcels Post
JOS. niGLKK * SONS
M»nr«*r1!l«, O.
Piano, Player-Piano, Pipe and Reed Organ Tuninrand Re-
pairing, alio Rernlatlnr, Velclnf, VarnishlnrandPolUhinf
This formerly was the tuning department of the New Eng-
land Conservatory of Music, and Oliver C. Faust was head
of that department for 20 years previous to its discontinu-
ance.
Courses in mathematical piano scale construction and
drafting of same have been added.
Pupils have daily practise in Chickering & Sons' factory.
Year Book sent free upon request.
27-29 GAINSBOROUGH ST., BOSTQN, MASS.
been driven too roughly into the blocks. Likewise,
pins which are tight never turn evenly and a cer-
tain amount of twisting at the outer end is inevi-
table, resulting in the string going out of tune in a
short time. Second, mere brutal pounding does no
good to the piano action, to the hammers or to the
strings. The better way is to make sure that the
pin is turned. Third, the talk about "evening the
tension" is mostly nonsense, for if the string be
well pulled, by the tuning pin being well turned, the
whole question of hanging on the bridge, which is
the basis of most of the "evening tension" talk, will
solve itself.
If you don't agree with this, why not write and
say so; and say why ?
Mean-Tone Temperament.
How many know what that means? Just to show
you that "there are more things in heaven and
earth, etc.," I am going to write for the Horatios
who read this department an article on the tem-
perament that went before the equal temperament.
You will find it most interesting, believe me (or as
the dialect writers spell it, "muh." I never heard
anybody say that, and I don't know what it means,
but it looks good). The mean-tone temperature is
something you can try out far yourself on your own
piano, and you will be surprised at the results;
also you will like them, 1 am sure.
Communications for this department should be
addressed to William Braid White, care of The
Music Trade Review, New York.
BACKS UP PRAISE WITH ORDER.
Prominent Dealer Writes Enthusiastic Letter
Regarding the Qualities of the Francis
Bacon Baby Grand Piano.
The Bacon Piano Co., New York City, manufac-
turer of the Francis Bacon pianos and player-
pianos, has just received a letter from one of its
large dealers in the Middle West highly indorsing
the Francis Bacon baby grand piano, and dupli-
cating a fine order on these instruments in the same
communication.
The Francis Bacon baby grand piano has proven
very popular, and is one of the smallest grand
pianos made. This instrument has been specified
by a number of the leading conservatories of this
country, and has also been installed in the homes of
representative citizens all over the United States.
A remarkable grand tone quality is a character-
istic of the Francis Bacon baby grand, and the
secret of its great success is primarily due to the
specially constructed scale.
CHARLES H. LJCHTY TO MOVE.
Charles H. Lichty, the well-known piano dealer
of Reading, Pa., now located at 48 North Eighth
street, has arranged to move to new quarters at 23
North Eighth street on September 1. Extensive
improvements are being made in the new building.
Tuners and Repairmen
Can make good money installing Jenkin-
ion's Player-Action into used Pianos. Write
for catalogue.
JENKINSON PLAYER CO.
912 Elm Street, Cincinnati, Ohio.
Polk's Piano Trade School
Piano,
14th YEAR
Player-Piano and Organ Tuning,
Repairing and Regulating
Most thoroughly equipped Piano Trade School in
U. S. Private instruction. Factory experience if de-
sired. Students assisted. Diplomas awarded. School
entire year. Endorsed by leading piano manufacturers
and dealers. Free catalogue.
C. C POLK
Box 298 Valparaiso, Ind.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
12
THE MUSIC TRADE REVIEW
EXPOSITION CITY
GETTING RESULTS FROM EXPOSITION EXHIBITS.
Those in Charge of Booths Show Much Energy in Working Up New Schemes—Daily Pipe Organ
Recitals in Eiiers Booth—Silver Medal for Japanese Drums—Other Exposition News.
part of the performance Mr. Johnston circulates
about among the crowd locating "prospects," and
excitement incident to the talking machine and getting them into the small rooms for further
piano merchants' conventions, it might be expected piano demonstration. In this way quite a lot of
.-ales have been made. Mr. Grannis reports great
that things would seem rather tame at the various
musical and talking machine exhibits. In fact, interest in his music-roll machine on the part of
however, the average attendance at most of the visiting piano men, several of whom have left
exhibits is running about as large as ever, and the orders for the machine.
managers of the various exhibits are working out
Silver Medal for Japanese Exhibit of Drums.
many new schemes to attract attention or to ger
The Japanese exhibit of drums in the Palace
the greatest possible practical results from their
of Liberal Arts has been awarded a silver medal.
displays and demonstrations. This is keeping all
A similar award was given the Japanese instru-
hands busy, and in many cases is resulting in a
ment string exhibit.
considerable amount of new business. From all
Frank E. Morton's Visit.
indications the exhibitors feel that the next two
Frank E. Morton, acoustic engineer of the
or three months will be the best and busiest time
American Steel & Wire Co., has left for the East,
of the whole exposition period, as the Eastern
after spending a week or more in San Francisco,
{Special from Review Exposition Headquarters)
SAN FRANCISCO, CAL., August 7.—After all the
Instruments in American
people are beginning to realize how well worth
seeing it is, while country people from California
and near-by States will be coming in larger num-
bers after the crops are harvested.
3
Happenings at the Eiiers Booth.
'
E. O'Callaghan, who has been in charge of the
Eiiers collective exhbiit at the exposition, has
gone on a vacation, and for the present E. S. John-
ston, an old Eiiers man who has been for the
last few years in the pipe organ manufacturing
business at Los Angeles, is looking out for the
exhibit. P. G. Bretland, organist, is now per-
forming on the pipe organ in the Eiiers recital
hall every afternoon, an interesting feature being
his playing in accompaniment of Edison records.
The system of handling the people at the Eiiers
booth has been worked out in good shape. The
Edison and pipe organ recitals always draw a
crowd in the hall, and the people are then switched
over to a demonstration of the Masterole dupli-
cating machine by F. L. Grannis. During this
Steel & Wire Co. Exhib : t.
making his headquarters at the recital hall in the
Palace of Mines. Henry Spiller, organist, per-
forming on the Wurlitzer-Hope-Jones Unit
Orchestra, and Miss Zhay Clark, performing on
the Wurlitzer harp, have been a greater attrac-
tion than ever lately. While a great many of
the visiting piano men inspected this exhibit and
attended the recitals during the convention period,
this was really only an incident, as the place is
crowded to overflowing nearly every afternoon.
While many of the people are merely looking for
amusement, the demonstration has secured a num-
ber of live prospects for the various instruments
shown. The instruments in the American Steel
& Wire Co.'s hall are shown in the accompanying
photo. At the left is the console of the big Wur-
litzer-Hope-Jones Unit Orchestra, the organ pipes
appearing at the rear; in the foreground the
Steinway concert grand, in which the American
Steel & Wire Co.'s products are used; to the right,
a Wurlitzer upright piano; adjoining it, a Welte
Mignon, and directly in front of the organ pipes
a Mignon installed in a Wurlitzer piano. The
Wurlitzer harp also is a conspicuous figure. The
awards won by this exhibit include medals of
honor for the Mignon, the Unit Orchestra and
the harp, and a gold medal for the Wurlitzer
piano.
Visitors at the Cheney Booth.
M. L. Willard, secretary of the Cheney Talking
Machine Co., has been making his headquarters at
this company's booth for the last week. He ar-
rived via the Northwest, and will leave in a few
days for southern California and the East. Mr.
Willard was in charge of the construction and
opening of the Cheney exhibit, leaving soon after
•its completion, and is delighted at the way the
exposition has turned out and the interest that the
display is arousing. Geo. H. Bent, who has been
looking after the booth for the last few months,
has gone back to Chicago.
Two Noted Victor Workers.
The accompanying cut shows Everett Worthing-
toii, manager of the Victor Temple at the Panama-
I'acitic Exposition, and Mrs. Clark, superintendent
of educational work for the Victor Co., standing
before the beautiful classic entrance to the Victor
Temple. Mr. Worthington and Mrs. Clark shar^
between them the credit for the beautiful an.I
harmonious design of the Victor Temple, and for
the successful working out of the various at-
tractions connected with it. In the picture the
Everett Worthington and Mrs. Frances E. Clark
Before the Victor Temple.
entrance is decorated for the jobbers' convention
with specially-grown hydrangeas.
Many Bands Visit Conn Booth.
Carl D. Bethel, manager of the C. G. Conn
band instrument exhibit, has been kept busy by
the visit of several bands. The Ford'Motor Co.
band, Harry Phillips leader, has just left after
being here four days. Among the recent visitors
at the Conn booth were: R. A. Braniger, of the
Holmes Music Co., Los Angeles agents for the
Conn instruments; Anton Hospe, president of the
A-. Hospe Co., musical dealers of Omaha, Neb.;

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