Music Trade Review

Issue: 1915 Vol. 61 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
QUALITIES of leadership
were never better emphasized
than in the SOHMER PIANO of
to-day.
Ike World Renowned
SOHMER
It is built to satisfy the most
cultivated tastes.
The advantage of such a piano
appeals at once to the discrimina-
ting intelligence of leading dealers.
Sobmer & Co.
WAREROOMS
Corner Fifth Avenue and 32d Street, New York
KIMBALL VOSE PIANOS
BOSTON
Grand Pianos
Upright Pianos
Playr Pianos
Pip* Organs
Rmmd Organs
They have a reputation of over
FIFTY YEARS
for superiority in those qualities which
are most essential in a First-class Piano.
VOSE & SONS PIANO CO.
BOSTON, MASS.
Morit
o f t h e Kim
~
m e t I I b a U p ro duct
^™™~~" s h o w n by
the verdict of the World's Columbian Jury
of Awards; that of the Trans-Mississippi
Exposition; the Alaska-Yukon-Pacific Ex-
position; and of the masters whose life-
work is music.
Kimball Co.,
JANSSEN PIANOS
ml
St .IS
pi.HIM in
'_'< P( I I I C i >
\ l \V 'S OKK
The Quality Goes In Before the Name Goea On.
GEO. P. BENT COMPANY, Chicago
One of the three
GREAT PIANOS
of the World
CINCINNATI NEW YORK CHICAGO
Owners of the Everett Piano Co., Boston.
FAVORITE
MANUFACTURERS' HEADQUARTERS
3O« SOUTH WABASH AVENUE
CHICAGO
ESTABLISHED 1887
QUALITY—— DURABILITY
BOARDMAN
& GRAY
Manufacturers of Grand, Upright and Player-Pimnot
of the finest grade. A leader for a dealer to be
proud of. Start with the Boardman ft Gray and
your success is assured.
Factory:
ALBANY, N. Y.
StraulK Pianos
Silt THEII OWI PRAISE
STRHUBE PIANO CO.
5 9 East Adams Street
CHICAGO
:
ILLINOIS
BEN H. .lANSSFN
I'.IM Hiinl St .iiul Hr.mi; I'l.u •
The Peerless Leader
t a k e u d Factory:
117-US Cypre«w Avenue
BALER
PIANOS
FREDERICK F»IAISIO
AGENTS WANTED
Exclusive Territory
Manufactured b y
FREDERICK PIANO CO.
New York
HADDORFF
CLARENDON PIANOS
Novel and artlttlo oast
designs.
Splendid tonal qualities.
Possess surprising value
apparent to all.
Manufactured by tha
HADDORFF PIANO CO.,
Rockford, - - Illinois
NONE BETTER
It is a serious claim to indulge in the
word Best in the promotion of any line of
merchandise. One must be positively cer-
tain of the promise to safely take such a
position. When we say that the Bush &
Lane piano is as good as any piano that
can be made we do so with the full inten-
tion of proving it to be so. Every part of a
BUSH & LANE PIANO
is as good as it is possible to make it. We
stand ready to prove it to you.
BUSH & LANE PIANO CCHollamLMich.
MANUFACTURERS
R.S. HOWARD CO.
PIANOS, PLAYER=
PIANOS and
ELECTRIC PLAYERS
In 1889, twenty-six years ago, the R. S. Howard
Piano was introduced to American buyers and since
that period their lasting purity of tone and remarkable
ability to stand all changes of climate, their finished
beauty of exterior and supreme excellence of workman-
ship have made the Howard Pianos world famous.
The Best in the World for the money.
R. S. HOWARD CO., 35 W. 42d Street
NEW YORK, N. Y.
CABLE
& SONS
Plmnom mnd Plmyor P/mnom
SUPERIOR IN EVERY WAY
Old Established House. Produotlon LlmlUd «•
Quality. Our Ptayars Ara Psrfsotsd to
Iho Limit of Invention.
I CABLE ft SONS, BM W e s t S8tb St., N.T. |
1 -- digitized with support from namm.org
Music Trade Review -- © mbsi.org, arcade-museum.com
BBSS*®
REVIEW
THE
VOL. LXI. No. 4
H
Published Every Saturday by Edward Lyman Bffl at 373 Fourth Ave., New York, July 24, 1915
SING
SO C PER ES VEAR CENTS
OW training is reflected in the actions and utterances of men!
When a business man—a manufacturer—a banker or a merchant, rises at some public
function to deliver an address along specific lines he usually says something which is meaty
and straight to the point. It may not electrify his audience, but it appeals forcibly to the
reasoning sense.
When a college professor, or a strictly professional man, is down on the program for a speech,
he usually acquits himself in an easy, satisfied manner. His sentences are well rounded and punctu-
ated, his grammar and diction faultless, and yet, when you come to sift the speeches through a mental
process, or if they are placed in type and you go over them at your leisure, you usually become
convinced of the unmistakable meat and forcefulness in the one, that is the business man's, whose
address did not strike you at the time as being particularly good, while the other, the professional
man's utterances, which charmed you at the banquet, are invariably classed in your mind as imprac-
ticable and theoretical.
Thus the professions of the different types of men are clearly and unmistakably photographed
in their oral expressions, the business man dealing with cold facts, figures and sound logic, and the
other man dealing with theories, many of which could never be placed into practice to operate
successfully.
It shows how the different types of men follow certain ideals, the one developing simply through
the process of speaking and of addressing audiences, and the other speaking less but acting more,
and shaping his theories by practice either into success or defeat in business.
Simply a question after all of ideals, but reflected with unerring accuracy in the individual.
Actual success in life may come to the different types, but I could never understand how sober,
sensible business men can absorb with such avidity many of the theories of men whose entire lives
have been passed in an impractical atmosphere.
There are some students of mental problems who assert that we have within ourselves the
power to be anything that we will be. Whether this theory would stand the test of a final analysis I
have grave doubts, but there is undoubtedly a firm foundation of truth beneath it, and it is not at
all improbable that the weakness that might be displayed in its practical application would be due
to the individual rather than the principle.
Certainly there is ample evidence to show that the ideals we fix for ourselves govern to a large
degree the ends to which we finally attain.
The artist who paints a great picture has the ideal picture in mind and very clearly defined before
he attempts to put his brush to the canvas.
The architect who plans to construct a great building works out his ideal structure in all its
details before bids are passed out for the estimate of the contractor.
It is true that we may never attain fully to the ideal that we have fixed for ourselves, but this is
not infrequently due to the fact that our ideals are never stationary. Even those that seem the
noblest creation of the mind to-day may actually appear shrunken
within a year or two.
The fact is,, that our ideals to be effective must keep ahead of us,
and if they ever halt, then there would be little incentive for a man to
acquire further knowledge.

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