Music Trade Review

Issue: 1915 Vol. 60 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
EDWARD LYMAN BILL - Editor and Proprietor
J. B. SPILLANE, Managing Editor
Executive and Reportorlal Stall:
B. BXITTAIN WILSON,
A. J. NICEXIN,
CABUSTON CITACE,
AOGUST J. TiMPB,
BOSTON OFFICE
L. M. ROBINSON,
W K , B. WHITE,
GLAD HINDMSOB,
L. E. BOW U S .
CHICAGO OFFICE:
& £ V ^^STh^^3PS^
J . . . H. WMO-. H4 Washington St.
Telephone, Main 6950.
HENKY S. KINGWIIX, Associate,
LONDON, ENGLAND: 1 Gresham Buildings, Basinghall St, E. C.
NEWS SERVICE I S SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA.
Published Every Saturday at 37S Fourth Avenue, New York
Entered at the New York Post Office as Second Class Matter.
SUBSCRIPTION (including postage), United States and Mexico, $8.00 per year; Canada,
$8.50; all other countries, $6.00.
ADVERTISEMENTS, $8.50 per inch, single column, per insertion. On quarterly or
yearly contracts, a special discount is allowed. Adrertising pages $110.00.
REMITTANCES, In other than currency forms, should be made payable to Edward
Lyman Bill.
PluVPP PtallA a nil
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Ts>4»nnil*al l l p n a r t i n p n t e
Departments conducted by an expert wherein all ques-
tions of a technical nature relating to the tuniqg, regu-
lating and repairing of pianos and player-pianos are
lecnuicai veparnnenis.
dcal
• witk
w ju b e ' f o u n a i n mn< ,ther
section of this
paper. We also publish a number of reliable technical works, information concerning which
will be cheerfully give» upon request.
Exposition Honors Won by The Review
Grand Prix
Diploma
Paris Exposition, 1900
Silver Medal.. .Charleston Exposition, 1901
Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
Gold Medml..Lewis Clark Exposition, 1905
ILOVS DXSTAXrOX Tm.EFXOZriJ>-^rTnCBBRS 598a—6983 K A S I S O V »Q.
Oonn«ctln«- All B«partm«nt«
Cable a d d r e u : "ZlblU, W»w York."
NEW YORK, MARCH
13, 19.15
EDITORIAL
HE announcement is made by E. Witzmann & Co., Memphis,
Tenn., that hereafter, before offering second-hand instru-
ments to the public, they will first offer them to the local dealers
so that they may be afforded an opportunity to buy the instruments
at fair appraised values.
This is a move which is most commendable, and the Witzmann
advertising supporting- this policy is striking and forceful.
The policy of advertising trade-ins in such a way as to belittle
the standing of instruments advertised, as well as to give a false
impression to readers of the real values of these pianos, has had
the effect to injure many reputable instruments.
Frequently
traded-in stock is exploited in a manner so that the public is led
to believe that the dealers who advertise this stock are offering
bargains which would not be given by the local representatives.
Many times these advertisements do not indicate that the pianos
are used, and they give a false impression to readers.
Fairness and frankness in advertising is certainly to be com-
mended, and if the Witzmann plan were followed broadly there is
no doubt that the trade would be greatly benefited thereby. If
local dealers had the first opportunity of buying traded-in stock at
fair values it might save the trade locally from many bitter feuds
and also from a certain lowering of piano standards.
T
T
HE passing of Louis Grunevvald, which was recorded in The
Review last week, removes from the ranks of the living one
of the historic figures of the retail department of the music trade.
The late Mr. Grunewald was eighty-eight years old, and when
he came from his native Bavaria, a young man of twenty-five, he
settled in New Orleans, where for a while he was organist in the
Cathedral in that city. Before the war he saw business possibili-
ties, and he established an enterprise which has since become one
of the leading musical establishments of the South.
He was identified with all of the musical affairs of New
Orleans for a long period. The first Grunewald Hall, in Baronne
street, was the rendezvous for artists of all kinds, and many con-
certs and recitals were given there by famous musicians who visited
the South.
It was years ago that he decided to retire from active busi-
ness, and while he nominally retained the presidency of the corpo-
ration bearing his name, he assumed none of its responsibilities.
It, however, was always a source of pride to him to see the business
founded by himself carried on to higher points by the members of
his family who succeeded him in its management.
Mr. Grunewald ranked as the oldest Stein way agent in the
entire South, having carried the Steinway as the leading piano of
his enterprise for many years.
Mr. Grunewald was a great believer in the future of the South,
and he did not hesitate to make extensive investments in real estate
in that city. He built the Hotel Grunewald, and had since made
great additions to it. He was identified with the growth of the
city, and was particularly generous in his charitable donations.
He gave unstintedly to many of New Orleans' charities. He was
known as one of New Orleans' most useful and respected citizens.
GREAT many manufacturers have discovered that they can
A
best promote the sale of their products by helping the dealer
sell his goods—by making him a better dealer. In this connection
the policy of co-operation has been evolved with the object of aid-
ing the dealer through suggestions anent sales and advertising, and
in a number of other ways.
In the music trade field, as in other industries, it has been found
profitable to educate the dealers in special methods of doing busi-
ness—at least along profitable lines. For it is evident that as a
dealer expands his purchasing power increases, and all this is of
obvious interest to the manufacturer.
Here is where the progressive advertising department com-
bined with an intelligent corps of traveling men, work wonders in
helping mutually the manufacturer and the dealer. In these days
of keen competition expert advice is always welcomed by dealers
who aim to develop their business along correct lines, for where
there is a real understanding and co-operation among manufactur-
ers and dealers the best results can be secured.
The "service department" of a manufacturer's business, when
properly and broadly conducted, never fails to pay dividends.
Dealers in the piano trade who have been helped in the conduct
and success of their business by the suggestions of manufacturers
or their "service department" will testify to this fact.
T
HE arguments offered by piano manufacturers, sales mana-
gers and others to the effect that the piano salesmen of the
country have hardly got below the surface in taking care of the
prospects for their line, is borne out in a most interesting manner
by the recent report of the County Tax Assessor's office in Dallas,
Texas, wherein it was stated that only 4 per cent, of the taxpayers
of the county owned pianos, while from 30 to 50 per cent, of the
taxpayers were in a position to do so. While such percentages may
not obtain in all sections of the country, they certafnly find a
parallel in many sections and should serve to increase the enthu-
siasm of the salesman who believes that the number of prospects
is on the decrease. In the Dallas district alone, for instance, with
only 4 per cent, of the taxpayers owning pianos, and with, let us
say, only 30 per cent, in position to purchase instruments, it means
that less than 14 per cent, of the possible piano purchasers have
been reached, and that only about one-seventh of the ground has
been covered. What a rich field that other six-sevenths offers for
the piano salesman who really goes after business.
W
TTJI the issuance, a month or so ago, of a portfolio con-
taining proofs of its trade paper advertisements scheduled
to appear during 1915, the George P. Bent Co., Chicago, took a
decidedly forward step in securing added value for its trade paper
appropriation while acquainting the dealers directly with the ex-
tensive plans made for publicity in the trade field.
The large number of page and third-page advertisements re-
produced in actual size in the portfolio make a most impressive
showing, and prove to the dealer that the George P. Bent Co. is
making a substantial investment each year for the development and
increase of the prestige enjoyed by its products in the trade. The
confidence shown by the company in its own pianos and players,
placed in competition with the products of many other manufac-
turers as advertised in trade journals, is certain to beget confidence
in the George P. Bent Co. line on the part of the dealer, and en-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
GINGERIZE THE MUSIC ROLL BUSINESS.
{Continued from page 3.)
done by the retailers, and then they sit up and wonder why business is dull and why the talking ma-
chine branch of the business is a live one.
One ought not to look far to find the reason.
The talking machine manufacturers put forth intelligent, constructive and educational advertis-
ing. They associate the names of the greatest artists with their monthly lists of new records. They
tell some attractive feature of the records which they have just produced, but not a word from the piano
•merchants concerning their product.
Is it any wonder the people visit stores and purchase talking machine records when their atten-
tion is constantly called to them in an attractive form, and they hear nothing—absolutely nothing—
about music rolls?
It is just the difference between a dead one and a live one, and the men who are supposed to and
who should make the music roll business a live one are doing nothing to promote public interest in
its behalf. I say nothing—precious little at the best.
The music roll business must be intelligently treated, and the attention of the users of player-
pianos must be persistently called to the attractive features that are put forth each month.
The music roll business cannot be built profitably on the basis of throw-ins, and it cannot be built
on the basis of indifference and inactivity on the part of those who have a direct fundamental mone-
tary interest.
There is nothing that will kill a product as quickly as having it drop out of public attention. A
product must be talked about to be sold, and when I scan the music trade advertising of the country
and find little or nothing said about music rolls, as a natural sequence it seems to me that there must
be a dull and unprofitable condition existing in that industry.
The profit on the sale of a talking machine is fair, but a profit on the records insures a steady
income.
.
. •
The same conditions apply to the player. The profit on the original sale may be modest, but it
can be continually augmented by good monthly sales if the attention of the player owner is intelli-
gently and persistently drawn to just what the piano merchant can offer him in the way of music.
To send out a little bulletin with rolls numbered and titles given is not enough.
We talk about trade developers. Here is where the infusion of some good red, vitalizing blood
would work to excellent advantage.
I would suggest that the piano merchants everywhere work out
a plan of interesting their local trade, of featuring the music rolls in
such a way that people will talk—become interested, and then they will
buy, because the interest must first be created.
Make the music roll business profitable.
Advertising As A Business Stimulator.
SIGNIFICANT tribute to the value of advertising is revealed
A
in the annual reports of a number of companies in which
they point out that certain lines of goods have shown a decided
increase in sales as compared with other years, due entirely to the
fact that they have been advertised more largely and more persist-
ently than ever before.
The fact that these companies credit advertising for growing
profits has a moral for every business man, and is of especial in-
terest to those who are prone when times are disturbed, or (business
is dull, to shut off needed publicity, just at the time when it is most
needed in order to stimulate an interest in their business and keep
public interest awake.
At no time in our history was it so necessary as now for manu-
facturers and merchants to comprehend the importance of arousing
the trade and the public to a full sense of confidence in the future
of the country, and to a proper appreciation of the improvement in
industrial conditions which had been retarded through the limita-
tion of business energies, resources and legitimate expenditures.
It has been clearly shown that the large business concerns that
have carried on liberal advertising campaigns have had the least
percentage of business decreases since the European war dis-
turbed conditions in this country.
And this is also true whether the manufacturer or merchant is
selling pianos, or some other line of goods.
Timidity and fear of the future as exemplified in unneces-
sarily cutting down expenses on all sides has unquestionably a
psychological influence that is harmful. It makes people fearful
and uncertain, and creates a mental condition that hinders progress
in every direction.
Now is the time for optimism—for action—for stimulating
confidence among the trade and public by demonstrating that you
yourself have faith in the country's business future by advertising
and helping create a condition that will tend toward creating better
times.
courage him,to show that confidence by making a suitable adver-
tising appropriation in his local field, and thereby making the
national campaign most effective at home.
Dealers in Crown and Concord pianos and Combinolas should
be quick to realize that the efforts put forth by the George P. Bent
Co. in trade and general advertising cannot secure the most satis-
factory results unless the dealer gives support to the campaign
locally.
General advertising is the most effective weapon for trade
building, and it is doubly effective when it is brought home to the
public in the dealer's own territory through suitable publicity in
the local papers.

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